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#the mirror aesthetic was done superbly
ace-angelprincess · 10 months
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A spoopy-themed commission done last year by @sonocomics
Running of the Bulb has been my favorite Mario Party (series) minigame for its uniqueness of teamwork, yet individual players can still lose. (It's not like Key-pa-Way where everyone either wins OR loses.)
RotB is one of three ghost-minigames in MP (the other two being Pedal Power and Ghost Guess), and the only one that little-Jay (my OC as a kid) could win in; she couldn't comprehend the rules of the other two, so she would always lose.
Desperate to not be lost in the dark, little-Jay runs as fast as her little feet can take her. Don't look back, or else she might trip and break the bulb - or worse, get possessed!
Years later as she grew, Joslyn learns to fight her fears - sometimes literally! She has enough confidence in herself to put up a good battle, not backing down.
Whereas little-Jay was trying to preserve the light, Joslyn IS the light.
As for Big Boo and King Boo, I headcanon them as the same Boo character. (King Boo was Big Boo before he became known as King Boo.)
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tyrell-kray · 1 year
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filmjrnl365 · 4 years
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#148  Long Day’s Journey Into Night (2018)
Director: Gan Bi
China / France
“She was always disappearing and reappearing, as mysterious as that abandoned house.”
Gan Bi’s Long Days’s Journey Into Night is an alluring and murky descent into a labyrinth.  It does a good job of translating the odd dis-associative feeling and loaded imagery of a dream into a narrative two hour plus in length. A haunting soundtrack, surreal settings, time dislocations and gorgeous cinematography by David Chizallet, make the movie an intriguing and aesthetically mesmerizing encounter.
The film is essentially in two parts. The opening title shot falls out of the ether, and divides the movie in almost the exact middle.  After this break, the film becomes increasingly languorous and intertwined. The choreographed camera work and flowing composition help to smoothly transition the scenes, and pull the story along at a deliberate pace. While the slowness will no doubt be frustrating to many, I found I liked it, and it does afford the viewer time to become deeply immersed in the absurd beauty of the film. There’s a lot in this film that reminds me of Wang Kar Wai, but Long Day’s Journey hits a much more somber and mysterious note. While a movie like In the Mood For Love pulls at feelings of loss and nostalgia; Long Day’s Journey Into Night takes us into a dark, almost Bardo -like setting, that unfolds into itself like the dark realms of our subconscious.
The story is circular in structure. The opening scene pictures a woman’s hand holding a microphone. We see painted fingernails and a watch on her wrist. This same broken watch will reoccur at other points throughout the film, and will be employed as a symbolic device to help tie both ends of the movie together.
Also, this will not be the only reference to fractured time. A grimy round wall clock is removed from a whitewashed wall to make way for a photographic portrait of the recently deceased father. The clock’s removal exposes the wall’s discoloration and faded paint, making a circular halo behind the portrait, turning the photo into a shrine-like ghost. The wall clock is stuck at 7:50, the next time we see this clock the hands have moved to 9:00. The third time, the clock is seen in a watery reflection as its hands appear to be being manually reset by our protagonist, Luo Hongwu.
Images of note are the frequent use of mirrors, tunnels, water and reflections. For example, though sometimes small in scale within the frame, once one begins to look for mirrors throughout the film, their placement becomes conspicuous, and like other images in the story, they carry a significant symbolic weight. Tunnels and passages, with their requisite sinister lighting, serve as transitional spaces that host or link critical encounters for the characters. Water and rain continually seeps into the story, and contributes to the dripping cave-like context of this strangely populated underworld. In fact, by reading the film in two mirror-like halves, (using the opening title as the break) you begin to notice parallels and symmetry in characters, locations, and interactions.
I knew by the middle of this film that it was going to be one of those films that moves in and sets up camp around the emotions long after you are done watching it. It carries into the rest of waking life like an unsettling experience we can’t shake off or come to terms with. The cinematography and coloration in the film is some of the best I have seen. It’s a visually compelling work, which slowly apprehends and transports into a bizarre labyrinth, and lets you follow with the camera through the strange reality it reveals. By the second half of the story we are led down a dark indeterminate path, a mineshaft, or into an abandoned prison-city where our protagonist continues to encounter increasingly mysterious situations. Two particularly arresting passages stand out. The first features an encounter with a small boy who emerges out of a dark enclosed space wearing a horned cow skull. He is a kind of keeper of secrets or person who understands how to navigate through this underworld, but the character is also likened to the minotaur residing at the center of the labyrinth. There is also the added reference/layer between this boy and that of the aborted child, believed to be a boy, fathered by our protagonist, earlier revealed to him by his lover WanQiwen. A hushed passing remark is made between them that he would have taught the boy ping pong. Well, in fact this is what he is asked to do by the boy who resides in the dark tunnel, in order to barter his way out of this maze-like surreality. The two characters bond with one another in their brief time together, and again, it is these absurd, but emotionally weighted encounters that provide the dream–like energy to this part of the story.
The second arresting passage pictures a festive carnival like event. It features a karaoke performance stage with all its colorful lights set against the murky disheveled darkness of the prison-city. In this passage the two flirtatious characters (via great camera transitions) float over the scene like disembodied ghosts, who somehow have magically taken flight by spinning the (boy’s) eagle emblazoned ping pong paddle. It’s a creepy, haunted and beautiful passage that imparts a kind of magical dimension to a scene that serves to bring two lovers together.
The last hour of this film is done in one continuous and superbly mapped out shot. It can slip by un-noticed because the transitions of place and differing shot depths are handled so poetically. With the increasing tension and strangeness of the story and its characters, the lack of visual interruption reinforces the film’s ability to transfix and lead the viewer through this dark, aesthetic maelstrom.
There is no crashing resolution to the story. The unfolding of this tale is not predicated on building up to a singular climax. The film is a descent, a submersion into an altered state, a strung together itinerary of strangely off, but deeply consequential encounters. There is a specifically poignant line in the film that sums up its cinematic /psychological position: “The difference between film and memories is that films are always false. They are composed of a series of scenes. Memory mixes truth and lies. They appear and vanish before our eyes.”  Luo’s voice over provides a perfect template in which to approach some understanding of the film. Our memories, like our films are tenuous entities. Their emotional gravity can exert a strong pull on us even as we acknowledge their fragility and distortion with the passage of time.
Long Day’s Journey Into Night barters in the dark mechanical psychology of our dreams. It is embedded with the erotic tinge of past lovers who wantonly re-appear to us in the darkness of our mind’s nightly travels. As we wake from the spell, its emotional charge still lingering within us, we find we are unable to easily dismiss the ghostly imprint left behind once we have slipped away from its vivid and mysterious magnetism.
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thriceminded-blog · 7 years
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Not known Details About Interior Design
Quite possibly the most hard method of composition for objective Assessment is one that a number of people simply call exotic. The probabilities are that each one unique interiors are highly own statements and can't be rationally understood in theoretical design conditions. To start with, what may possibly look unique to the typical American could possibly be pretty common or simply homey to a different tradition. Japanese or oriental design usually serves for instance. A Japanese design and style interior is extremely subtle, serene, and understated, nevertheless to the uninitiated these an interior will appear unique. Definitely that very same phenomenon retains legitimate in reverse. Oriental individuals have often been impressed with Western-fashion design and also have adopted it presumably simply because to them it appeared exotic. The amplified mobility of the center classes of many nations right now has made international vacation possible for An increasing number of folks, thereby tending to melt a few of the incredibly strong regional discrepancies in design. The true beginning of recent furniture design in the United States came only after Entire world War II, and far of it absolutely was first made for nonresidential uses. Charles Eames, George Nelson, and Florence Knoll are One of the distinguished American designers who definitely have pioneered furniture design and producing procedures. Their furnishings principally was launched to the public as a result of use in community or get the job done Areas. A large phase of household furniture makers, however, has however not been touched by design of any type, and home furniture under this kind of invented names as “Mediterranean” or “Italian Provincial” (equally nonexistent historic variations) continues to be staying foisted upon the general public. Do you get pleasure from decorating your house and have numerous compliments with your decor? That doesn’t automatically signify you have to be an interior designer, however it’s definitely an excellent indication. The developing, as well as the interiors, was conceived as a complete design via the Finnish-born architect Eero Saarinen. If the observer agrees With all the architect’s thought or not, he Obviously senses the robust interrelationship among the outside as well as interior—and as a consequence the aesthetic unity and accomplishment. Yet another effective interior and making is definitely the Ford Foundation headquarters in Ny city, the perform of architects Kevin Roche and John Dinkeloo, with interiors by Warren Platner. The design is noteworthy for its handsome spaces opening out towards an enclosed garden House. This certainly would not have already been achievable or correct When the perspective from your workplaces had been unattractive. 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Aerotek Architecture is looking for a skilled interior designer or interior architect to join an award winning interiors agency situated in Washington, DC. For https://docs.google.com/drawings/d/1YF4lk2YaLq24hd0qVS5hpZAr_YgPtx3phJAMQr36b74/edit , the candidate is going to be working on industrial interior projects. The prospect will c... Colour is the standard of light mirrored from an object on the human eye. When light-weight falls upon an object, some of it really is absorbed, and that which isn't absorbed is reflected, along with the obvious colour of an object is dependent upon the wavelength of The sunshine that it displays. The scientific attributes of colour and light in interior design are, however, less significant than the skillful combination of colour values, hues, tones, shades, and over all textures. 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Because They may be not required to heat houses, fireplaces within the twentieth century more and more became a luxurious and therefore a image of substance to Many of us. These circumstances have often resulted in imitation fireplaces of your worst probable design, with simulated fires.
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