#though without the help of lasso tools and resizing it does feel about as well constructed as

[cjgladback]

My mom requested fridge art from her daughters. And I'd already sketched one siren a bit after first seeing that one post, but that composition definitely will require the layers afforded by digital painting. So behold! A fire engine and its siren. Not too shabby for both my yellow and red markers giving up the ghost while I wasn't paying attention the last few years.

(This is the first time I've really seen how Tumblr size compression can murder a gif, but it wasn't at all helpful at the 540px width so click for quality.)

I did color in the wipers I'd forgotten and make the emblem on the door slightly more legible while editing my phone pic.

Image descriptions under the cut:

[ID: First image is a colorful drawing of a fire engine seen in three-quarters profile, driving toward camera left. On the roof of the truck's cab is a rough rock formation with a large mermaid lying on it, her tail draped down between the cab and trailer of the truck, her left arm pressing against the rocks, and her head held high while she speaks into a megaphone in her right hand. Her hair streams behind her toward a spiky word bubble with a zigzagged electronic tail that reads, "Get out th'way!" in all-caps. The headlights and amber light bar above the truck windshield are all on and the pavement and traffic lines below are represented with horizontal slashes of marker. The drawing is inked with even, thin black lines (a micron pen size 02) and colored with varied hatching with non-blending markers. On close inspection, the emblem on the fire engine's door reads "escucha las sirenas" in all-caps, Spanish for both "listen to the sirens" and "listen to the mermaids."

Second image is a gif of phone camera pictures showing six stages of the fire engine siren process and the final digital edit. First pencil sketch; second all but the lettering inked; third all but the lettering pencil marks erased; fourth inked word bubble with more emphatic italicized lettering; fifth the beginning layers of marker where the artist took a break with some yellow-orange, light red-orange, light blue, and periwinkle mostly over the truck cab; sixth the fully colored phone picture; and finally the edited shot with the white of the page and vibrancy of the colors restored as well as a coloring in the space around the door emblem with a brighter red for readable contrast. End ID]