#tamara de lempicka artworks

[canvasmirror]

Tamara de Lempicka (Polish, 1898-1980) • My Portrait (Self-Portrait in the Green Bugatti) • 1928 • Private collection

" My goal is never to copy. Create a new style, clear luminous colors and feel the elegance of the models. " – Tamara de Lempicka1

[collectionstilllife]

Tamara de Lempicka (Polish, 1898-1980) • Le Coquillage • 1941

[thepaintedroom]

Tamara de Lempicka (Polish, 1898-1980) • Interior • c. 1951

[boselliart]

[allthedesiredusernamesaretaken]

La Musicienne

- Tamara de Lempicka

[morelikeitsmiserable]

LEMPICKA - Don't Bet Your Heart

//THIS IS NOT MINE, IT'S FROM A LONGER AUDIO RECORDING//

I just separated this song out because I hadn't heard it in any of the promo vids, but I saw the show yesterday and NEED it in my life now. Bear with me as I fight for my sanity until the Lempicka OBCR is released on May 29th. I also tried to write out the lyrics, and what I could make out is below:

RAFAELA

Who here likes to gamble?

My game is roulette

Spin the wheel, place a bet

SUZY - SPOKEN

Money in the hat

RAFAELA

Draw the rush but don’t forget

SUZY - SPOKEN

Support the arts!

RAFAELA

Always be ready to walk away

Only bet what you can lose

If you ignore these simple rules

What can I say?

You’re one of those fools!

You bet your life

Don’t bet your heart

That’s not the pain you wanna ???

You bet your life don’t bet your heart

You bet your life don’t bet your heart

You’ll just wind up sitting in the room

You bet your life don’t bet your heart

The game of love is like roulette

You wanna play?

Spin the wheel, place a bet

Love the rush but don’t forget

RAFAELA & SUZY

Always be ready to walk away

RAFAELA

Only bet what you can lose

If you ignore these simple rules

What can I say girl?

Love is for fools!

You bet your life don’t bet your heart

Remember you can pick and choose

You bet your life don’t bet your heart

You bet your life don’t bet your heart

You’ll just wind up alone and used

You bet your life, don’t bet your heart

You say “no way, I’m too smart”

“No one is going to take my heart”

And then one day he looks at you

And no one’s ever looked at you

Just that way

Watch yourself

That’s the start

The wheel spins

So don’t bet

Lose your heart

You’ll never get it back

You’re ??

Black or red

??

You bet your life, don’t bet your heart

[INSTRUMENTAL - DANCE BREAK]

TAMARA (SPOKEN)

Who is she?

RAFAELA

Listen close to me

And heed these simple rules

I’m telling you the truth girl

Love is for fools

He can bring you furs 

He can bring you jewels 

Doesn’t change a thing girl

Love is for fools

He can say your eyes

Light up every room

But you know he lies girl

Love is for fools

He can say your eyes

Light up every room 

But you know he lies

Love is for fools

SUZY - SPOKEN

Oh shit the cops! We gotta get outta here!

[bridgetwinderart]

“Woman Is: Lempicka.”

(8 inch x 9 inch water-based oils on paper)

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All rights reserved. Unauthorized duplication is a violation of applicable laws without artist consent or a credit line: Bridget Winder Art. 

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WEBSITE: www.BridgetWinder.com

PATREON: www.patreon.com/bridgetwinder

[nuclear-angel]

Just a random woman I drew today. Imma call it Tamara because is based on Tamara de Lempicka.

Enjoy her ^.^

[theaskew]

Tamara de Lempicka (Polish 1898-1980) La Dormeuse (The Sleeper), 1932. Oil on canvas.

[tamarajare]

Self Portrait after Tamara de Lempicka Portrait of Mrs. Boucard original oil on canvas painting by artist Tamara Jare.

Self Portrait after Tamara de Lempicka Portrait of Mrs. Boucard original oil on canvas painting by artist Tamara Jare. Museum quality Giclee prints at Artfully Walls

IMAGE SIZE: 8x10"

PRINT DIMENSIONS: 10x12"

320 GSM fine art paper

Archival inks

Prints framed with a UV plexi-glass Tamara Jare's prints on Artfully Walls are museum quality prints, that use 100% archival rag paper and archival inks, resulting in beautiful prints with rich and vivid colors. All of our prints include a minimum border of 1" for easy framing.

We`re happy to announce that we now ship to USA,Canada, Australia and Ireland as well.

All of our art, regardless of whether it is framed or not, ships within 10-14 business days. Shipping does not include taxes, duties or any other fees that may be collected at time of delivery

Unframed prints ship in tubes, and framed prints and canvases in boxes, providing extra protection and safe delivery.

As our prints and frames are custom made to order according to your specifications, all of our products are final sale and non-returnable.

[ghulah]

Papa Emeritus III and Sibling Nephtys [she/he/they], inspired by the Art Deco movement (and German Expressionism).

Referenced from Metropolis (dir. Fritz Lang, art of Heinz Schulz-Neudamm), the works of Tamara de Lempicka, Kiyoshi Kobayakawa and the Cigarette Couple Cover of the 1919 Vanity Fair Issue. From the Pinnacle to the Pit artwork and the Wiltern Ghost Poster (David. M Brinely.) Close up under the cut.

[itsmyfriendisaac]

Open Your Heart: inspired by the artwork of Tamara de Lempicka, Madonna exudes nerve & confidence as a peep show performer. This marks her first of many collabs with Jean-Baptiste Mondino!

[themuseumwithoutwalls]

MWW Artwork of the Day (3/15/24) Tamara de Lempicka (Polish, 1898-1980) Les Jeunes Filles (c. 1930) Oil on panel, 35 x 26.6 cm. Private Collection

Bold and stylized in its presentation, "Les Jeunes filles" is a highly charged and suggestive double-portrait. Set against a Cubist-inspired urban background of skyscrapers, Lempicka’s "Les Jeunes filles" is both aggressively modern and overtly sensual in sensibility. Tamara de Lempicka’s distinctive, boldly cosmopolitan portraits and nudes, predominately of women, were the ideal means of conveying the opulence and liberated boldness of the années folles, Paris’s legendary Jazz Age. Perhaps the most representative painter of the Art Deco style, Lempicka’s tantalizing portraits have come to personify the time.

[castelnou]

artwork by tamara de lempicka

[allthedesiredusernamesaretaken]

Women Bathing, 1929

- Tamara de Lempicka

[exhibitmodern]

Reshaping the Gaze

Shifting that paradigm by focusing on the female gaze, how women perceive and represent their bodies, and the bodies of other women or men.  It's about reclaiming agency over their own narratives and visual expressions, away from the objectification and scrutiny often imposed by external perspectives. Through the lenses of nude and naked, the exhibition aims to present a multifaceted exploration of the female experience, embracing the complexities and nuances of womanhood.

In "Feminine Perspectives," we invite you to journey through the nuanced interpretations and diverse representations of the female form as depicted by women artists during the transformative period from 1850 to 1945. This exhibition celebrates female artists' significant contributions to the nude painting genre, offering a captivating exploration of their artistic vision, cultural context, and personal expression.

Spanning across continents and artistic movements, the selected artworks unveil the complexities of the female gaze and challenge conventional norms surrounding nudity and femininity. Central to this exploration is an interrogation of the pervasive influence of the male gaze on representations of women in art. By reclaiming their agency and subverting traditional tropes, female artists disrupt the hegemony of the male gaze, offering alternative narratives that resist objectification and celebrate female subjectivity.

At the heart of "Feminine Perspectives" lies a celebration of artistic agency and empowerment. Female artists, often marginalized and overshadowed in art history, boldly assert their creative prowess through bold brushstrokes, delicate lines, and intricate compositions. Through their art, they reclaim the narrative of the female nude, transcending objectification to present the female form as a symbol of strength, beauty, and resilience.

The exhibition showcases a rich tapestry of styles and themes, from the luminous Impressionist brushwork of Berthe Morisot to the surrealist dreamscapes of Leonor Fini. Suzanne Valadon's intimate portrayals of women at their toilette evoke a sense of vulnerability and introspection, while Tamara de Lempicka's glamorous figures exude confidence and allure.

As you navigate "Feminine Perspectives," we invite you to critically engage with the concept of the male gaze and its impact on representations of women in art. May you find new levels of inspiration, beauty, and purpose in the age-old practice of naked painting via the eyes of these trailblazing women artists.

This group exhibition looks at how women view their bodies, identities, experiences, and perspectives within a male-dominated society throughout history. The male gaze has historically controlled much of visual culture, including advertising, photography, and film. It usually presents women as objects of male desire and frequently highlights their physical attributes and seductive qualities. The existentialist philosopher Jean-Paul Sartre presented the idea of the gaze in her 1943 book Being and Nothingness. According to this concept, looking at another person results in a subjective power differential that both the gazed and the gazer feel because the object of the gaze is seen as the subject of the gaze rather than a living being.

Through the selected works in this exhibition, we look into the idea of the female gaze and how these female artists flip this perspective, allowing women to assert their subjectivity and view themselves on their terms. They should be viewed and evaluated as independent people with their agency, desires, and complexity rather than as objects to be examined or assessed via the prism of societal norms. It entails accepting a range of genuine and varied manifestations of femininity and taking back control of their own stories and portrayals.

This exhibition is curated on Tumblr, leveraging its distinctive qualities compared to other social media platforms. Unlike traditional platforms, Tumblr offers a blog-like environment where curation is imbued with a sense of freedom and creativity. Here, content can be shared seamlessly, devoid of the interruptions of comments and unnecessary censorship often encountered elsewhere. Producers can display their work in a setting that supports narrative and artistic expression in a more continuous and immersive manner with this format. Additionally, Tumblr's community ethos fosters engagement and support, further enriching the exhibition experience. 

Curated by:

Anurag Paul

Gurdev Singh

Tathagata Paul