#the ones i've never even CONSIDERED are... obvious.

[barcaatthemoon]

friend of the bride || lia walti x reader ||

You hook up with Lia at your best friend's wedding.

MINORS DNI, 18+, Smut warning.

You knew about Lia. You had never played against Lia, but you knew all about her. It was your job to know about football, both international and domestic. She hadn't played in the NWSL, but you were a pretty big Arsenal fan even before she had joined up. But even before then, you had heard people in the business talking about the Swiss player.

It made sense that she'd be in the bridal party. Lia was Ana's best friend, and maid of honor. In a way, you thought it was wild that the two of you weren't better acquainted. Obviously you understood Ana being hesitant about introducing the two of you. You were a bit of a womanizer to say the least, even if you had settled down quite a bit since starting your gig as an official NWSL commentator.

"Excuse me, I don't know if we know each other. I'm (Y/n)." You could feel Ana's eyes on you as you approached Lia. There weren't many people that made you nervous, but your best friend's new wife was definitely one of them. The two of you had been teammates years ago whenever Ana played on the Thorns, and maybe, just maybe, you had seen a spark all those years ago.

Nothing had ever come of it, and you were happier because of it. Ana was cool, and she definitely would have hated you whenever you transferred across the country at the end of the year. You weren't a native to New Jersey, but Rutgers had offered you a full ride, so you counted yourself as a bit of a Jersey girl. Sky Blue wasn't perfect by any means, but it was definitely the place that you had wanted to retire playing for.

"I'm Lia, and no, we haven't been properly introduced," she said. She outstretched her hand, and you took the offering. Behind you, you could practically feel Ana attempting to burn holes into the back of your head to deter you. "My friend is watching us."

"If I'm being honest, I don't blame her. She's heard stories of how I can be at weddings." Bashful wasn't something that normally worked well with you, but Lia found the blush cute. It became obvious as she patted the chair in front of her that she knew a bit about you. Ana had to have warned her before either of you arrived in Seattle for the wedding.

"I've heard stories of how you are away from weddings. I get it though, life feels a bit more special with all of this love in the air," Lia said. You thought that she was sweet, and a part of you was about to back out when she grabbed onto your wrist. "I fly out tomorrow afternoon, and I'd hate to leave without as many good memories as I can get."

"She'll kill me if we leave together," you told Lia. She glanced behind you and waved at Ana. You did everything in your power not to turn, but Lia seemed amused by whatever was going on behind you. "Is she being mean?"

"Not at all, but you should say your goodbyes and get your coat. I'm in room 615," Lia told you. She slipped her key card in your pocket, and you wondered how long she had been watching you. Lia left first, leaving you to sit there stunned for a moment. It was hasty, but you said your goodbyes and promised Ana that you'd be safe with her friend. She was a bit dismissive, but you didn't miss the little twinkle in her eye. If you had any more to drink, you would have considered that she was happy about you and Lia running off together.

It seemed almost too good to be true that Lia's room was on the same floor as yours. You made a quick stop at your own room to shed your suit jacket and make sure that you still looked good. Your room was only a few doors down from Lia's, and you wondered if she had seen you at all over the week. The entirety of the wedding party had been flown in several days earlier than all of the other guests, and you doubted the maid of honor had been an exception to that.

"You left your jacket. That's a shame, it looked good. At least I can still do this," Lia said as she grabbed you by your tie and pulled you into the room. You stumbled a little, but caught yourself as Lia's arms wrapped around your shoulders. She was still in her dress, but without her heels on, you were a couple inches taller than her. "You know, I had always hoped you would find your way to the WSL. I would have liked to play against you."

"I bet we could have had a lot of fun together." Lia seemed to catch onto the hidden meaning of your words quickly. You were a bit surprised by her forwardness as she kissed you. It was welcome, as was the feeling of her hands pulling your button out from where it had been tucked into your pants.

The women you hooked up with had all definitely wanted you, but they were rarely as confident in themselves as Lia. She was sweet and gentle, but it wasn't submissive in the slightest. She took what she wanted without overstepping, and it took you several moments for your brain to kick in and join her.

"Take my dress off," Lia told you. You didn't hesitate for even half a second to turn the Swiss woman around. There was a little clasp by the small of her back, and once it was undone, Lia let the dress slip off from her body and pool onto the floor.

You could see that her chest was bare, but that did nothing to prepare you for the sight of her. She stood in front of you completely topless. You weren't being subtle in your staring, but Lia didn't seem to mind it. She let you keep staring as she pushed you back onto the bed. Lia climbed onto your lap, and there she sat straddling you as she looked down at you.

"There are plenty of more comfortable places for you to sit," you started. Lia showed her amusement with a little half-smirk. Normally, your jokes garnered a bit more of a reaction, and the fact that she hadn't given you one made you want to try again. You wanted to impress this woman with every part of you, and you had no idea why. Nobody was supposed to mean this much to you, not for a single night anyway.

"I'm already practically naked on top of you, lines aren't necessary," Lia told you. You nodded and swallowed, somewhat nervous as she stared at you. It was like she was studying you, less out of curosity, but more in the way a predator would study its prey. "You're wearing too much, and I'd hate to ruin your very nice suit."

You nearly let out a whine as Lia moved off of you. You scrambled off of the bed and hastily undressed yourself, not caring that for a moment, you were more bare than she was. Lia hummed in appreciation as you stood in front of her, completely naked. She guided you down onto your knees in front of her and leaned over her own lap to kiss you.

"Show me what you can do. I hope everything I've heard about you is true," Lia said. Even after she broke the kiss, you didn't stop kissing her. Your mouth moved all over her neck and jaw, occasionally stopping to mark a couple of hickeys for her to take as a temporary souvenir. You were a lot less careful with your marking whenever you got to her chest, sucking as many love bites onto her skin as you could.

Lia tried not to rush you, but you could tell that her patience was growing thin. She ground herself against the palm of your hand as you cupped her over her underwear. You let out a pleasured groan at the feeling of her heat through the fabric. You could practically feel her arousal growing as she moved against your hand.

"More, I want more," Lia told you. You took your time teasing her as you took her underwear off. Your face was buried into the side of her thigh when your attention was pulled by a frustrated growl. Lia looked down at you with a look so sweet that you almost got whiplash from the way her hand balled into a fist around your hair.

You let her guide your face, only sticking your tongue out to give her something to seek out. Lia loosened her grip when she felt your lips wrap around her clit. Her thighs clamped around your head, holding you against her as she rocked her hips back and forth gently. You pried her thighs apart to make room for your fingers to tease at her entrance, stroking over the hole with the promise of penetration.

This time, Lia didn't have to ask or tell you to keep going. Once you got into your groove, everything came very naturally to you. Lia was moving wildly on the bed, each buck of her hips punctuated by a little creak of the bed. Between Lia's moaning, the bed creaking, and the absolutely obscene sound of your fingers fucking in and out of her, there wasn't a moment of silence.

"That's it, right there. Don't you dare stop. Oh fuck!" Lia exclaimed. You felt a sharp tug to your hair as her other hand wrapped around the back of your neck. You could feel her nails dig into your skin, but the pain of it just made your eyes roll back in your head a little. Above you, Lia's body held you close even as she tried to squirm away from you, torn between wanting to stop and wanting to see just how hard you could make her cum. Ultimately, she ended up pushing you away just a couple minutes later as her body began to approach overstimulation.

"I think you did a number on me," you muttered as you rubbed at the little nail indents on the back of your neck. Lia sat up on her elbows, just enough to see her reflection in the TV. She looked gorgeous to you, disheleved in the most perfect of ways. There was no denying what had just happened, not when you looked at Lia.

"I can do a lot worse," Lia laughed. You clammed up a bit at her words. You had no idea what was wrong with you because Lia shouldn't have been getting to you this badly. She was practically a stranger, and yet, you didn't want to just gather your clothes and run off to your own room just yet. "If you ever find yourself in London, message me. Now though, I think you should get going. Guests are going to be back any moment now."

"I've never been asked out and kicked out at the same time. You are something else," you said in disbelief. Lia could tell that you weren't angry, and just to keep it that way, she walked you out. A part of you wanted to linger, but aside from a pretty chaste kiss, Lia didn't give you the opportunity. You just had to hope that you'd catch her before she ran off the next day, but even if you didn't, you couldn't be mad about how your night went.

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[riddlingwife]

i'm Scared to continue the p.aul da.no filmography bc that means having a whole lot of f/os on my list and that's;;;... 2-3 are portrayed by him already making me feel overwhelmed /j