#t a psycho is a misunderstanding of his character and complexity

[bullseyelover]

i’ve been thinking about dex’s story in born again.

how, in universe, the world saw dex after the events of josies, and after his trial. how quick everyone was to believe he just snapped and went on a revenge fueled rampage at josies. and the sad thing is, that makes sense in the worst possible way. because the world is always going to be more comfortable writing someone like dex off as just another mentally ill guy who lost control. that’s the story people are used to. it’s easier, simpler, and it doesn’t require any deep thought or empathy. it doesn’t ask them to look at who failed him, who used him, who broke him down. it doesn’t ask them to understand the difference between someone being dangerous and someone being made into a weapon. and most people just don’t care enough to look closer.

and what gets me is how many people refuse to hold both truths about dex at the same time. that he’s a victim and a perpetrator. that he did horrific things and was still deeply, painfully used. i hate how often people online will reduce it to “oh you just like him because he’s hot” when you try to talk about him with nuance. like no. dex is complex. he’s the wound and the knife. he is someone who’s suffered, been manipulated, abandoned, used like a tool, but that doesn’t erase what he’s done. it doesn’t mean people weren’t hurt, or that his violence didn’t matter. you can see his pain and still hold him accountable. you can understand where it came from and still be horrified by the outcome. none of that is contradictory. it’s just real. he’s a character full of contradictions, and that’s part of what makes him so compelling. reducing him to one thing, victim, villain, psycho, it just flattens him into a version of himself that isn’t true.

and even in the show, it’s like no one really wants to see the whole truth of who dex is. it’s easier for them to believe “crazy guy goes violent” than to admit that someone vulnerable was groomed and turned into a weapon by someone with more power. for example in episode 8 where matt slams dex’s head into the table, and when the guard walks in, matt lies and says dex did it to himself. and the guard doesn’t even hesitate to believe it. he just immediately goes, “you crazy asshole.” he doesn’t even question it. because that’s already the version of dex they’ve decided is true. they don’t need proof, they don’t need context. they hear “he hurt himself” and go “of course he did.” and that’s what’s so brutal about it. even matt bought into that narrative at first. even though he knew dex had worked for fisk after the events of season three. and he listened to dex’s tapes. he believed that dex was a man who woke up one day on impulse and decided to kill foggy eight years after the events of season three. because he believed dex to be a violent and disturbed psychopath. because that’s the story society already believes. many people believe that mentally ill people are inherently dangerous. quiet violence is scarier than loud chaos. so people don’t ask questions. they just assume the worst. so dex being quiet and restrained in his rage in the trial scene just confirmed what they already thought about him. and that kind of widespread erasure makes dex’s story even more tragic. not just what happened to him, but how no one really sees it. not fully.

and that invisibility messes with him too. dex already struggles with identity. he barely knows who he is when no one’s giving him a script to follow. so when the whole world reduces him to nothing but a monster, a rampage shooter, it probably confirms the worst things he already fears about himself. even if he knows deep down it’s not the whole truth, it gets in his head. like maybe they’re right. maybe he really is just broken and dangerous and beyond saving. that he is an animal and nothing more. and that’s what hurts him. because he tried. he tried to be good. he tried to follow the rules. for so many years because he genuinely wanted to be a better version of himself. he tried to be useful, to matter, to be someone. and in the end, none of it mattered. no one remembers that he tried. they only see the end result. they only see the damage.

and that weight, the failure, the guilt, the grief of never being seen clearly, that’s something he has to carry alone. it’s what makes his story so heavy to sit with. and none of this is to say that dex isn’t still responsible for what he’s done. evidently he knew what he was doing. even if he was manipulated into it. he made choices, and those choices hurt people. he’s not innocent. he’s not good. he’s a villain. that’s who he is, that’s who he’s becoming, and he’s also someone with borderline personality disorder. someone who was manipulated, used, pushed to the edge, and weaponized. those things can all exist at once. he’s not either a tragic victim or an evil monster. he’s both. and when people act like empathizing with him or understanding where he came from is the same as excusing what he did, it’s just dishonest. like no one’s out here saying “my poor baby” and pretending he didn’t kill people. it’s just acknowledging that there’s more to him than what most are willing to see. that doesn’t absolve him. it just complicates him. and if that makes people uncomfortable, maybe they should ask why it’s so much easier to believe someone like dex is just a psycho killer than to accept that he’s human. flawed, dangerous, and human.

if people are saying that about comic bullseye, then yeah, it makes sense. that version of him is literally written to be an unstable psychopath who kills people for fun. he’s meant to be scary and empty and cruel, and that’s it. that’s what makes his character so fun to read. the needless violence, the grin on his face while he commits it. but dex isn’t only that. dex is bullseye, but he’s a version with so much more nuance and humanity. he is capable of everything that comic bullseye is capable of. but he has more contradictions, more depth. he’s not just evil for the sake of it. he’s broken and angry and used and spiraling, and all of that is still his responsibility, but it’s layered. he’s not just a killer. he’s a person. comic bullseye is the foundation, but dex was built on top of that. same character, same legacy, just finally given complexity. he has all the traits of his comic self, but there’s pain behind it now. there’s grief, there’s loneliness, there’s a desperate want to be seen and loved. he’s bullseye in every way, but now he’s also human and real.

[vrishchikawrites]

I actually wanted to know why do cql onlies said that wwx is morally grey like what gives? Is it because wrh is the supreme of all evil lord in the live action, does it make them think, oh someone needs to defeat this psycho, it's this person! Since this person adopted the long ancient method unearthed by some supreme evil lord psycho, they're morally grey like what? Who's gonna say that now even WRH might be morally grey even if he is supreme lord of evil in cql portrayal is literally in the face? CQL takes are... not it. (No I don't watch cql but I read cql fanfic so I only know of wwx being framed, and yin iron wtf is that. Fuck yin iron)

If you ask me, the whole concept of black, white, and grey morality is somewhat flawed because you're trying to fit into boxes something that's so subjective, that is based on circumstances, societal factors, motivations, and other complex influences. But I understand it is a literary device that's often employed and is considered a valid way to frame characters in the writing community. That aside -

WEI WUXIAN ISN"T MORALLY GREY. He's the very definition of a person who isn't morally grey.

Now, I believe that many fans subscribe to the notion 'the road to hell is paved with good intentions' (while misunderstanding the quote, btw). That means despite WWX's good intentions and righteous ideals, his actions were bad and caused harm. That particular quote is an accurate representation of this situation, I feel. Morality in most religions and spiritual teaching isn't as straightforward.

The quote I've mentioned means that the road to hell is an easy, broad path with wide open gates. The road to heaven is narrow, thorny path, difficult to navigate, and often has consequences. The gate is also very narrow.

Alternatively, it means that just good intentions don't matter, you need to back your intentions with hard, righteous actions. This is, from what I understand the western look at the concept.

Again, fans probably consider this to mean that WWX's good intentions don't matter - his actions and their impact do.

Eastern view also says something similar. Basically, for righteousness, you may have to stand against your society, your family, and countless other forces. The path will be difficult, it will cause harm to yourself and others. Following the right path isn't easy and it can be destructive, violent, and revolutionary. Sometimes you have a large mountain in the path to doing the right thing. You can't move around it and you need to smash it to go ahead. While you may be punished for it in life, you will be rewarded for it after life (entry into heaven, better reincarnation, or ultimately, nirvana)

If you read properly and have a good understanding of characterization, this whole concept becomes very clear. If you don't and focus on surface factors - like CQL-WWX's self-criticism, weeping, and guilt, JC's baseless accusations, JYL's sacrifice being considered WWX's fault, the JZX's death being considered WWX's fault instead of an escalation in a tense, hostile situation, etc.

People who don't actually understand grey morality will immediately label this as grey morality. Thing is, WWX's morality is never in question. He is righteous to the very end. The only situation where he can be considered anywhere remotely grey is during SSC where he goes overboard against the enemy.

Also, a high moral ground is earned. Even if you consider WWX's actions during SSC as morally grey, he earns his 'white' morality with his actions after the war.

so, tl:dr - some fans think WWX's actions and decisions undermine his morality and weaken his character because they lead to harm. They don't think his actions and decisions are because of his righteous morality and sometimes doing what's right has unpleasant consequences for all. LITERALLY - LOOK AT HISTORY.

[hotel-japanifornia]

What’s your feelings on godot i do feel sorry for him and i don’t hate him but he was a huge prick to Phoenix

Godot is a rather complex character. I like him as a character in general, however the fandom does seem to misunderstand who he is and what his motives are, even his fans.

When we first meet Godot chronologically, we meet him as the defense lawyer, Diego Armando. Diego is honestly pretty charming, he’s smooth, he’s confident, he’s cool, and I like the way he plays off of Mia. I personally never found the “kitten” nickname sexist nor do I understand why it would even be considered that way. It’s never said once that Diego doesn’t think Mia is lesser for her gender. In fact, in their first conversation during the case, this is said:

Armando:No, no, no… You’ve got it all wrong! Today, YOU’RE the finest! After all, it took an amazing amount of guts to take this case! Imagine… An escaped death row convict for a first client!

If anything, I think the whole kitten thing is probably just his nickname for rookies in general, and not necessarily women. I’ve seen people think it’s his way of flirting with her, and that’s possible too, just not necessarily how I see it. Anyways, at the end of the case, Mia beats herself up because she thinks that she was the reason her client died and Diego gives her this piece of advice:

Armando:Don’t you get it? You can’t cry yet. The only time a lawyer can cry is when it’s all over.

Mia:M-Mr. Armando…

It’s honestly a good piece of advice, and I love how Mia takes inspiration from that quote and uses it towards Phoenix even if it’s said in a different way:

“The toughest of times are when lawyers have to put on their biggest smiles.”

It’s not exactly the same as what Diego said, sure, but it does have the same meaning. In that way at least, you can see the impact he must have left on Mia. Regarding the two’s relationship for a moment, I do think they had just started dating when Diego was poisoned. It does explain why Grossberg calls Diego Mia’s boyfriend, but I digress.

When we meet him in 3-2 and 3-3, it’s obvious he dislikes Phoenix but we don’t know why yet. Honestly, Godot is probably one of my favorite parts of 3-2: he’s mysterious and confident, but he also has some goofy moments like when he refers to himself as a legendary prosecutor because he’s never lost a case but he’s also never won one either. I don’t know that it was intended to be funny but it’s always made me snicker a little. He comes off as being a jerk sure but so did Edgeworth and Franziska, and like them, we learn more about Godot and his motivations later on.

Godot in 3-3 is why I can never agree that T&T has a filler case. For one, in 3-3, you learn about Godot’s inability to see red on white when he fails to notice the ketchup on Maggey’s apron. It’s an extremely subtle moment, but it’s given quite a bit of focus so the player could then assume that that unique feature will be important later on. Godot is still mysterious and a jerk but I love the way that he handles Furio and willingly admits to being the one who summoned him to court. Like Nick said after the fact:

(T… Too cool…) 

Not only that, but he does manage to have a somewhat nice moment with Phoenix at the end of the case after throwing coffee at him:

Godot:Well done… Trite. I saved my 17th cup of coffee just for you. Savor it… While you watch your caged prey. 

While we don’t learn that much more about Godot than we did in 3-2; what we do learn about him plays a very important role in a case later on. 3-3 isn’t directly involved with the Feys at all, but it does have some importance to the overall plot of the game.

We meet Armando in 3-4 which is the first playable case chronologically in the trilogy’s timeline. Right off the bat, we notice he looks similar to Godot, the two even have a similar suit to each other, just different colors and have a similar hairstyle. I’m not entirely sure how many people guessed that Godot and Diego Armando were the same person right away but I think people might have at least thought the two were related at least (I’ve even seen people think that Godot and Diego were identical twins!). As for me, I kinda had a feeling since the two look alike and have the same love for the hot, bitter lady known as coffee.

Godot is extremely important to 3-5. If it wasn’t for him forming a plan to save Maya with Misty and Iris, Maya would be dead. Thing is, I don’t agree that Godot is entirely to blame for not going to the police and bringing the plot to them or just burning the note the whole way through. If the latter had happened, Pearl would have told Morgan she couldn’t find it and Morgan would definitely suspect that something was going on and possibly even relay the plan to Pearl herself. The former happening is unlikely because of reasons that I will go into a bit deeper. Another problem lies in that Misty also shares some of the blame herself but this post isn’t about her so I won’t go deep into it. 

We don’t see Godot until the second investigation period when Dusky Bridge has been rebuilt and Phoenix enters the Inner Temple, desperate to find Maya. It’s there that we learn why Godot hates Phoenix so much. Godot blames Phoenix for the murder of Mia Fey. He states that since Phoenix was there at the time, he should have protected her and by failing to do so, he in a sense, killed her. And because Maya is missing at the time, he goes further and says that Phoenix killed Maya indirectly by failing to protect her when she needed it most.

Personally, I find this conversation to be more Godot venting out his frustrations on Phoenix. Think about it, the guy spent 5 years in a coma because a psycho killer poisoned his coffee. He wakes up and he finds out that his girlfriend was murdered while he was in a coma. He feels mad at himself for not being able to protect Mia and thus sought to protect Maya as a way to make amends. While it seems like a weird conversation and just another example of Godot being a douche during one’s first time going through the case; a replay of the case after finishing it helps shed new light on the conversation the two have. 

We also learn more about Godot’s inability to see red on white during that same encounter in greater detail. He says that his eyes are messed up and that mask is the only way he can see. Although it’s not much, it is something. 

During the first trial portion of the last trial day, Godot starts acting rather strangely. When he learns that there was writing in red on the stone lantern in the Inner Temple Garden, he starts freaking out. Not only that but he actually helps calm Phoenix down when he freaks out over Dahlia’s suggestion that Maya jumped into the Eagle River from the Inner Temple side, and tells him that would be impossible to do.

Eventually, after Dahlia has been exorcised from Maya’s body, the Judge attempts to hand down his verdict. Godot immediately objects and says that they still don’t know who killed Misty, and the only person who can testify about that is Maya Fey. Some people have called this move callous and insensitive to the state that Maya is in, but it really isn’t. Godot could have simply let the Judge hand his verdict down and get away with his crime. But he doesn’t, he requests that they summon the one person that could incriminate him. Also, he does show a fair bit of empathy towards Maya in this exchange of dialogue towards her before her first testimony:

Godot:Straighten up this moment, young lady!

Maya:Huh…?

Godot:Pick your head up and speak clearly. There’s always time for crying later.

Maya:B-But I…

Godot:Your mother was killed right in front of your eyes! There’s nothing you can do to change that fact.

Maya:…!

Godot:But there’s something you can do… You can finish this. You’ve been watching the whole thing right? You’ve seen the witnesses come out and you’ve seen us squeeze the truth out of them. Now it’s your turn. …Let’s hear your testimony. On the night of the crime… what exactly did you see happen!?

It’s pretty obvious during Maya’s testimony that she’s willing to protect the identity of whoever killed her mother, even to the point that she begs Phoenix not to reveal his identity and even suggests that she thought it was a man for other reasons than the three red glowing lights. We also get to hear about this one cute little story about an interaction between him and Pearl in which he actually comforted her and gave her coffee. That’s pretty sweet…and kinda dangerous.

Still, it’s quite obvious upon cross-examining Maya that Godot is the killer, so why is she covering up for the man who killed her mother to the point that she’d be found guilty otherwise? Godot did save Maya’s life in the process of killing Misty who was channeling Dahlia at the time and would have killed her if Godot hadn’t intervened. Maya is plenty aware of this and it is in character for her to do something like that.

We also learn through Godot’s self-reflection that he knows that he could have killed Pearl instead of Misty that night and that Misty’s murder was out of a fit of rage against the ghost of the woman who ruined his life. He also goes on to say that he’s not really sure that him saving Maya’s life was out of a genuine will to protect her, and even tells her that if he genuinely wanted to help Maya, he should have gone to Phoenix instead. Despite this, Maya genuinely believes that he wanted to save her life and so does Phoenix even despite the way Godot had treated him up to that point.

Godot is an extremely gray character and it’s really interesting to study him as a character, who he is and what his intentions were. I don’t think he truthfully wanted to kill anyone that night in the Inner Temple Garden, all he wanted to do was protect Maya the way he wanted to protect Mia. He was never willing to actually kill anybody and even helped Phoenix catch him in the end. Iris and Misty both played a role in this plan too and made their own share of screw-ups so I don’t understand why people shift so much of the blame for it onto Godot?

Honestly though, I think that the whole black-white morality lens that people typically view characters through doesn’t really work with characters like Godot. Godot is not a good guy but he’s not a cookie cutter bad guy like some of the culprits in this series seem to be and that’s what makes him so intriguing to me. He’s not my favorite character, but I can see why someone may say he’s their favorite.

[serenlyss]

Mob Psycho Fic Recs

I've been keeping track of some of my favorite finished and in-progress mp100 fics as I find them and figured I'd show them some love by linking them here! They come in no particular order or genre, just whichever I bookmarked last haha. If you"re looking for good mp100 fics be sure to check these out!

To Strike A Chord Author: Hino Rating: Teen Archive Warnings: None Completion Status: Complete Tags: platonic ritshou, mutual trauma, post world domination arc Summary: Ritsu visits Shou, feeling uneasy about his past. But he's not the only one. My Notes: Short and sweet, it touches on Shou and Ritsu’s mutual trauma from the World Domination arc and gives insight in the Suzuki family relationship before Touichirou decided to take over the world. Also Shou plays the guitar.

Of Cold Hands Reaching Author: UncannyCookie Rating: G Archive Warnings: None Completion Status: Complete Tags: terumob (can be read as platonic), angst, ptsd, trauma recovery, hurt/comfort, dissociation, miscommunication, post-mogami arc, slow burn Summary: After six months in Mogami's mind world that weren't even real anyway, Mob returns to his old life. Everything is fine. My Notes: A really interesting take on what Mob’s mind looks like after spending six months in Mogami’s fake world. It gets pretty real when discussing Mob’s dissociation and apathy about the whole thing but gets sweet at the end and has a happy ending. It’s introspective, which I really like, but has enough lighter moments in between that it doesn’t feel heavy constantly.

Delirium Author: Janekfan Rating: G Archive Warnings: None Completion Status: Complete Tags: serirei, pneumonia, hospitalization, guilt, smoking, depression, sel-harm, panic attacks, fever, sickfic, love, kissing, caretaking, misunderstandings, mental instability, flashbacks, unconsciousness Summary: Reigen questions himself. My Notes: Reigen decides to pick up smoking again as a coping mechanism and hides it from Serizawa. It goes into Reigen’s feelings of self-loathing and depressive tendencies that the manga only really touches on. It’s dreary pretty much throughout but does have a happy ending to end on a high note!

April Fools Author: SparkyFrootloops Rating: G Archive Warnings: None Completion Status: Complete Tags: dad reigen, good parent reigen, teru is reigen’s son, hijinks & shenanigans, pranks Summary:  Teruki gets to celebrate April Fools Day at his new home with Reigen. My Notes: This fic is short but so so funny and full of heart. Teru trying to prank Reigen, who he lives with in the context of the story, is hilarious and all the dialogue is just gold. I also really love Mob’s cameo in the second half. Just a solid found family comedy one-shot to lighten your mood and make you smile.

Broken, Repaired, New Author: GalacticConfectionist Rating: T Archive Warnings: None Completion Status: In Progress Tags: serirei, abuse, child abuse, domestic violence (all abuse is only implied/referenced, never shown), light angst, hurt/comfort, pining, good parent reigen, good brother reigen, original character but she’s really good Summary: “You’re a good kid” He said, ruffling his student’s hair. There’s a moment of quiet and Reigen sighs, “Mob, remember this. Guys who hit women are the biggest losers in the world.” Reigen’s sister comes to visit, shenanigans ensue. My Notes: I don’t usually go for fics with ocs in them since I don’t typically end up connecting with them but this is one of the rare exceptions! Reigen’s sister escapes her abusive husband with her daughter and goes to Reigen for help. She ends up staying with Serizawa and trying to set him up with her brother. Despite the references to abuse it’s actually a very lighthearted fic about wanting to make your friends happy and taking care of those you consider to be family. Misaki and Reigen’s sibling relationship is well-written and she has enough personality and motivation to make me invested in her situation. Just an all-around good read if you want to smile and feel happy.

aaaaaaaaaaaaaaaaaaaaah! lol Author: marnies Rating: Not Rated Archive Warnings: None Completion Status: In Progress Tags: serirei, good parent reigen, good parent serizawa, sickfic, fluff, epic family moments Summary:  reigen and serizawa adopt teru and shou and move in together asmr My Notes: This fic is just a good time. It’s not too far in but still has enough content to be worth a read. It doesn’t take itself too seriously, but that’s the charm of it, and it comes across as humorous and lighthearted with its found family dynamics. Reigen and Serizawa are both clueless parents of their adopted sick kids and are just trying to help each other out.

The Space Between Author: sofia-estrella Rating: M (nsfw content in later chapters) Archive Warnings: None Completion Status: In Progress Tags: serirei, reigen pov, slow burn, coworkers to friends to lovers Summary: Reigen never expected Serizawa to stay. My Notes: A really nice fic about how Reigen and Serizawa’s relationship grows and evolves slowly as they spend more than a year together over the course of the narrative. Both Reigen and Serizawa are very in character and their relationship is approached with care and concern from both sides, which I think is very fitting for them! It does a good job of balancing soft character interaction with personal squabbles and drama, which makes for an interesting and entertaining read.

The Joy of Cooking (for a Family You Didn’t Know You Had) Author: pepperfield Rating: G Archive Warnings: None Completion Status: In Progress Tags: good parent reigen, background serirei, found family, unintentional parenthood, cooking, meddling kids, family fluff, food as a metaphor for love, getting together, light pining, 5+1 Summary: At first, it's easy. Mob likes takoyaki. This, Reigen can remember. When Teru moves in, things get a little more complex, but it's fine. He only has to feed one kid on a regular basis; he can handle this. But before he knows it, he's memorized all of Tome's favorite restaurants and he's keeping a stash of snacks in the office just in case Shou visits. This whole "family" business has gotten out of hand. My Notes: Good old dad Reigen taking care of his five unruly children. In this fic Teru lives with Reigen and everyone else is just along for the collective ride. It’s a 5+1 fic about Reigen cooking/buying food for the kids as a way to show he cares about them. It’s really cute and shows how much Reigen cares about the esper boys and Tome after all is said and done in the manga.

On Revelations and Renovations Author: mustdang100 Rating: G Archive Warnings: None Completion Status: In Progress Tags: good parent reigen, reigen adopts teru, background serirei, hurt/comfort, adoption, fluff and humor, 5+1 Summary: “I’m really sorry to bother you, but, ah, I don’t suppose that offer to stay at your place for the night was still an option?” Five times Reigen got called a 'dad,' and one time he called himself one - a vignette-style fic on how Teruki grows up and Reigen acquires a family in the days, months, and years following the World Domination arc. My Notes: Teru decides to stay with Reigen after all following the world domination arc, and then never leaves. It’s a super cute and fun fic about found family dynamics between all the main cast, but specifically Reigen and Teru. Teru and Reigen’s banter is well-written and funny, and the whole concept and execution is really charming and fun to ready.

A Real (Psychic) Conman Author: Trinz Rating: T Archive Warnings: None Completion Status: In Progress Tags: esper!reigen, empath!reigen, swearing, reigen centric Summary:  An AU where Reigen actually is the 21st century's greatest psychic- or at least the second, or third, or maybe fourth- the point is that he’s an esper and his "I'm so powerful I can hide my aura" thing is... actually true. My Notes: This is one of my current favorite fics. I read it all over the course of like two days up to its current chapter and I’m in love with the author’s psychic Reigen concept. It follows the canon storyline with some divergence to account for Reigen actually having powers, and really paints him in a different light. It also has an air of mystery with its over-arching plot that, seventeen chapters in, still has only been hinted at, but the real star of the fic is the way a psychically powered Reigen interacts with Mob, Ritsu, and Dimple and the creative ways the author incorporates his powers of telepathy and empathy. Really creative and a super fun long read if you want a longer story!