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#they played strange currencies the first time we meet claire
cruciomione · 6 months
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idk if anyone noticed this but i was rewatching the bear s2 with a friend (it was her first time) last night and today (we are on the last episode), and i noticed the importance of when strange currencies plays in different parts of claire and carmys relationship. the start, climax and the “end”
the (re)start
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the song plays for the first time during their “meet cute” in the grocery store. from here on out this is their song/anthem.
the climax: as good as it gets
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it plays after the weird high school esque party, where fireworks are set off, the cops get called, they play beer pong. the whole 9. there’s been meta written on here about how strange a bunch of people pushing 30 and probably 30 and above would have a party like this, and how it signifies carmy trying to relive the past. he never went to a party before but now he has with his dream girl his whole family approves of including mikey, and now he’s taking her to his dream project/restaurant, where they have their first kiss. all very 80s romcom
this is as good as carmy and claire’s relationship gets. or at least we see it get.
the “end” : seeds of doubt and redirection
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then for the last time it plays, carmy has a panic attack about their relationship. their love song is then distorted, carmy can’t calm down thinking about her. planting seeds of doubt in his mind about their relationship ( lyric: i don’t know). carmy thinks about #someone else🫠 the music is clear, and their love song is now redirected away from claire.
technically the end (as far as we know bc s3 could do anything) was when claire overheard him in the walk in. but i don’t think we would have gotten to this point if it wasn’t for the panic attack. that really signified to me that this relationship was more like wish fulfillment/fantasy than anything based in reality or anything that is sustainable. the panic attack is the beginning of the end, whether the true end was outside that walk in or s3 if carmy apologizes for closure or if they break up again after deciding to continue their relationship. who knows
just thought this was cool. idk if anyone has talked about this. ✌🏾
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unladyboss · 7 months
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THAT SONG IS NOT FOR YOU
When Carmy meets up with Claire for the first time and Strange Currencies plays ' you'll be mine all the time', can WE PLEASE remember that he had two seconds before that given her the WRONG number.
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Therefore the song in no way relates to Carmy and Claire even though, it is played at the end of their meeting.
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Also remember he'd been cooking with Syd a few hours before.
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siribear · 4 years
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somehow, their mattress survived the bombs. the bed frame? not so much. with codsworth’s help, she drags the splintered wood out of the house. other than that, she can’t bring herself to remove anything else from the house. not the ruined stereo, the blasted television, the broken kitchen chairs. codsworth had two hundred years to clean up the glass and wood and dust, but other than that, her home remains untouched.
two centuries ago, she stood in shaun’s room with her husband. played with the mobile above shaun’s crib that’s only shattered bits of plastic and string, now. she doesn’t move that, either. just moves the dusty old books back to their ruined shelves.
she changes into the leather armor in her old bathroom. doesn’t look in the mirror for fear of what she might see.
back in her room, she lays out her new guns and ammo. codsworth hovers nearby, reminding her how to clean them when she misses a step. she replaces her supplies in her pack, hides nate’s wedding ring in a pocket near the bottom, and shoves it in a corner.
claire lies back on her old mattress. she expects to sleep, but doesn’t. every time she closes her eyes, she sees the dead raiders. the ones she tore apart.
instead, she spends the remaining daylight finding beds for the others. it feels strange, looting her neighbors’ houses, but she ignores the feeling the best she can. in the ruins, she finds enough beds for the longs, for mama murphy, and sturges. at the back of one of the houses is a basement, and there she finds a sleeping bag and a store of food that can last them a few days.
she unloads a duffel bag in the house across from hers, and the group divvies up the food. when preston pokes his head in, she unrolls the sleeping bag and apologizes.
he shrugs. ‘i’ve slept on worse. thank you, though.’
she does find a broken water pump behind another house, as well as a small garden plot with the remains of two fruit plants. when she shows sturges, he assures her he can fix it.
preston catches her still wandering the neighborhood long after the sun goes down.
‘can’t sleep?’ he asks softly.
‘just trying to pull this place back together.’
he nods. ‘i can’t either. i keep thinking more raiders will come in the middle of the night.’
‘you can’t defend the others if you’re dead on your feet, you know.’
a chuckle. ‘i could say the same to you.’
‘that’s - okay. that’s fair.’
the smile he gives her is genuine, understanding. ‘look, i know i kind of forced you to help us - ’ she gestures in the negative, but he continues. ‘ - but i didn’t really expect you to stay and help us... rebuild. so, thank you. again.’
it’s her turn to shrug. ‘i wanted to help.’
‘that’s the thing. we’re not - i’m not used to that. not anymore.’ he sits on the curb of the worn down road. she sits cross legged next to him. ‘at the museum, i mentioned the quincy massacre.’ he takes a steadying breath. ‘we were betrayed. first, a minuteman, clint, joined the gunners. they attacked quincy, and would have taken over that night if not for colonel hollis. we fortified the town, held our own for the days that the gunners attacked, but clint returned. he wanted us to surrender.
‘colonel hollis called for reinforcements, but no one came. too many politics over the line of succession after the former general died, i guess. we didn’t last another night. twenty of us made it out of quincy. thirteen of us made it to concord. now it’s just us.’
‘and you’re the last minuteman,’ she concludes.
‘but it doesn’t have to be that way!’ his change in tone startles her. ‘the commonwealth - i think it still needs the minutemen. we can do better. defend the people we actually swore to protect. but i - i don’t know if i can - ’ his previous enthusiasm dies just as quickly as it came.
claire mulls it over, tapping her chin. ‘you’d have to rebuild that trust as well. i can’t imagine quincy endeared the minutemen to anyone.’
his shoulders sag.
‘so, preston.’ she stands, grinning. ‘where do we start?’
‘wait, really?’ he jumps to his feet. ‘you’re going to do this?’
‘i haven’t been here long, but i can see having more people like you in the commonwealth can’t hurt,’ she reasons.
‘haven’t been here... where did you come from, anyway?’ he looks to the pip-boy on her wrist. ‘a vault?’
she blanks. no one would really believe she’s two hundred years old, right? she wouldn’t believe it if anyone tried to tell her that. so she lies. ‘oh, no. i’m from out west. i’m looking for someone.’
‘mama murphy mentioned that. and you think they came to the commonwealth?’
claire kicks a rock on the road. ‘it’s the only lead i’ve got, so far.’
preston hums, thinking. ‘well, i can’t help but be grateful for your timing.’ he looks over at the house across from hers, where she had shown him the sleeping bag. ‘i think i might actually sleep easy tonight.’ when claire doesn’t move to leave, he says, ‘if you still can’t sleep, there’s a settlement over the hill. it’s a farm, run by the abernathy family. i.. remember they requested help from the minutemen, before we fell apart. maybe you can talk to them?’
‘a farm? we could definitely use some food,’ she says, mostly to herself. ‘yeah, i think i’ll do that. thanks, preston.’
‘no problem, uh - ’
again, a name. she makes a decision, in the moment. ‘alice. just - call me alice.’
preston smiles. ‘no problem, alice. and i can’t thank you enough, honestly.’
‘thank me by getting some sleep, preston. i’ll be back soon.’
-
codsworth joins her on her way out of sanctuary. dogmeat, surprisingly, follows her across the bridge as well. alice scratches behind his ears as the trio stands on the edge of the bridge.
‘mum?’
‘yes, codsworth?’
‘i heard you speaking to mr. garvey. i think helping the minutemen is an honorable cause.’ she hums in agreement. ‘and i heard you say - your name is alice, mum?’
she doesn’t respond.
‘would you like me to adjust my settings?’
‘that would be best, codsworth.’
‘of course, miss alice.’
dogmeat whines. they continue toward the red rocket gas station, veering west as night settles around them.
-
post-war commonwealth is quieter, alice notes. no sound of cars in the distance, no sounds of the city. just the wind, the crunch of leaves under her feet, and the putter of codsworth hovering alongside her. a pair of - and she shouldn’t be surprised - giant flies attacks them as they pass by concord’s water tower, but they’re taken care of quickly. codsworth calls them bloatflies, alice calls them dead, and dogmeat calls them forward.
ahead, a wooden building appears over the hill.
‘that’ll be abernathy farm, then.’ she breaks into a jog.
dogmeat runs up to a small pen and begins sniffing around the fence. alice slows and whispers to codsworth, ‘what is that thing?’
‘that is a brahmin, mum. mutated after the war.’
brahmin. she stares at what should be a cow. or, it would be, if it only had one head.
‘you’ll step away from her, if you know what’s good for you,’ threatens a man from the porch of the towering house. he approaches slowly, a shotgun pointed at her chest.
alice takes two, slow steps away, hands up to show she means no harm. ‘i’m just here to trade for food.’
‘right,’ he draws the word out, eyeing the trio: a curious dog, a mr. handy, and a woman in bloodied leather armor. alice imagines they make quite a sight, even for the commonwealth.
‘it’s late, i know. i’m sorry.’ earlier, her pipboy read just before midnight. ‘i’m new to the commonwealth - killed a group of raiders this morning and helped a group of refugees settle in sanctuary over the hill.’
‘that was you?’ he lowers the shotgun an inch. ‘we heard the gunfire, but couldn’t get involved, not after - ’ he seems to catch himself. ‘anyway, fine. i was just wrapping up for the night. what are you looking for?’
‘any extra food would be great. some seeds would help us be more self sufficient, too.’
‘ever been a farmer?’
‘ah - no, but i’m willing to learn.’
the man, blake abernathy, he says, gives her tips on farming. she types in the notes on her pipboy. after, he disappears into the house. inside, alice can see a small light flicker on, and when he returns its with a younger woman in tow.
‘my daughter, lucy.’
‘nice to meet you!’ she holds out a hand, and alice shakes it. ‘you’re not one of the usual traders.’
‘i’m not from the area.’ she shrugs. ‘i’m actually with the minutemen. we’re trying to establish ourselves up in sanctuary.’
in the pipboy light, blake frowns. ‘you didn’t say you were with the minutemen.’
‘is that a problem?’
‘some people don’t take kindly to the minutemen. not after what happened at quincy.’
alice lets out a small, ah. ‘i’m sorry to hear that. oh,’ she takes the handful of seeds and produce from lucy and stuffs them in a pocket of her backpack, ‘what do i owe you?’
lucy must see the blank look on her face when blake tells her some amount of ‘caps.’ ‘do you not use bottle caps where you’re from?’ before alice can respond, lucy, thankfully, barrels on and helps her count out the caps from the pouch preston gave her. ‘it’s easy. just one-for-one.’
‘thank you,’ alice says, earnestly. the new currency will take some getting used to. cap-italism enters her mind, unbidden, and has to wave off blake and lucy’s confused looks when she begins to laugh. ‘just different is all. sorry.’
‘right. anyway, just watch out for raiders.’ blake’s voice shifts to a low growl. ‘they only know how to take what isn’t theirs. no matter who tries to stop them.’
‘daddy - ’
‘mind telling me what happened?’ alice ventures.
he does, pain evident in his voice. parents burying their child. he must hear some echoed understanding in her own voice when she asks what she can do to help. ‘mary had a locket, it’s been in connie’s family for generations. if you could get that back...’ a thought crosses his mind. ‘well, maybe we’ll reconsider our thoughts on the minutemen.’
alice nods. ‘it would be my pleasure.’
lucy grabs her arm when she turns to leave. ‘daddy, honestly, she looks dead on her feet. we have a spare bed upstairs. the locket can wait until the morning.’
blake seems to agree, because he doesn’t stop them when lucy hauls alice into the house.
‘i will guard the area, mum!’ codsworth calls as she crosses the doorway, and dogmeat follows in after her, tail wagging.
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