#top nj beach photographer

[kvibestudios]

Why Video Beats Photography in NYC and NJ Events

In the age-old debate of photography versus video, the scales are tipping towards video when capturing memories, especially in the vibrant settings of New York and New Jersey. This piece dives deep into why video frequently comes out on top, looking at emotional impact, multimedia engagement, and specifics within local videography and photography sectors.

Emotional Impact

Videos excel in encapsulating not just the sights but also the sounds and dynamics of moments. Unlike static images, they preserve the atmosphere and the emotions tied to an event. Consider a birthday or wedding in New York and New Jersey—places known for their exuberance and flair. Videos from such events do more than just show who was there; they capture the laughter, the tears, and the dance moves, making it feel like you're there anew with every playback. John from New Jersey shares, "Our son's birthday video was priceless, capturing his pure joy and the vibrant party scene in a way photos could never rival." Similarlly, Sarah from New York recalls her wedding video, "It's not just a recording; it’s the raw emotions and love felt throughout the day— palpable every time we watch."

Multimedia Engagement

With the infusion of both sound and moving images, videos offer a richness that static photos can't compete with. They forge a deeper connection to the events by enabling you to hear the music, the toasts, even the wind rustling during an outdoor festival—elements that are lost in photographs. This immersive experience is particularly poignant in New York and New Jersey, where local accents and soundscape play a crucial role in the atmosphere of any gathering. Video captures such nuances, enhancing the recollection of those moments.

Trend Towards Videography

Both New York and New Jersey are witnessing an evident shift toward videography. More professionals in these regions are expanding their services to include video, responding to the growing demand for dynamic and comprehensive memory captures. This trend is supported by advances in technologyy and storytelling techniques that make video not just an option, but often the preferred choice.

Choosing Video for Events

When it comes to events—be it weddings, conferences, or local festivals—choosing video can make all the difference. Videos do an excellent job of recording the full scope of an event, from the key speches at a conference in Manhattan to the spontaneous dances at a beach festival in Jersey Shore. Unlike photography, video does not miss the sounds of laughter, the applause, the music, nor the intricate interactions between people. These elements are crucial in reliving the event in its entirety.

Professionals in New York and New Jersey understand the power of video. They don't just capture events; they tell stories. A wedding videographer in Newark, for instance, might focus on the cultural dances unique to the couple's backgrounds, while a videographer in Brooklyn might highlight the skyline as a backdrop to a rooftop gala.

Conclusion

The choice between video and photography for capturing memories can depend on various factors, but when it comes to preserving the full essence of moments, especially in lively locales like New York and New Jersey, video stands out. It offers a more dimensional and engaging way to remember and relive the special times. With its ability to bind the visuals to the sounds and the motions, video ensures that no part of the memory fades away, capturing and preserving the atmosphere in ways that photography simply cannot.

/post/why-video-beats-photography-in-nyc-and-nj-events

[fowardfashionfindz]

Check out this listing I just added to my Poshmark closet: Hand Selected Lot of Select Top Grade Cape May Diamonds.

[monojust]

Blues album ds 2434 genre

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#Blues album ds 2434 genre portable

#Blues album ds 2434 genre tv

235 Out & About: L.A.’s Gay & Lesbian Nightlife Scene. 207Ģ10 Dressing the Part: Where to Find Hollywood’s Hand-Me-Downs. The Disneyland Resort & Knott’s Berry Farm 1 The Disneyland Resort. 188 9 Golf, Hiking & Other Fun in the Warm California Sun. 185 Stargazing in L.A., Part II: The Less-Than-Lively Set. Shopping 1 L.A.’s Top Shopping Streets & Neighborhoods. 178 Stargazing in L.A.: Top Spots for Sighting Celebrities. 159 Kid-Cool Attractions in L.A.168 L.A.’s Ethnic Neighborhoods. 107 Sea Breezes & Sunsets: Oceanview Dining in Malibu. Where to Dine 1 Santa Monica & the Beaches. 96Ī Little Las Vegas in L.A.79 2 L.A.’s Westside & Beverly Hills. 38Ĥ0 Fast Facts: For the International Traveler. 36 10 Packages for the Independent Traveler. Getting to Know Los Angeles 1 Orientation. 23įor International Visitors 1 Preparing for Your Trip. Planning Your Trip to Los Angeles 1 Visitor Information. Manufactured in the United States of America 5ġ Frommer’s Favorite L.A. Some content that appears in print may not be available in electronic formats. Wiley also publishes its books in a variety of electronic formats. Faunette Johnston Cartographer: John Decamillis Photo Editor: Richard Fox Production by Wiley Indianapolis Composition Services Front cover photo: Randy’s Donuts, convertible car in foreground Back cover photo: Teens wearing sunglasses at beach For information on our other products and services or to obtain technical support, please contact our Customer Care Department within the U.S. is not associated with any product or vendor mentioned in this book. All other trademarks are the property of their respective owners. Frommer’s is a trademark or registered trademark of Arthur Frommer. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4447, E-Mail: Wiley and the Wiley Publishing logo are trademarks or registered trademarks of John Wiley & Sons, Inc. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8700. Hoboken, NJ 07030 Copyright © 2003 Wiley Publishing, Inc., Hoboken, New Jersey.

#Blues album ds 2434 genre portable

His other Frommer’s titles include California, California from $70 a Day, San Francisco from $70 a Day, the Irreverent Guide to San Francisco, and Portable Disneyland ®. Highly allergic to office buildings, he spends most of his time on the road doing research and avoiding commitments. Before becoming a full-time travel writer and photographer, he worked as an English tutor in Prague, ski instructor in the Swiss Alps, and scuba instructor in Maui. highlights, with side trips to Disneyland, Catalina and the Orange County Coast planned out as well.” -Paper Clips, Bridgewater, NJĪbout the Author Matthew Richard Poole, a native Californian, has authored more than two dozen travel guides to California, Hawaii, and abroad.

#Blues album ds 2434 genre tv

Filled with frank reviews of the latest dining, shopping and nightlife spots, this hip guidebook to the nation’s second largest city covers TV tapings, cemetery tours, scenic drives, star-gazing opportunities, celebrity drive-bys and other L.A. Very portable, very complete.” -Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” -Glamour Magazine “Hotel information is close to encyclopedic.” -Des Moines Sunday Register “. Here’s what the critics say about Frommer’s: “Amazingly easy to use.

#Blues album ds 2434 genre movie

Los Angeles From Vintage Cars to Movie Stars

[dippedanddripped]

A Q&A With Keary Kase On Pioneering Hip Hop In Portland

Trenton, NJ born rapper Keary Kase is now pioneering hip hop from Portland, Oregon. After having been involved in a Nike ad campaign that featured him on Billboards across the US, Keary’s singles began to top the radio charts. He began to work with artists like The Wutang Clan and producers Bosko and Non-Stop Da Hitman. Most recently, he partnered with Adidas designers in Portland to develop ‘Reder’ – an athletic apparel brand with focus on CBD delivery systems for athletes who are recovering from injuries.

We had the chance to sit down with Keary Kase to talk about Portland’s thriving hip hop scene, his Nike campaign, and what fans and followers can expect in 2020.

Tell us a little bit about the hip hop scene in Portland. We’d love to know more!

Portland hip hop has so many facets, I’m not sure where to begin. We do have a solid foundation of originals, like Mic Crenshaw, Cool Nutz, Mellenium (Kenny Mack), Maniac Lok, Bosko, Vursatyl, X-Kid, DJ Wicked, Pete Miser and myself, who are still active.

Having strong artists, who have made careers in Hip Hop, as role models and idols allows the kids to aspire to become musical artists. Without these examples, the endless call to normalcy and job security (which we all now know is B/S) by pretty much EVERYBODY, would lead these young Ore-guns to self doubt and failure.

Mike Capes, Swiggle Mandela, Drae Steve’s, JR Patton and Keith Canvas are a few Portland artists to check out.

Right now, a lot of artists are showing support to the BLM movement using their voices to speak, rather than rap to those participating in protests, rallies and such.

How do you feel being originally from the east coast has affected your musical style?

In my embryonic years, I saw myself as an east coast rapper. I felt like, with the exception of rappers like Ice T, Too Short, NWA and The DOC, west coast rappers were mostly basic compared to east coast rappers. They had KRS, Big Daddy Kane, Slick Rick (my favorite golden era rapper), Special ED, Kool G Rap & Polo, RAKIM!!! Plus WBLS used to play all the hot new shit off the block.

I was enamored by east coast swagger and tone. The slang and accent was natural for me because my entire family spoke with it. My ability to slip in and out of the style made me different in Portland.

In the early 90’s I started spending time in LA. I was slanging FIMO beads to tourists at Venice Beach in the daylight and going to clubs and shows at night. I met this dude named Self Jupiter at this summer festival called The African Marketplace, where I was selling jewelry and celebrating my black youth. Jupiter was a member of a rap group called Freestyle Fellowship. He gave me a tape. After I listened to it, my entire opinion of west coast hip hop was turned upside down. I witnessed west coast rappers like Volume 10, WC, Divine Styler, Cypress Hill and E40 change the game. I became influenced by them and my style was set free. I became open to all influences, no matter if they came from the east, west, northwest, midwest or south.

Tell us more about the Nike ad campaign you were featured in. How did that come about?

One day I was leaving my boy Tommy Hestmark’s studio in downtown Portland. I was walking down the street with my back straight and my chest and chin up, as all men and women should. This guy approached me and said “excuse me, can I talk to you?” I looked at him sideways and he says “no, no. It’s just…. Your face is CRAZY!” I squinted as if to say “do you hear yourself fool?” He pulls out a card and explains that he owned a modeling agency and he thought my look was money. He asked me to call to schedule a test shoot. I called and scheduled the shoot. When I went there, he asked me if I was wearing boxers. I confirmed, then he asked me if I would take some test shots in my boxers. I’m thinking this dude is either going to proposition me for sex or he wants to see if I can be the next face of Calvin Klein. I gambled on Calvin Klein and agreed to take the pics. We walked into a hall and he said “you can get undressed here,” then walked away. So there I stood baring all that my boxers would not cover, with my clothes in a small pile on the floor. I heard footsteps, then an attractive woman appears holding a camera. It was his wife. She told me where to stand , took a couple quick pics and said “Keary, you’re a machine,” then allowed me to get dressed and walked me out.

A few weeks later they called me back and said a photographer knew of me and wanted to do a martial arts shoot. There was no pay, but the photographer was well known and really good. I had no portfolio, and no published work so this was an opportunity to do TFP to add to my comp card.

The photographer, Marcus Swanson, wanted me to do a flying sidekick, which is a classic taekwondo photo kick. When I got there, there was nowhere to get a running start so I improvised and pulled it off. While I was there, a Nike scout was lurking. As I was leaving, Marcus’ assistant, Amber Geiger, mentioned a potential shoot for Nike and asked if they could do a quick polaroid. Snap snap and I was out. A few months passed by before I got a call back from my agent about the shoot. In those few months, I became a black belt, won a gold medal at the the regional national qualification tournament in the black belt dividion, then a silver medal at the US National Championship, and was leaving in a few days to go whoop everybody’s ass at the invitational US Team Trials. It didn’t play out that way but I believe being so active in the few months between the martial arts test shoot and the paid shoot is what influenced their decision to go with me for the ad campaign. We agreed on a date and time, after my return, for the shoot.

When I got back, we did the shoot. I thought it was going to be light work but it was brutal. Modeling is hardcore. I remember seeing myself on a billboard for the first time. It felt like a distant relative to masturbation. I also remember it taking forever to get my money. Agencies can be gangster. I had to make some very firm promises before I got the check. After that, our relationship became square.

You have worked with several platinum artists and producers. Do you have any memorable stories about your experiences that you’d like to share?

Hmm. I don’t like to deride or D-RIDE anyone, but there was an interesting encounter with a Wu-Tang Clan member named Cappadonna. Cappadonna, Killa Priest and a small crew they were touring with were staying at my house when they stopped through Portland. My roommate, MyG,  was helping them do some business in Portland while they killed time before their next tour date. At the time, we had a lil 5 bedroom spread with 2 recording studios in it, so we let their whole crew crash at the spot. The house was already like a revolving door for whoever was on tour in the NW. Artists could come through while in town and collab, get local pub through us and be blessed with some Oregon grown greeneries for the road.

So this was the first time we met (Cappadonna & I). I was taking acting classes at the time so I was gone when they pulled up. When I got home after class, Cappadonna was in the booth. I walked in the room and he started talking wild like “aye yo break that nigga watch!…stab that nigga!” I’m standing in a room full of dudes, with New York energy, that I don’t know, so I assumed he was talking about me. I dip out to my room and get a screwdriver just so I have something in my hand incase things go left. A few minutes pass, then MyG tells Cappadonna to move on to the next part. At this moment I realize he’s in character and not talking about me at all. Killah Priest enters the room. We introduce ourselves and dap up. He asks me what I do and I tell him that I’m in acting school. When Cap comes out, KP says “this is Kase, he’s an actor.” They gave each other a look that, to me , expressed what he spoke as “this is Kase, he’s a fake nigga.”

Granted, I’ve been a skater since day 1, so I understand that some black people (especially at the time) associate being a black skater with being less black or more white. With that in mind, I let what he said breeze by.

After we blessed up, we got to the business. Bosko had let me hold a beat that I wrote a sticky verse to; Cappa liked it so I let him put a hook on it. Me and KP did a DOPE song on a track that this dude named Smoke produced. It sounded like some official Wu-affiliate shit. MyG lost the session so none of that material was ever released.

The next day the energy still felt suspect. Like they thought I was a suburban negro, lol. I took them to the block, which is now gentrified, but was still hood at the time. Cappa called my whip a 666. It was the same Denali XL with the same 26” Trump Spinners that was in the video for the song he was promoting at the time, but mine was cleaner. It seemed like he felt a way about it. We went to my mom’s restaurant, where Cappa requested a Psalms verse from my mother. She said “how about a Revelation,” and laced all of us.

I dropped them at the barber shop to get faded and bladed. When they came out, the energy was different. Cappadonna got in and said “you know your hood and your hood knows you. He said you put your moms in that restaurant, didn’t you?” I just looked at him and put my hand out. We dapped up and the respect, which was first being given by me and received by him, suddenly felt mutual.

Cappadonna is a wise dude and a beast MC. I asked him questions related to his lyrics. He explained to me what “God Degree” and “7:30” meant and told me the story of the origin of his name. You might be able to detect that I’m most definitely still a Wu-Tang fan, although I liked his earlier work. KP knows what I mean by that.

Tell us about your involvement with the CBD industry and your views on how it can be a therapeutic tool for people?

CBD is my go-to treatment for a number of conditions. If I am anxious, I use a non-psychoactive tincture. This gives me a general sense of well-being, without making me feel altered or high. I feel like myself on a good day. If I need to restful sleep, I employ a cannabinoid rich CBD blend that allows me to drift off into REM without jumping up 100 times to make sure the garage door is closed (or whatever). Using CBD is like taking premium vitamins.

In 2019, I started a company called Nina Botanica with a material designer who works for Adidas in Portland. I began researching how to use compression technology as a CBD delivery system for athletic injury rehabilitation. There are some products on the market that offer a similar product, but none that fully address the issues of muscle strains, tears and associated pain that can knock an athlete off of their game. What sets us apart is, our CBD compression system has a lifetime guarantee. You can use it until you’re tired of using it.

We also designed a pod based delivery system, called the NINA , with Shenzen based technology company Smoore. The smart hexagonal pod + cartridge system uses inductive charging in place of the industry standard USB to power up.

Due to COVID-19 and our current bout with systemic racism, the techy products will be in preliminary production until mid-late 2021.

Tell us about your latest project “Craze”. Who is involved and what inspired it?

I was a week back on after being off music for years. Just getting my lungs back, not planning on dropping anything yet; just warming up. An artist named Uneek, who had been my mentee for several years, reached out. He was talking about how he blew all of his savings on medical expenses for his seed and how William, Lil Willi and Big Bill were all coming for him at once. He had just got robbed in Atlanta, so he was shy about who he could trust in Portland.

Uneek asked me to help him to rebrand himself and act as a manager, as I did in the beginning of his career. Since he had just found the strength to come out about his sexual identity, he wanted to look to the LBGTQ community for support. Since that was outside of my sphere of influence, I decided to help him generate some traffic in his home studio, offering tracking and mixing as an engineer. I told him we could put out a mixtape to re-introduce him to his followers and the rest of the world. I got 15 tracks from  producers, Sixteen and J Doe. I wanted to see how serious he was about his career so I told him to put hooks on  all 15. He would send me a rough lyric or melody, then I would write or rewrite the lyrics then massage the melody and coach him on how to execute it.  After he did it, I would chop it and arrange it in a Logic, while I was on the road.

Once the mixtape concepts were in the bag, I told him we needed a real record to kick it off. There was a lot of material in his catalog, but nothing that sounded like a hit single to me.

He got a track from this lil dude named 64 and put a hook on it that had us laughing. He was like “yeah this track sound like something Da Baby would get on.” It wasn’t my style, really, but I kept getting drawn into the drums. I let the first line go off the top then it seemed like the rest of the lyrics were just there. We called it “She A Thot.” It dropped on all platforms back in April of this year.

Craze, the follow up single, manifested itself off of the vibe we were on after “She A Thot” dropped. 64 had sent us a 3 pack of beats so it had some of the same feel as the others, however, the “Craze” beat was much more elegant than the other two.It was like the bigger, sexier, more mature and pondering sister of the “She A Thot” beat.

When I started writing, I felt the beat asking me to confess. It was saying “tell your truth, Kase.” The melody in my head was so balanced that I just let it drive through the first verse. I remembered, as a young man, being so caught up in hustling that I lost my compassion for people. I reflected on how I had spent the last decade, since my first daughter was born, re-approaching life with more compassion.

Whatever you have done in your past does not define you. But sometimes it’s good to talk about it. Black  people have traditionally been afraid of counseling or therapy. Mostly because of our trust issues with the people providing those services. I strongly suggest talking to someone about the things that trouble you. My uncle Jeff calls it “dumping.”

Music is my therapy. Dumping is my new craze.

What artists are you listening to right now and why?

I like listening to new music. I’m listening to Lil Durk, Pop Smoke, Amine, Jack Harlow, etc. But that’s like research for me. I like to see and hear what the big dogs are investing in. But right now, I’m developing a K-Pop artist, so I’m listening Big Hit Entertainment’s people. I’m about to go over there and liberate some musical slaves. (*artists)

But I still listen to Sade.

What’s next for you in 2020? What can fans look forward to?

I’m dropping a mixtape later this month. I may be doing a record + video with Compton artist, AD in the next few weeks. We’re still working out the details, but he’s doing real good right now.

Other than that, I’m developing a young K-Pop idol named Kiari. That genre is making big waves. I’m also looking at television as a next play. I have a pocket ace in the Chinese market that I’m keeping tucked. Oh I’m doing business with China.  Sorry Chump…I mean, Sorry Trump. No, wait, I had it right the first time.

[adorabletimes]

DRONE PHOTOGRAPHY AT YOUR WEDDING

Drones are as popular in travel photography

as they are often used to take captivating 360-degree shots of beaches, hilltops, and more. However, drones are fast becoming a staple in commemorating modern celebrations too. Picture drone footage of the entire wedding venue while guests start pouring in, or the bride making her way down the aisle. Stunning, right? It certainly elevates traditional wedding photography and makes your special day that much more memorable.

If you’ve been considering drone photography at your wedding, here are some more benefits to keep in mind.

Drones showcase the wedding venue

The venue is a major consideration when planning a wedding, so it would be a shame not to capture its entire splendor. Luckily, you don’t have to worry about that if you hire a drone photographer. Whether it’s a beach wedding or a garden wedding, drones can capture breathtaking visuals to clearly showcase the grandeur of your wedding’s location. These shots also work quite well for the videography, as they show an overview of the day’s proceedings.

Drones complement traditional photography

There are shots that can only be taken via drone and vice-versa. The drones listed on Digital Photography Review, such as the DJI Phantom 4 Pro, are ideal for wide aerial shots — especially since most of them are equipped with GPS-controlled accuracy for precision and stability in the air. However, SLRs are more useful for capturing close-ups and intimate moments — which are incredibly important in a wedding shoot. So, if you want to cover all your bases, it’s wise to have both a traditional camera setup and a drone camera for your wedding. That way, you get the best of both worlds.

Drones capture stunning and creative angles

One advantage of drones is that they can shoot from angles that are unreachable through normal camera setups. This allows photographers to be more creative and playful with their shots. For those looking to take gorgeous slow-motion clips and breathtaking panoramas, the high-end DJI Mavic Air 2 featured on Adorama can offer just that. Thanks to its SmartPhoto feature and advanced panorama mode, it can capture vivid colors in dynamic high definition. On the other hand, some drones like the Yuneec Typhoon H Plus are built to withstand strong winds. Its 3-axis gimbal-mounted camera offers excellent stability, all while shooting high-quality photos of your wedding day. With these advanced features, drones are well-equipped to cover your wedding day.

Drones give your wedding some flair

Hiring a drone photographer shows guests that you’re going all out on your big day. Aside from that, drones can also serve as a form of entertainment because of their novelty; it’s not every day you get to see a high-end drone covering a big event. Of course, drones should be interesting, but not enough to be a distraction from your big day. Thankfully, an article on Science Daily shows that drones are constantly undergoing redesigns to make them quieter and more unobtrusive.

Drones are excellent for group shots

It’s sometimes frustrating to find the perfect angle for a group shot. This is especially true if you have a large crowd — such as wedding guests — posing for the photo. However, the solution can be as simple as using a drone to take an overhead shot. This removes the need to crouch down or stand on tiptoe just to get everyone in the frame. As you can see, there are many advantages to getting a drone for your wedding.

For more details on our products and services, please feel free to visit us at: Engagement Photographer in NJ,  Wedding videographers in NJ,  Birthday photographers in NJ,  Top wedding photographers in NJ &  Best wedding photographers in brooklyn NY.

[adorabletimes]

BENEFITS OF DRONE PHOTOGRAPHY AT YOUR WEDDING

Drones are as popular in travel photography

as they are often used to take captivating 360-degree shots of beaches, hilltops, and more. However, drones are fast becoming a staple in commemorating modern celebrations too. Picture drone footage of the entire wedding venue while guests start pouring in, or the bride making her way down the aisle. Stunning, right? It certainly elevates traditional wedding photography and makes your special day that much more memorable.

If you’ve been considering drone photography at your wedding, here are some more benefits to keep in mind.

Drones showcase the wedding venue

The venue is a major consideration when planning a wedding, so it would be a shame not to capture its entire splendor. Luckily, you don’t have to worry about that if you hire a drone photographer. Whether it’s a beach wedding or a garden wedding, drones can capture breathtaking visuals to clearly showcase the grandeur of your wedding’s location. These shots also work quite well for the videography, as they show an overview of the day’s proceedings.

Drones complement traditional photography

There are shots that can only be taken via drone and vice-versa. The drones listed on Digital Photography Review, such as the DJI Phantom 4 Pro, are ideal for wide aerial shots — especially since most of them are equipped with GPS-controlled accuracy for precision and stability in the air. However, SLRs are more useful for capturing close-ups and intimate moments — which are incredibly important in a wedding shoot. So, if you want to cover all your bases, it’s wise to have both a traditional camera setup and a drone camera for your wedding. That way, you get the best of both worlds.

Drones capture stunning and creative angles

One advantage of drones is that they can shoot from angles that are unreachable through normal camera setups. This allows photographers to be more creative and playful with their shots. For those looking to take gorgeous slow-motion clips and breathtaking panoramas, the high-end DJI Mavic Air 2 featured on Adorama can offer just that. Thanks to its SmartPhoto feature and advanced panorama mode, it can capture vivid colors in dynamic high definition. On the other hand, some drones like the Yuneec Typhoon H Plus are built to withstand strong winds. Its 3-axis gimbal-mounted camera offers excellent stability, all while shooting high-quality photos of your wedding day. With these advanced features, drones are well-equipped to cover your wedding day.

Drones give your wedding some flair

Hiring a drone photographer shows guests that you’re going all out on your big day. Aside from that, drones can also serve as a form of entertainment because of their novelty; it’s not every day you get to see a high-end drone covering a big event. Of course, drones should be interesting, but not enough to be a distraction from your big day. Thankfully, an article on Science Daily shows that drones are constantly undergoing redesigns to make them quieter and more unobtrusive.

Drones are excellent for group shots

It’s sometimes frustrating to find the perfect angle for a group shot. This is especially true if you have a large crowd — such as wedding guests — posing for the photo. However, the solution can be as simple as using a drone to take an overhead shot. This removes the need to crouch down or stand on tiptoe just to get everyone in the frame. As you can see, there are many advantages to getting a drone for your wedding.

For more details on our products and services, please feel free to visit us at:  Wedding photographer in NJ,  Engagement Photographer in NJ,  Wedding videographers in NJ,   Birthday photographers in NJ  &  Top wedding photographers in NJ.

[librarycompany]

Marriott C. Morris took many photographs at his family’s summer home in Sea Girt, New Jersey over the course of his life. While a majority of the negatives in the Library Company’s collection show various views of their estate, Avocado, a small series of negatives shows large crowds and carriages as far as the eye can see on the beach. But what are all of these people doing here? And why does this event seem to only last for one day each year?

Curatorial and Reading Room Assistant Emma Ricciardi answers these questions in her latest blog post. Read all about Jersey Wash Day here:

http://librarycompany.org/2017/08/07/jersey-wash-day/

#MorrisMonday

Marriott Canby Morris. Jersey Wash Day, from Same Place [Top of Pavilion] Eastern Section. [Sea Girt, NJ], 1887. Glass negative. Marriott C. Morris Collection.

[clydesanders-rp-blog]

 Full name: Clyde Micheal Sanders 

Pronunciation: CLY-DE

Nickname(s) or alias:  Clyde 

Preferred name: Clyde

Current age: twenty 

Astrological sign: Leo 

Element:Fire 

Title: MR

Label: The misfit 

Gender:  Male

Preferred pronouns: He/him

Sexual preference: bisexual 

Romantic preference: Grayromantic

Resides in: Princeton, NJ

Current occupation: student 

Language(s) spoken: english 

Native language:  english 

Current marital status: 

( &&. background )

Reason behind name: his mother named him after clyde barrow 

Birth order:  first born 

Ethnicity: CAUCASIAN

Nationality:  American 

Species: human 

Religion: catholic 

Political views: none

Financial status: rich 

IQ: 127

Hometown: Santa monica, CA

( &&. physical appearance )

Looks like (or face claim, if applicable): cole sprouse 

Height: 6′0 

Weight: 170 

Shoe size: 12

Figure/build: slim

Hair colour, Dyed?: raven

Hair length: short

Eye colour: green

Glasses? Colour? / Contacts? Are they coloured?:

Shape of face: round

Facial hair: 

Do they shave/wax? Where?: 

Skin tone: white

Tattoos: none

Piercings: none

Birthmarks/scars/distinguishing marks: birthmarks 

Dominant hand: right

If painted, what color are their nails/toenails?: 

Usual style of clothing: casual 

Frequently worn jewelry: gold rolex 

Describe their voice, what accent?: none

What is their speaking style (fast, monotone, loquacious)?: loquacious

Describe their scent: soap and cigarettes 

Describe their posture: normal 

( &&. legal information )

Birth Name: (if changed)

Other names they go by:

Any speeding tickets?: yes

Have they ever been arrested?: yes

Do they have a criminal record?:  no

Have they committed any violent crimes?: no

Property crimes?: no

Traffic crimes?: yes

Other crimes?: no

( &&. medical information )

Blood type: o positive 

Date/time of birth: 8/4/97 , 9am

Place of birth: santa monica, CA

Vaginal birth or cesauren section?: vaginal 

Sex: Male

Diet: regular 

Smoker? / Drinker? / Drug User?, Which?:  all

Addictions: cannabis, xanax and alcohol 

Allergies: none

Do they get occasional checkups?: yes

Ever broken a bone?: yes

Hospital visits, what for?: overdoses 

Any physical ailments/illnesses/disabilities: none

Any medication regularly taken: none

( &&. career information )

Past occupation(s): modeling 

Why are they no longer working as it?: disagreements with the boss

Do they enjoy their current occupation?: yes

Why do they do it?: for fun

How did they end up in their current occupation?: personal manger 

How long have they been in their current occupation?:  3 years

( &&. personality )

Direct quote from them: ‘ life is too short so do what you want to do’

Positive traits: warmhearted, affectionate, helpful

Negative traits: moody, ill tempered, impulsive 

Likes: working out, music, reading, sleeping 

Dislikes: crowded places

Strengths: photography, science 

Weaknesses:  Math, flirting 

Insecurities: his nose 

Fears/phobias: being stuck in tight spaces

Habits: playing with hair , biting nails, shaking leg 

Quirks: always chewing gum

Hobbies: photography 

Guilty pleasure: xanax 

Desires: to travel the world 

Wishes:  to go back in time 

Regrets: not forgiving his mother for leaving 

Secrets: he was involved in a drunken hit and run 

Turn ons: neck kisses 

Turn offs: spitting 

Kinks/fetishes: being tied up

Superstitions: opening an umbrella inside 

Lucky number: 7

Pet peeves: People Who Don't Cover Their Cough/sneeze, animal cruelty 

Their motto: you only live once 

( &&. favourites )

Food: pasta 

Drink: mountain dew 

Fast food restaurant: olive garden 

Flavour: vanilla 

Word: dope

Colour: red

Clothing: gucci

Accessory: gold rolex 

Candle scent: apple cinnamon 

Store: apple

Instrument: guitar

Game: call of duty black opps 

Occupation: student 

Animal: dog 

Holiday: halloween 

Weather: cold

Season: fall

Book: hunger games

Artist: eminem 

Band/group: linkin park 

Song: what’s my age again by blink 182

Movie/film: Constantine

TV show: south park 

Sport: lacrosse 

Sports team: the giants 

Quote: ‘live fast die young’ 

School subject: english 

Possession: ring 

Name: clyde 

Number: 7

Emoji: purple devil 

Mythological creature: Zeus

( &&. skills )

Talents: photography 

Special powers/abilities: none

Ability to drive a car? Operate any other vehicles?: yes

Can they ride a bike?:yes

Do they play any sports?: yes 

Anything they’re bad at?: singing 

Do they have any combat training? Why?: N/A

( &&. firsts )

Childhood memory: hearing mom and dad arguing 

Crush: the girl from next door 

Email address: clydesanders@yahoo.com

Job: photographer 

Phone: iphone 7 

Computer: mac

Kiss: the girl next door

Love: N/A

Sexual experience: in her bedroom 

( &&. childhood )

Best childhood memory?:  opening presents on christmas 

Worst childhood memory?: getting an ass whooping from dad

What were they like as a child?: energetic 

Any crushes growing up?: brother’s best friend 

Did they know/like their parents?:yes

Worst influence on them as a kid?: brother 

Did they have a lot of friends?: no

Were they heavily punished?: yes

Anything they wish they could cut out?: ass beatings from dad

Were they more feminine or masculine?: masculine 

Were they an early or late bloomer for puberty?: late 

Do they still know any of their childhood friends?: yes

Did they have any chores? What?: dishes and garbage 

Describe their childhood home: mansion 

( &&. this or that )

Expensive or inexpensive tastes?: expensive 

Hygienic or Unhygienic?: hygienic 

Open-minded or close-minded?: open 

Introvert or extrovert?: introvert 

Optimistic or pessimistic?: pessimistic 

Daredevil or cautious?: daredevil 

Logical or emotional?: emotional 

Generous or stingy?: generous 

Polite or rude?: polite 

Book smart or street smart?: both

Dominant or submissive?: dominant 

Popular or loner?: loner

Leader or follower?: leader 

Day or night person?: night

Cat or dog person?: dog

Closet door open or closed while sleeping?: closed

( &&. family relationships )

Father: Michael  Bryan Sanders 

Describe their relationship: rocky 

Mother: Hayley Lockwood 

Describe their relationship: estranged 

Brothers: Bryan elton sanders 

Describe their relationship: love/hate 

( &&. other relationships )

Best friend: N/A

Childhood friend: peter vega 

Enemy: brice evans 

Past romances: N/A

Pets: dogs 

Heroes: superman 

( &&. social media )

Do they have a Facebook? Twitter? Instagram? Vine? Snapchat? Tinder/Grindr? Tumblr? YouTube?

If so; Name on Facebook: Clyde sanders 

Twitter handle: @clydesanders

Instagram user: @clydesanders

Vine user: none

Snapchat user: @snap-clyde

Name on Tinder/Grindr: none

Tumblr URL: 

YouTube channel:Clydesandersvlogs

( &&. musical tastes )

Theme song: Heathens top

Can relate to: crawling linkin park 

Makes them happy: always blink 182

Makes them sad: i miss you blink 182

Makes them dance:  wake me up before you go 

Loves the most: heavy linkin park 

Describes them: numb linkin park 

Never gets tired of: leave out all the rest linkin park

Would like to be played at their wedding: i was made for loving you ED sheeran

Would like to play at their funeral: 27 MGK

( &&. miscellaneous )

Do they have a fake I.D.?: yes 

Are they a virgin?: no 

Describe their signature: cursive and neat 

How long would they survive in a zombie apocalypse?: until the end 

Do they travel?: yes

One place they would like to live: bora bora 

One place they would like to visit: Egypt 

Celebrity crush: megan fox 

What can you find in their pockets/wallet/purse: general 

Place(s) your character can always be found: beach 

When does your character like to wake up?: late

What’s your character’s morning routine?: normal 

What does your character eat for breakfast/lunch/dinner?: poptarts, anything that’s good 

How does your character spend their free days?: clubbing 

What’s your character’s bedtime routine?: normal 

What does your character wear to bed?: boxers

If your character can’t fall asleep, what are they thinking about?: life 

What has been their greatest achievement?: making 8 mill on youtube 

What is their idea of perfect happiness?: finishing school and getting married 

What or who is the greatest love of their life?: girlfriend 

On what occasions do they lie?: none 

Most marked characteristic: eyes and hair 

What is one thing they’d most like to change about themselves?: nothing 

How would they like to die?: sleeping 

Do they snore?: no

Do they chew their pens/pencils?: yes 

Can they whistle?: yes 

Do they believe in the supernatural?: no 

Have they ever cheated on anyone?: no 

Have they ever been cheated on?: yes

Has anyone ever broken their heart?: yes

Have they ever broken anyone’s heart?:no 

Are they squeamish?: depends

Have they ever killed anyone? Why? How?: no

Have they ever seen anyone die? What happened?: yes, a friend got shot during a shoot out 

Are they a lightweight?: no

[frostedpetticoat]

Surprise Dinner Party at Long Beach Island Historical Museum

Guest Contributors:

Bogoth Wedding & Events and Melanie Cassie Photography

Rick and Sharon wanted to plan a unique surprise dinner party at the Long Beach Island Historical Museum in historic Beach Haven, NJ. The cause for celebration drilled down to the core of everything so many people love about celebrating love and family down the shore; childhood memories of spending time with family, weeks and month spent in anticipation of the annual week "down the shore,"  spending time with family and friends. So, when Rick and Sharon contacted Bogath Weddings and Events, to say they wanted to plan a surprise dinner party to celebrate 10 years of vacationing with close family friends, it was a match made in heaven!

LBI Historical Museum Event | A Unique Dining Experience

They wanted a delicious meal and elegant dining experience, but in a unique setting. A number of ideas were tossed around before settling on the LBI Historical Museum on Engleside Ave. in Beach Haven. It's right down the street from the quaint Victorian home that they have been vacationing in for a decade. And, seriously, what could be more unique than having dinner underneath a whale skeleton!? When it came time to select a menu, Rick & Sharon chose a local Italian restaurant, Carmine's Unique Beach Cuisine, because of their amazing seafood, steak, and vegetarian options. Although there was only a guest count of 12, there were a variety of dietary needs; meat-lovers, vegetarians, and a few in-between. For dessert, we chose to once again highlight the vacation home so special to these families.  Sweet Memories Cake Shoppe and Tea Room designed a delicious cake with a model of the home made out of fondant on top. 

The Vacation-Aversary Home

Rick and Sharon hired a team of  vendors that worked together to add special touches to their event.  It didn't take long to realize that the common design element was going to be the Victorian home these families had been vacationing in for the past decade. It became the heart of the event's design inspiration. It all seemed to come together once Bunkerfish artist, and Beach Haven local, Jessie Temple, was commissioned to paint a watercolor of the home. The painting was then reproduced on t-shirts by Jetty. The end result was just stunning. Sweet Memories Cake Shoppe and Tea Room recreated the home in fondant as the top of a delicious cake. The menu was carefully curated to include local seafood selections and a raw bar.  

The remaining design elements just seemed to fall into place. Delicate place "cards" using sand dollars with calligraphy from The Shaded Maple, a stunning place setting from Ocean Tents combined with hand-crafted table and mis-matched chairs from Rustic Drift, a delicate ivory lace runner, hurricane lamps, and a show-stopping drift wood centerpiece from Reynolds Garden Shop completed the look. And there to capture it all, in amazing detail, was Melanie from Melanie Cassie Photography. 

I hope you enjoy these images as much as the team that worked together to create this unique event did!

Equipment Rentals: Ocean Tents & Party Rentals//Other: Jetty Apparel Co.//Other: Bunkerfish//Cake Designer: A SWEET MEMORY CAKE SHOPPE AND TEA ROOM//Calligrapher: The Shaded Maple//Floral Designer:Reynolds Garden Shop//Equipment Rentals: Rustic Drift//Caterer: Carmen's Unique Beach Cuisine//Reception Venue: Long Beach Island Historical Museum//Event Planner: Bogath Weddings and Events//Photographer: Melanie Cassie Photography//

Submitted via Two Bright Lights

from https://ift.tt/2o5D2xK via IFTTT

[mrjeremydylan]

My Favorite Album #221 - Aaron Lee Tasjan on The Beatles ‘Revolver’ (1966)

Aaron Lee Tasjan followed the classic well worn path to Americana stardom - starting 150 bands, playing guitar with the New York Dolls, sticking sequins onto his own suits and micro dosing for songwriting inspiration.

He joins me to talk about the album that taught him to play guitar - The Beatles uber-classic ‘Revolver’. We talk about the Beatles eternal mission to top their latest groundbreaking recordings, what it would’ve been like to hear these songs new when they first were released, the diversity of influences on both Aaron and the Beatles (and the impact that has on their music) and more.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Aaron Lee Tasjan on Twitter, Facebook, Instagram and iTunes.

- Buy ‘Revolver’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

220. Jon Cryer on Radiohead ‘OK Computer’ (1997) 219. Neil Innes on The Mothers of Invention ‘We’re Only In It for the Money’ (1968) 218. Gold Class on the Dirty Three ‘Ocean Songs’ (1998) 217. Julian Velard on Billy Joel ‘Turnstiles’ (1976) 216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. 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Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. 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Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan