#the fbi say it was because of that miami shootout but we all know it was because of the maniac cop in new york

[mostlygibberish]

I'm beginning to think I should just stop trying to watch slasher movies.

[specialagentsergio]

rationalizations

rationalizations: a defense mechanism in which one makes up a false but reassuring explanation to explain their behavior and/or feelings to both themselves and others, thus avoiding the reality of why they are really acting or feeling as they do.

summary: You’re the psych evaluation for Spencer. You think he’s full of shit, so you refuse to sign his clearance form until he actually tells the truth.

pairing: spencer reid x f!reader

category: angst (happy ending)

content warnings: spencer’s canonical trauma, flashbacks, mentions of suicide and suicidal ideation, swearing

a/n: i wrote this for @imagining-in-the-margins‘ enemies to lovers event. it’s not my favorite trope, but one of the prompts sparked inspiration for me. i also took a good amount of inspiration from meredith’s various therapy scenes in grey’s anatomy, so if some of it feels familiar, that’s why! i swear i intended to make this cute and funny, but, well… here we are lmao.

word count: 3.6k

masterlist

Spencer throws his bag onto his desk with a frustrated huff. It thumps loudly, startling JJ at her desk across from his. She gives him a sympathetic look regardless. “Still not cleared yet?”

“No!” Forgetting that it’s wheeled, he drops himself into his chair. It skids backwards and he has to scramble to grab something to keep from falling out of it.

“Careful there,” JJ says, trying valiantly to suppress a laugh. “That psychologist's got you really worked up, huh?”

“I don’t know what she wants from me!” he complains. “It’s been nearly a month! Hotch’s ex-wife was murdered by an unsub, but they cleared him. I was only shot in the neck.”

“I mean, that’s still kind of a big deal,” she says. “You could’ve died, from the gunshot, or from the nurse that tried to kill you afterwards.”

“Speaking of that nurse,” he starts, “Garcia is the one who shot him and she’s been a wreck over it. She insisted on going to the guy’s execution. But the therapist cleared her!”

“Penelope’s not in the field,” JJ points out.

He crosses his arms. “Still. This isn’t the first time I’ve been shot. That possibility is part of the job. It’s not like it came out of nowhere and I was completely unprepared for it.”

“I don’t know what to tell you, Spence,” she says. “Just keep all of your appointments and I’m sure you’ll be cleared soon.”

He pulls a stack of papers on his desk towards him. Paperwork—one of the things he’s actually allowed to do. “I better be,” he mutters.

---

“And it was really scary, you know?” Spencer wipes at his eyes with a tissue. “Not knowing if I was going to live or die.”

“Mm-hmm.”

He takes a deep breath. “But… it’s over now. The preacher who shot me died in the same shootout. Owen McGregor, the leader of the corrupt deputies, died later that night, in another shootout. And Greg Baylor, the one who posed as a nurse and tried to kill me, was sentenced to death row and he’s gone now, too.”

His psychologist makes a note on the paper in front of her, but doesn’t say anything, so he continues.

“I… I feel better now, just letting that out.” He takes a new tissue and dries his nose. “I feel ready now. Ready to go back to work.”

She nods slowly, considering him. But she doesn’t even look towards her desk where the clearance form sits, frustrating him to no end. After five minutes of silence, he breaks.

“You can’t be serious.”

She raises an eyebrow. “Why wouldn’t I be?”

“I’ve been coming to these sessions for over a month, and I’m still not cleared to be in the field. I…” He musters up more tears and makes sure his voice wavers during his next words. “I just don’t know what you want? I’ve tried everything.”

“No, you haven’t,” she says plainly.

He blinks in surprise, sending some of the crocodile tears down his cheeks. “What?”

She crosses her legs. “You’re full of shit.”

“Excuse me?”

“You’re not being honest with me, and I don’t think you’re being honest with yourself either,” she says. “You’re a great actor. I can see how you’ve gotten clearances easily before. But that stops with me.”

Spencer stares at her. “I don’t understand.”

She moves her notebook to the side. “What happened in Texas isn’t the first time your life’s been in danger. Why do you think that is?”

“Wh—that’s part of my job,” he argues, fake crying long since forgotten.

“Not to the extent that you take it. I’ve read your file,” she says. “You take unnecessary risks with regularity.”

The tissues crumple in his hand as he clenches it. “I do not.”

“Let’s go back to the beginning.”

“The beginning of what?”

“Of your career.” Yet she doesn’t take out his file, or look at her notes. She speaks from memory. “2005. The BAU is assisting with a hostage situation. You go into the train, posing as someone who is there to remove a microchip from the unsub, but the first thing you do? You take off your bulletproof vest.”

“Okay, clearly you don’t understand what the situation was,” Spencer cuts in. “Ted Bryar was suffering from a psychotic break. He was somewhat unpredictable, and he told me to take off the vest.”

“And you just listened?”

“He—he had a gun, and was threatening both me and the other passengers with it!” he says. “What was I supposed to do, not listen?”

“Uh, yeah,” she replies. “You easily played into his delusions just a few minutes later to distract him. Why not do that to keep yourself safe?”

“I was twenty-four and was running on adrenaline,” he says defensively. “And it was my first time doing something like that. You can’t expect me to think of everything.”

“You’re right, I can’t,” she agrees. “So let’s jump forward a few years. How about the time you approached a teenager who was wielding an assault rifle with no protection, not even your own firearm?” she challenges.

“You mean Owen Savage? That was a unique situation,” he protests. “I knew I could talk him down.”

“No, you didn’t. You thought you had a good chance, but there’s no way to be one hundred percent sure of that. He was volatile, and on a killing spree,” she counters. “You didn’t know if you’d succeed--”

“I did!” He startles himself by unconsciously raising his voice, but he doesn’t apologize. “I did, because….”

“Because you related to him,” she fills in. “And that’s fine. Having empathy for an unsub doesn’t suggest something’s wrong in and of itself. But you still put yourself, and the rest of your team, in danger, didn’t you?”

He crosses his arms. “I got that lecture from Hotch when it happened, okay?”

“So then why’d you confront an unsub alone a few years later in Miami?” she asks. “You didn’t even tell anyone where you were going. You left your vest behind and just ran off.”

“I was having a head—wait, how do you even know that happened?” he questions. “It wasn’t in the report.”

“Well, first of all, you just confirmed it,” she points out, and he wants to kick himself. “Secondly, I can read between the lines.”

“I was having a headache,” he repeats. “I wasn’t thinking all that clearly. I just knew Julio’s life was in immediate danger, so I went to help him.”

“Uh-huh. More recently,” she says, brushing past his excuse, “You confronted your girlfriend’s stalker without your vest or gun.”

Spencer’s getting angry now. “I was trying to save Maeve. She asked me to leave them behind.”

“And you simply listened. Do you see the pattern I’m drawing here, Dr. Reid?” she asks. “These are just a few of the instances that stand out. Time and time again, you put yourself in unnecessary danger. So I’ll ask you again. Why do you think that is?”

Spencer looks over her—really looks over her, trying to understand what she’s getting at. “Are… are you suggesting that I’m suicidal?” he asks quietly.

She looks him straight in the eye. “You don’t act like someone who wants to be alive.”

It’s like she set off a bomb in his brain. Memories, and the feelings attached to them, emerge—Elle handcuffed to a seat, a teenager with a rifle, a blinding headache, Maeve and blood on the warehouse floor.

“Here’s what I see,” she says. “I see a man who’s been through so, so much. Your mother is mentally ill, your father left--”

His father is packing a suitcase. Spencer doesn’t know what he’s supposed to do or say, so he falls back on what he knows.

“Statistically, children who grow up in two-parent households attain three more years of higher education than children from single-parent households.”

It doesn’t help. “We’re not statistics, Spencer.”

“Your file says she’s staying at an institution, and with your father out of the picture, I can only assume you were the one who had her admitted--”

“Spencer, please don’t do this to me!” she cries as she’s escorted out of the house by Bennington Sanitarium’s transport staff.

“A few years into your work here at the FBI, you were kidnapped, tortured and drugged--”

He’s tired and cold and his whole body aches. Tobias—the real Tobias—looms over him with a syringe.

“Please. I don’t want it,” he pleads of his captor. “I don’t want it, please.”

The needle punctures his skin regardless.

“—you were held hostage by a cult leader--”

Emily sits across from him on the plane with a black eye. “What Cyrus did to me is not your fault.”

He pretends to agree.

“—you went through the death and reappearance of Agent Prentiss--”

He’s tried to make it clear to Jennifer that he wants to be left alone, but she won’t stop trying to talk about it with him, and he’s had enough.

“I came to your house for ten weeks in a row crying over losing a friend, and not once did you have the decency to tell me the truth.”

“—and your girlfriend was shot in front of you.”

“Who’s Thomas Merton? Who is he?” Diane demands, gun pressed against Maeve’s head.

“He’s the one thing you can never take from us,” Maeve replies, and Spencer’s heart drops. Thomas Merton is Maeve’s way of saying goodbye—she’s giving up.

“Wait!” he cries out, but it’s too late.

“This is just some of the more traumatic stuff. And then there’s what happened last month, which is why you’re here. You present a face of not being bothered by all of this, because that’s what you’ve been doing all your life, but I think you are bothered. You really, really are. And you don’t want to admit to anyone just how much it all has affected you. Maybe you don’t even want yourself to know.” Her expression and tone of voice are certain.

Spencer can’t take it anymore. The whirlwind of emotions and memories is overwhelming.

“The number of times you’ve almost died is staggering--”

“Yeah, and sometimes I wish I had!” He glares at her, breathing heavily. “Is that what you wanted to hear?”

But she doesn’t seem intimidated or alarmed at all. She leans back in her armchair. “Now we’re getting somewhere.”

The response only serves to make him angrier. She questioned him relentlessly and made him admit something he swore in the dark hours of sleepless nights that he’d never think again, never voice, let alone admit to anyone. She forced it out of him, forced. She made him say it against his will.

So why does he feel a sense of relief?

“I…” Tears well up in his eyes—real ones this time. “I’m done,” he chokes out.

He pushes himself off of the couch and out the door, slamming it shut behind him.

---

He storms in Hotch’s office and demands to see a different psychologist. But she was one step ahead of him—a few hours before the appointment, she had emailed Hotch and told him that under no circumstances should Spencer be allowed to get a clearance from someone else.

“And you’re going to believe her?” he cries.

“She’s doing her job, Reid.”

“You barely know her! You’ve known me for a decade!”

“Yes, I have,” Hotch agrees. “And you’ve told me yourself that you’ve fooled psychologists and therapists before. So if this one is saying you’re not ready yet, I’m inclined to believe her.”

Spencer just stares at him, but as usual, Hotch doesn’t blink.

“Unbelievable,” Spencer eventually mutters.

“Take the rest of the day off,” Hotch replies, glancing down at fists Spencer hadn’t realized he was clenching.

“Fine.”

Too agitated to stand in the elevator, he takes the stairs. As he stomps down them, he swears he’ll never go back to her office, even if it means never going into the field again.

A week passes, then two, and he hasn’t seen the psychologist since. But he doesn’t feel any better—he actually feels worse. It’s like her words broke a dam in his mind, in his gut, and feelings of unease and uncertainty won’t pass. It keeps him up at night. Her words echo in his head. “You don’t act like someone who wants to be alive.”

Spencer’s had yet another sleepless night and is struggling not to doze off at his desk despite the coffee he’s drinking. He stands up with the intention of splashing some water from the bathroom sink on his face, but his feet take him somewhere else.

He stares at the nameplate on the door. He swore he’d never go back, yet he feels compelled to knock.

It only takes her a few moments to answer. “Dr. Reid. Can I help you?” she asks.

“I…” He sighs. “Are you busy?”

“No. Come on in.” She steps to the side, opening the door wider to let him pass. He sits down on the couch.

She waits patiently. She doesn’t rush him. She lets him speak first.

He wrings his hands in his lap, staring down at them. “Something you said is bothering me.”

“What was it?”

“About… living,” he admits quietly. “I… I think you might have been right.”

When he gets the courage to glance up at her, he finds a soft smile on her face. “Would you like to talk about it?”

Spencer hadn’t realized he was expecting judgment and disdain until it didn’t happen. His shoulders slump down in relief. “Yeah,” he says. “Yeah, I think I would.”

---

“You’re still thinking about her, aren’t you?”

Spencer looks up from his paperwork, slightly out of it, to find Derek watching him. His coworker had, indeed, caught him thinking about her again. His psychologist. Well, former psychologist. After his second session back with her, she’d handed over a clearance form and a referral to a therapist outside the bureau to see long-term.

“And you better follow up with that,” she’d told him, the corner of her mouth turning up despite her serious tone of voice. “I’ll know if you don’t.”

He’d promised that he would, and had followed through. But despite the progress he was making with the new therapist, he was feeling a little disappointed that he didn’t get to see her anymore. He only saw her in passing, sometimes in the elevator or walking down the hallways of the building. They would exchange hellos, she would ask how he was doing, then give him a little wave as she left. Each time his heart would skip a beat, and he’d feel an urge to follow her to wherever she was going.

Yet he hadn’t quite realized why he seemed to be preoccupied with her until a dream he had a few weeks ago—a dream in which he found himself kissing her. Despite being alone in his bedroom, he’d woken up feeling embarrassed. He promised himself that he would put her out of his mind. Having a crush on his psychologist? It was ridiculous.

But then he saw her in the elevator a few days later and he couldn’t help but analyze her body language. It was open, and she twirled her hair around a finger while she looked at him to ask him how he was. A few other people entered the elevator on the next floor, but her attention remained on him. They were subtle signs, but signs that he recognized nonetheless—signs of attraction. And once he started seeing them, he couldn’t stop.

“I don’t know what you’re talking about,” Spencer tells Derek, picking back up the pen he hadn’t noticed he dropped.

“You can’t pull that on me, kid,” he replies. “It’s your psychologist. You can’t stop thinking about her, can you?”

Spencer sighs. “So what if I can’t?”

“So go ask her out already!” Derek says like it’s obvious.

“You don’t think that’s just a little inappropriate?”

“You’re not seeing her as a client anymore, are you?” he points out. “Go for it, kid. You’ll regret it if you don’t.”

Spencer takes the advice—as soon as Derek said it, he knew he was right. He would regret not taking a chance on her and the connection he felt. Sure, she’d helped him with therapy, but it went deeper than that. It feels like she knows him.

He leaves the bullpen ten minutes early that evening, hoping to catch her before she leaves for the day. On her doorstep, he feels just as nervous as he did on the day he admitted that she was right, but it’s a different kind of nervous. An excited nervous. He knocks on the door.

She’s surprised when she seems him. He watches as her pupils dilate, and it boosts his confidence. “Dr. Reid. Can I help you?”

“You can. I’d like to talk,” he says.

“Oh. Well, I guess I could do that,” she says. “I thought things were going well with the therapist I referred you to, though.”

He shakes his head. “No, I don’t mean I want an appointment.”

Her eyebrows come together in confusion. “Okay, then, what do you want?”

Spencer doesn’t hesitate. “I want to take you out to dinner.”

“I’m sorry, what?”

“I really like you, and I think we’re meant to be together,” he replies, voice softening a bit.

She pauses before answering. When she does, her voice is gentle. “Dr. Reid, sometimes a medical professional’s care can start to feel like affection over a period of time, but--”

“No one has ever listened to me like you do,” he interrupts.

“That’s my job,” she points out.

“I’ve seen therapists before, but none of them have been like you,” he counters. “You understand me.”

She sighs. “Well, I’m glad I was a good fit and was able to help you. But that doesn’t mean that I see you as anything more than a client.”

“You’re lying.”

“Excuse me?”

“You do feel something more for me,” he says firmly, but then backtracks a little. “Well, I know you’re attracted to me at least.”

She blinks and shakes her head slightly, take aback. “Dr. Reid, this is not appropriate--”

“Please call me Spencer,” he says, then jumps into his explanation. “See, when we’re attracted to someone, our bodies display involuntary signals, and I’ve seen you do some of them when you’re around me. Whenever we run into each other here, your body will turn a little towards me and you’ll play with your hair. Your attention is almost entirely focused on me. And, when you see me, your pupils dilate. They did it when you opened the door just a few minutes ago. Oh, and I’m attracted to you, by the way,” he adds as he realizes how one-sided he’s been. “I imagine my pupils probably dilate when I see you, too.”

Her mouth opens and closes a few times, like she wants to speak but doesn’t know what to say. She looks flustered, and he wonders if maybe he’s pushed it too far or said too much, but he can’t turn back now. “So, please, let me take you out,” he says quietly. “Just… just give it a chance.”

She bites her lip and looks at the ground. There’s a crease between her eyebrows, which he’s come to learn means she’s thinking. She speaks seriously when she looks back up. “If I go out with you, I can’t treat you anymore. If you ever need another evaluation or session, you’d have to get it from someone else.”

“I know,” he says. “I get along well with the therapist you referred me to, though. And having to get clearance from a different psychologist at the bureau is something I’m willing to give up in favor of getting to know you better.”

She considers him. “You’re serious about this,” she states.

It’s not a question, but he answers it anyways. “I am.”

She tilts her head to the side, eyes unfocusing as she ponders the situation. Eventually, she says, “Let me think about it.”

It’s not exactly the answer he was hoping for, but he’ll take it.

---

It’s only six PM, but Spencer is already exhausted. He unlocks his apartment door, fully intending to collapse onto his bed, but instead receives a pleasant surprise in the form of his girlfriend waiting for him on the couch. He can’t help but smile.

“Sweetie, what are you doing here?” he asks, then adds, “Not that I’m complaining.”

“Penelope told me it was a bit of a rough case,” she replies. “And I missed you.”

She holds out her arms and he takes the invitation, joining her on the couch and laying down between her legs, placing his head on her chest. “I missed you, too.”

Her next words are overly familiar. “Do you want to talk about it?”

“Hey, we agreed to no therapy,” he says. “Something about I can’t be your client anymore?”

She huffs. “This isn’t therapy. This is being a good partner.”

Spencer smiles into the fabric of her shirt, snuggling in closer. “I know, I’m just teasing you. I don’t need to talk about the case,” he says, finally answering her original question. “I feel fine now that I’m here with you.”

She lets out a pleased hum and starts running her fingers through his hair. “I ordered take-out for dinner, by the way.”

“Where from?”

“You know where.”

A wide grin spreads across his face. She must have ordered take-out from the restaurant he took her to on their first date. He lifts his head to look her in the eye. “Aren’t you glad you said yes to me all those months ago?”

“Oh, I suppose,” she says with pretend annoyance, rolling her eyes.

Then she kisses him.

Spencer’s never been so happy to be alive.

---------------

tell me what you thought here!

please note that i DO NOT ENDORSE asking out your therapist/former therapist. this is fanfiction. thank you.

general taglist: @calm-and-doctor​ , @spencerreid9​

[myhauntedsalem]

Ghostly warning: Dead gangster Ma Barker doesn’t want her house moved

He called the newsroom with a warning: They can’t move that house.

“I’m worried something terrible is going to happen,” the man said in a thick New York accent. “I have to warn somebody.”

Then he told me a ghost story.

His name is Donald J. Weiss. He’s a 62-year-old retired police patrolman from upstate New York. He had moved to Ocala several years ago and visited the house where gangster Ma Barker had been killed. He had wanted to see the site of the longest shootout in FBI history: four hours, more than 2,000 bullets.

But when he wandered beneath the live oaks, a voice growled, “Get outta here, lawman!”

And when he took a photo of the front porch, a shadowy figure appeared.

“That woman is still in that house,” he told me. “And she’s pissed.”

He gave the photo to the Marion County Sheriff’s Office because he wanted to enter it into evidence. And because bad things started happening as soon as he had blown up the print. “I had a heart attack,” he said. “You think that’s a coincidence?”

The property has been sold, he told me. County officials want to move the house.

“They have no idea who or what is in there,” Weiss said. “That woman has the power to do a lot of things. We are dealing with the afterworld here.”

I thanked the caller for his concern.

“When are they moving it?” I asked.

He paused, as if to make a point, then said gravely, “By Halloween.”

Reporters get a lot of crazy calls. Many might have dismissed this one. But I knew this house, and so did my photographer friend John Pendygraft.

“Hey John,” I called across the cubicle wall. “Do you remember that story we did on the Ma Barker house?”

John’s eyes got big. “Do you remember what happened?”

Our story four years ago had been about real estate: historic home for sale on nine waterfront acres, eight miles north of the Villages, two hours from Tampa. And about the gangsters who hid out there until the end.

We had toured the four-bedroom house with a Realtor, whose assistant shivered and said, “I get the weirdest feeling when I’m in here.” We had reported rumors about flickering lights and an unsuccessful exorcism.

But we hadn’t written about what had happened to John. Or what he saw when he enlarged one of his pictures.

John has worked in war zones in Afghanistan and the Gaza Strip. He has photographed the dead from an Asian tsunami, a Mexican assassination and Hurricane Katrina. If he ever is scared, he won’t show it.

That fall day in 2012, in the Ma Barker house, he had gone alone into the front bedroom to take pictures through the window, looking out toward the lake where the FBI agents had crouched behind trees.

All of a sudden, John rushed out, cameras, lights, tripod flapping over his shoulders, nearly sliding down the 13 stairs. “I don’t know what happened, or what that was,” he panted. He heard the mattress fall, then saw it, dangling through the bed frame. “I didn’t touch it,” he insisted.

We left that afternoon, as dusk began to descend. From beneath the Spanish moss, John shot a few final frames. The next day, when he zoomed in on his laptop, he saw a strange figure on the screened porch: The silhouette of a stout woman with a bun, who looked like she was holding a machine gun.

Her story starts in Missouri, in 1873. Her parents named her Arizona Donnie Clark. She and a farmhand, George Barker, had four sons. As soon as the boys were grown, her husband left.

Legends vary about Ma Barker’s role in her boys’ gang. Some say she just cooked and cleaned. Others say she was the mastermind.

They began by robbing banks, then murdered a policeman. From 1910 through 1930, they are said to have stolen $2 million. And killed at least 10 people.

The FBI’s first director, J. Edgar Hoover, called them “the worst criminals in the entire country.” Ma Barker became the only woman to top the most wanted list.

In 1934, the gang split and went into hiding. One son fled to Chicago. Ma and her favorite son, baby Freddie, moved to Miami where, posing as a wealthy widow, she asked if anyone knew a secluded spot where she could spend the winter.

Someone introduced her to Carson Bradford, whose family had a lovely home in the center of Florida, on Lake Weir.

The house sounded perfect: fully furnished, set back from the road, with a boat tethered to a dock out back. Ma paid the full season’s rent in cash. Just before Thanksgiving, she moved in with Freddie and a couple of his friends.

In a letter to her son Arthur in Chicago, she drew a map of the lake and circled the closest town, Ocala. She mailed it from Ocklawaha’s little post office.

FBI agents found Arthur the following January, and with him, the letter, which led them to Ma’s hideout.

In the predawn darkness on Jan. 16, 1935, a dozen officers pointed their guns at the upstairs windows. “This is the FBI,” an officer shouted, according to an agency report. “You are surrounded.”

Some say the gun battle lasted as long as six hours.

When it was over, they found Freddie, 32, shot in the back of his head. Ma, 63, was curled on the floor, cradling her Tommy gun. That day, Hoover said, marked “the end of an era of violence.”

For nine months, the corpses lay unclaimed. Finally, a relative moved them closer to home.

But some say Ma still inhabits that two-story, cream-colored house with forest green shutters. The cop on the phone, my friend the photographer, the former and current owner all saw, heard or felt … something.

But how do you report a ghost story?

I started with the Marion County Sheriff’s Office and that “evidence” photo the retired cop mentioned on the phone.

Lt. Dave Redmond remembered some man bringing in the photo, but the deputy hadn’t seen anything in it.

Records only go back to 1990, said department spokeswoman Lauren Lettelier. “But since then, there have been no reports of hauntings at that house.”

I talked to Carson Good, 47, the great-grandson of the man who built the house. He has memories of swimming and sailing in the lake. And of countless sleepless nights, cringing in the dark. “I’m not a big believer of ghosts, but I heard a lot of sounds in that house,” he said. “Voices. Furniture moving. People walking up and down the wooden stairs.”

His grandmother didn’t like to talk about it, but she often heard spirits stirring. Years ago, he said, a psychic from Cassadaga held a seance at the house and convinced the ghost of Freddie Barker to move on. But the medium said Ma refused to move.

Good and his family sold the property for $750,000 and donated the house to the county, which hired a contractor to lift the home off its foundation and float it across Lake Weir to a park called Carney Island. County commissioners allocated $270,000 for the move. Private donations and fundraising will finance the museum.

County tax collector George Albright, who grew up next to the storied house, envisions an homage to the early days of the FBI, as agents set out to capture notorious gangsters like “Baby Face” Nelson, “Pretty Boy” Floyd, Bonnie and Clyde and, of course, the infamous Barker gang.

“We’ve already had calls from people asking about ghost tours. If they want something like that, or to hold seances, we’ll look into that,” said the tax collector, “as a revenue source.”

Some say the gang buried Mason jars filled with cash along the lake. Local children used to spend summers digging for the treasure, but came up with shovels full of sand.

As soon as the home is removed, before the new owner closes on the land, the tax collector plans to bring in a team with ground-penetrating radar to scan the soil.

“Let’s hope she’s a friendly ghost,” he said.

On a gray Wednesday in October, more than 81 years after the shootout, John and I returned to the scene. The house already had been lifted on jacks. The screened porch was gone; workers were carrying out lamps. A true-crime novelist was parked in an SUV, taking pictures.

Like John, he swore he had seen a face in a window.

“I think whatever’s in there doesn’t want us to come in,” said Tony Stewart, who had driven from Indiana to see the house in its original setting. “And it won’t come out.”

We had told the retired cop that we would meet him later. The tax collector didn’t want anyone else at the construction site. But Weiss pulled up in his white Cadillac, quaking in his tassled loafers.

“This is where their bodies were. They dragged ‘em right down this driveway,” said Weiss, clasping his arms across his chest. “She’s not at rest. She will never leave this property.”

He has felt this before, he said. “I sense spirits.”

The first time was in 1992, just before Christmas. He was on patrol in White Plains, N.Y., resting in his car between calls, when he had a vision of a sad teenage boy: long hair, pale, with a pug nose. Two days later, he was sent to a home where a teenage boy had hanged himself. “The same boy I’d seen.”

[gunnersalley]

What Really Stops a Fight?

The great caliber debate continues. I really think people like to argue about this because there is so much information out there to review. Think about it: People have been compiling data for decades and the real gun geeks among us pore over that stuff the way we used to look at the Sears Christmas Wish Book. (For you youngsters, the Wish Book was how we shopped before Amazon!)  We get to talk about accuracy vs. power vs. capacity vs. muzzle velocity vs. impact energy, etc., etc. And the more of this stuff we read and learn about, the smarter we feel. Trust me when I tell you that we all want to feel smart. Very few of us in this world choose to be willfully misinformed.  So, this ammo debate gives us something to talk about. Many of us take that opportunity to talk, and talk a lot, about defensive ammunition. But at this point, I don’t think the debate should focus on caliber anymore. They all work. Plenty of fights have been stopped with the little .380. Plenty have been stopped with the .45 ACP. I’m guessing no one reading this would volunteer to be shot with a .22 LR or a .25 ACP just to show that those calibers “don’t do much damage.”  Those calibers — indeed, any caliber of handgun ammunition — will stop aggressive behavior. Stopping power is based not on the size of the hole put in the human body but on the idea that getting shot is not what you wanted that particular day. In short, psychological factors are better indicators of stopping power than is handgun caliber. This information comes directly from the FBI, a group with a vested interest and a pretty big budget for evaluating these things.  If you know about the Sears Wish Book, you were likely around for the 1986 Miami Shootout. We use just that term because this shootout has become so famous that most people know to what incident we are referring. The long and short of it is this: Eight FBI agents engaged in a shootout with two bad guys. A total of 145 shots were fired. When it was over, the bad guys were dead, but so were two FBI agents. Those agents were killed after they had delivered fatal rounds to one of the suspects. The man was dying, but as he was dying, he continued to fight and was able to kill two agents before he expired.  Those agents were using 9mm pistols, .38 Special and .357 Magnum revolvers and 12-gauge shotguns. Yet, despite being hit multiple times, the bad guys just simply refused to give up the fight. They had no drugs in their systems. They just did not quit fighting.  As a result of this shootout, the FBI changed guns and ammo. The Bureau continued to do research on officer-involved shootings and very recently, switched back to the 9mm, stating, without equivocation, there is no way to determine the effects a handgun round of any caliber will have on a subject. The most important elements in stopping a fight are psychological.  The next most import element is the projectile’s ability to penetrate deeply enough to cause a fatal wound. To do that, it must cause blood loss or destroy a portion of the central nervous system. All modern defensive handgun calibers will do that, as long as you can shoot accurately enough to hit a 3×5 card.  I say a 3×5 card because those magic places that stop a fight instantly are small and well-protected. Even if you shoot someone straight through the heart, that person will still have about 15 seconds of fight left. That’s plenty of time to fire enough rounds to kill you or others.  So, let’s not debate about caliber. Let’s plan to stop the fight with accurate gunfire.  The post  What Really Stops a Fight?  appeared first on  USCCA-Concealed Carry Self Defense Insurance & CCW Info .

https://www.usconcealedcarry.com/really-stops-fight/

[tortuga-aak]

John Kelly rips Democratic congresswoman who told the press about Trump's call with a Gold Star widow

White House chief of staff John Kelly blasted Rep. Frederica Wilson, the congresswoman who told the press about President Donald Trump's call with a Gold Star widow.

Kelly called Wilson an "empty barrel."

His rebuke of Wilson comes amid a days-long controversy that started when Trump said former President Barack Obama did not call the families of fallen soldiers.

White House chief of staff John Kelly blasted Democratic Rep. Frederica Wilson of Florida for telling the press about the details of President Donald Trump's call with a Gold Star widow.

Kelly appeared at the White House press briefing Thursday and called Wilson an "empty barrel" whose "selfish behavior" stunned him, adding that the message Trump was sending to the widow of Sgt. La David Johnson, who was among four servicemembers killed in Niger earlier this month, was that he was where he wanted to be when he life was taken from him.

"That was the message," Kelly said. "That was the message that was transmitted. It stuns me that a member of Congress would have listened in to that conversation. Absolutely stuns me. And I thought at least that was sacred."

"You know, when I was growing up, a lot of things were sacred in our country," he continued. "Women were sacred, looked upon with great honor. That's obviously not the case anymore as we've seen with recent cases. Life, the dignity of life was sacred, that's gone. Religion, that seems to be gone as well. Gold Star families, I think that left over the convention over the summer. But I just thought that selfless devotion that brings a man or a woman to die on the battlefield, I just thought that was sacred."

Kelly, whose son Robert was killed in Afghanistan in 2010, said that when he listened "to this woman" and "what she was saying and doing on TV," he went to Arlington National Cemetery to collect his thoughts.

He then told a story of the congresswoman from the dedication of the FBI's Miami field office in 2015, which he and Wilson attended. The office was named after two FBI agents who were killed in the 1980s during a shootout, and Kelly said then-FBI Director James Comey gave a powerful speech about the men and fellow agents. After Comey's speech, he said, he was stunned to see Wilson stand up and speak "about how she was instrumental in getting the funding for that building" and "how she took care of her constituents."

"We were stunned, even for someone that is that empty a barrel," Kelly said, adding that "none of us went to the press to criticize."

Kelly's stunning rebuke of Wilson came amid a days-long feud between the congresswoman and Trump over his phone call to Myeshia Johnson, Sgt. Johnson's widow.

Wilson told the Miami ABC affiliate WPLG on Tuesday that Trump had told Myeshia that her husband "knew what he signed up for, but when it happens, it hurts anyway."

"So insensitive," Wilson told WPLG. "He should not have said that — he shouldn't have said it."

Wilson, who mentored the fallen soldier when he was younger, said she was riding in the car with Myeshia, who was on her way to the airport to receive her husband's body, when Trump called. The phone was on speaker.

Wilson then told MSNBC on Wednesday morning that the soldier's widow was "crying the whole time" and that when she hung up the phone, Myeshia looked at Wilson and said, "He didn't even remember his name."

She added that Trump "was almost like joking" and that his comment was "absolutely crazy, unnecessary."

That led Trump to say he had proof Wilson "fabricated" her account of a call that he'd made to Myeshia.

Speaking to the press during a White House meeting with the Senate Finance Committee on Wednesday, Trump again pushed back on Wilson's account of what he said, which Kelly seemed to confirm Thursday.

"Didn't say it at all," he said. "She knows it. And she now is not saying it. I did not say what she said and I'd like her to make the statement again because I did not say what she said. I had a very nice conversation with the woman, with the wife, who sounded like a lovely woman. Did not say what the congresswoman said, and most people aren't too surprised to hear that."

The back-and-forth is the product of an episode from earlier this week, when a reporter asked Trump at a Monday press conference why he had not publicly mentioned the soldiers killed in the Niger ambush. Trump asserted that President Barack Obama did not call the families of slain service members — a false claim that was met with scorn from former Obama administration aides. Trump backed off the claim slightly when pressed further by reporters.

After the initial backlash to his comments, Trump told Fox News Radio host Brian Kilmeade to ask Kelly whether Obama called him when his son Robert was killed in Afghanistan in 2010. Kelly said Thursday that Obama did not call him, but that point was not one of criticism.

NOW WATCH: Trump once won a lawsuit against the NFL — but the result was an embarrassment

from Feedburner http://ift.tt/2x8Zm8M

[myhauntedsalem]

Dead gangster Ma Barker doesn’t want her house moved

He called the newsroom with a warning: They can’t move that house.

“I’m worried something terrible is going to happen,” the man said in a thick New York accent. “I have to warn somebody.”

Then he told me a ghost story.

His name is Donald J. Weiss. He’s a 62-year-old retired police patrolman from upstate New York. He had moved to Ocala several years ago and visited the house where gangster Ma Barker had been killed. He had wanted to see the site of the longest shootout in FBI history: four hours, more than 2,000 bullets.

But when he wandered beneath the live oaks, a voice growled, “Get outta here, lawman!”

And when he took a photo of the front porch, a shadowy figure appeared.

“That woman is still in that house,” he told me. “And she’s pissed.”

He gave the photo to the Marion County Sheriff’s Office because he wanted to enter it into evidence. And because bad things started happening as soon as he had blown up the print. “I had a heart attack,” he said. “You think that’s a coincidence?”

The property has been sold, he told me. County officials want to move the house.

“They have no idea who or what is in there,” Weiss said. “That woman has the power to do a lot of things. We are dealing with the afterworld here.”

I thanked the caller for his concern.

“When are they moving it?” I asked.

He paused, as if to make a point, then said gravely, “By Halloween.”

Reporters get a lot of crazy calls. Many might have dismissed this one. But I knew this house, and so did my photographer friend John Pendygraft.

“Hey John,” I called across the cubicle wall. “Do you remember that story we did on the Ma Barker house?”

John’s eyes got big. “Do you remember what happened?”

Our story four years ago had been about real estate: historic home for sale on nine waterfront acres, eight miles north of the Villages, two hours from Tampa. And about the gangsters who hid out there until the end.

We had toured the four-bedroom house with a Realtor, whose assistant shivered and said, “I get the weirdest feeling when I’m in here.” We had reported rumors about flickering lights and an unsuccessful exorcism.

But we hadn’t written about what had happened to John. Or what he saw when he enlarged one of his pictures.

John has worked in war zones in Afghanistan and the Gaza Strip. He has photographed the dead from an Asian tsunami, a Mexican assassination and Hurricane Katrina. If he ever is scared, he won’t show it.

That fall day in 2012, in the Ma Barker house, he had gone alone into the front bedroom to take pictures through the window, looking out toward the lake where the FBI agents had crouched behind trees.

All of a sudden, John rushed out, cameras, lights, tripod flapping over his shoulders, nearly sliding down the 13 stairs. “I don’t know what happened, or what that was,” he panted. He heard the mattress fall, then saw it, dangling through the bed frame. “I didn’t touch it,” he insisted.

We left that afternoon, as dusk began to descend. From beneath the Spanish moss, John shot a few final frames. The next day, when he zoomed in on his laptop, he saw a strange figure on the screened porch: The silhouette of a stout woman with a bun, who looked like she was holding a machine gun.

Her story starts in Missouri, in 1873. Her parents named her Arizona Donnie Clark. She and a farmhand, George Barker, had four sons. As soon as the boys were grown, her husband left.

Legends vary about Ma Barker’s role in her boys’ gang. Some say she just cooked and cleaned. Others say she was the mastermind.

They began by robbing banks, then murdered a policeman. From 1910 through 1930, they are said to have stolen $2 million. And killed at least 10 people.

The FBI’s first director, J. Edgar Hoover, called them “the worst criminals in the entire country.” Ma Barker became the only woman to top the most wanted list.

In 1934, the gang split and went into hiding. One son fled to Chicago. Ma and her favorite son, baby Freddie, moved to Miami where, posing as a wealthy widow, she asked if anyone knew a secluded spot where she could spend the winter.

Someone introduced her to Carson Bradford, whose family had a lovely home in the center of Florida, on Lake Weir.

The house sounded perfect: fully furnished, set back from the road, with a boat tethered to a dock out back. Ma paid the full season’s rent in cash. Just before Thanksgiving, she moved in with Freddie and a couple of his friends.

In a letter to her son Arthur in Chicago, she drew a map of the lake and circled the closest town, Ocala. She mailed it from Ocklawaha’s little post office.

FBI agents found Arthur the following January, and with him, the letter, which led them to Ma’s hideout.

In the predawn darkness on Jan. 16, 1935, a dozen officers pointed their guns at the upstairs windows. “This is the FBI,” an officer shouted, according to an agency report. “You are surrounded.”

Some say the gun battle lasted as long as six hours.

When it was over, they found Freddie, 32, shot in the back of his head. Ma, 63, was curled on the floor, cradling her Tommy gun. That day, Hoover said, marked “the end of an era of violence.”

For nine months, the corpses lay unclaimed. Finally, a relative moved them closer to home.

But some say Ma still inhabits that two-story, cream-colored house with forest green shutters. The cop on the phone, my friend the photographer, the former and current owner all saw, heard or felt … something.

But how do you report a ghost story?

I started with the Marion County Sheriff’s Office and that “evidence” photo the retired cop mentioned on the phone.

Lt. Dave Redmond remembered some man bringing in the photo, but the deputy hadn’t seen anything in it.

Records only go back to 1990, said department spokeswoman Lauren Lettelier. “But since then, there have been no reports of hauntings at that house.”

I talked to Carson Good, 47, the great-grandson of the man who built the house. He has memories of swimming and sailing in the lake. And of countless sleepless nights, cringing in the dark. “I’m not a big believer of ghosts, but I heard a lot of sounds in that house,” he said. “Voices. Furniture moving. People walking up and down the wooden stairs.”

His grandmother didn’t like to talk about it, but she often heard spirits stirring. Years ago, he said, a psychic from Cassadaga held a seance at the house and convinced the ghost of Freddie Barker to move on. But the medium said Ma refused to move.

Good and his family sold the property for $750,000 and donated the house to the county, which hired a contractor to lift the home off its foundation and float it across Lake Weir to a park called Carney Island. County commissioners allocated $270,000 for the move. Private donations and fundraising will finance the museum.

County tax collector George Albright, who grew up next to the storied house, envisions an homage to the early days of the FBI, as agents set out to capture notorious gangsters like “Baby Face” Nelson, “Pretty Boy” Floyd, Bonnie and Clyde and, of course, the infamous Barker gang.

“We’ve already had calls from people asking about ghost tours. If they want something like that, or to hold seances, we’ll look into that,” said the tax collector, “as a revenue source.”

Some say the gang buried Mason jars filled with cash along the lake. Local children used to spend summers digging for the treasure, but came up with shovels full of sand.

As soon as the home is removed, before the new owner closes on the land, the tax collector plans to bring in a team with ground-penetrating radar to scan the soil.

“Let’s hope she’s a friendly ghost,” he said.

On a gray Wednesday in October, more than 81 years after the shootout, John and I returned to the scene. The house already had been lifted on jacks. The screened porch was gone; workers were carrying out lamps. A true-crime novelist was parked in an SUV, taking pictures.

Like John, he swore he had seen a face in a window.

“I think whatever’s in there doesn’t want us to come in,” said Tony Stewart, who had driven from Indiana to see the house in its original setting. “And it won’t come out.”

We had told the retired cop that we would meet him later. The tax collector didn’t want anyone else at the construction site. But Weiss pulled up in his white Cadillac, quaking in his tassled loafers.

“This is where their bodies were. They dragged ‘em right down this driveway,” said Weiss, clasping his arms across his chest. “She’s not at rest. She will never leave this property.”

He has felt this before, he said. “I sense spirits.”

The first time was in 1992, just before Christmas. He was on patrol in White Plains, N.Y., resting in his car between calls, when he had a vision of a sad teenage boy: long hair, pale, with a pug nose. Two days later, he was sent to a home where a teenage boy had hanged himself. “The same boy I’d seen.”

[myhauntedsalem]

Ghostly warning: Dead gangster Ma Barker doesn’t want her house moved

He called the newsroom with a warning: They can’t move that house.

“I’m worried something terrible is going to happen,” the man said in a thick New York accent. “I have to warn somebody.”

Then he told me a ghost story.

His name is Donald J. Weiss. He’s a 62-year-old retired police patrolman from upstate New York. He had moved to Ocala several years ago and visited the house where gangster Ma Barker had been killed. He had wanted to see the site of the longest shootout in FBI history: four hours, more than 2,000 bullets.

But when he wandered beneath the live oaks, a voice growled, “Get outta here, lawman!”

And when he took a photo of the front porch, a shadowy figure appeared.

“That woman is still in that house,” he told me. “And she’s pissed.”

He gave the photo to the Marion County Sheriff’s Office because he wanted to enter it into evidence. And because bad things started happening as soon as he had blown up the print. “I had a heart attack,” he said. “You think that’s a coincidence?”

The property has been sold, he told me. County officials want to move the house.

“They have no idea who or what is in there,” Weiss said. “That woman has the power to do a lot of things. We are dealing with the afterworld here.”

I thanked the caller for his concern.

“When are they moving it?” I asked.

He paused, as if to make a point, then said gravely, “By Halloween.”

Reporters get a lot of crazy calls. Many might have dismissed this one. But I knew this house, and so did my photographer friend John Pendygraft.

“Hey John,” I called across the cubicle wall. “Do you remember that story we did on the Ma Barker house?”

John’s eyes got big. “Do you remember what happened?”

Our story four years ago had been about real estate: historic home for sale on nine waterfront acres, eight miles north of the Villages, two hours from Tampa. And about the gangsters who hid out there until the end.

We had toured the four-bedroom house with a Realtor, whose assistant shivered and said, “I get the weirdest feeling when I’m in here.” We had reported rumors about flickering lights and an unsuccessful exorcism.

But we hadn’t written about what had happened to John. Or what he saw when he enlarged one of his pictures.

John has worked in war zones in Afghanistan and the Gaza Strip. He has photographed the dead from an Asian tsunami, a Mexican assassination and Hurricane Katrina. If he ever is scared, he won’t show it.

That fall day in 2012, in the Ma Barker house, he had gone alone into the front bedroom to take pictures through the window, looking out toward the lake where the FBI agents had crouched behind trees.

All of a sudden, John rushed out, cameras, lights, tripod flapping over his shoulders, nearly sliding down the 13 stairs. “I don’t know what happened, or what that was,” he panted. He heard the mattress fall, then saw it, dangling through the bed frame. “I didn’t touch it,” he insisted.

We left that afternoon, as dusk began to descend. From beneath the Spanish moss, John shot a few final frames. The next day, when he zoomed in on his laptop, he saw a strange figure on the screened porch: The silhouette of a stout woman with a bun, who looked like she was holding a machine gun.

Her story starts in Missouri, in 1873. Her parents named her Arizona Donnie Clark. She and a farmhand, George Barker, had four sons. As soon as the boys were grown, her husband left.

Legends vary about Ma Barker’s role in her boys’ gang. Some say she just cooked and cleaned. Others say she was the mastermind.

They began by robbing banks, then murdered a policeman. From 1910 through 1930, they are said to have stolen $2 million. And killed at least 10 people.

The FBI’s first director, J. Edgar Hoover, called them “the worst criminals in the entire country.” Ma Barker became the only woman to top the most wanted list.

In 1934, the gang split and went into hiding. One son fled to Chicago. Ma and her favorite son, baby Freddie, moved to Miami where, posing as a wealthy widow, she asked if anyone knew a secluded spot where she could spend the winter.

Someone introduced her to Carson Bradford, whose family had a lovely home in the center of Florida, on Lake Weir.

The house sounded perfect: fully furnished, set back from the road, with a boat tethered to a dock out back. Ma paid the full season’s rent in cash. Just before Thanksgiving, she moved in with Freddie and a couple of his friends.

In a letter to her son Arthur in Chicago, she drew a map of the lake and circled the closest town, Ocala. She mailed it from Ocklawaha’s little post office.

FBI agents found Arthur the following January, and with him, the letter, which led them to Ma’s hideout.

In the predawn darkness on Jan. 16, 1935, a dozen officers pointed their guns at the upstairs windows. “This is the FBI,” an officer shouted, according to an agency report. “You are surrounded.”

Some say the gun battle lasted as long as six hours.

When it was over, they found Freddie, 32, shot in the back of his head. Ma, 63, was curled on the floor, cradling her Tommy gun. That day, Hoover said, marked “the end of an era of violence.”

For nine months, the corpses lay unclaimed. Finally, a relative moved them closer to home.

But some say Ma still inhabits that two-story, cream-colored house with forest green shutters. The cop on the phone, my friend the photographer, the former and current owner all saw, heard or felt … something.

But how do you report a ghost story?

I started with the Marion County Sheriff’s Office and that “evidence” photo the retired cop mentioned on the phone.

Lt. Dave Redmond remembered some man bringing in the photo, but the deputy hadn’t seen anything in it.

Records only go back to 1990, said department spokeswoman Lauren Lettelier. “But since then, there have been no reports of hauntings at that house.”

I talked to Carson Good, 47, the great-grandson of the man who built the house. He has memories of swimming and sailing in the lake. And of countless sleepless nights, cringing in the dark. “I’m not a big believer of ghosts, but I heard a lot of sounds in that house,” he said. “Voices. Furniture moving. People walking up and down the wooden stairs.”

His grandmother didn’t like to talk about it, but she often heard spirits stirring. Years ago, he said, a psychic from Cassadaga held a seance at the house and convinced the ghost of Freddie Barker to move on. But the medium said Ma refused to move.

Good and his family sold the property for $750,000 and donated the house to the county, which hired a contractor to lift the home off its foundation and float it across Lake Weir to a park called Carney Island. County commissioners allocated $270,000 for the move. Private donations and fundraising will finance the museum.

County tax collector George Albright, who grew up next to the storied house, envisions an homage to the early days of the FBI, as agents set out to capture notorious gangsters like “Baby Face” Nelson, “Pretty Boy” Floyd, Bonnie and Clyde and, of course, the infamous Barker gang.

“We’ve already had calls from people asking about ghost tours. If they want something like that, or to hold seances, we’ll look into that,” said the tax collector, “as a revenue source.”

Some say the gang buried Mason jars filled with cash along the lake. Local children used to spend summers digging for the treasure, but came up with shovels full of sand.

As soon as the home is removed, before the new owner closes on the land, the tax collector plans to bring in a team with ground-penetrating radar to scan the soil.

“Let’s hope she’s a friendly ghost,” he said.

On a gray Wednesday in October, more than 81 years after the shootout, John and I returned to the scene. The house already had been lifted on jacks. The screened porch was gone; workers were carrying out lamps. A true-crime novelist was parked in an SUV, taking pictures.

Like John, he swore he had seen a face in a window.

“I think whatever’s in there doesn’t want us to come in,” said Tony Stewart, who had driven from Indiana to see the house in its original setting. “And it won’t come out.”

We had told the retired cop that we would meet him later. The tax collector didn’t want anyone else at the construction site. But Weiss pulled up in his white Cadillac, quaking in his tassled loafers.

“This is where their bodies were. They dragged ‘em right down this driveway,” said Weiss, clasping his arms across his chest. “She’s not at rest. She will never leave this property.”

He has felt this before, he said. “I sense spirits.”

The first time was in 1992, just before Christmas. He was on patrol in White Plains, N.Y., resting in his car between calls, when he had a vision of a sad teenage boy: long hair, pale, with a pug nose. Two days later, he was sent to a home where a teenage boy had hanged himself. “The same boy I’d seen.”

[myhauntedsalem]

Ghostly warning: Dead gangster Ma Barker doesn’t want her house moved

He called the newsroom with a warning: They can’t move that house.

“I’m worried something terrible is going to happen,” the man said in a thick New York accent. “I have to warn somebody.”

Then he told me a ghost story.

His name is Donald J. Weiss. He’s a 62-year-old retired police patrolman from upstate New York. He had moved to Ocala several years ago and visited the house where gangster Ma Barker had been killed. He had wanted to see the site of the longest shootout in FBI history: four hours, more than 2,000 bullets.

But when he wandered beneath the live oaks, a voice growled, “Get outta here, lawman!”

And when he took a photo of the front porch, a shadowy figure appeared.

“That woman is still in that house,” he told me. “And she’s pissed.”

He gave the photo to the Marion County Sheriff’s Office because he wanted to enter it into evidence. And because bad things started happening as soon as he had blown up the print. “I had a heart attack,” he said. “You think that’s a coincidence?”

The property has been sold, he told me. County officials want to move the house.

“They have no idea who or what is in there,” Weiss said. “That woman has the power to do a lot of things. We are dealing with the afterworld here.”

I thanked the caller for his concern.

“When are they moving it?” I asked.

He paused, as if to make a point, then said gravely, “By Halloween.”

Reporters get a lot of crazy calls. Many might have dismissed this one. But I knew this house, and so did my photographer friend John Pendygraft.

“Hey John,” I called across the cubicle wall. “Do you remember that story we did on the Ma Barker house?”

John’s eyes got big. “Do you remember what happened?”

Our story four years ago had been about real estate: historic home for sale on nine waterfront acres, eight miles north of the Villages, two hours from Tampa. And about the gangsters who hid out there until the end.

We had toured the four-bedroom house with a Realtor, whose assistant shivered and said, “I get the weirdest feeling when I’m in here.” We had reported rumors about flickering lights and an unsuccessful exorcism.

But we hadn’t written about what had happened to John. Or what he saw when he enlarged one of his pictures.

John has worked in war zones in Afghanistan and the Gaza Strip. He has photographed the dead from an Asian tsunami, a Mexican assassination and Hurricane Katrina. If he ever is scared, he won’t show it.

That fall day in 2012, in the Ma Barker house, he had gone alone into the front bedroom to take pictures through the window, looking out toward the lake where the FBI agents had crouched behind trees.

All of a sudden, John rushed out, cameras, lights, tripod flapping over his shoulders, nearly sliding down the 13 stairs. “I don’t know what happened, or what that was,” he panted. He heard the mattress fall, then saw it, dangling through the bed frame. “I didn’t touch it,” he insisted.

We left that afternoon, as dusk began to descend. From beneath the Spanish moss, John shot a few final frames. The next day, when he zoomed in on his laptop, he saw a strange figure on the screened porch: The silhouette of a stout woman with a bun, who looked like she was holding a machine gun.

Her story starts in Missouri, in 1873. Her parents named her Arizona Donnie Clark. She and a farmhand, George Barker, had four sons. As soon as the boys were grown, her husband left.

Legends vary about Ma Barker’s role in her boys’ gang. Some say she just cooked and cleaned. Others say she was the mastermind.

They began by robbing banks, then murdered a policeman. From 1910 through 1930, they are said to have stolen $2 million. And killed at least 10 people.

The FBI’s first director, J. Edgar Hoover, called them “the worst criminals in the entire country.” Ma Barker became the only woman to top the most wanted list.

In 1934, the gang split and went into hiding. One son fled to Chicago. Ma and her favorite son, baby Freddie, moved to Miami where, posing as a wealthy widow, she asked if anyone knew a secluded spot where she could spend the winter.

Someone introduced her to Carson Bradford, whose family had a lovely home in the center of Florida, on Lake Weir.

The house sounded perfect: fully furnished, set back from the road, with a boat tethered to a dock out back. Ma paid the full season’s rent in cash. Just before Thanksgiving, she moved in with Freddie and a couple of his friends.

In a letter to her son Arthur in Chicago, she drew a map of the lake and circled the closest town, Ocala. She mailed it from Ocklawaha’s little post office.

FBI agents found Arthur the following January, and with him, the letter, which led them to Ma’s hideout.

In the predawn darkness on Jan. 16, 1935, a dozen officers pointed their guns at the upstairs windows. “This is the FBI,” an officer shouted, according to an agency report. “You are surrounded.”

Some say the gun battle lasted as long as six hours.

When it was over, they found Freddie, 32, shot in the back of his head. Ma, 63, was curled on the floor, cradling her Tommy gun. That day, Hoover said, marked “the end of an era of violence.”

For nine months, the corpses lay unclaimed. Finally, a relative moved them closer to home.

But some say Ma still inhabits that two-story, cream-colored house with forest green shutters. The cop on the phone, my friend the photographer, the former and current owner all saw, heard or felt … something.

But how do you report a ghost story?

I started with the Marion County Sheriff’s Office and that “evidence” photo the retired cop mentioned on the phone.

Lt. Dave Redmond remembered some man bringing in the photo, but the deputy hadn’t seen anything in it.

Records only go back to 1990, said department spokeswoman Lauren Lettelier. “But since then, there have been no reports of hauntings at that house.”

I talked to Carson Good, 47, the great-grandson of the man who built the house. He has memories of swimming and sailing in the lake. And of countless sleepless nights, cringing in the dark. “I’m not a big believer of ghosts, but I heard a lot of sounds in that house,” he said. “Voices. Furniture moving. People walking up and down the wooden stairs.”

His grandmother didn’t like to talk about it, but she often heard spirits stirring. Years ago, he said, a psychic from Cassadaga held a seance at the house and convinced the ghost of Freddie Barker to move on. But the medium said Ma refused to move.

Good and his family sold the property for $750,000 and donated the house to the county, which hired a contractor to lift the home off its foundation and float it across Lake Weir to a park called Carney Island. County commissioners allocated $270,000 for the move. Private donations and fundraising will finance the museum.

County tax collector George Albright, who grew up next to the storied house, envisions an homage to the early days of the FBI, as agents set out to capture notorious gangsters like “Baby Face” Nelson, “Pretty Boy” Floyd, Bonnie and Clyde and, of course, the infamous Barker gang.

“We’ve already had calls from people asking about ghost tours. If they want something like that, or to hold seances, we’ll look into that,” said the tax collector, “as a revenue source.”

Some say the gang buried Mason jars filled with cash along the lake. Local children used to spend summers digging for the treasure, but came up with shovels full of sand.

As soon as the home is removed, before the new owner closes on the land, the tax collector plans to bring in a team with ground-penetrating radar to scan the soil.

“Let’s hope she’s a friendly ghost,” he said.

On a gray Wednesday in October, more than 81 years after the shootout, John and I returned to the scene. The house already had been lifted on jacks. The screened porch was gone; workers were carrying out lamps. A true-crime novelist was parked in an SUV, taking pictures.

Like John, he swore he had seen a face in a window.

“I think whatever’s in there doesn’t want us to come in,” said Tony Stewart, who had driven from Indiana to see the house in its original setting. “And it won’t come out.”

We had told the retired cop that we would meet him later. The tax collector didn’t want anyone else at the construction site. But Weiss pulled up in his white Cadillac, quaking in his tassled loafers.

“This is where their bodies were. They dragged ‘em right down this driveway,” said Weiss, clasping his arms across his chest. “She’s not at rest. She will never leave this property.”

He has felt this before, he said. “I sense spirits.”

The first time was in 1992, just before Christmas. He was on patrol in White Plains, N.Y., resting in his car between calls, when he had a vision of a sad teenage boy: long hair, pale, with a pug nose. Two days later, he was sent to a home where a teenage boy had hanged himself. “The same boy I’d seen.”

[myhauntedsalem]

Ghostly warning: Dead gangster Ma Barker doesn’t want her house moved

He called the newsroom with a warning: They can’t move that house.

“I’m worried something terrible is going to happen,” the man said in a thick New York accent. “I have to warn somebody.”

Then he told me a ghost story.

His name is Donald J. Weiss. He’s a 62-year-old retired police patrolman from upstate New York. He had moved to Ocala several years ago and visited the house where gangster Ma Barker had been killed. He had wanted to see the site of the longest shootout in FBI history: four hours, more than 2,000 bullets.

But when he wandered beneath the live oaks, a voice growled, “Get outta here, lawman!”

And when he took a photo of the front porch, a shadowy figure appeared.

“That woman is still in that house,” he told me. “And she’s pissed.”

He gave the photo to the Marion County Sheriff’s Office because he wanted to enter it into evidence. And because bad things started happening as soon as he had blown up the print. “I had a heart attack,” he said. “You think that’s a coincidence?”

The property has been sold, he told me. County officials want to move the house.

“They have no idea who or what is in there,” Weiss said. “That woman has the power to do a lot of things. We are dealing with the afterworld here.”

I thanked the caller for his concern.

“When are they moving it?” I asked.

He paused, as if to make a point, then said gravely, “By Halloween.”

Reporters get a lot of crazy calls. Many might have dismissed this one. But I knew this house, and so did my photographer friend John Pendygraft.

“Hey John,” I called across the cubicle wall. “Do you remember that story we did on the Ma Barker house?”

John’s eyes got big. “Do you remember what happened?”

Our story four years ago had been about real estate: historic home for sale on nine waterfront acres, eight miles north of the Villages, two hours from Tampa. And about the gangsters who hid out there until the end.

We had toured the four-bedroom house with a Realtor, whose assistant shivered and said, “I get the weirdest feeling when I’m in here.” We had reported rumors about flickering lights and an unsuccessful exorcism.

But we hadn’t written about what had happened to John. Or what he saw when he enlarged one of his pictures.

John has worked in war zones in Afghanistan and the Gaza Strip. He has photographed the dead from an Asian tsunami, a Mexican assassination and Hurricane Katrina. If he ever is scared, he won’t show it.

That fall day in 2012, in the Ma Barker house, he had gone alone into the front bedroom to take pictures through the window, looking out toward the lake where the FBI agents had crouched behind trees.

All of a sudden, John rushed out, cameras, lights, tripod flapping over his shoulders, nearly sliding down the 13 stairs. “I don’t know what happened, or what that was,” he panted. He heard the mattress fall, then saw it, dangling through the bed frame. “I didn’t touch it,” he insisted.

We left that afternoon, as dusk began to descend. From beneath the Spanish moss, John shot a few final frames. The next day, when he zoomed in on his laptop, he saw a strange figure on the screened porch: The silhouette of a stout woman with a bun, who looked like she was holding a machine gun.

Her story starts in Missouri, in 1873. Her parents named her Arizona Donnie Clark. She and a farmhand, George Barker, had four sons. As soon as the boys were grown, her husband left.

Legends vary about Ma Barker’s role in her boys’ gang. Some say she just cooked and cleaned. Others say she was the mastermind.

They began by robbing banks, then murdered a policeman. From 1910 through 1930, they are said to have stolen $2 million. And killed at least 10 people.

The FBI’s first director, J. Edgar Hoover, called them “the worst criminals in the entire country.” Ma Barker became the only woman to top the most wanted list.

In 1934, the gang split and went into hiding. One son fled to Chicago. Ma and her favorite son, baby Freddie, moved to Miami where, posing as a wealthy widow, she asked if anyone knew a secluded spot where she could spend the winter.

Someone introduced her to Carson Bradford, whose family had a lovely home in the center of Florida, on Lake Weir.

The house sounded perfect: fully furnished, set back from the road, with a boat tethered to a dock out back. Ma paid the full season’s rent in cash. Just before Thanksgiving, she moved in with Freddie and a couple of his friends.

In a letter to her son Arthur in Chicago, she drew a map of the lake and circled the closest town, Ocala. She mailed it from Ocklawaha’s little post office.

FBI agents found Arthur the following January, and with him, the letter, which led them to Ma’s hideout.

In the predawn darkness on Jan. 16, 1935, a dozen officers pointed their guns at the upstairs windows. “This is the FBI,” an officer shouted, according to an agency report. “You are surrounded.”

Some say the gun battle lasted as long as six hours.

When it was over, they found Freddie, 32, shot in the back of his head. Ma, 63, was curled on the floor, cradling her Tommy gun. That day, Hoover said, marked “the end of an era of violence.”

For nine months, the corpses lay unclaimed. Finally, a relative moved them closer to home.

But some say Ma still inhabits that two-story, cream-colored house with forest green shutters. The cop on the phone, my friend the photographer, the former and current owner all saw, heard or felt … something.

But how do you report a ghost story?

I started with the Marion County Sheriff’s Office and that “evidence” photo the retired cop mentioned on the phone.

Lt. Dave Redmond remembered some man bringing in the photo, but the deputy hadn’t seen anything in it.

Records only go back to 1990, said department spokeswoman Lauren Lettelier. “But since then, there have been no reports of hauntings at that house.”

I talked to Carson Good, 47, the great-grandson of the man who built the house. He has memories of swimming and sailing in the lake. And of countless sleepless nights, cringing in the dark. “I’m not a big believer of ghosts, but I heard a lot of sounds in that house,” he said. “Voices. Furniture moving. People walking up and down the wooden stairs.”

His grandmother didn’t like to talk about it, but she often heard spirits stirring. Years ago, he said, a psychic from Cassadaga held a seance at the house and convinced the ghost of Freddie Barker to move on. But the medium said Ma refused to move.

Good and his family sold the property for $750,000 and donated the house to the county, which hired a contractor to lift the home off its foundation and float it across Lake Weir to a park called Carney Island. County commissioners allocated $270,000 for the move. Private donations and fundraising will finance the museum.

County tax collector George Albright, who grew up next to the storied house, envisions an homage to the early days of the FBI, as agents set out to capture notorious gangsters like “Baby Face” Nelson, “Pretty Boy” Floyd, Bonnie and Clyde and, of course, the infamous Barker gang.

“We’ve already had calls from people asking about ghost tours. If they want something like that, or to hold seances, we’ll look into that,” said the tax collector, “as a revenue source.”

Some say the gang buried Mason jars filled with cash along the lake. Local children used to spend summers digging for the treasure, but came up with shovels full of sand.

As soon as the home is removed, before the new owner closes on the land, the tax collector plans to bring in a team with ground-penetrating radar to scan the soil.

“Let’s hope she’s a friendly ghost,” he said.

On a gray Wednesday in October, more than 81 years after the shootout, John and I returned to the scene. The house already had been lifted on jacks. The screened porch was gone; workers were carrying out lamps. A true-crime novelist was parked in an SUV, taking pictures.

Like John, he swore he had seen a face in a window.

“I think whatever’s in there doesn’t want us to come in,” said Tony Stewart, who had driven from Indiana to see the house in its original setting. “And it won’t come out.”

We had told the retired cop that we would meet him later. The tax collector didn’t want anyone else at the construction site. But Weiss pulled up in his white Cadillac, quaking in his tassled loafers.

“This is where their bodies were. They dragged ‘em right down this driveway,” said Weiss, clasping his arms across his chest. “She’s not at rest. She will never leave this property.”

He has felt this before, he said. “I sense spirits.”

The first time was in 1992, just before Christmas. He was on patrol in White Plains, N.Y., resting in his car between calls, when he had a vision of a sad teenage boy: long hair, pale, with a pug nose. Two days later, he was sent to a home where a teenage boy had hanged himself. “The same boy I’d seen.”