#they killed me too so it was a draw but i got a penta kill so who cares

[numbereightforever]

getting wizard high in Town of Salem by lying to the evils team to avoid getting lynched then wiping their whole team that night as Arsonist

[duratrans]

Satoshi Mizukami Q&A, 2/3

Satoshi Mizukami recently took questions from the editor's desk, and publicly from write-ins, for an interview to celebrate the first volume of Solte going on sale (Jan 9th!). So I translated them all! It’s in three parts, so I’ll post them one by one.

Here is the second section, revolving around Sengoku Youko and his other works.

Q: In Sengoku Youko, we were wondering about the history between Tama and Kuzunoha that led to their mother-daughter relationship. We know Tama was actually born from the ancient fox spirit Tamamo-no-Mae, so Kuzunoha must have adopted her, right? A: When Tamamo-no-Mae transformed into the Sessho-seki stone, which killed anyone who came near, a monk called Gennou Shinsho destroyed the rock, sending fragments of Tamamo's being flying near and far. (that's the actual legend from wikipedia. As for my plan to tie it to the story...) Kuzunoha found the fragmented portion that became Tama, and decided to take it in basically to kill time. I couldn't find a spot to fit that part of their history in, and eventually just left it.

Q: What happened to Kuzunoha after Yazen's death? Does she leave in search of a new love? Personally, I would find it more poetic for Yazen to have been the last man she ever embraced, seeing how she was willing to die for him! A: She would take on a disguise, probably a female monk, and nurse her broken heart for many years. Of course, being an unaging youkai, she could never stay in one place too long, and would move around, until one day she meets someone new. Just the way she's always done. That's how it is for a youkai. You do what you've always done.

Q: You did judo in high school and kenpo in college, and we know you liked the matches and sparring but hated working out, so you've coined your own nickname as "the limp-armed berserker" on twitter before. Did Douren and Thousand-Tale Jinka's love of battle come from a familiar place? A: Insofar as the feeling of "yeah, fighting is fun!" might be rooted somewhere in there, I guess so. The idea of a real fight still makes me nervous, though.

Q: Senya and Tsukiko's village is protected by the barrier that makes it invisible, which has kept it relatively isolated from the larger world. Did they also manage to stay independent from the sweeping administrative changes that changed Japan, like Toyotomi Hideyoshi's restriction of arms to the samurai caste or the land census, or the Edo period's capitol attendance policy, isolationism, and welfare laws, just to name a few? A: All of it. Passed 'em right by.

Q: In the story, we learn Mudo took up a number of hobbies like go, shogi, haiku, bonsai, etc. If Mudo was living today, what  kind of pastimes would he be into? I get the impression he'd be sinking cash into mobile games and Gacha. A: Mudo is a fighting game/FPS gamer. I don't think he'd be as interested in stuff like mobile games that don't take player skill into account as much.

Q: After Jinka and Tama married, did Jinka change how he addressed her? As in, did he start to have a pet name or something like that for her? I'd love to know! (I'm guessing Tama still just calls him "Jinka," but if that changed I'd love to know, too!) -Negurano A: This didn't really change for them, no.

Q: What kind of person is Mudo's sister? -Weekend A: Didn't really plan her out.

Q: So many characters in Sengoku Youko had incredibly impactful, memorable death scenes. If Senya or any of the rest of the cast that were around when the story ended had to go, how would you envision it? -Namamono A: How would I kill off the characters that didn't die? That's a weird one. I was never going to create scenes that aren't part of the the story, so I got nothing for that.

Q: Did you have any additional self-contained stories from the Youko universe that you wanted to draw? For instance, maybe something with Tama and Senya and their life together as lovers, and how that's going! -Neko A: If I had too much free time on my hands, or it was for work, I might come up with something but I don't really have any ideas at the moment.

Q: Did you have a favorite part or arc of Sengoku Youko? -Kokoronohito A: I like the ending.

Q: I wish Ufotable could do an anime adaption of Youko. Although, I also think Kyoani would do a very nice Tama... -Akane A: Is there a question in there?

Q: Can you give us your top three characters, and your favorite three parts of the story? -Akane A: For characters, it'd be Yazen, Tago, and Hanatora. I guess for the scenes I like best, there's the ending, Senya and Mudo's showdown in volume 9, and the final battle between Senya and Jinka.

Q: How did you come up with the nonsense dialog for the mad gods? Was there any reference or inspiration behind the dog, the whale, the rabbit, or the others? ­-Gen A: Nothing in particular. I just tried to string things together that would make absolutely no sense. I did want to hide some hints or foreshadowing in the babble, but it didn't really work.

(note: back to editorial for one question) Q: When The Man of Legend was published in Geko Geko back in 2004, you said Yamanaka was probably the most powerful out of all your characters. Does he still wear the crown here in the year 2021? A: I'd have to say at this point he's been dethroned.

Q: I really liked Soon Ken and Penta in Sanjin Sadou, so I was wondering where the idea of a sake-loving penguin came from. ­-Leviah A: I can't remember in the least.

Q: Akitani Inachika (Swordfish knight from Biscuit Hammer) obtained knowledge of all things, and Hakke Neko has the all-seeing eye. They existed at very different times, but is there any connection between the two? -Abuson A: There's no connection.

[omegatheunknown]

AEW Fyter Fest

AEW keeps the momentum going with a card that was a little less prestigious, but a little more chaotic, but overall entertaining and plenty filling.

- What’s the draw of the ‘Buy-In’ pre-card, especially when the whole show is free? Obviously don’t give away your best offerings for nothing, but if the point is bringing eyes to the product and having them follow-up by buying the event... these pre-cards are not going to do that. - I sort of love the introduction of JR with entrance music as a ‘and now the real show is beginning’ signifier. JR’s really got some of his passion back, and the combination with Excalibur continues to be a surprisingly satisfying one. May Alex Marvez stay out of the both indefinitely. - Camera cuts have calmed down. I think this event was at .5 Dunns for unnecessary cuts, which is still far too many, but at least they stopped stacking cut/cut/cut and opted for more of those lovely crane shots. Entrance music should be way louder, the pyro was fun, the dumb fyre fest gag at least allowed for a colourful set design and AFAIK no legendary Canadian grapplers fell off the stage trying to head straight back up the tunnel. So that’s a big win.  *Pre-Card Best Friends v SCU v Private Party (**) - Three way tag-team matches with only two active teams is always an odd stipulation and as fun as that match was to get the party started, the format leads to any finish getting a bit dusty as a result. Really enjoying Marq Quen and his Wesley Snipes-in-Demoltion Man fit. Allie v Leva Bates (dud) - The Librarians are an intentionally awful gimmick with plenty of winking going on, which is fun on BTE for thirty seconds a week but the live crowd seems to be beyond done with Bates and Avalon and the shushing. I will admit it took too for long it to click for me to realize the heelish potential in wrestlers attempting to keep the crowd as quiet as possible, but as fun as that meta-irony is, it meant this slow moving match which should’ve hyped up the crowd on the debuting Allie (The Bunny alive and well after being killed to death by Su Yung on Impact, Cherrybomb’s current whereabouts unknown.) looked worse than it was and was the worst thing on the card. Michael Nakazawa v Jebailey (**) - I have heard the name enough by now that I know that Jebailey is ‘the’ CEO guy but I don’t really know what that means or what he does in everyday life but he’s certainly a non-wrestler and yet he showed a decent grasp of the fundamentals and Nakazawa ran him through what was a DDT-esque comedy match with some funny spots and a nice turn for Bryce Remsburg as wrestling’s most committed comic referee.  *Main Card CIMA v Christopher Daniels (**1/2) - Daniels has never felt like a bigger deal than he does now, on the edge of fifty. Hard not to root for a guy with 25+ years experience trusted to have an explosive curtain jerker and get the crowd into the evening. CIMA’s an excellent foil, the pair are so smooth and deft at building a match I only wish there was more at stake between them, which is maybe the through-line of the whole evening barring some exceptions. They’re putting in groundwork elsewhere for the fall, but before AEW gets to TNT they’re going to do some more of these exhibition style affairs. Riho v Nyla Rose v Yuka Sakazaki (***) - A pox on B/R live or my friend’s wifi for stalling and so we missed Yuka’s amazing theme song, but AYAYAYAYAYAYAYAYAYAYAYA aside, this was a really nice match with a bit of sloppiness that nevertheless made up for the kneecapping of Nyla via Awesome Kong last month. Nyla looked every bit the powerhouse, pulled off a couple really nice high-energy maneuvers (knee drop from the top rope to the rope-hung Riho was nuts.) Conversely, there were definitely moments early on where it looked too much like a two-on-one match, though it did ultimately build to a satisfying bit of anguish for poor Yuka. Hangman Adam Page v Jimmy Havoc v Jungle Boy v MJF (***) - Prayers up for the audience-cutaway victim of MJF’s savage (rote but knocked out of the park) promo. Salt of the Earth. - Wondered what Havoc was bringing to the match until I realized it’s nice to show him in a more conventional competition and it doesn't harm him in the least to eat a pin. A good showing, though I miss the AFI. - Jungle Boy is going to be great. Got in some really bananas aerial stuff, and like... not to put too fine a point on it, but he looks like Luke Perry. - Adam Page is money. I don’t remember exactly but how is it he was more or less randomly assigned to Bullet Club-RoH as ‘just a guy,’ just three years ago? Sure, he was 24 years old and still finding his pace in the ring, but everyday there is less and less doubt that he’s a top guy, he’s your big beautiful babyface hero. Match was as good as one could reasonably expect from a four-way. Cody v Darby Allin (****) - A lot of the cards for All In, DoN and Fyter Fest have been exhibition matches for skill and style. Cody, probably recognizing where his strengths as a wrestler lie, has been the big exception -- nothing at All In had the emotional resonance of Cody winning the NWA World Heavyweight Championship, nothing at Double or Nothing (or most of wrestling in 2019) could touch the intensity of the Rhodes vs Rhodes match, and last night Cody delivered another of the best version of himself and helped Darby Allin make himself a big fucking deal. The kid is nuts, though I have to assume some skateboard bumps put falling on mats to absolute shame. Maybe my friends and I are nuts, but we were all pretty sure that the controversial post-match chair shot was largely taken on the shoulder with some accidental (and sharp) contact to the head. Also is it really a Cody match if he doesn’t gig? Apparently there have been some subsequent developments suggesting they really did intend for one (1) unprotected chair shot for the love of the sport, to which I say, again, Cody is his father’s son.  The Elite v Lucha Brothers & Laredo Kid (****) - 100% exhibition, 100% spot fest, despite the pseudo-feud going between the Young Bucks and Los Hermanos de Lucha, this was bound to be one of those pure sprint ‘show me what you’ve got’ type of matches. Emotions, strife and storytelling are integral to the wrestling theatre, but so is the actual wrestling. The Young Bucks and their perfect opponents -- Penta & Fenix, also the Motor City Machine Guns, also SCU, also the Briscoes -- are the finest purveyors of tag team wrestling in form of the free-flowing, spot-to-spot-to-spot kinesis that they’ve made their name on and this was no different from the ‘usual’ mind-bending and entertaining spectacle possible when The Elite are in the ring. That Laredo Kid came out and hung tough with 5 of the best wrestlers in the world is astounding and marks him as one to watch. - Of special note, as usual, is Fenix, who is better and crazier every time I see him, like he’s in the process of a Hiromu Takahashi-esque supernova. Legitimately might be the best talent to appear in the ring for AEW.  Jon Moxley v Joey Janela (***1/2) - Loved the work Justin Roberts did to introduce this match. Such gravitas. So silly. - Moxley’s back in his element, and I’m suddenly a huge mark, though I am way more excited about what he’s been doing in New Japan, up to and including his choices in ring gear. Though at least he’s out of jeans and wife beaters. Match was well-paced for a deathmatch style, no doubt owing to both party’s absurd enthusiasm for this sort of utter nonsense.  - Joey Janela has way too much of a Mick Foley (for the fans, for the love of pain) in him and I don’t think any amount of beatings will beat it out of him. Though Moxley seemed game to try. - Barefoot thumbtacks is decently fucked up, I think. The level of mayhem was balanced nicely between sadism (tacks, barbed wire boards,) wrestling nonsense (barbed wire wrapped chair) and satisfying spots (Joey’s big elbow drop.) - Kenny getting his revenge was necessary but seemed a bit half-hearted, almost? I’m plenty excited for their match as is, all he needed to do was assault Mox in the ring and peace out, but I guess tit-for-tat is the law of the jungle.