#this was an obvious choice common

[molekel]

Amphibiuary Day 23: Common

[squeakadeeks]

its always kind of funny to see how many genuine polls are structured like: What's your favorite food?

Option 1: australian spaghetti (1%)

Option 2: Casu Marzu (1%)

Option 3: Hot dogs (3%)

Option 4: Other (95%)

[shalom-iamcominghome]

Not to sound dumb, but I accidentally bought kosher alcohol when I was under the impression that I'd have to make do with not being able to find any and... It's not good for my health, but it's kosher, so it cancels out!

[schnaf]

how to flex your muscles when your bandmate asks you for help without making it obvious

[nedjemetsenen]

PSA: Patreon Shares Your Email With Anyone You Support/Follow

Don't worry, this isn't a horror story. It's just something that I didn't know since I don't think it's clearly stated anywhere on Patreon and I wanted to warn others since I'm big on internet safety.

I recently did a commission that started out with me messaging the artist on Tumblr, so imagine my surprise when they followed up via my personal email! After a minor heart attack, I did some digging and learned that anyone you support or follow on Patreon will be given your email (and the artist knew my Patreon info from the Tumblr message where I mentioned not knowing how to message on Patreon.) I had no idea this was a thing until that happened and promptly switched my associated email to my fandom one and not the one that uses my real name!

Nothing bad happened in this case and the artist was wonderful to work with, I just wanted to warn others that anyone you follow can see your email even if you're on the free tier. Only those you follow can see it. Other patrons cannot.

"The what we share with creators" section lays out everything that gets shared if you want to know more: https://support.patreon.com/hc/en-us/articles/360038128931-Former-Patreon-Privacy-Policy

[sageofthestrange]

✿ saurons_eye_emoji.png

bold for things i could definitely see or want, italics for things i could see or am unsure of and striked out for things i don’t want or cannot see.

FRIENDSHIP.     childhood friends  /  work buddies or coworkers  /  family friends  /  friends with benefits  /  smoking buddies  /  adventure buddies  /  fake friends  /  recently friends  /  party buddies  /  friendship of need  /  dying friendship  /  circumstantial friendship  /  partners in crime  /  old friendship  /[your muse] is the good influence  /[your muse] is the bad influence  /[my muse] is the good influence  /[my muse] is the bad influence  /  opposites attract  /  ride or die  /  frenemies  /  roommates or flatmates  /  penpals  /  exes to friends  /  enemies to friends  /  other

ROMANCE.     childhood sweethearts  /[your muse is mines] childhood crush  /[my muse is yours] childhood crush  /  exes  /  exes to lovers  /  forbidden lovers  /  highschool sweethearts  /  secret relationship  /  opposites attract  /  long distance  /  unrequited [from your muses side]/  unrequited [from my muses side]/  unrequited [from both sides]/  skinny love  /  friends to lovers  /  enemies to lovers  /  spurious relationship  /  power couple  /  newly entered  /  soulmates [ metaphorical ]/  soulmates  [ literal ]/  awkward  /  turning toxic  /  toxic love  /  cheating [on your muse]/  cheating [with your muse]/  other

FAMILIAL.     siblings [half]/  siblings [step]/[my muse] is an older sibling figure to your younger sibling figure  /[my muse] is a younger sibling figure to your older sibling figure muse  /[my muse] is a parental figure to yours  /[my muse] is a child figure to your muse  /  guardian figure  /  legal guardian  /  adoptive child  /  foster child  /[your muse] is taken under mines wing  /[my muse] is taken under yours wing  /  other [kin-sisters/blood of the covenant vibes]

ANTAGONISTIC.     dangerous to each other  /  dangerous to others  /  unpredictable  /  rivals  /  petty  /  developing into sexual or romantic tension  /  based off family matters  /  based of off circumstance  /  based off professional matters  /  based off misunderstanding or lies  /  conflict of ideology  /  betrayal  /  hero - villain dynamic  /  enemies  /  fight club  /  friends turned enemies  /  lovers turned enemies  /  exes turned enemies  /  other 

[weirdbabs]

shout out to the 116 other people who voted to leave hawke in the fade and save stroud. i am kissing you on the mouth

[goldensunset]

anyway i truly think bbs is best understood if you consider what happened to ven and terra to be a form of death. to say they died. we’re all willing to say that roxas and xion died but we knew they still existed and could maybe come back. still experienced death tho. for all intents and purposes ventus and terra’s existences came to an end there. they had to be brought back to life. i’m so normal

[yisanged]

ohhhh i got a 58.5 on the amc btw. out of like over 100 possible points LOL. well it's fine i still got like i think the 3rd or 4th highest score out of everyone at my school that took the amc10? pretty slay

[audarcy]

The original percy jackson series is about cycles of abuse and neglect, right. Were introduced to percy as a kid who has clearly been left behind by a school system that has given up on him, restless and unengaged and self-defetist because hes been given nothing that works for him and no one even tries to meet him where he is. Then hes told no, listen, your neurodivergence is amazing and you just need to be given something that actually utilizes your unique palatte. And thats obviously the uplifting idea rick wanted for his kids, right. But once we get to know chb the same cycles are happening there too. There are kids "left behind" there too for one reason or another, because their parents dont want to claim them, because their parents werent important enough to get a cabin. Do you get it, all the kids who dont fit the most common neurotypes get shoved into the same closet. Kids are being left in a cruel world to fend for themselves without the tools they need. Theyre dying because no one bothered to accommodate them. Its such an obvious parallel that the first chapter introduces a teacher whos written to be especially hard on percys disability and she turns out to literally be one of these monsters trying to kill him. Meanwhile sally jackson tells him she named him after Perseus because she wanted a redemption for a hero whos story ended in tragedy. Meanwhile every book in the series replicates a greek myth step for step until the moment they break the cycle. Annabeth, playing Odysseus, is talked down from her hubris and grounded by her friends. Percy, playing Heracles, meets someone wronged by the original Heracles and rights his wrongs by refusing to go down the same selfish path as him. Monsters are reborn because they are--as the books explicitly call them--achetypes. These kids are stuck inside the cyclical nature of mythology because thats what happens to mythology, it gets retold over and over again. But these are the kids who have to live it. The series ends with percy being offered immortality and he rejects it because he wants to use his godly favor to force them to break their cycle of neglecting their kids. The series ends with a declaration that we cant keep letting this happen. The very first book offees the same choice. It ends with percy refusing to keep the head of medusa as a spoil of war, refusing his heroic reward. He lets his mother have the head and use it to kill gabe. Isnt that fucking crazy for a kids book? Gabe wasnt a Monster. He wasnt going to Turn to Dust and Disappear in a narratively convenient way. He was a living breathing mortal dude and percy and his mom killed him without remorse. Break the cycle of abuse!!!! Dont let this happen again!!! Anyway thats why the original percy jackson series is Hey where are you going with our breadsticks

[alastors-wife]

Why do so many "doms" just do shit like choke or degrade you without bothering to give any warning or ask first

[nocturnalcharm]

Faking It (Logan Howlett x Fem!Reader)

𐙚 prompt: charles forces you and logan to do a mission together in order to help you bond. 𐙚 cw: enemies to lovers, one bed trope, if this does well i’ll do a part 2 w smut ;) cussing, 𐙚 a/n:  thanks to everyone who's sent me req's! this wasnt a req but id already started it haha if youve sent a req ill try to get to it asap.... also so many ppl wanted to be added to a taglist but for the nsfw alphabet post i dont think it tagged like half the ppl?? so im sorry if u dont get tagged, im trying to fix it :)

18+ blog!! you are responsible for your own media consumption. if any of the above makes you uncomfortable, do not proceed.

“Professor, I’m so sorry. I didn’t mean—”

“(Y/N), it’s not me you should be apologizing to. It’s your team. That’s who you both let down.” He eyes flick between you and Logan.

“I’ll go apologize to them now.” You turn to leave.

“You too Logan.” Charles says.

On this latest mission, you needed to sneak into a factory and take down all of the enemies— But you and Logan were arguing so loudly, you alerted all of the rivals, turning a few quick sneak attacks into full blown fights. No one was badly injured but you still felt horrible about it.

“This is all your fault.” You mumbled, just loud enough for Logan to hear.

“My fault? You’re kidding.” He huffs.

“Shut up.” You walk ahead of him, on the way to the common room to see your team.

Everyone was sitting there, talking amongst themselves. Once you and Logan entered, they all stopped their conversations and looked at you.

“Guys. I am so sorry about this mission.”

“I’m sorry, extremely sorry, and I apologize for my behavior.” Logan mocked your expression of regret.

“You are such a child, Logan! I’m trying to apologize!” You raised your voice.

“I am too!”

“Can you two just stop?” Hank stood up, silencing you both. “Your attitudes have been getting in the way of every mission. If you guys can’t get along then maybe you shouldn’t be here.”

“Oh..” You didn’t know how to respond. You couldn’t believe you let your dislike for Logan get in the way of your job, so much that they thought you shouldn’t be an X-Man anymore.

They all left the room, leaving just you and Logan to culminate in your thoughts.

“I think it’s pretty obvious we’re not going to get along any time soon.” He broke the silence.

“We’ll figure it out.”

“Yeah, whatever you say.” He walked out, as you sat in the empty room.

The next day, Xavier called you and Logan into his office yet again. You were concerned, worried he might be kicking you off the team. But instead, he said he had a mission for you two.

“I need you to pose as a couple. You’ll be going to an upscale hotel in Manhattan. It’s a cover for a drug smuggling ring. You two will stay as guests in order to collect information. I need everyone that is there, guests and workers alike, to think you two are madly in love. We don’t know who could be involved, so we can’t have them think anything suspicious.”

“Professor, is that the best idea? We just blew the last mission because we couldn’t stop arguing.”

“If you two fail this mission, I will have no choice but to replace both of you. You are amazing at what you do, but your arguing affects everyone. Not just yourselves.”

“Okay. We won’t let you down.” Logan speaks up.

***

The trip to the hotel was long and frustrating. You two couldn’t agree on anything the entire time. You criticized his driving, he criticized what you put on the radio, and how loud it was. You called him an old man, which just resulted in the radio being turned off and continuing the last hour drive there in silence.

When you arrived, it was late afternoon. Logan, pretending to be your fiance, grabbed all the bags by himself and walked inside. The hotel was huge. It was upscale, classy. So fancy you were afraid to touch anything, in fear it might break.

“Hi! Checking in for Anderson.” He greeted the front desk clerk, giving his forged name. He dropped the bags on the floor and you wrapped yourself around his now-free arm, squeezing it.

“Hello, Mr. Anderson.” She smiled back, “Let’s see. You had the penthouse, correct?”

“That’s right.”

“We’re celebrating our engagement!” You beamed, holding out your hand, showing off your fake engagement ring.

“That’s lovely. Congratulations! We’ll have a bottle of champagne in your room for celebration.”

“Thank you so much!” You squeaked.

He finished the check-in process, then you headed to the top floor.

The penthouse was absolutely gorgeous. It was huge, the size of a decent apartment. Just like the lobby, you were afraid to break something.

“Wow.. This is amazing. Only time I’ll ever get to stay in a penthouse and it’s with you.” You said, as he shut the door.

“I was just thinking the same thing. Now, c’mon we gotta go to the pool. Get changed.” He handed you your bag.

You opened it, pulling out your bikini. It was the only one you had, admittedly from a few years ago. You didn’t have time anymore to relax by a pool or go swimming in the ocean, so this swimsuit had to do. It was a simple black string bikini.

You went inside the bathroom to change. Once you had your swimsuit on, you felt a little self conscious at the amount of skin showing, but figured it’d help with the whole ‘can’t keep your hands off your new fiance’ vibe you and Logan needed to exude for this mission.

You walked out of the bathroom, faking confidence you didn’t have. Logan had taken the opportunity to just change in the living space since he was alone. He was wearing black swim trunks. It was funny, it looked like you two had matched on purpose.

“Wow.” He said quietly, clearing his throat.

“What? You like what you see?” You joked at his clear uncomfortableness with seeing you in such little clothing.

“Whatever, let’s just go.” He spat, grabbing two towels, the key, and exiting the room.

The second you were out the door, you both had big smiles on your face. His arm was around you, holding your side as you headed to the pool.

It wasn’t too busy, just a few kids with their parents, and a bartender at the outdoor bar. You told him you wanted a drink, so that’s where you headed first.

“Hey, can I get two Mojitos?” Logan asked, handing him the room key “And can you just charge it to our room?”

“Of course,” He started working on the drinks immediately, while you two sat and people-watched. He finished the drinks, and gave you them and the room key back.

You said thank you as you walked off, hoping Logan would just follow. There was a small hot tub that was empty, so that’s where you went. You stepped in carefully, afraid of slipping, and sat down in the warm water.

“Really?” Logan whispered, a fake smile still adorned on his face.

“This is what couples do, Logan. And we’re a couple for this weekend. So sit down and act like you love me, sweetie.” Your grin was starting to hurt your cheeks.

He sat down across from you, and you mentally rolled your eyes. You got up, and repositioned yourself, sitting in his lap, “What part of ‘act like you love me’ are you not getting?” 

He was frozen for a moment, caught off guard but quickly acted like he was happy to have you there, to not draw suspicion. You both took sips of your drink, as you continued to nonchalantly looked around.

You two stayed at the pool for awhile, taking mental notes of the guests and employees you saw. Honestly, this hotel didn’t seem too strange. But Xavier said it was a front so you guessed that’s why it seemed so normal, for their cover.

Once your drinks were empty, and the sun had started to go down, you both decided to head back up to the room. He got out drying himself off before wrapping you up in your towel. He picked you up and carried you bridal-style to the penthouse.

“Logan!”

“What? Just acting like I love you.” He smirked.

Once inside the room, he set you down. “I’m gonna go shower.” You stated, not really knowing what to do. 

He just nodded, walking off to the kitchenette. You grabbed your bag and headed to the bathroom.

***

You mentally cursed yourself as you scrambled through your bag, searching for a pair of pajama shorts you thought you packed, but they were nowhere to be found. 

“This cannot be real.” You whispered. The only other clothes you brought were jean shorts, and you sure as hell weren’t going to sleep in those.

You pulled out your oversized sleepshirt, putting it on. The hem landed right above the middle of your thigh. It was a little shorter than the length of a nightgown, so you just hoped he wouldn’t notice. You slipped on a pair of panties, snatched up your things, and exited the bathroom.

You immediately bumped into Logan, who was standing right outside the door.

“What the fuck?” You raised your voice, annoyed. “Why are you right outside the door?”

“I was about to knock. You’ve been in there for over an hour.”

“It’s all yours!” You sassed.

You walked over to the small kitchen, and see he had already opened up the champagne. You had a glass as you sat on a barstool, writing down some notes about the people you’d observed earlier. Pouring yourself another glass, you headed over to the bed.

Just as you made yourself comfortable, Logan came out of the washroom, in just a towel. You stared at his wet torso for a moment, hypnotized.

“My eyes are up here.” He laughed.

You looked up, embarrassed.

“Forgot my clothes. Hey, wait, why are you in the bed?”

“…Because I’m the girl?”

“You're also the short one. I can’t fit on that couch.”

“Oh, c’mon. It’s a big bed. We can both fit just fine. Unless you’re nervous. Never slept with a girl before, Lo?”

He sighed, clearly not wanting to argue, before taking his clothes and escaping back to the bathroom. You silently celebrated your victory.

He came out a few moments later, turning off the lights, sliding under the blankets and getting comfortable. You both ended up facing the same direction. If he was any closer, he’d be the big spoon, but there was a few inches separating you.

You adjusted your body, and accidentally felt your ass rub against him. You went rigid from humiliation, before scooting away slightly, ignoring it since he didn’t say anything.

You tried to fall asleep, but it was difficult, for many reasons. One, you’re not used to having someone else in your bed. Two, he was breathing heavily. Three, you couldn’t stop thinking about how sexy he was.

Of course, you knew Logan was attractive, you’d thought that since the moment you first saw him. But today, probably because of the faux-gagement, the touching, the flirting, you saw him differently. He was still getting on your nerves, but the flames between you two… His body… It was unlike before.

You exhaled a breath you didn’t know you were holding. You twiddled your feet, moving around your body nervously, before unintentionally grazing your ass against his crotch again.

“Y’know, if you keep rubbing your ass against my dick, I’m gonna do something about it.” His words sounded gruff in your ear, but they gave you butterflies.

“Maybe that’s what I want.” 

. ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁

Taglist:

@figsnpassionfruits @marcybug @sacred-holy-light @keigohawks @rockytheluver @parasiiite @iluvstrawberry @18lkpeters @daydreamin1220 @hoesformenotforyou @ninuwrites @chaoticpaintsplatter @red-jay @sweet1squash @here2bawl @silversprings-mp3 @leathargic @issylovessharks @serenewrote @jakegyllenbaalz @whore-for-marvel@cookiesandcreammoolkshake @what-did-you-just-say @demitralover @midnight036 @lanassmarty @sugarrushbell @kitomon @lysmeadows @halpin4 @rebelmarylou @jupitersiberis @ginamcflurry @dilflover-420 @blubobbi @midsommarmayqueen911 @popsickle1235 @jairmi @maxx205 @kmc217 @callmejod @bellaaa32 @suiien @whiskytoast @zeeader @jasmines-greentea @malfoys-demigod @poplottie @navs-bhat @argos-13 @marvelreadingarchive @krisslegacy @chassidypowell24 @godness-gracious13 @hpttsa @fandomsunited @sseleniaa @vampuck @veetallla @chasedbyatlantic @fluffy-anna @deaky-with-a-c

[ozzgin]

Its been 6 months😭😭 pleaasseeee make a part 2 of the android x human story im beggingggg😭

-H❤️

Yandere! Android x Reader (II)

Featuring your assigned android partner who is not as devoid of humanity as you originally thought.

Content: female reader, AI yandere, mildly NSFW, based on Caves of Steel

[Part 1] | [More original works]

The case had been solved.

Not only that, but you'd managed to prove that human officers were just as efficient as their robot counterparts. The Commissioner was beyond ecstatic, pacing back and forth in his office and finding new ways to praise your detective skills.

"That'll show those Spacers. They think some glorified tin box can match our skill?"

You frowned at his words and glanced to your side, where the android was sitting. He observed the Commissioner with the same polite smile, no hint of disagreement on his features. Was he not insulted? You questioned him once the formal meeting had finished.

"I have no reason to be offended, (Y/N). It is a personal opinion, and thus I have no control over it."

"So you don't mind people disliking robots to such an extent?"

He pondered your statement.

"I would certainly be upset if it was you who harbored the disdain. The beliefs of other humans hold no meaning to me otherwise."

You couldn't tell if he said it out of politeness, or if he actually meant it. Most likely the former, in order to part on good terms. After all, your partnership has reached its completion. He'd return to the Spacer Colony with his report on human customs, and you'd go back to your regular job.

Except he never left. Days later, he was still sipping on his morning coffee, lounging at your table. You fiddled with your cup in contemplation. Was there anything else left to do?

"When are you leaving, actually?"

The pale man raised his eyebrows in mild surprise.

"Is my presence here of such significant disturbance?"

"What? No!" you swiftly exclaimed, stumbling on your words. His lips widened in yet another cheeky grin. He was teasing you again.

"My assignment on Earth is done, thus I should have returned to the Colony already. That's what you're wondering about, yes? I am awaiting a response from my superiors."

"Whether you can go back?"

"No, whether my transfer has been accepted. I have applied to be your permanent partner."

You could feel your cheeks burning with heat. Was it that obvious to the synthetic that you enjoyed his company? Then again, he wouldn't have gone through such motions just for your sake.

"Why did you..." you probed sheepishly. There was no logical reason for him to keep working in a poorer, less advanced environment.

"Because I want to continue spending time with you."

Nonsense. An artificial being wouldn't make its decision based on such mundane, emotional reasons.

"I don't believe you."

"I understand. It is a faulty answer to come out of a machine. Though unlike common AI assistants, we have been invested with the capacity to develop likes and dislikes. Interests. Wants. It helps with variety and individualization."

"And you want to stay here? If I didn't know you any better, I'd say you have a crush on me or something", you attempted to joke.

A few moments of uncomfortable silence. Had you gone too far with your humor? Was it too cliché of a sentence? You turned away, tucking some strands of hair behind your ear. You just had to be witty, huh?

"I'm afraid I do not know what to tell you, (Y/N)."

"You don't need to say anything, it was a poor choice of-"

"Many social aspects have been implemented into my behavioral network. Workplace rapport, friendships, intimate relationships. What seems to be lacking is the transition from one to another. I know how to act as a romantic partner, but how does one achieve such a title in the first place?"

You gazed at him, incredulous. What was he trying to say?

"I am trying to convey that I am indeed infatuated with you. Which, then, makes my initial explanation dishonest: while I do appreciate our fruitful work cooperation, it is not a main reason for my decision. I hope this clears up any misunderstandings."

You'd never been a romantic. You sometimes flipped through sample pages of contemporary romance books at stores and community centers, but they always felt forcefully cheesy. Predictable. Consequently, you never had any grand dreams of passionate confessions under the rain.

On the other hand, you also didn't expect to be asked out in such a mechanical, calculated manner. Or that a machine would be the suitor. Yet there was something charming about his approach. For the first time since meeting him at the border, you saw him struggle. There was something human-like in his uncertainty.

You stood up from the table, and walked towards the android. Then, you placed a reassuring hand on his shoulder, expressing the mutual feeling and understanding.

His eyes bore an eerie glint to them. It was most kind of you to offer a common ground, but he knew better. The affections you held for him were, with utmost certainty, a mere fraction of whatever overwhelmed him from the moment he encountered you. Limerence, obsession, compulsion, there were many definitions that aptly described his otherwise unexplainable desires towards you. Even more unexplainable was the fact they'd evolved from a blank slate, a programmed agent with no previous knowledge on feelings or humans.

You noticed his hesitation.

"Is there anything else troubling you presently?" you nudged.

Nothing of immediate urgency. Well, not for you, at least. The android remained thoughtful. What were the variables which needed to be met in order to initiate a sexual encounter? Would it have been inappropriate for him to suggest intercourse straight after this conversation? To him, it was a natural escalation he'd considered many times in the past. To you, it could've come as a sudden, crass, and hurried proposal.

He reached for your wrist and discreetly pressed a thumb against your skin. Judging from your resting heart rate, facial expression, and localized temperature, there was a fair chance you wouldn't reject his advances. Once the statistical risk had been assessed, he pulled you in for a kiss.

"Would it be possible to continue this in your bedroom?" he inquired, standing up.

"Alright, just don't...ask for approval for every single step" you retorted. You'd rather not become a narrator of your own pounding.

You open your eyes with a squint, greeted by unexpected natural light flooding your bedroom. Someone must’ve lifted the hologram blinds.

“My apologies, I hadn’t considered the discomfort it would cause you. My Spacer colony uses artificial lightning, though I am becoming rather fond of the natural sun rays here.”

Your android partner is meticulously preparing his outfit for the day. Judging by the stark nakedness and the glistening skin, you suppose he’s had a shower while you were still sleeping. You involuntarily furrow your brows and blush at the sight. He notices your embarrassment. 

“A most surprising reaction. You have seen the very same genital organ…”, he says as he quickly checks his wristwatch, “...precisely eight hours and forty-five minutes ago.”

“It’s just…most people get dressed once they start doing other things. I also wear a towel for coverage when I come out of the shower.”

He processes your words.

“Hmmm. Illogical, but it explains your reaction.”

You stand up and stretch with a prolonged yawn. Suddenly, a revelation hits you: your mind flashes with images of the android fondling your body, your ears ring with the shameless moans you’ve let out throughout the night. Your face turns pale.

“Listen, when is your next functional inspection?” you ask, without waiting for the synthetic to answer. “Will they, uh…will they have access to all of your memories?”

You know that the android permanently records all data and saves it into a memory unit. It’s a pointless fear, of course. The Spacers couldn’t care less about irrelevant details. If the intended tasks are fulfilled, what happens on the side is out of their concern. Yet you don’t exactly appreciate the possibility of your personal deeds airing like this, before the eyes of multiple engineers. 

“You may rest assured, whatever involves your privacy will not be included in the examination.”

“Do you get to decide what is checked and what isn’t?”

“No, most data is sampled randomly.”

You stare at him, confused.

“Then how-”

“It is not common practice, nor encouraged by our code of ethics. I can, however, choose which information is available to begin with.”

“What? I thought you’re fully controlled by whoever created you. If they so desired, couldn’t they open you up and take whatever they require?”

The robot smiles at your assumption and takes a few steps towards you.

“Once an android model is finished, one can no longer modify the processor. Not without compromising everything else with it. It is not a device to be deconstructed, (Y/N).” He taps his temple, then continues: “I am a biocomputer. While most of my parts are mechanical, my processor is a cortical organoid developed in a laboratory. A human brain, if you will.”

Somehow, the discovery fills you with dread. A living organ, encapsulated within a machine. What does that say about consciousness? About self-awareness? The Spacers didn't just tinker with metal scraps and smart computers. They artificially birthed life.

You were always under the impression that your robot companion is closer to the computer you have on your desk. Billions of lines of code within a black box, which then lead to spontaneous, novel interactions with the outside world. To think that at the very core of his functions lies a clump of living cells...

Perhaps you weren't so different, after all. The line between machines and humans is suddenly blurred.

[prince-geo]

literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.

Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well

I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!

When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.

Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.

It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"

Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me

[mariasont]

hi hi hi!!! i know you’re working on the bau sleepover buttttt i was wondering if you could write a aaron hotchner x reader fic where like what happened to garcia, reader gets shot and she’s in hospital and they don’t know if she gonna be okay and stuff. her and hotch have this mutual pining for each other and when she gets shot he kinda spirals. after being released, hotch takes her to her apartment and stays with her until they catch him and stuff. i know this is really long, thank you!!!

Some Profiler You Are - A.H

a/n: hi hi hi thank you so so sooo much for requesting <3 i kind of took this a more fluffy route and focused more on the recovery so let me know if you like it :)

masterlist

‧₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧

pairings: aaron hotchner x fem!reader

warnings: reader was shot, comfort, angst like a teensy bit, fluff, changing of bandages, kinda shitty ending per usual

wc: 2k

"Do you want to sit down?"

No, you really didn't. After spending the last six hours in a state of near-motionlessness, sprawled across various surfaces, the last thing you wanted was to do was sit down. Your legs had taken on the consistency of overcooked noodles, so you made the grave mistake of misreading the quiet of the house as Hotch's absence, a mistake punctuated by the garage door's sudden rumble.

You should have known better than to assume he would leave you alone for even a second. Now, you were face to face, his scrutinizing eyes boring into yours, arms crossed across his wide chest. He was in a casual zip-up--a rarity that you never imagined him wearing before practically moving in with him. But you really did enjoy this relaxed side of him, he wore it exceptionally well.

Taking work off was a concept you knew was foreign him, yet here he was, not at his desk, hovering over you like a concerned parent. The entire office, yourself included, gaped at him as if he had sprouted a different head when he told them. His next move was even crazier--he insisted you stay with him while you recovered.

You protested. A lot. Shocker. But he wouldn't take no for an answer. Again, Shocker.

You winced as you stepped forward, your hands automatically gravitating to the bandage that spanned around your thigh.

"You can't baby me forever, Hotch," you murmured, though your conviction wavered under the dull throb in your leg.

You braced yourself against the counter, trying to mask the discomfort you were sure was etched all over your face.

Filling the shoes of the communications liaison for the FBI post-JJ's shift to profiling, you signed up for a life of managing the media narrative, being the conduit between local and federal levels, and choosing the cases. You provided assistance in ways that aren't glaringly obvious.

What you didn't sign up for is getting shot.

The movies, the stories, even the firsthand accounts from coworkers--none of it could brace you for the raw, blistering pain of a gunshot wound. It fucking hurt. And the recovery? It was a different kind of torture, and you'd even argue that it was worse.

"It's not babying, it's common sense," Hotch countered.

He was frustrated. You had that effect. He stepped closer, his hand dragging down his face. "You took a bullet. It's still in your leg. It's perfectly rational for me to want to prevent any unnecessary strain on you."

"Feels dramatic," you shrugged, but he was right, like always.

Your grip on the counter tightened, knuckles growing white as you struggled to keep the pain under wraps. His brows lifted in response.

"I'm fine, really, Hotch. I hate this. You're probably dying to get back to work--don't let me be the reason you don't. Despite popular belief, I'm quite capable of fending for myself."

"I'm aware," he said, his attention briefly shifting to your bandaged leg. You were wearing shorts, a choice that felt less than appropriate, but practicality trumped formality under these circumstances. "Work will survive without me. I'm not sure I can say the same about you."

Your laughter was short-lived, swiftly turning into a stifled grimace as your footing slipped. Hotch's reflexes were quick, his hands steadying you--one against your ribs, the other just shy above the hem of your shorts.

"Point in case."

"Poking fun at a wounded woman? Shame on you, Hotch," you chided, your lower lip jutting out in a pout. His eyes darted to it momentarily.

He didn't move, his hands staying put, stirring a gentle, jelly-like feeling inside of you.

This was an odd sort of comfort, the kind you're not supposed to feel with your boss. You shouldn't be talking to him like this, shouldn't be in his kitchen, and certainly, his hands shouldn't be where they were. But the ache in your heart didn't seem to care about shoulds and shouldn'ts.

Hotch's presence was hard to ignore. He was reducing the space with every word.

"You're hardly acting like a wounded woman," he pointed out. "You should be in bed."

You tilted your head, sliding onto the barstool to carve some much-needed space between you. The scent of his cologne was intoxicating, and you needed distance to gather your wits before you did something that HR would definitely not look kindly upon.

The action was a mistake, a fact that became painfully clear as the feeling of something stabbing into your leg took hold. You tried to muster a smile, but you were sure it came across as a snarl. The last thing you wanted was to inflate Hotch's ego by showing that maybe, just maybe, he was right.

"Shit."

You followed his line of sight, landing on the fresh red seeping through the bandage and staining your shorts. Oh. That's not great. Don't think you can fool him with this one.

Hotch didn't hesitate, his response outpacing your own surge of panic, which was incredibly fast, because you were panicking and frankly not that great with blood. His hands were on your skin, easing the hem of your shorts upward to lay bare the wound you had stupidly  underestimated.

You're never going on a date again.

I mean, the only reason you even went was to get your boss of your mind. Since the first day, you'd been hopelessly drawn to him--how could you not be?

But there are a couple factors to consider.

Firstly, he was your boss, and the whole notion of a coercive relationship dynamic seemed problematic.

Secondly, there's the age difference; it had never been an issue for you--perhaps a reflection of your daddy issues--but you knew it would raise some eyebrows.

And thirdly, he didn't even like you back. That was, of course, the biggest issue. If not for this, the other concerns could definitely be overlooked. 

Before this whole incident, he barely acknowledged you beyond was professionally required of him. You knew you hadn't been part of the team long enough to bond--though you weren't sure Hotch did bond in the usual sense, but the point was made.

You were fairly sure you hadn't made much of an impression on him.

"Hold still." That was a tall order, considering it hurt more than a mother fucker.

You found yourself glaring at him--not that he was to blame, but you needed to anchor your frustration on something, or someone. Unknowingly, your grip had latched on the fabric of his zip-up, but he seemed unfazed. He grabbed a clean cloth from the drawer, pressing it against the wound, only furthering the colorful vocabulary going on in your head.

"Fuck, Hotch."

You didn't make a habit of cursing in front of your superior, but the sharp sting forced tears to the brink, your body going rigid as you snapped your eyes shut. 

His other hand found its way to your uninjured thigh, giving it a firm squeeze--a clear attempt to divert your attention. It worked for a second. "I'm sorry, just keep this pressed here, okay?"

He motioned toward the cloth, and you complied, too drained to consider otherwise. Your brows knitted, and you bit into your lip until you tasted something metallicy, your mind desperately racing trying to think of anything other than the blood flowing freely from your thigh.

"Where are you going?" You knew how panicked you sounded as he turned away, stepping towards a cabinet. 

He rummaged briefly before holding up a first aid kit. Catching the brief alarm in your face, he quickly returned to your side, his hand finding the crook of your neck as you instinctively clutched at his shirt once again.

"If you dare say I told you so, I swear, Hotch, fists will fly," you ground out through clenched teeth.

He laughed, and now that did distract you, your eyes zeroing in on his perfect teeth. It was a rare display, and it only served to aggravate you further. Of course he had perfect teeth.

"I didn't say anything."

"I could feel you thinking it," you said, your voice rough as you willed the moisture in your eyes not to fall. "Maybe I should be a profiler."

"Definitely."

"Sarcasm doesn't suit you." You were lying. Everything suited him. He stepped back, and you reluctantly peered at the wound, only to find a neatly sutured leg. "Where did you learn to do that?"

"In this job, you learn to be handy with more than just a gun.”

You’d love to know what else he’s handy with.

He pulled your leg up to rest on his as he took a seat on the opposite stool.

Your body was buzzing, from the closeness, from his hands on you, and also from the pain, but you were trying to ignore that. He grabs a new bandage from the counter, hands trailing up your thigh so slowly you thought you might pass out. He was so gentle. There was no other word for it.

"How's it feel?"

You paused. Eyes fully locked on his precise movements as he wrapped you up. You were closer than you realized, practically sharing the same breath.

"Fine."

"Yeah?"

You nodded, and he finished up his task, his hand lightly patting your thigh to show he was done. You didn't move your leg from his lap, and he didn't move his hand.

"I couldn't sleep for three days."

"What?" Your brows were furrowed, your focus sharpening on his face as the words left his lips.

"When I found out you had been shot." He cleared his throat, his thumb making gentle rotations on your calf. "I couldn't close my eyes without seeing red for days. I wanted to kill the son of a bitch who did that to you. I almost did."

You weren't sure how to process this information, or why he was telling you. "You and me both."

"I'm serious." And you could tell he was, his eyes narrowing slightly as his hand firmly encircled around your leg. You felt a lump in your throat form as heat rose from your neck to your ears. "Do you know what that was like? I felt like my heart stopped."

"Why?"

"Why?" It was more a scoff than a word. He blew out a breath, his fingers pinching into the space between his eyebrows. "Is it not obvious?"

Your heart was beating a lot faster. You wanted to say something, anything but your throat was dry and every time you opened your mouth you found it snapping shut.

Hotch's expression softened ever so slightly, his voice low and bouncing off the walls as he spoke. "Because I'm in love with you."

Your breath stalled, as if every ounce of oxygen had been vacuumed from your lungs. The air felt heavy, almost tangible.

You stared at him, heart skipping a beat.

"That's not funny," you said. It wasn't. You weren't in the mood for jokes, and your brain couldn't comprehend he might be telling the truth. "You...you don't even notice me."

He shook his head. "I notice everything about you." His thumb stilled on your calf. "I'm your boss," he said, as if that explained everything. "There are rules, protocols. I couldn't...I still shouldn't..."

The confession stripped the room of its warmth, leaving a raw aching silence in its wake. You searched his face.

"When you got shot," he continued, "I realized that if I lost you, I'd regret not telling you how I feel for the rest of my life."

"Hotch, I..."

He leaned closer, causing your words to catch in your throat. His hand moved from your leg to your face. You were speechless, the world narrowing down to the man in front of you, to his eyes, the warmth of his hands.

"Say something."

"Are you kidding me?" Your heart was pounding like it was trying to escape from your chest. "I've been in love with you since I started. How could you not see that?"

He looked taken aback, as if your words were the last thing he expected. "Well—,"

But you didn't let him finish. "Some profiler you are."

You were practically climbing into his lap, hands framing his face, pulling your lips to his.

He chuckled against your lips, the sound vibrating through you. "Easy," he murmured, "don't make me fix that bandage again."

You laugh, the sound muffled by his mouth. He tasted like cinnamon and coffee. "Shut up, Hotch."

taglist: @hotchhner @khxna

[orphiclovers]

The first scenario of ORV has always fascinated me. "Kill another person to survive." It might be the most common plot point in apocalyptic stories.. Pretty much all of them feature some discussion of morality and how to define it, good and evil, played out by deeply morally grey characters who have to make a choice to kill.

But ORV is a story about stories.

The Star Stream is trying to tell 'the story of an apocalypse' and it does! But in the most crude and unpolished way.

It's almost cynical. 'We are telling an apocalypse story, what's a common plot beat in apocalypse stories? 'No one is innocent and everyone has killed to survive'. Okay, let's make it a literal requirement for everyone to have killed someone to proceed.'

It's robotic, taking a story beat and stripping it down to it's bare essentials, then forcing the incarnations to adapt to it or die.

But the thing is. That's what all writing is. ORV just pulls back the curtain, exposing the internal circutry that makes a story work. Orv doesn't lie to you about the inherent artifice of it all.

The scenarios are perfect little plot arcs, designed to test the limits and reveal the strenghs and weaknesses of incarnations - 'the characters' of the story. It's not some cruel torture, it's literally just the act of storytelling. Writing 101 is put characters through hardship to reveal certain qualities in them or to make them go through character development.

Only difference is that writers usually camouflage the 'scenarios' they give their characters until the circumstances seem 'realistic' and like they happened on their own, like the author isn't forcing their reality to bend this way at all.

Oh, one character didn't lock the door in time due and got bitten by a zombie. And so inevitably this other character has to make the choice to kill them or not. There's as many explanaitions as the author can cook up as to what lead the characters to this moment. How the zombies got there, why these two were in the same vicinity, etc etc.

But, it's all set dressing the author has added to make the audience forget that this is too a 'scenario' given to the characters to test them. There's a time limit and a description and a reward and a penalty for failure, but all of these are cleverly hidden. The time limit can be until the last helicopter leaves in 10 minutes. The unspoken penalty is death. The author arranged how the characters find out some or all of this information in convienient ways.

Star Stream just lays it all out in front you you, straight up. States 'Kill another incarnation or have them kill you' and doesn't attempt to justify the circumstances, because of course, the real reason all this is happening is because the story demands it.

It's a universe that does not hide the author's hand in every tiny little event that happens.

So this too is the question "What if the characters knew they were in a story?" asked yet again. Every single being in the ORV universe knows they are in a story. The system itself makes it obvious - you can look at your own character sheet, you obtain 'stories' when you do something impressive but are constrained by 'probability' and what the audience finds interesting. You're body is literally made up of words written about you're life!

That's why the worldbuilding is so cohesive and so so good. All of it is telling you 'the world is a novel.'