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#this is 1600 words i am so sorry nyx
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tuesday again 3/21/2023
i didn't want to sit down and write this bc i was having too much fun playing viddy gaem
listening
IT'S QUICKER AND EASIER TO EAT YOUR YOUNG!!!
"i'm starving...darling,,," is very sexy but the way the lyrics slowly slide into something more and more horrifying until the chorus hits??? mwah. lovely.
my one critique is that this song is...breathy, for lack of a better word? does not showcase the man's magnificent pipes. oh well! there are other songs.
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how'd i find this: im gay, also he is one of the most popular indie artists in the World. his first album went platinum six fucking times.
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reading
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i read all of frank miller's sin city bc im on a noir kick and i didn't have a good time. the closest i got to fun was (deadly little, always described as "deadly little") Miho, a mute japanese??? generic asian??? assassin who is tits out not in these panels but in almost all others, rollerblading around mowing down guys with her katana. that was a painful sentence to write.
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i read a lot of genre fiction. i read a lot of older genre fiction. they are not written with me, a bisexual "woman", in mind. and that’s ok bc not everything has to be written with me in mind. rarely have i read something that is more For The Boys Only!!! than frank miller’s sin city. felt kind of gross and a little put off the whole time i read these and they made me a little bit upset and afraid of men in a way i have not felt since high school. now it does feel odd to go “i didn’t think this noir was very pleasant >:(“ but miller’s work feels unpleasant and distinct from, say, chandler or hammett in a way i am still having trouble articulating. it is possible that the misogyny in chandler is a flavor i already know and barely register the taste of anymore. it may be that i got tired of looking at miller's women with twelve-inch waists and nipples as full and perky as their mouths.
mostly i think the labor market in sin city is super fucked up. women in sin city exist to have their value extracted from them in a way that is different and worse than normal capitalism. like, i can see how someone would read these comics and go full SWERF. women are literal trophies, both arm candy and in a very upsetting trophy hunting way. especially in the final volume, women are machines of potential profit. aside from one landlady and one cop and one child who grows up to be a prostitute, all the women in this whole city seem to be prostitutes or prostitutes who have married up and out. like there aren’t really even any women on the street just walking or in diners. it’s all dudes.
this is probably a comics vs novels thing, but miller is often sadistic in a way that chandler is not. a guy dies on a page to make cool art. they fuckin mow through dozens of goons a volume. if a guy dies in chandler it’s usually bc chandler's philip marlowe has stumbled across a dead body accident and it becomes a tremendous pain in order to tip off the cops that a body needs retrieving without getting framed for the kill. marlowe (and by extension chandler) is a people person-- he is a detective bc he likes figuring out what makes people tick. he is alert and it's hard to get one over on him but his resting state is congenial. despite his job, he still does believe in the concept of justice.
sin city (more of a comment than a question) says "if people piss you off you should kill them." this is not to make light of the very real Situations that protagonists in sin city find themselves, but there are very few problem solving skills on display other than "apply dick" or "apply gun". VERY RARELY, "apply pussy". that last one almost never works out tho.
aside from All That, it does contain some of the best straight up art (not just comics art) ive ever seen. the command of light and shadow is incredible. the command of negative space is incredible. panels aren’t busy unless they’re showing the chaos of a scene. he doesn't draw every single brick bc that's not important to the scene. it’s really quite stunning.
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also the MOVEMENT in this fringe is incredible. do u see what i mean about the nipples tho
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watching
i gotta lotta fuckin bones to pick with the manda/lorian but they're all spoilery. this shit fucking sucks man. it's twenty fucking twenty three we have had well over a century to master storytelling through the art of the moving image.
all three eps so far have felt very weirdly edited-- like a lot of changes happened after filming and there wasn't enough time for pickups?? this is a gajillion dollar show just reshoot some shit on your little fake stage i am Begging you. at least bo-katan looked hot. god she's awful i love her
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again again i say to ye, what if star wars was good? i am slightly terrified that andor may have ruined me for any s/tar wars that follows but by any metric these first three s3 mando eps are simply not good television.
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playing
ty @pasta-pardner for gifting me Weird West some weeks ago bc it is the new thing i am obsessed with. this first trailer gives a better sense of the Vibes than the launch trailers imo
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i find it is scratching a lot of the rpg itches that new vegas does: you wander around beautiful western settings running into weird shit, followed around by a hot butch you've recruited to your cause. unlike new vegas, it is a little less forgiving and you have to really scrap and loot everything that isn't nailed down.
this is a top-down action rpg with a weird little aiming system that is sort of a 3D twinstick? it takes some getting used to, and shooting is not the part of any game i am particularly good at. here's xbox wire's screenshot, which gives a good idea of how isometric it is and what enemy detection looks like. i do wish i could expand the minimap, bc some of the locations like mines or bigger towns can really sprawl.
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i have one big annoyance bc it is a thing that made me take a break and sulk for a bit: as you're traveling across the map (not open world, location-based), you can run into Travel Encounters. you can decline to engage with some of them. you cannot save within or between the encounters unless you stop and make camp. if you're on a long journey to a different corner of the map, you might run into three Travel Encounters. if you die on the third, you are catapulted back to your starting point. this is tremendously annoying in the early game, so either take short trips or get good at about-facing and exiting areas quickly.
a writer i admire likes games that let him tell stories about what happened in the game to other people-- this is a game that very much facilitates that. i was ambushed during a Travel Encounter by the some outlaws, bc i accidentally let one escape while i was trying to collect a bounty on his boss, and that specific named grunt came back with a Vendetta. but! i met a dying outlaw from the band who kidnapped my character's husband in a different second encounter, swapped some bandages for a treasure map, and he is now a Friend for Life. so he showed back up to help me during that ambush AGAINST FELLOW OUTLAWS WHO SEEM TO HAVE SOME SORT OF MEMORANDUM OF UNDERSTANDING??? mWAH. DELICIOUS. LOVE SYSTEMS INTEROPERATING.
ive put like six hours into this, and it has five chapters with five different characters. i have not progressed past the first chapter bc i am having so much fun poking around. i am so so so grateful that the first character is a wife seeking revenge and not the other way around. ppl are throwing big baby tantrums in the steam forums about this but you know what? some husbands should be macguffins sometimes. widens their perspective.
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i am fascinated by the drips and drabs of lore this game is feeding me. there's an order of witches with huge underground temples that (crucially!) they did not build, but have adopted for their own uses without really understanding who built them and why. i want to know so much more about their whole shit. there are werewolves but idk what their deal is bc i haven't met any yet.
i am a simple woman! i only demand perfect cowboy western-flavored rpgs and so far this is holding up. i will have more thoughts as i go along but goddamn is it fun to play. we truly do love a competent little rpg with interesting lore and good stealth mechanics that lets you loot everything in sight.
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making
mostly fallow week, wrists hurty
made this tuna-chickpea salad for lunch. it is quite rich for a lunch. there are a lot of components that may be challenging to digest all together for a milennial with tummy troubles.
this would have definitely been improved by solid instead of cheap chunk tuna (or salmon. this would be great with canned salmon) and if i actually chopped the baby spinach instead of going "it's fine" and flinging it all in. or maybe wilting the spinach, but that's a lot of extra work and this would be a very warm, wet salad :/ the point is the chickpeas really want to sink to the bottom. i like that there is no cooking involved, only assembling, but realistically i have only half of these ingredients in my house at any given time. screengrabs from the site bc i paid a dollar but there's no reason you have to
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galactic-magick · 4 years
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As Long As I’m With You: Agnes/Agatha Harkness x Reader
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Request: Hi, can you please do where Agnes (a villain) saves fem reader's life because she has feelings for her? In the end they end up together // also took some ideas from this request
Summary: You’re accused of witchcraft in your village, and a mysterious beautiful witch comes to your aid.
Words: 2200+
Warnings: fem reader, Agatha is low key evil so she hurts some people, a swear word, reader has an angsty past
Author’s Notes: This can be read as either a standalone fic or as a prequel to my other fic “Spell Practice.” I took quite a lot of creative liberty with this, hopefully that’s alright. Also disclaimer I am in no way a history expert so even though this is set in like the 1500s-1600s it’s probably very inaccurate, but it’s fanfic so anything goes right?
Taglist: @nyx-aira​ @midnight-lestrange​ @thestrangeundoing​ @thegayances @sleep-deprived-athlete @dr-robotnik-said-hella​ @fallingfor-fics @p-nymph​ @thelanawinterrs @sunproud​ (if your tag didn’t work it might be bc your blog isn’t searchable so make sure that’s on so you’re notified of future fics!)
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You had no idea how much your life would change when you left your house that day.
It started out with a simple run to the market and the garden to get what you needed for supper that night, a job that almost always falls to you. You don’t necessarily mind getting away from your family and talking to some people in town, but it’s clear that your family doesn’t want you in the house as much as possible either.
It’s gotten to the point where they’re just looking for a reason to get rid of you. You’re a disappointment, after all. You refuse to marry in order to help your family’s status, even though you’ve gotten a couple offers. You counter your parent’s rules and ideas every chance you get, no matter how much they tell you you’re crazy. They belittle you constantly, saying your dreams are worth nothing and you’ll have to be dependent on them forever if you never submit to the role in society you’re supposed to.
Obviously bullying you out of their lives wasn’t working, so they’ve moved on to spreading rumors about you and setting you up for crimes. None have worked yet, of course, but every day you fear they’ll get too close.
Until you get burned at the stake, though, they’ve given you basically every responsibility of the house. You do all the shopping, cooking, and farming, as well as taking care of your younger siblings. You wonder what they’d do without you, despite how much they seem to want you gone.
As you’re buying a few crops and eggs from your neighbors, you swear you see something move. You turn around and see a little boy floating in the air, screaming.
You drop everything in your arms and reach up to him, trying to grab him and help him down, but he keeps flailing, and his screams start to feel directed at you.
“Hey! It’s okay! Let me help you!” you hold your hand up, speaking as calmly as you can. “I’m not going to hurt you,”
“WITCH!” a man yells as he sees you. “SHE’S A WITCH!”
Everyone around turns and watches you.
“No! No! I’m not the one doing this! I’m trying to help!”
“Let him down and maybe we’ll wait to kill you til tomorrow!” someone else demands.
A couple people march towards you to grab you, and all you can think to do is start running.
You race out of the center of town into the trees, and about five men chase after you. You keep going until it feels like your legs are going to give out and you can barely breathe, but they keep coming.
“Please! Please stop! It wasn’t me I swear!” you cry. “I don’t know what was happening!”
“Shut up, girl,” one grunts. “Your father always said there was something wrong with you, makes sense that you’re a witch!”
“What’s so wrong about witches?” a female voice calls.
You and the men spin around, trying to figure out where it came from.
Before you can blink there’s purple smoke surrounding you, and the men are thrown against the trees. They’re knocked unconscious instantly, but you remain standing and untouched.
“Who are you?” you ask, your voice quivering.
“Don’t be afraid, my dear,” the smoke starts to fade and you can make out her silhouette, then eventually her face. “I’m here to help you,”
She’s beautiful. You’ve never seen someone that immediately feels so friendly, so different in all the best ways.
“It’s alright to stare, I know I’m quite a sight,” she laughs. “I’m Agatha,”
“I’m Y/N,”
“Ah, yes, I’m pretty sure I’ve heard of you,” she smiles. “Everyone in the village can barely stand you,”
“Thanks…?” you’re not sure how to respond, especially after all that just happened. “Wait, if you live in my village, why have I never seen you? And how come you’ve never gotten caught using magic?”
“Memory spells, of course,” she shrugs. “Now, let’s get you somewhere safe, alright?”
You nod, and she wraps an arm around you. She takes you deep into the forest until you reach a small house, the glimmer of the fire peering through the windows.
You settle down on a chair while she makes some tea and food. She offers you a blanket and hands you the cup and plate, sitting down across from you.
“So how long have you been practicing magic?” she asks.
“Oh…I…well actually I don’t know how to use any magic,”
“Really? Why were the witch hunters after you then?”
“I was set up, I think,” you say. “There was a little boy floating in the air, and since I was near him they thought it was me. But I wasn’t doing anything,”
“Well,” Agatha sips her tea. “Sometimes magic can manifest itself subconsciously. Maybe you were doing it but didn’t realize it. It’s quite common,”
“But…how would I have magical powers? I’ve never learned it from anywhere,”
“Some people are just born with the gift,” she grins.
You exhale, thinking over what she said. Could it be true? You’ve been a witch all your life without even knowing it?
 -
 That night, Agatha conjures another bed for you to sleep in. But even though she made it as comfortable as she possibly could, you can’t get a wink of sleep.
You lift off the blanket and wrap it tightly around you, getting up slowly and quietly. You walk outside and sit against a tree, looking up at the stars.
You’re sure your family has heard the news by now. Their disappointment of a daughter is finally gone, accused of witchcraft. It seems that the foreseeable future will be spent with Agatha, the only safe person you have.
You wonder just how much she already knows about you. She mentioned she’s heard people gossiping about you all the time in town, yet she still saved you after hearing all those negative things.
Why is that?
“Can’t sleep?”
You jump at her voice, and she chuckles a bit at your reaction.
“Sorry,” you sigh. “I just have a lot to think about from today, I guess,”
“No worries,” she sits down beside you. “So do I,”
“Agatha,” you say. “Why did you save me?”
“Us witches have to stick together. I saw you were in trouble, so I saved you,”
“But you knew, didn’t you? You’ve known I was a witch long before this, didn’t you?”
“I had my suspicions,” she agrees. “Whenever I heard people talk about you, I figured you weren’t like everyone else. But I didn’t know for sure until today,”
“I wish you had taken me before,” you huff, a few tears falling down your cheeks. “It’s been so bad, Agatha, feeling worthless just because you’re different, everyone hates you…”
She pulls you into her shoulder, letting you cry into it, “I know, dear, I know,”
 -
 It takes you a while to come to terms with your potential powers, but as soon as you’re ready Agatha begins to teach you how to use them. You spend your days studying her spell books and practicing simple spells, most of which you fail at.
She encourages you as much as possible, explaining to you that magic is not something you can learn overnight, sometimes not even over years. She tells you that she’s actually thousands of years old (a surprise to you due to her stunning looks) and she’s been practicing for much of that time, and there’s still some spells she hasn’t mastered.
Your impatience still gets the better of you most days, though. You can’t imagine waiting several centuries to get something to work, if you get it to work at all.
One day you’re sitting at the table, trying out a simple transfiguration spell. You wave your hand repeatedly at a potato, hoping to turn it into an apple. It doesn’t even wobble, not even a single spark, but you’ve been sitting here for hours and don’t want to give up just yet.
You nearly fall asleep from exhaustion when all of a sudden it happens. It works.
There’s an apple in front of you. Not a potato, an apple.
“Holy shit!” you scream. “Agatha! I did it!”
You run over to her and point at your small accomplishment.
“Look at you go, darling!” she smiles, hugging you. “At this rate you’ll be changing rocks into cats before you’re 200!”
You laugh, “Oh come on, this is literally just one of the beginner spells,”
“So what? That’s where everybody starts,”
You break out in giddy excitement again, jumping up and down a bit and looking back and forth just to make sure your creation is still there.
Without thinking, you kiss Agatha quickly on the lips.
She stares at you, mouth open.
Before you can apologize, she grabs your face and kisses you hard. She’s everything you’d imagined and more, soft and warm but with a spark you can’t ignore.
When you finally break apart, her hands linger, brushing across your features and in your hair, “I’ve been waiting to do that,”
 -
 Things change after that, but in only the best ways.
Agatha isn’t just your mentor anymore, the only friend who came to your aid.
She’s your everything now, a soulmate, your home.
You tell her all about your life, and she tells you all about hers. As she has significantly more stories to tell, you’ll fall asleep many nights to her whispering all the legends she lived through that no one else knows are true.
She makes you laugh every day, and makes sure you always know how much she cares about you. There’s only so much you can do in your hidden home in the woods, but with magic the possibilities are endless and she’s never short of romantic ideas.
Tonight you find yourself lying your head in her lap while she plays with your hair, close to the fire so you can watch the little shows she creates with the flames.
“What about love?” you ask.
“What about it?”
“Out of all the stories you’ve told me, you’ve never mentioned being in love before,”
“Well,” she sighs. “That’s because I haven’t been,”
“Why not?”
“It’s just never appealed to me,” she says. “Until I met you,”
“Oh,” you grin, looking up at her.
She leans down to kiss you, but you’re broken apart by a loud noise outside.
You shoot up, looking at Agatha in pure panic. Your heart races as the noise gets louder and louder, eventually leading to shouting and knocks at the door.
“WE FOUND YOU!” a booming voice yells.
“Aggie?” you whisper. Everything crumbles around you. Your perfect, happy life, now about to be stolen from you. You have no idea how they found you, if you are about to be dead, if you’ll be able to defend yourself at all.
She kisses you and stands up, “Stay here. I’ll take care of it,”
With a fling of her fingers the door flies open, and the torches the townspeople are holding are burnt out. She smirks, purple smoke covering the area as she goes through them one by one, some just throwing to the side and others suffering a painful death.
She turns their own weapons against them, their own people against them, and makes them regret everything they’ve ever done.
When she returns to you, you’re still in so much shock and panic you couldn’t tell exactly what she was doing.
“Did you…kill all of them?”
“They got what they deserved for threatening us,” she says nonchalantly. “But we’re not safe here anymore. It’s time to find somewhere new,”
“Okay,” you nod as she pulls you against her. “As long as I’m with you,”
“I’ll always protect you, even when you learn enough to protect yourself,” she kisses your forehead. “Always and forever,”
 APPROXIMATELY FOUR CENTURIES LATER
 “I’m back, darling!” Agatha calls, shutting the door behind her.
“How’d it go?” you run to her, grabbing her hands.
“Splendid, that poor Wanda already loves her new neighbor!”
“Wow,” you giggle. “You know I must say, this whole living in a sitcom thing isn’t that bad, you look gorgeous in that 50s dress,”
“Oh darling, somehow after all this time you still flatter me,” she pretends to fan herself. “I have to go back over real quick, alright? Gotta give her this spicy magazine,” she holds her hand up in the air and magically forms one in her grasp.
“Ah! Be sure to get some ideas to use on me when you get back,” she laugh.
“Oh I will honey,” she winks, kissing you before going out the door.
You settle on the couch, looking around at your home. Out of all the places you’ve moved to together, this was by far the weirdest. There’s no color, and everyone besides you and Agatha and Wanda are under some kind of mind control.
You never imagined that day all those years ago would bring you here, spending your life with a beautiful witch and being her partner in all things, even sinister ones. But you wouldn’t have it any other way, and you know this strange town will only bring you more opportunities to practice your magic and help Agatha with her plans.
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