#that i happened to stumble upon a song on my own that a niche of-its-time game from my childhood has tucked away in its world. orz

[ofcowardiceandkings]

I think you mentioned listening to podcasts? Do you have any favorites to reccommend? I've run out of content :(

that i do !

im not entirely sure what kind of podcast you'd be interested in but i'll throw out a few of the goodies in my huge library of stuff , i'll miss out a few of the HUGE podcasts that have been all over tumblr though

a LOT of it is true crime or human interest stuff , or history because im nerd ,, and a few of these dont have nearly enough attention so [shrug] i'll try to keep this short i guess lol this isnt EVERYTHING ive got in my library or listened series' by any measure

i AM gonna pop a shout to both Stuff You Missed in History Class and Stuff You Should Know from iHeartRadio because their HUGE archives have kept me from losing my mind many times over , and they cover a wide range of both important and wacky topics

BomBARDed (ongoing) this is the only fiction podcast i have happening right now really but its DAMN GOOD ONE .... it's an actual-play D&D 5E podcast in the DMs own musically-inspired world, focussed on a group of multiclass bards going to music school !! and all players (+DM) are members of the Texas band Lindby !! and they actually use and play music in the show with one original song an episode !! Kyle's worldbuilding and storycraft are truly incredible, and (Nick) Goodrich, (also Nick) Spurrier, and Ali's characters are in depth and interesting as well as an absolute powerhouse :') i actually made a piece for its first fanzine, Bardic Dreaming, which published earlier this year and is free to view now, all the players and the community are super wholesome its just very good overall 💙

History & Humans;

Fall of Civilisations (ongoing) legit one of my favourite podcast finds, im so glad my youtube autoplayed one of these ... it took me like 2 hours to realise it was 1) not the same as what was playing before and 2) had been on for 2 hours and wasnt near finished lmao. anyway, this is a series by historical fiction writer Paul Cooper, and is honest to all thats good one of the best documentary series ive encountered in years - and ive consumed a LOT of documentaries. it covered the downfall of various civilisations through history, and the episodes run from an hour to FOUR hours depending on the topic. its so chill to listen to and just get done, but over the pandemic all of the episodes have been given full movie-quality video versions too on youtube if youre more of a visual person.

Casting Lots: A Survival Cannibalism Podcast (on series break) yeah that says that lol ... its a SUPER niche topic but its very interesting and treated very well despite being kind of comical at times, the hosts are just naturally funny lol ... it delves around from the history of cannibalism in whole regions to specific incidents as recently as the 1970s, and of course the first episode is about the Donner Party, and it covers things ive never heard of despite being kind of important ?? anyway Alix and Carmella are good eggs

Sawbones (ongoing) i probably dont need to mention much here other than say that Justin and Sydnee saved me from being SO BORED sooo often, the history of medicine is wacky as hell and its what most of my history GCSE was on so [shrugs]

Cautionary Tales (on series break) this was a wild-card find lol ... it's by Tim Harford "the undercover economist" who writes for the Financial Times, and its topics kind of weave modern topics and science with how to learn from historical errors ... its a bit weird but well worth a go, also each series has a few celebrity guest voice actors which is pretty awesome

Ephemeral (ongoing) this is a very strange but thought provoking series about sounds and other things just barely saved. topics include the last castrato, the hello girls, hand-stamped records, the spread of kīkā kila music, and acoustic fossils of wild places.

Neat! The Boozecast (ongoing) history and bartending whats not to like lol ... hosted by Teylor Smirl and now their dad Tommy, they're just digging around in how important booze is to human culture

True Crime (white collar and weirdness);

Swindled (ongoing) this is an amazing show full stop. A Concerned Citizen details some of the most impactful and unruly things to happen in white collar and corporate crime. very factually accurate but given the sheer bullshit of the topics the deadpan snarking is [chefs kiss] absolutely warranted ..

American Scandal (on series break) this one is a series within a series type, and spends a few episodes at a time poking holes in some of America's biggest scandals, from a dramatised but fact-based point of view. such as what the hell was going on with Enron, how big tobacco was forced to own up to covering its own ass, how Iran-Contra happened, etc. it also now has a sister show called British Scandal, which does the same thing for British cases but with a slightly different format.

Missing in Alaska (finished) this was a fascinating series, a deep dive into what happened to two US government officials who disappeared on a small chartered flight in Alaska in 1972. it goes some really strange places, but it actually turned up a lot of previously unknown information through the audience. John Walczak's new series in a new feed is Missing on 9/11 which looks into what happened to Dr Sneha Philip.

Pretend (ongoing) Host Javier Leiva holds interviews with anyone living a lie, or who have been touched by them. con artists, snake oil salesmen, former cult members, catfishing victims, anyone and everyone.

Power: The Maxwells (finished) hosted by journalist Tara Palmeri, the story of media tycoon Robert Maxwell from nothing to empire to mysterious death and the scandals uncovered after he was gone.

Lets Talk About Sects (ongoing) Sarah Steele covering cults from around the world, in particular those in Australia - where she is from. She often has former members on the show to share their stories, and share knowledge of how they left. each story has the relevant content warnings at the start of each episode.

Brainwashed (finished) investigation of the CIA's covert mind control experiments, centred on the experiments performed at a hospital in Montreal, and its cultural impact.

Dr Death (2 series finished) two series investigating huge cases of fraud and medical malpractice, and how they were brought to a stop. series 1 covers Dr Duntsch and his horribly butchered neurosurgery, series 2 covers Dr Fata and his fraudulent cancer clinic

The Immaculate Deception (finished) untangling the weird and disturbing fertility fraud of Dr Jan Karbaat, who fathered children himself through his fertility clinic, and the impact of his deception. later episodes also touch on other similar cases.

True Crime (Violent/General);

The Casual Criminalist (ongoing) Simon Whistler of-the-many-youtube-channels cold reads a script about the case of the day, with some of his daft commentary thrown in.

Southern Fried True Crime (ongoing) Crimes from the American South hosted by Erica Kelley, she puts all the facts out there but refreshingly for true crime she doesnt hesitate to tell you if she thinks someone is human garbage lol

They Walk Among Us (ongoing) probably one of the most popular UK crime podcasts, very measured and well put together, not weird or annoying about it either.

All Crime No Cattle (ongoing, feed slowed down for now) specifically about crimes from Texas, hosted by Erin and Shay, they're very sensitive hosts and a lot of the cases they cover shed light on why the Texas criminal system is how it is or show an impact at a national level

Canadian True Crime (ongoing) Canadian crime from an Aussie who's lived there for a decade, Kristi is again a sensitive and measured host covering some important topics

True Crime (Violent/Deep Dive);

Hitman (finished) journalist Jasmyn Morris digs around in the sticky tangle around a book published by fringe publisher Paladin Press, and its apparent use as a blueprint in the killing of a mother, her friend and her 8 year old boy for financial gain.

Camp Hell: Anneewakee (ongoing) this series is exploring how a wilderness camp "correctional facility" was endorsed by the Georgia care and juvenile reform system, despite widespread abuses and shady practices the whole time. warning for csa and child cruelty throughout.

True Crime Bullshit (on series break) this one is a huge huge rabbithole but a very interesting one where the host Josh Hallmark has spent years digging into the life and potential crimes of Israel Keyes. Keyes is often mentioned as a serial killer with no pattern, but in picking it apart thats not quite true, and has sparked some re-evaluations of missing persons cases and stumbling upon information the FBI has redacted organically. there's also a series in the middle looking into the crimes of Kelly Cochran

Forgotten: Women of Juárez (finished) this series looks into the huge numbers of missing women of Ciudad Juárez, the strange circumstances surrounding them, and the potential cover-ups and corruptions on both sides of the border, trying to give a voice to all of the forgotten women and girls and their families without answers. the series itself is finished, but a spanish language edition is being released every week now.

aaaaaand i'll call it there before i list everything lol, i hope you find something to plug your boredom hole with !!

[ibythetidepromotions]

An interview with: Wax Vessel

Could you introduce yourself to the readers?

Nik Velleca - Founder/Owner/waytolongofaresponder

What led to the inception of Wax Vessel?

It’s actually a story in a couple of parts: the name (which is not interesting), the year before it started (mildly Interesting) and then the actual launch! Maybe two years ago I really wanted to get in to the whole Instagram vinyl collection showcase scene. Made a second account called Wax Casket (because it sounded cool) and did a couple hundred posts. No big deal. But at that time, it kind of out the inkling of an idea in my head. Fast forward a year or so, and Simon from WFAHM and I were taking about how literally every influential album from 2000-2010 was never pressed on vinyl. We thought about teaming up to do Ion Dissonance in vinyl (which is still a huge goal). It never materialized, so the label pages (renamed to Wax Vessel) kind of got shelved. Speaking of the name Wax Vessel (rant incoming) I landed on that name because I’m so fed up with the start of digital. MySpace deleting song libraries. Hard drives crashing. CDs getting bit rot. The only try archival format is vinyl. You could pull a WV release of a shelf in 2219 and it would still play. It’s a “time capsule” or “Vessel” for preserving history. Anyway. Fast forward to like 5 months ago - I had just stumbled upon PRR and they told me they were doing Destroyer Destroyer. I asked if I could just press the records to accompany that release, and viola! Here we are!

Wax Vessel is very unique, you what always comes to mind when I think of extremely rare and beautiful presses. What process goes into getting your visions to come together properly at the pressing plant?

So I’m glad you touched on this, because artisanal (barf) pressings are one of the tentpole features of WV. There’s so much that can be done with the format that it seems like an insult to just do single color records. I figured if I was going to bring all of these albums back from the dead after decades of never having a physical release, it might as well be in style! Otherwise someone will just repress it hah. But each release is its own project. My goal are always to have the color play with the album art, while also pushing the physical medium itself. Everything is very case-by-case, with the number of variants and the type of variant really just being subject to my mood haha.

Recently announced was the pressing for Dr. Acula’s S.L.O.B, congratulations on making it to WV007! From the posts I’ve seen on social media, you guys are really excited about this release. How would you describe Dr. Acula to someone who has never heard of them before?

Thanks! Dr. Acula was a huge one for me, they’re one of the forefathers of Deathcore in my opinion. They’re that early, wonky type of proto-Deathcore that uses a lot of samples before breakdowns and has a lot of inside jokes. It’s just fun, without taking itself too seriously.

They obviously got much bigger later, but SLOB was such a classic album, and a standout release from 187 records at the time (who really deserve all the credit for basically being the label pioneers of the genre along with Debello and BMA).

Wax Vessel focuses on pressing music from the MySpace era of metal. What about that era made it so memorable  and dear to your heart that you decided to resurrect it in the wax form?

Man, prepare to watch me get spun up on this, haha. I’m really terrible at organizing my thoughts in to a cohesive essay on the topic, so as a kind of “stream of conciseness” ramble please accept this: 2000-2010 was just peak music. It was a digital Wild West with a bunch of talented Midwesterner pioneering new sounds for niche audiences. It was a perfect storm of a bunch of cultural factors playing out all at once. Literally all of these trailblazing bands were pushing envelopes and rail blazing new genres for No monetary gain and no fame. Every single review form music media was “this is unlistenable garbage”. They absolutely did not get the recognition they deserved at the time. I mean the “scene revival/20-9-scene” is more popular than the actual scene at the time! So what happens when you mix this new way to make music (digital production) with a new way to reach fans (social media/MySpace)? You get a fucking no holds barred race to make the most niche, unlistenable music in existence. The decade was a fucking blip in music history and then was lost to the ages. The internet was too young to preserve it, and to young for anyone to really use to their advantage. Just a lost decade. So I think that’s worth preserving. Especially since YouTube rips are the only thing left.

The default vinyl color of black is never an option with your releases, always seeing high quality, creative options for your limited presses. What is the reasoning behind this stylistic choice?

Black is such a fucking cop out. It’s only to save money. It’s lazy and requires no finesse or imagination. If you’re going to press records, go all in. Like imagine building a house in 2019 with all the modern amenities and building materials we have at our disposal and just building a 6-sided box. So boring. And for everyone who says it sounds best - black (carbon) is an additive for strength. Natural PVC is additive free and sounds better. So when I need a cheaper variant to offset the cost of some of the more expensive ones, natural PVC is always my go-to.

Have there been any challenges so far with the process of mastering these old files on vinyl? Were any of the music files hard to come across?

You have no idea! I feel like a lot of people see WV and then want to start a vinyl label, haha. But there’s so much craziness behind the scenes! Let’s start at the top - WV will only do a release if the band is on board, and the rights are retained. Mechanical licensing retained. Full quality tracks hunted down and mastered for vinyl. New art made (no one has their old art files) and laid out for vinyl. Then after all that, I have to drop $4k at the plant to get it pressed. Then promos and art made, coordinating with ZBR on timelines, etc. But none of that can happen without the tracks. Most of the time the band will have the master bounces, and it’s not that difficult. But on a couple of occasions I’ve had to rip old demos from personal CDs. I’ve even had to pay for a hard drive to be recovered for a band member so we could get tracks! I really believe that vinyl isn’t just for the fashion, so having great sounding records is top priority. Can’t do that with a YouTube rip! If we can’t get the best quality tracks, I won’t do it!

Any possibility of there being Wax Vessel merch down the road?

I mean I’m not sure anyone would give a shit! But if like 10 people messaged me and said they wanted a shirt, you bet! We would whip up a cool “no represses” design or something, haha. Maybe 2020!

With a new year right around the corner, what are some goals for kicking off the new decade in 2020?

2020 souls have some cool “firsts” for sure! I’ve got our first multi-LP box set dropping. First project with a hand-painted cover. First modern release (under a different side name, don’t want to dilute the WV name haha). Really what if love to do in 2020 is press Psyopus to round out the techgrind section. That’s a big goal! I’d also love to have a both and sell LPs at like a festival, but they all sell out too quick!

Anything else you would like to tell the readers before we go? Just a couple of blurbs! People always forget that wax Vessel is a non-profit and we give 100% of the money to the bands. So remember that the next time you think I’m an asshole for not doing something you like! We got a lot of hate mail about not doing represses, haha. To that point, there will never be represses. It’s a sticking point. I don’t want to make records that end up in dollar bins and eBay lots. I’d rather leave money on the table. I want to great collector items that will be cherished. All of these bands have been defunct for a decade. No one is coming back to just to try and make a quick buck. These are all swan song little fun presses for the core group of fans. For the 200 weirdo left who still care about early 2000s techgrind and vinyl, haha. It’s niche, but no one wants to make any money. It’s just a fun thing for the scene. Remember this is all for fun! Additionally, I see a lot of miscommunications that I’d like to get on the record! Please remember: Wax Vessel is its own thing. Not an imprint or affiliated with anyone. I shoulder all cost, design, etc for everything! So it’s very much WV as the label. I hate shipping and fulfillment, so ZBR [Zegema Beach Records] is WV’s official store. The mega studs over there (Dave and Dave) definitely allow WV to exist. If I had to ship everything, it would be one release a year haha. And super not last, WV couldn’t exist without Ryan Peter. I have absolutely no scene Fred, and Ryan gets fucking results. He almost single-handedly spreads the word and gets bands on board. Literally invaluable. All the records in the world mean nothing if you can’t get any bands to agree to get pressed! He’s a MySpace madman!!

Wax Vessel Social Media:

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Website [Coming Soon]

Big Cartel [Coming Soon]

Merch through Zegema Beach Records