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#theres this like superhero fatigue going on
ellies-enrichment · 1 year
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ahhh I'm so sorry, that last ask was meant for a different account :( but I think you should watch aos - my mom didn't believe me when I told her gabriel luna was in it until they passed the burning barn in tlou which I think is very amusing
you're fine dw about it !! <3
hilarious your mom made that connection only with the burning barn. My mom would do the exact same thing 💀💀
it's definitely a show i've wanted to watch and tried many times to (three times but i had Arrowverse stuff going on at the time so it was hard to do both yknow) and now that i know gabriel i have more reason to watch it
i wanna try yellowjackets because it looks unhinged enough to entertain me, I wanna watch Arcane because I saw three episodes while sick but Succession got to me before Arcane could, but I feel like aos deserves my attention THE MOST because of how badly i wanna watch it
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jawnjendes · 5 years
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i’m not usually like this | shawn mendes
university au, shawn x goth gf
if theres anything you wanna see happen in this series, let me know!
masterlist | series playlist
It all started because he asked a simple question. “Do you ever wear anything that isn't black?”
I've heard this question many times in my life, from family members, to coworkers, to strangers in my classes. The context in which Shawn asked me, however, was different than normal; He was pulling off my sweatpants and noticed my dark underwear. I told him to shut up and proceeded to ride him into oblivion.
When I wasn't surrounding myself with a brick wall to keep me safe, when I was not being stone cold and expressionless, I was quite the sex fiend. I'll take it anytime, and just about anywhere. I mean, you already know the story of those three hours Shawn and I spent in my bedroom, knowing that my roommate was home. That's not even the worst of it. We've had sex in his car, my car, outside my car, my living room, his kitchen, a bar bathroom, and a stranger's dorm room.
Listen… Shawn Mendes is a man of many talents. If he wasn't my boyfriend, he would be a fuck buddy.
Anyway, he liked to tease me about my wardrobe choices just as much as he liked to praise me. Sometimes he would ask who I’m about to sacrifice to the dark lord, and other times he would thirst over my black skirt and tights. Even better, sometimes he put on his black floral shirt as an attempt to match my ensemble. But this story is about his teasing.
After going at it for an hour at his apartment (my thighs were incredibly fatigued and shaky), I had to get ready for work. It was easy to get out of Shawn's hold since he was so loose and sleepy. As soon as I was ready, I kissed him goodbye and left his apartment in spirits so high it was considered abnormal for me. How did I know it was abnormal? My manager kept pointing out how chipper I was as I answered phones and helped customers. When people notice, that’s when you know things are changing.
It wasn't until I stopped by Walmart after my shift did Shawn's words sink in. I do wear black all the goddamn time. My closet is 99% black t-shirts, button ups, pants, leggings, and even underwear! The 1% is when I'm slacking on doing my laundry, that's when I would wear white.
That's not to say I don't like other colors. I used to experiment with bleaching my hair and dying it blue or green. I was a sucker for neon eyeshadow, and I was an absolute slut for red lipstick. Things are fluid, nothing is ever set in stone.
I looked through some of the clothing racks, but it’s Walmart, so nothing really stood out to me. Then I found myself in the underwear department. I was trying not to laugh at myself in front of other shoppers, because this was mildly insane. Was I really considering buying Walmart lingerie to prove a point to my boyfriend? There were some decent options after all.
My eye caught a black, sheer nightgown with a matching g-string. I studied it for a minute before deciding that I had a lot of black lace already, and half of it wasn't even intimate apparel. The next set I noticed was a simple sheer bra and underwear, also black. Getting there, but it wasn't enough. There weren't any in my size, anyway. I dug through the racks until I spotted something girly.
The first thing that put me off was that it was pink… baby pink. It was another nightie, but it was made of sheer tulle instead of lace. There were little pink and red hearts all over the skimpy fabric, and it came with a lace thong. It was cute, but it was the least Me thing here. On any other day, I would not be caught dead wearing anything pastel.
That's exactly why I ended up taking it home.
I quickly raced back to my dorm, feeling like I had some dangerous weapon hiding in the bag I was carrying. I didn't stop to speak to anyone I knew, and I was very glad that Shawn wasn't currently on campus. However, he did text me asking me to spend the weekend at his place. It only added to the butterflies in my stomach.
“Stella!” I frantically called once I had shut myself in my room.
She came practically running, bursting through the door. “What happened? Who died? Oh - oh my god.”
I was facing the full body mirror that was leaning against the wall. I tried on the daring piece of lingerie, testing it out on whoever was willing to see me like this. Stella was the only person who had seen me in my underwear apart from my boyfriend. However, I still had the decency to cover my breasts with my hands because the nightgown showed a bit too much.
“You trying to seduce me, ‘cause it's working,” Stella teased, wiggling her perfectly sculpted eyebrows.
“Listen!” I turned to face her, trying to justify my outfit choice. “This was probably a stupid idea! It, it was an impulsive buy!”
“Dude, if he sees you in this, you're gonna end up pregnant.”
“Don't say that!” I looked down and twirled my body from side to side, watching the fabric swirl. I felt and looked a little too nervous.
“Seriously, you look hot. Just, y'know, maybe skip the heavy eyeliner and add more perfume. He'll link the scent to the time he had the best sex of his life.”
I chuckled and rolled my eyes. “I'll do the perfume thing, but I can't skip eyeliner. I need something to make up for all the pink I'm wearing.”
Stella nodded. “Yeah, that's another thing. I know this is something you wear when you wanna get dicked down, but you look so soft and adorable!”
“Shit, if you keep saying things like that I just might spend the night with you instead.”
~
It was night by the time I was at Shawn's apartment. He was in the middle of songwriting, and he wasn't alone. His friend, Teddy, was over. I guess she helped him write sometimes. The two of them were singing to themselves and throwing potential lyrics back and forth at each other. Teddy was frequently writing on a scrap of paper or typing on her laptop. Shawn was strumming his guitar, and sometimes he would glance at me and wink.
I sat silently on the couch and half listened to them brainstorm. I was glad I decided not to leave my Switch at home.
“You're so quiet, is something wrong?” Teddy pointed out. I don't know why I wasn't expecting it.
“Don't wanna bother the artists at work,” I said, keeping my eyes on my intense game of Smash Bros.
“She's like that,” Shawn told his friend. “She'll warm up eventually.”
“That makes me sound like an asshole,” I replied with a chuckle, and then I gasped as my character on screen got knocked out.
Still, I remained quiet as they continued their session. I stayed in the same spot on the couch, curled up and thoroughly entertained. Shawn insisted I sit closer though, considering that I was on the opposite end of the couch from him. He liked my company I suppose, even if I wasn't speaking.
Eventually, Teddy got her things together and left. She gave me a hug, said it was nice to meet me, and then gave Shawn a look that said “have fun you two.”
When we were finally alone, I went into Shawn's room, telling him I wanted to change into my pajamas. It was sort of true, I mean. I grabbed my overnight bag and dashed into the en suite bathroom. Normally, I would have started with taking off whatever makeup I had on, but I only had on some intimidating winged liner and mascara. I needed that tonight.
Fixing up my hair and spritzing on a ridiculous amount of perfume helped keep my nerves at bay. My stomach fluttered when I pulled out the frilly pink item of clothing. This just might be my demise.
Once I was dressed, I looked at my reflection in the mirror and placed my hands on my hips. A wise lady in a hospital drama said standing like a superhero helps increase confidence, so that's what I did. I tried to channel my inner dominatrix, despite the fact that I was probably very far from being just that.
“I'm a strong lady,” I whispered to myself, then I huffed out a breath.
I ruffled my hair one last time before going to the door. I had my hand on the knob, but I could hear the sounds outside this very room. I could hear Shawn's footsteps, I heard the bed creak as he sat down. I heard the sounds of his guitar.
My heart started to race. It was ready to beat out of my chest.
I don't know why the first thing I thought to do when I finally opened the door was to unattractively clear my throat. It's not like Shawn wouldn't notice if I quietly left the bathroom.
He looked up from his guitar, and it took a second for him to process what he was looking at. His eyes lit up, and his jaw went slack.
Awkwardly, I placed one hand on the doorway and the other on my hip. I didn't know what to do with my face, so I slapped on the mock composure. I looked at my boyfriend, unsure if I should say something or not.
“No way,” Shawn finally spoke, a grin forming on his face. He set down his guitar and moved so he was sitting at the foot of the bed. “Come here…”
His eyes were moving up and down my body as I timidly stepped towards him. The look on his face was full of surprise and wonder, like he couldn't believe what he was seeing. I mean, I was in skimpy attire and none of it was dark. Anyone who knew me wouldn't believe it.
Shawn took my hands when I was close enough, and he shamelessly checked me out. His eyes stuck on my tits just long enough to raise the tension in the room.
I was still finding my voice. I was probably more flustered than he was.
“You're too cute,” he told me, finally looking at my face. “When did you get this?”
“Today,” I said softly. “I don't know, I looked for something black… this was all I could find in my size.”
“I'm really glad you went with this. You're so cute. The pink makes you look almost innocent. Turn around for me.”
A shy smile crept up on my face as I slowly spun around. I quickly came to realize that I was willing to do just about anything he wanted. Wow, and I thought I was going to have power tonight.
“So adorable,” Shawn mused when I was facing him again. “You're the cutest fucking thing ever, you know that?”
My roommate had said similar things, but it hit me different hearing it from my boyfriend. My face was probably redder than the hearts on this stupid nightie, and Shawn could probably see that.
“I don't wanna be cute,” I mumbled, looking down at our hands. “I wanna be sexy.”
“Trust me, you're very sexy. I, I don't even know what to do. That's why I keep talking. God, you're so pretty.” His hand went up and stroked my cheek.
Stop fucking talking and just take me already!
The only way I could express that was by bringing Shawn's hands to my waist, giving him permission to touch me wherever the fuck he wanted. His breathing picked up a little more as he ran his hands down to my lower hips, reaching around to grab my ass.
I delicately placed my hands on his shoulders, and he leaned in to kiss my collarbones. He kept mumbling about how pretty I was, and it made me feel some kinda way. I could feel just how hot his body was getting being so close to mine, it made me even hotter. His hands moved up to my stomach, moving under the nightie, and running along my skin. My body felt so alive and ablaze.
“Your heart's going fast,” he pointed out, placing a hand on my chest. “You nervous?”
I nodded. “More than I'd like to admit.”
He smiled warmly, and then showed me his hands. Seeing them tremble gave me some kind of relief and an ounce of confidence. I made him feel like that. He was turned on because of me.
Shawn stopped me when I grabbed the ends of my nightie to take it off. “No. Leave it on.”
“Really?” I asked. “Won’t it be in the way or something?”
He shook his head, looking up at me with something like desperation in his eyes.  “I… wanna do unspeakable things to you in this thing. We're leaving it on. Now get your ass on the bed.”
I would have fainted if he hadn't given me an order.
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'A total blast': our writers pick their favorite summer blockbusters ever
New Post has been published on https://writingguideto.com/must-see/a-total-blast-our-writers-pick-their-favorite-summer-blockbusters-ever/
'A total blast': our writers pick their favorite summer blockbusters ever
As the season heats up on the big screen, Guardian writers look back on their picks from the past with killer sharks, mournful crime-fighters and time-traveling teens
Face/Off (1997)
Photograph: Allstar/Cinetext/PARAMOUNT
Madman bomber Nicolas Cage stole John Travoltas dead sons life. So gloomy FBI agent Travolta steals Cages face. When Cage steals his face and his wife and freedom John Woos Face/Off becomes the biggest, wackiest and most operatic summer blockbuster in history, a gonzo combustion that flings everything from pigeons to peaches at the screen.
Hong Kong cineastes might applaud a script with roots in the ancient Sichuan opera genre Bian Lian, where performers swap masks like magic. Popcorn-munchers, of which I am front row center, are here to watch whack job Cage and soulful Travolta, two actors who love to go full-ham, play each other and go deep inside their iconographies. Call it hamception. Or just call it a crazy swing that hits a home run as Cavolta and Trage battling it out in a warehouse, a speedboat and, of course, a church. As Cage-as-Travolta gloats to Travolta-as-Cage, Isnt this religious? The eternal battle between good and evil, saint and sinners but youre still not having any fun! Maybe hes not, but we sure are. Bravo, bravo. AN
Edge of Tomorrow (2014)
Photograph: David James/Publicity image from film company
Theres been an increasing sense of desperation clinging to the majority of roles picked by Tom Cruise in recent years. Outside of the still shockingly entertaining Mission: Impossible series, he was miscast in the barely serviceable Jack Reacher and its maddeningly unnecessary sequel, his awards-aiming American Made was throwaway and his franchise-starting The Mummy was a franchise-killer. But four summers ago, he picked the right horse just maybe at the wrong time.
Because despite how deliriously fun Edge of Tomorrow was in the summer of 2014, audiences didnt show the requisite enthusiasm. It was a moderate success (enough to warrant a long-gestating sequel) but it should have packed them in, its combination of charm, invention and sheer thrills making it one of the most objectively successful blockbuster experiences in memory. The nifty plot device (Cruise must relive a day of dying while battling aliens over and over again) allowed for some dark gallows humor and a frenetic pace that kept us all giddily on edge while it also contained a dazzling action star turn from Emily Blunt whose fearless Full Metal Bitch wrestled the film away from Cruise. Blame its relative failure on the bland title? Cruise fatigue? Blockbuster over-saturation? Then find a digital copy to watch and rewatch and repeat. BL
Back to the Future (1985)
Photograph: Allstar/UNIVERSAL/Sportsphoto Ltd./Allstar
Back to the Future very nearly wasnt a summer blockbuster. The reshoots required after Eric Stoltz was booted off, then the fact Michael J Foxs Family Ties commitments meant he could only shoot at night all meant filming didnt wrap until late April. Robert Zemeckis and Steven Spielberg duly pencilled in an August / September release.
But then people started seeing it. Test scores were off the scale. Said producer Frank Marshall: Id never seen a preview like that. The audience went up to the ceiling. So they bagsied the best spot the year had to offer 3 July hired a squad of sound editors to work round the clock and two print editors with instructions to get properly choppy. They did, and those big trims tightened yet further one of the tautest screenplays (by Bob Gale) cinema has ever seen. The only bit of fat they left was the Johnny B Goode scene: sure, it didnt advance the story, but the kids at those test screenings knew we were gonna love it. Back to the Future is a pure shot of summer cinema: grand, ambitious, insanely entertaining. Deadpool, Avengers, take note: a blockbuster can be smart as hell so long as it wears it lightly. In the end, by the way, the film spent 11 weeks at number 1 at the US box office. Thats essentially the whole summer. CS
Teminator 2: Judgment Day (1991)
Photograph: Allstar/TRISTAR/Sportsphoto Ltd./Allstar
The first film I ever saw at the cinema was The Rocketeer. We drove into Bradford city centre, bought our tickets at the Odeon and sat through the 1991 tale which followed the fortunes of a stunt pilot, a rocket pack and a Nazi agent played by Timothy Dalton who sounded like he was from Bury rather than Berlin. The way into the multiplex there was a huge poster for Terminator 2: Judgment Day. Arnie sat on a Harley with a shotgun cocked and ready. My dad was a huge fan of the original but he still couldnt swing taking a seven-year-old to see it. It wasnt until I borrowed a VHS copy that I finally got to see what was behind that image. Skynet, dipshits, T-1000s, a nuclear holocaust and a motorbike chases on the LA river.
Blockbusters dont usually have that edge: theres a more brazen mainstream appeal. But Judgment Day was and still is an exception. It did huge numbers at the box office (more than $500m), was a rare sequel that was arguably better than the original and introduced really odd bits of Spanish idiom into the Bradford schoolyard lexicon. I probably would have been scarred for life watching it as a seven-year-old, but as a teenager it gave me a story I doubt Ill ever get tired of revisiting. LB
The Dark Knight (2008)
Photograph: Allstar/WARNER BROS.
The summer of 2008 was a busy one: Barack Obama emerged from a contentious democratic primary to become the first ever black presidential nominee of a major party. The dam fortifying the entire global financial system was about to burst. China hosted its first ever Summer Olympics. But somehow, and not exactly to my credit, what I remember most from that summer is the uncanny, ridiculously over-the-top publicity blitzkrieg that preceded the release of The Dark Knight, which has since emerged as not just an all-time great summer blockbuster, but an all-time great American film, period.
There were faux-political billboards that read I believe in Harvey Dent; a weirdly nondescript website of the same name; Joker playing cards dispersed throughout comic book stores, which led fans to another website where the DA was defaced with clown makeup. Dentmobiles, Gotham City voter registration cards, a pop-up local news channel: the marketing campaign might have seemed excessive had the movie not so convincingly topped it. Ten years later, as films like Deadpool and Avengers: Infinity War try to reach those same heights of virality, The Dark Knight remains the measuring stick by which every superhero movie, and superhero villain, is measured. JN
Mad Max: Fury Road (2015)
Photograph: Jasin Boland/AP
In many ways, Fury Road is summer: arid, scorching, bright enough to be squinted at. The driving force behind all the high-impact driving is scarcity of water, the essence of life in a desert where death practically rises up from the burning sand. Even in the air-conditioned comfort of a multiplex auditorium in Washington DCs Chinatown, watching George Millers psychotic motor opera left this critic sweaty and parched. My world is fire and blood, warns the weary Max Rockatansky (Tom Hardy) in the scripts opening lines. Staggering out of a theater into the oppressive rays of the sun, it sure can feel that way.
Millers masterpiece fits into the summer blockbuster canon in a less literal capacity as well, striking its ideal balance of dazzling technical spectacle and massively-scaled emotional catharsis. There was plenty of breathless praise to go around upon this films 2015 release, much of it for the feats of practical-effects daring, but the hysterical extremes of feeling cemented its status as a modern classic. I cant deny that Ive watched the polecat sequence upwards of a dozen times, but Millers film truly comes alive in Furiosas howl of desperation, and in Maxs noble disappearance into the throng. CB
Raiders of the Lost Ark (1981)
Photograph: Alamy Stock Photo
Its the music, its the giant boulder, its the Old Testament mysticism, its the whip, its the Cairo Swordsman, its Harrison Fords crooked smile, its the bad dates, its Karen Allen drinking a sherpa under the table, its the melted faces and exploding heads. Its all these things plus having the good fortune of seeing this at the cinema at a very young age, therefore watching most of it through my terrified fingers. (Indy tells Marion to keep her eyes shut during the cosmic spooky ending; way ahead of you there!)
The modern blockbuster as we know it was created by Steven Spielberg with Jaws and George Lucas with Star Wars, so the hype was unmatched when the two collaborated in 1981 with Raiders of the Lost Ark. As a kid I had no idea this was a loving homage to cliffhanger serials from the 30s and 40s, I took it as pure adventure. The seven-and-a-half minute desert truck chase (I dont know, Im making thus up as I go) is probably the best action sequence in all of cinema (John Woos Hard Boiled does not have a horse, sorry), but watching as an adult one notices a lot of sophisticated humor, too. (Indy being too exhausted to make love to Marion, for example, is something that didnt connect when I was six.)
Its strange to think I watched these cartoon Nazis on VHS with my grandparents who had escaped the Holocaust, and no one benefits when you do the math to figure out how young Marion was when, as Indy puts it, you knew what you were doing. But for thrills, laughs and propulsive camerawork (though a little mild Orientalism), nothing tops this one. JH
Independence Day (1996)
Photograph: Everett/REX/Shutterstock
Short of actually calling their film Summer Blockbuster, rarely can a films height-of-summer release date been so central to a films raison detre. This being the mid-90s, when po-mo and self-referentiality was all the rage, brazenly hooking your tentpole film to 4 July was seen as a pretty smart idea.
Fortunately, all the ducks did line up in a row for ID4: a game-changing performance from Will Smith, Jeff Goldblum at (arguably) his funniest, a rousingly Clintoneque president in Bill Pullman and most importantly in that run-up to the millennium physical destruction on a gigantic scale. Much comment at the time was expended on the laser obliteration of the White House (an early shot from the Tea Party/Maga crowd?), but I personally cherish director Roland Emmerichs signature move of detonating cars in somersault formation. Like many other huge-budget films then and since, Independence Day was basically a tooled-up retread of cheap-as-chips format of earlier decades though who these days would roll such expensive dice on what is essentially an original script, with no comic book or toy branding as a forerunner? We shall never see its like again. AP
Aliens (1986)
Photograph: Allstar/20 CENTURY FOX/Sportsphoto Ltd./Allstar
An Aliens summer is one for moviegoers who prefer to sit in in darkened rooms when the sun is shining; the brutal confines of the fiery power plant make an excellent subliminal ad for air conditioning. In 1986, James Cameron took Ridley Scotts elegant, iconic horror template and turned it into an all-out action blockbuster, forcing Ripley once again to face down her nemeses in a breathless fug of claustrophobia, sweat and fear. Its relentlessly stressful and unbelievably thrilling.
I first saw Aliens many years after its initial release. Owing to its sizeable and long-lasting legacy, it was at once immediately familiar, yet also brisk and brutally fresh. I understood that it was a classic, but I wasnt prepared for just how good it is, for the pitch-perfect management of tension, the pace that never really lets up, the emotional pull. The maternal undertow of Ripleys protection of Newt, and the alien mirror of that, adds a level of heart unusual in most blockbusters, and her frustration at being a woman whose authority must be earned again and again, and then proven again and again, remains grimly relevant, 30 years on. Its also a total blast. Now get away from her, you bitch. RN
Jaws (1975)
Photograph: Fotos International/Getty Images
It is the great summer blockbuster ancestor the film that in 1975 more or less invented the concept of the event movie. And unlike all those other summer blockbusters, Steven Spielbergs Jaws is actually about the summer; it is explicitly about the institution of the summer vacation, into which the movie was being sold as part of the seasonal entertainment. It is about the sun, the sand, the beach, the ocean and the entirely justified fear of being eaten alive by an enormous shark with the appetite of a serial killer and the cunning of a U-boat commander. And more than that: it is about that most contemporary of political phenomena: the coverup, the town authorities at a seaside resort putting vacationers at risk by not warning them about the shark. The Jaws mayor has become comic shorthand for the craven and pusillanimous politician.
A blockbuster nowadays means spectacular digital effects, but this film is from an analogue world. It bust the block through brilliant film-making and an inspired score from John Williams, summoning up the shark with a simple two-note theme which became the most famous musical expression of evil since Bernard Herrmanns shrieking violin stabs in Psycho took the place of actual knife-slashing. I still remember the excitement of the summer of 1975, and the queues around the block at the Empire, in Watford, round the corner from the football ground. The inspired brevity of the title meant the word was repeated over and over again to fill the marquee display: JAWS JAWS JAWS as if they were screaming it! PB
Read more: http://www.theguardian.com/us
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