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Maestoso Hotel & Spa in Lipica, Slovenia
Maestoso Hotel & Spa in Lipica, Slovenia Commercial Architecture, Competition Winners, Images
Maestoso Hotel & Spa in Slovenia
Updated 18 Dec 2020 + 30 July 2020
Maestoso Hotel & Spa
Design: Enota
Location: Lipica, Slovenia
Construction of Maestoso Hotel & Spa in Lipica has begun!
Added images:
30 July 2020
The stud farm was founded in 1580 when a decision was made at the Habsburg court to raise horses, a key strategic commodity of the time, in their own territory. The Andalusian horse proved to be ideal – the Karst, where the stud farm is located, is very similar to Spain in its soil and climate, likely leading Charles II, Archduke of Austria to use the abandoned summer mansion belonging to the archbishop of Trieste for the court stud farm. Two hundred years of intensive breeding and selecting for desirable traits ultimately produced the renowned Lipizzaner breed.
The area of cultivated karst landscape of Stud Farm Lipica comprises laid out pastures and meadow areas featuring protective fences, oak groves, and tree lanes. Lipica’s cultural landscape is a self-contained and redeveloped natural environment whose development has been rooted in the centuries-long tradition of raising purebred horses.
As required by the horse-breeding, people have ameliorated and cultivated the barren karst landscape into surfaces suitable for grazing and haying. Lipica thus gained its present-day congruous appearance before 1817, as evidenced by a contemporary land survey depiction. Even before this time, the entire estate had been homogenously fenced off by a typical karstic dry stone wall 8 km in length.
Such extensive undertaking did not merely fulfil the functional aspect but also held symbolic significance for the comprehensiveness and exceptionality of Lipica’s cultural landscape. In the historical sense, the land use has always been committed to uninterrupted raising of the singular breed of horses. The spatial congruity of the original stud farm producing one of the oldest breeds of horses gives Lipica’s cultural landscape the mark of exceptionality and makes it peerless on a global scale.
The historic built core of Lipica, designed around the Renaissance mansion, gained the appearance of a congruous whole in the early decades of the 17th century. Through the ages, it had continued to develop until large tourist accommodation buildings were built in the 1970s, as the exceptionality of Stud Farm Lipica piqued the interest of visitors from across the world.
Maestoso Hotel & Spa is the largest of all accommodation buildings in Lipica. Together with the casino, it is the visitors’ primary contact with the stud farm environment. Its relatively aggressive appearance – due to the use of architectural elements of a certain period – poses a strong, even distracting contrast with the smoothness of the access paths used by the visitors to access the complex as a whole.
The distinctive line of white fences which undulate among the green tree lanes and the rest of the upkept natural landscape with the grazing herds of the celebrated white horses terminates rather ungraciously at the car park with the overbearing presence of the existing hotel building.
The fundamental guideline in designing the renovation and expansion of the hotel was to find a way to tone down the building’s presence in the space. Instead of the customary pursuit of the most appropriate appearance, the main consideration became the attempt at dematerialising the built masses.
The proposed intervention proposes purging the hotel’s facade of all added architectural elements and unifying the structure’s expression by establishing a new, light load-bearing structure of the balconies, which have so far only featured on parts of the buildings. The new structural membrane enveloping the entire hotel and swimming pool area establishes a sort of an intermediate space between the buildings and the landscape.
The interplay of light and shade breaks down the monolithic built masses and, together with the envisaged greening of the existing volume with climbing plants, dematerialises the building to the greatest extent possible and endows it with a distinctive and recognisable character. The swimming pool building, which doesn’t feature balconies and where the large glass surfaces represent the key element of the existing facade, sees the timber-structure enclosure augmented with reflective glazing, which further dematerialises the volume.
Special attention was devoted to the planned expansion of accommodation capacity, which would contribute to the already substantial built mass. Crucially, all the existing service- and other un(der)used facilities are repurposed as new accommodation; in this way, the increase in capacity is found primarily on the inside rather than on the outside. The only additions to the original volume are a reduced deck floor, which replaces the currently unused gable roof, and a short courtside wing of the hotel. The latter does double duty of also blocking the views from the existing rooms onto the service yard, another insensitive formerly intervention into this delicate space.
For the building to be better connected with the cultural landscape, the renovation intervention also envisages the elimination of the car park immediately in front of the building, transforming it into a park so as to gain the room for the expansion of the covered exterior programme terraces.
All the eaves are also designed as a latticed structure of white timber glue-laminated beams, which provides an additional upgrade to the new, distinctly recognisable expression of the complex. The exterior paving is predominantly executed in compressed bonded sand, which softly links the function surfaces of the hotel with the laid out natural landscape of the stud farm.
The interiors of the renovated hotel and pool section are designed as a modern interpretation of the horse-stable interior spaces. As such, the public programme is designed as a particularly flexible space, which may be adapted depending on a given need using the folding partition walls.
The existing buildings are stripped to the raw concrete structure, which remains visible and acts as a suitable frame for the minimal additional interventions ensuring a warm expression of the interior space. Combining the use of materials which the visitors associate with the materials used in the stables with the visible installations network without needless concealment mentally connects the interiors of all the stud farm’s buildings into a inseparable whole.
The raw iron, timber boards, hay, the concrete floors in the rooms and the floors made of cut wooden dowels in the public programme combined with carefully designed lighting and small, movable pieces of furniture and decoration form a warm space, which becomes a logical enhancement to the complex’s unique programme and location.
Maestoso Hotel & Spa, Slovenia – Building Information
Design: Enota Type: open anonymus competition, first prize Year: 2018 Status: in progress
Size: 11.380 sqm Site: 20.650 sqm Footprint: 6.600 sqm
Client: Holding Kobilarna Lipica Location: Lipica, Slovenia Coordinates: 45°40’07.1″N 13°52’57.1″E
Project Team: Dean Lah, Milan Tomac, Polona Ruparčič, Eva Tomac, Carlos Cuenca Solana, Urška Malič, Sara Mežik, Nuša Završnik Šilec, Peter Sovinc, Jakob Kajzer, Jurij Ličen, Peter Karba, Sara Ambruš, Goran Djokić
Landscape Architecture: Bruto
Images: Collaborators Spacer
Enota
Maestoso Hotel & Spa in Lipica, Slovenia images / information from Enota
Location: Lipica, Sežana, Littoral region, Slovenia
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Comments / photos for the Maestoso Hotel & Spa in Lipica, Slovenia page welcome
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jeremystrele · 5 years
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An Architect’s House That Melds Traditional Japanese And Ukranian Ethos In A Modern Shell
The Shkrub House is a project by Sergey Makhno Architects, for the family of Sergey Makhno himself. Located in Kozyn, a village in the suburbs of Kyiv, Ukraine, the unusual home measures in at 370 square metres. It was here that Sergey Makhno began his architectural journey more than 15 years ago, before he chose to live here. The new house design is evolved from two distinct aesthetics, one being a contemporary Ukrainian style sprung from old traditions, and the second being the Japanese philosophy of wabi-sabi that finds beauty and harmony in imperfection. A modernised take on a thatched roof overhangs wooden wall slats across the exterior, building character, though nothing compares to what lies within…
Sergey Makhno reflects on the journey of his home design: “Thanks to Japan, I learned to love Ukraine. When I went to Japan for the first time and saw how they appreciate their heritage, I understood that Ukrainian culture is extremely rich but we rarely rate it highly. Japan has given my country back to me. It has opened my eyes and, most importantly, my heart to the wealth I have always had–my homeland. Even if I wanted to do Japanese design–it would not work. Because I’m Ukrainian. I create Ukrainian design transmitted through the lens of Japanese perception of beautiful”. A sculptural figure, “Rain” by Nazar Bilyk, gazes up at the family home, guarding the family.
A Zen garden springs up around the modern exterior. Much of the garden flourished without human hand, growing on wasteland around the site over the course of a few months–apt to the Japanese belief that the stone itself must choose where to lie. The natural habitat drew in squirrels and nightingales to live amongst it. An awesome window breaks the interior open to the outside.
The home is almost completely surrounded by a minimalist concrete enclosure. It has two entrances, one from the façade and another from the courtyard that the family have fallen in love with. Entering the home via the courtyard walks you past an attractive terrace that is illuminated with designer lamps created by Sergey Makhno.
A stone path enters the garden gallery through Japanese maples and cherry trees.
Thatching and wood are architectural materials traditional in both Ukrainian and Japanese cultures, and so became a fitting choice for this melded design.
Japanese zen gardens characterise each corner of the site.
250 Tons of stones, and several perspectives shape the garden.
A giant rockery provokes layered foliage.
Majestic garden statues and traditional Ukrainian zoomorphic pottery is viewed amongst fragrant conifer and freshly mown herbs.
A stone doorstep continues the Zen garden theme.
The front entrance of the house stands strong like a fortress, with thatched turrets turned on their heads.
Solar panels perch on the rooftop.
The family wanted an interior that felt like home, rather than a show home. The main focus of this design was not the color of the flooring or the like, but beautiful kids’ noise. Whichever way you plan a modern interior to disguise the craziness of life with kids, life with kids prevails in all its glory. Everything inside this place means something dear to the homeowners, right down to the rug pattern, which was created by middle son Hikaru before he turned 2 years old.
The interior clay wall effect is executed in an ancient technique used in Ukraine for traditional hut building. The wall and ceiling are decorated with wood sourced from eleven old abandoned houses, which is not only uniquely beautiful but wonderfully ecological.
A rustic coffee table is sympathetic to the organic shape of the walls, and to the massive antique ceramic jug collection that fills one wall from floor to high ceiling. Makhno found a love for Ukrainian ceramics as a child, whilst playing in the yard of his grandparents’ house in the village. He found his very first ceramic jugs here, cleaned them up and enthusiastically searched to expand his collection that includes clay products from Trypillia, 5–2nd Millenium BC.
The cool clay walls absorb phone signals and all the worries tied along with.
The living space is divided into three parts, which includes an open plan kitchen, dining area, and a lounge.
Accents of red and teal add to the warmth of the natural decor.
Huge windows bring the garden inside.
The two floors were united, giving the gift of space and light.
An open fireplace heats the huge expanse.
The simple yet warm dining area is the family’s favorite place. Every seat at the table offers a great view, either to the living room, garden or terrace.
Japanese tea ceremonies hold a special place in the heart of Sergey Makhno, and in this home it is the teacup that reins supreme over the wine glass.
The dining area on the terrace is another special spot, filled with unique pieces.
A colossal dining table pendant lamp hovers above chunky modern dining chairs.
A live edge dining table meanders toward a lesser wall of pottery.
Sunlight plays over deeply textured walls.
Intriguing artwork stops footfall at every turn.
The house is actually equipped with two kitchens. The minimalist kitchen that stands in open plan with the living room is furnished with a contrasting wooden table that was a flea market find.
Several generations of Hutsul have dined at this 1935 table, which now stands in lieu of an island in this modern kitchen.
Sleek furniture contrasts against a rugged canvas.
The second kitchen is a closed space that was designed according to Ukrainian traditions.
An authentic “mysnyk” is mounted above the table, which is shelves for dishes.
Sergey Makhno ceramic tiles colour the backsplash. An exit to the garden gives a feeling of free-flowing energy.
The name of the house, “Shkrub”, is a fictitious word that Sergey and his wife Vlada affectionately call one another, which simply put means love. “It is respect and patience. It is home. It is sons. It is 10 years together”. It is how they are named in each other’s phone books.
Years of memories paint a personal touch around the home.
The staircase to the second floor is edged with glass balustrades.
The red and teal touches thread through the entire interior.
Ginger “Tetrapods”, a designer tile by Sergey Makhno Architects, mark the ascent to the second floor. These attention grabbing tiles were inspired by the massive concrete tetrapods that are installed on coastlines to resist wave impact and prevent beach erosion.
Upstairs, a gallery hall leads to the bedrooms. 16th century ceramic tiles provide decor up here, and guardian angels watch over the doors of the children’s bedrooms.
As Sergey’s parents are frequent guests in this house, one of the bedrooms has been dedicated to their stay. The connection between grandchild and grandparent is strong, and in Ukraine it is believed that grandparents love grandchildren more than children. Decor in the grandparents’ room is very simple and restrained. A low Japanese style bed skims the floor, beneath plain yet strong bedroom pendant lights.
Sculptural tiles fill the headboard wall, accentuated by ambient light.
Separate zones make up the master suite: The relax and recreation area, a study, a shower room and bathroom. Here the headboard wall of a tatami bed represents a clay cliff, symbolising primeval beauty, in a unique technique implemented by the Kelsis studio.
Cobalt blue artwork powerfully disrupts the naturally neutral palette of the room.
The study area in the master bedroom has a window that looks down over the living room and into the garden.
Metal lamps designed by Sergey Makhno Architects studio.
This dramatically dark bedroom scheme belongs to Sergey’s eldest son, Ivan, who is away studying in Italy with a view to continue his father’s business.
A Sumi-e-style monochrome art piece depicts distant landscapes at the head of the bed, which is traditional in the wabi-sabi philosophy.
500 year old oak covers the floor.
Kaws figurines and ceramic art-toys DIDO decorate Ivan’s room, which were created by his father.
Low bedsides wing the tatami bed.
Sergey Makhno Architects lights softly illuminate the moody black decor.
Wallpaper in the shared kids’ room was designed by Sergey Makhno, with chaotic blues spots dashed onto craft paper. Ukranian animals were then painted on by famous Ukrainian artist and ceramist, Serhii Radko.
Mustard yellow wall paint contrasts brightly with the blue mural wall.
The animals in the wall mural symbolise family.
Moving into the final kid’s room, a bespoke storage wall has archways built into it, where special toys can be kept out on display.
The biggest archway arcs over the bed, with book nooks recessed into each side.
Kid’s spaces were designed to encourage amazing imaginations and free creativity.
A walk in closet looks like a high-end fashion boutique.
Quirky accessories colour a monochrome bathroom…
… But it’s the unique bathtub and sink that stand out as hero pieces.
Another show-stopping bathroom basin puts a splash of teal up against a bright yellow tile wall.
This creative use of copper is designer tiles by Sergey Makhno, which decorate the guest bathroom.
Two versions of “Grass” and “Earthquake” tiles fill the walls around the vanity.
Thatch detail.
Ground floor plan.
First floor plan.
Perspective drawing.
Recommended Reading:  A Terraced Japanese Garden House Filled With Sculptural Art
Related Posts:
A Terraced Japanese Garden House Filled With Sculptural Art
Wood Slats Add Texture and Warmth to These Homes
Simple Open Plan Living
Kiev Apartment Showcases Sleek Design with Surprising Playful Elements
Minimalist Japanese Prefab House
Japanese Style Interior Design
0 notes
drewebowden66 · 5 years
Text
An Architect’s House That Melds Traditional Japanese And Ukranian Ethos In A Modern Shell
The Shkrub House is a project by Sergey Makhno Architects, for the family of Sergey Makhno himself. Located in Kozyn, a village in the suburbs of Kyiv, Ukraine, the unusual home measures in at 370 square metres. It was here that Sergey Makhno began his architectural journey more than 15 years ago, before he chose to live here. The new house design is evolved from two distinct aesthetics, one being a contemporary Ukrainian style sprung from old traditions, and the second being the Japanese philosophy of wabi-sabi that finds beauty and harmony in imperfection. A modernised take on a thatched roof overhangs wooden wall slats across the exterior, building character, though nothing compares to what lies within…
Sergey Makhno reflects on the journey of his home design: “Thanks to Japan, I learned to love Ukraine. When I went to Japan for the first time and saw how they appreciate their heritage, I understood that Ukrainian culture is extremely rich but we rarely rate it highly. Japan has given my country back to me. It has opened my eyes and, most importantly, my heart to the wealth I have always had–my homeland. Even if I wanted to do Japanese design–it would not work. Because I’m Ukrainian. I create Ukrainian design transmitted through the lens of Japanese perception of beautiful”. A sculptural figure, “Rain” by Nazar Bilyk, gazes up at the family home, guarding the family.
A Zen garden springs up around the modern exterior. Much of the garden flourished without human hand, growing on wasteland around the site over the course of a few months–apt to the Japanese belief that the stone itself must choose where to lie. The natural habitat drew in squirrels and nightingales to live amongst it. An awesome window breaks the interior open to the outside.
The home is almost completely surrounded by a minimalist concrete enclosure. It has two entrances, one from the façade and another from the courtyard that the family have fallen in love with. Entering the home via the courtyard walks you past an attractive terrace that is illuminated with designer lamps created by Sergey Makhno.
A stone path enters the garden gallery through Japanese maples and cherry trees.
Thatching and wood are architectural materials traditional in both Ukrainian and Japanese cultures, and so became a fitting choice for this melded design.
Japanese zen gardens characterise each corner of the site.
250 Tons of stones, and several perspectives shape the garden.
A giant rockery provokes layered foliage.
Majestic garden statues and traditional Ukrainian zoomorphic pottery is viewed amongst fragrant conifer and freshly mown herbs.
A stone doorstep continues the Zen garden theme.
The front entrance of the house stands strong like a fortress, with thatched turrets turned on their heads.
Solar panels perch on the rooftop.
The family wanted an interior that felt like home, rather than a show home. The main focus of this design was not the color of the flooring or the like, but beautiful kids’ noise. Whichever way you plan a modern interior to disguise the craziness of life with kids, life with kids prevails in all its glory. Everything inside this place means something dear to the homeowners, right down to the rug pattern, which was created by middle son Hikaru before he turned 2 years old.
The interior clay wall effect is executed in an ancient technique used in Ukraine for traditional hut building. The wall and ceiling are decorated with wood sourced from eleven old abandoned houses, which is not only uniquely beautiful but wonderfully ecological.
A rustic coffee table is sympathetic to the organic shape of the walls, and to the massive antique ceramic jug collection that fills one wall from floor to high ceiling. Makhno found a love for Ukrainian ceramics as a child, whilst playing in the yard of his grandparents’ house in the village. He found his very first ceramic jugs here, cleaned them up and enthusiastically searched to expand his collection that includes clay products from Trypillia, 5–2nd Millenium BC.
The cool clay walls absorb phone signals and all the worries tied along with.
The living space is divided into three parts, which includes an open plan kitchen, dining area, and a lounge.
Accents of red and teal add to the warmth of the natural decor.
Huge windows bring the garden inside.
The two floors were united, giving the gift of space and light.
An open fireplace heats the huge expanse.
The simple yet warm dining area is the family’s favorite place. Every seat at the table offers a great view, either to the living room, garden or terrace.
Japanese tea ceremonies hold a special place in the heart of Sergey Makhno, and in this home it is the teacup that reins supreme over the wine glass.
The dining area on the terrace is another special spot, filled with unique pieces.
A colossal dining table pendant lamp hovers above chunky modern dining chairs.
A live edge dining table meanders toward a lesser wall of pottery.
Sunlight plays over deeply textured walls.
Intriguing artwork stops footfall at every turn.
The house is actually equipped with two kitchens. The minimalist kitchen that stands in open plan with the living room is furnished with a contrasting wooden table that was a flea market find.
Several generations of Hutsul have dined at this 1935 table, which now stands in lieu of an island in this modern kitchen.
Sleek furniture contrasts against a rugged canvas.
The second kitchen is a closed space that was designed according to Ukrainian traditions.
An authentic “mysnyk” is mounted above the table, which is shelves for dishes.
Sergey Makhno ceramic tiles colour the backsplash. An exit to the garden gives a feeling of free-flowing energy.
The name of the house, “Shkrub”, is a fictitious word that Sergey and his wife Vlada affectionately call one another, which simply put means love. “It is respect and patience. It is home. It is sons. It is 10 years together”. It is how they are named in each other’s phone books.
Years of memories paint a personal touch around the home.
The staircase to the second floor is edged with glass balustrades.
The red and teal touches thread through the entire interior.
Ginger “Tetrapods”, a designer tile by Sergey Makhno Architects, mark the ascent to the second floor. These attention grabbing tiles were inspired by the massive concrete tetrapods that are installed on coastlines to resist wave impact and prevent beach erosion.
Upstairs, a gallery hall leads to the bedrooms. 16th century ceramic tiles provide decor up here, and guardian angels watch over the doors of the children’s bedrooms.
As Sergey’s parents are frequent guests in this house, one of the bedrooms has been dedicated to their stay. The connection between grandchild and grandparent is strong, and in Ukraine it is believed that grandparents love grandchildren more than children. Decor in the grandparents’ room is very simple and restrained. A low Japanese style bed skims the floor, beneath plain yet strong bedroom pendant lights.
Sculptural tiles fill the headboard wall, accentuated by ambient light.
Separate zones make up the master suite: The relax and recreation area, a study, a shower room and bathroom. Here the headboard wall of a tatami bed represents a clay cliff, symbolising primeval beauty, in a unique technique implemented by the Kelsis studio.
Cobalt blue artwork powerfully disrupts the naturally neutral palette of the room.
The study area in the master bedroom has a window that looks down over the living room and into the garden.
Metal lamps designed by Sergey Makhno Architects studio.
This dramatically dark bedroom scheme belongs to Sergey’s eldest son, Ivan, who is away studying in Italy with a view to continue his father’s business.
A Sumi-e-style monochrome art piece depicts distant landscapes at the head of the bed, which is traditional in the wabi-sabi philosophy.
500 year old oak covers the floor.
Kaws figurines and ceramic art-toys DIDO decorate Ivan’s room, which were created by his father.
Low bedsides wing the tatami bed.
Sergey Makhno Architects lights softly illuminate the moody black decor.
Wallpaper in the shared kids’ room was designed by Sergey Makhno, with chaotic blues spots dashed onto craft paper. Ukranian animals were then painted on by famous Ukrainian artist and ceramist, Serhii Radko.
Mustard yellow wall paint contrasts brightly with the blue mural wall.
The animals in the wall mural symbolise family.
Moving into the final kid’s room, a bespoke storage wall has archways built into it, where special toys can be kept out on display.
The biggest archway arcs over the bed, with book nooks recessed into each side.
Kid’s spaces were designed to encourage amazing imaginations and free creativity.
A walk in closet looks like a high-end fashion boutique.
Quirky accessories colour a monochrome bathroom…
… But it’s the unique bathtub and sink that stand out as hero pieces.
Another show-stopping bathroom basin puts a splash of teal up against a bright yellow tile wall.
This creative use of copper is designer tiles by Sergey Makhno, which decorate the guest bathroom.
Two versions of “Grass” and “Earthquake” tiles fill the walls around the vanity.
Thatch detail.
Ground floor plan.
First floor plan.
Perspective drawing.
Recommended Reading:  A Terraced Japanese Garden House Filled With Sculptural Art
Related Posts:
A Terraced Japanese Garden House Filled With Sculptural Art
Wood Slats Add Texture and Warmth to These Homes
Simple Open Plan Living
Kiev Apartment Showcases Sleek Design with Surprising Playful Elements
Minimalist Japanese Prefab House
Japanese Style Interior Design
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Creating Farming Easy With Garden Tractor Attachments
A lawn tractor is more than simply a cycling mower. It is a small tractor that could support you obtain a huge amount of careers done - easily and easily. There are attachments of a variety for each brand of lawn tractor, and they can produce snow removal, garden, landscaping and more a whole lot easier. But which ones are correct for you personally, your house, and your tractor? Here's a consider the three big categories of lawn tractor devices and what they are able to do for you.skid steer attachments
Devices for used in the spring and the summer are usually backyard and landscaping oriented. Power carts produce carrying earth and different objects significantly easier. The very best types have a steep style and created ribs which make loading and unloading much easier - despite having a shovel, and feature wide tires to reduce resistance. Only don't overload them!
Add a tiller to your lawn tractor to really get your backyard earth turned around and ready to plant, too. It is remarkable how easily a simple garden tractor may change to a successful yard tiller. Cultivators, harrow drives and plows may also be available - many of them even in commercial grades. Blades and shovels for landscaping may also be available.
Leaves, comb, and different debris require cleared up in the late summer and fall, and a backyard tractor will help you. A tractor shovel can turn your garden tractor into a miniature structure tool, helping you transfer components and tidy up garden debris. Take a look at garden sweepers, also - they could support you choose up leaves and different smaller lawn dust easily and easily. Don't forget to add a comb defend for end of summer time area cleanups. Baggers and spreaders may make your late summer and drop mowing much simpler, as well.
Snow knives and plows may assist you to keep your garage and streets snow and ice free with just your garden tractor. To obvious an extended driveway, you'd when have needed a full measurement tractor. Now, a simple garden tractor can assist you to, instead. Remember that not absolutely all lawn vehicles have sufficient power for really serious drifts, but don't pass up the ability to boost your driving with an easy attachment. You may also pick a rotary broom or snow blower rather than a snow blade.
These aren't the only real backyard tractor attachments on the market, of course. They're merely a small trying of the options. Not every attachment is going to be readily available for every garden tractor, and not everybody will undoubtedly be proper for the property. But, the proper attachments may let you receive a lot more use out of merely a single tractor. That is a advantageous expense! Take the time to discover what parts can be found for the produce and type of tractor you have, and start working more efficiently. You will be amazed at the difference it could make.
The versatile tractor is a huge farmer's closest friend for greater than a century and is the key reason why tractor sales remain strong. That all-purpose vehicle allows one farmer to single handedly total huge amounts of major agricultural labor in an exceedingly successful manner. This is possible as a result of the vast number of tractor devices that are accessible, allowing today's farmer to quickly obvious brush, plow and place areas, and a large number of other applications on and down the field. With this kind of wide variety of employs, it's little question that tractor support on farms remains to rise.
Chisel plough: Unlike the traditional plow, the chisel plough doesn't turn the soil. The benefit of this style is that it enables deep tillage with small disruption to the earth, which is great in sustainable farming scenarios where in fact the farmer desires to keep as much natural product near the surface as possible.The intent behind the harrow would be to cultivate the top of the soil, although the plow is useful for deeper cultivation. Harrows are typically used following plowing to break down the large sections of land left by plowing, which is essential in order to achieve a better land framework that's greater suited to seeding.
Usually connected to the tractor via the three-point hitch, the planter attachment enables the farmer to sow each line of a subject in an exceedingly accurate manner. How big is the planter parts can differ commonly, enabling the farmer to plant everywhere from 2 to 48 lines simultaneously.Connected via the three-point problem process popular on today's trucks, the flail mower attachment is an excellent software for easily removing areas and maintaining home round the farm. The advantage of employing a flail mower is that unlike rotary mowers which attempt to grab and put obstructions like stones, the flails in that connection just bounce off and keep on their perform without disruption or damage.
These devices are used to smooth and contour the land. They are an average of made with much three sided box, with a retractable scarifier in-front for breaking up difficult soil, and a forward or reverse cutting edge at the rear.Today's tractor is just a true perform horse equally on and off the field. With a wide selection of tractor devices available, you can find few careers why these strong vehicles can't tackle easily and detail, from plowing to seeding and maintaining the land. This is exactly why tractor sales keep on to increase and why the tractor remains an integral part of the operation of any contemporary farm.
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blackpjensen · 7 years
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New Product Roundup: 2017 GIE+EXPO/HNA
Ariens Co. Snow Thrower The Professional 21 single-stage snow thrower is designed for heavy-duty work. It features a spring-loaded scraper bar that self-adjusts and a think paddle that cleans the surface. It has an open engine design and an hour meter to keep maintenance schedules on track.
Atlantic Water Gardens WaterWall Spillway The WaterWall Spillway is an enclosed weir that distributes water onto any vertical fascia. Set the WaterWall on top of any masonry or wood-framed wall and plumb it to a pipe hidden inside the wall. With enough clearance between inlet and outlet to handle any fascia up to 2 inches thick, it delivers a smooth, evenly distributed sheet of water across 24 inches of sloped or vertical wall. Set multiple units end to end to create water walls of any width in 2-foot increments.
Avant Techno USA Avant e5 The Avant e5 is a fully electric, battery-powered fully electric, battery- powered articulated compact loader. The e5 has no emissions, minimal noise level, low operating costs, is battery-powered, comes with an in-machine charging unit, and fits all standard Avant attachments. It has 8 gal/min auxiliary hydraulics flow, which allows working with various attachments.
Belgard Moduline Series Plank The Moduline Series Plank paver provides the ultimate flexibility in contemporary paver design and works well for patio, walkway or pool deck installations. Developed to create the ultimate in design versatility, Moduline pavers have a defined and linear 2-millimeter chamfer for a seamless transition from paver to paver that enhances surface smoothness. It is a 14-stone system available in nine colors and four textures. The pavers can be laid in a 24-inch pattern either singularly or with additional sizes in a 3-inch Ashlar format.
Blue Thumb Marble triple This marble triple provides a streamlined and elegant addition to the most sophisticated landscape. The clean lines and flow of water over each column create a symphony of soothing sounds. The kit comes with the molded basin and everything you need for professional install. Stand out by offering professional-grade fountains from Blue Thumb.
Bobcat Co. R-Series excavators The R-Series excavators from Bobcat feature a dual-flange track roller system. Strengthened hinges and latches, as well as more ridged, aligned panels, reduce vibration in the cab. The excavators also feature blades with increased downward angles for greater stability when digging on an uneven surface or trenching at an angle.
BOSS Pre-Wet System The new Pre-Wet System allows contractors to pre-wet solid de-icing materials as they are distributed. The system activates the deicing material to melt through snow and ice faster at low temperatures. It also reduces material bounce for improved material placement and efficiency. Equipped with a 60-gallon tank capacity, the Pre-Wet System is available as an accessory on all new VBX and FORGE spreaders.
BWise Mulit-Tasker The Mulit-Tasker dumpster from BWise has a capacity of 18.5 cubic yards to handle worksite trash and debris. Attach the standard flat-bed to transform the system into an equipment delivery platform. A typical 7.6 cubic yard dump bed is also available. The dumpster utilizes a chain drive to power the deck or roll-off on and off the trailer for easy, fast and efficient delivery.
CASE CX145D SR CASE Construction Equipment has introduced the all-new CX145D SR minimum-swing radius excavator to its D Series lineup. Designed to provide ample digging and lifting power in a small footprint, the CX145D SR features a compact counterweight and modified boom placement.
County Materials Corporation Harmony Permeable concrete pavers Harmony Permeable concrete pavers are designed for stormwater management allowing water to pass through paver joints directly into the ground, reducing flooding, eliminating surface puddling and speeding snow and ice melt. They can maximize land use by replacing traditional retention or detention ponds.
Ditch Witch SK1550 The Ditch Witch SK1550 is powered by a 44-hp Tier 4 Yanmar diesel engine. The machine directs 34.5 hp to the attachment, allowing it to complete tasks typically suited for traditional skid steer loaders. It offers a 1,558-pound-rated operating capacity to lift heavy loads.
Dur-A-Lift Urban Forestry Unit The Urban Forestry Unit is a Class 5 bucket truck with a chipper box that is able to reach up to 50 feet. The compact design and big reach are what make this lift unique. The lighter weight means less damage to yards and property. It will be available with an aluminum chipper box starting in October.
Earth & Turf Products, LLC 100SP The 100SP Self-Propelled, Walking Topdresser has a capacity of 10 cubic feet. It is powered by a 10.5 hp Briggs & Stratton engine. It features a hydrostatic drive with a fourwheel stance that increases stability on slopes. The topdresser has a 35.5-inch overall width for narrow access paths.
ECHO Inc. CS-2511T The CS-2511T top-handle chain saw is gas-powered and lightweight to increase maneuverability. It features an adjustable top-mounted bar oiler which allows for easy-access and prevents the oiler adjustment screw from getting clogged with wood chips and debris. The saw has 12- and 14-inch bar options with the 91PXL chain.
efco CS-2511T The new MTT 3600 top handle chain saw from efco has a 2-stroke engine that delivers 35.4cc/2.0 horsepower. Features include an Easy On starting system for quick starts, a nylon air filter for increased air intake efficiency and it is available in bar sizes of 12, 14 and 16 inches.
Firegear Outdoors Kalea Bay The Kalea Bay is a new series of outdoor linear fireplaces from Firegear. Each model has two different styles; single-sided or see-through. Opening sizes range from 36 inches to 72 inches. Each model is available for natural or propane gas and must be ordered accordingly.
Grasshopper 900D 1.3L MaxTorque diesel The new 900D 1.3L MaxTorque diesel mower from Grasshopper is available with choices of either a 61-inch or 72-inch DuraMax deck powered with a splined PTO shaft and features the PowerFold Electric Deck Lift. The Tier 4 Final-compliant 1.3 liter, 3-cylinder, liquid-cooled diesel engine delivers high-torque power while producing fewer emissions than gasoline or propane.
Greenworks Commercial 82-volt line The 82-volt line has expanded with a new commercial-grade, brushless pole saw. The unit features a 10-inch Oregon bar and chain with side adjust chain tensioning and a three-piece aluminum alloy shaft for 8- or 12-foot reach. Brushless motor offers more torque and longer life, plus the saw has a 27-degree angled head for safer overhead working conditions.
Hearth Products Controls Co. H-Burner The CSA Certified H-Burner from HPC can be ordered at 350k BTU in three sizes: 66 by 16 inches, 78 by 16 inches or 90 by 16 inches. H-Burner’s have the versatility to work in indoor gas fire places or outdoor gas fire pit projects. They are constructed of sturdy 304 stainless steel and are used in a vented gas fireplace.
Husqvarna Husqvarna V500 The new Husqvarna V500 stand-on mowers are set for release in early 2018. The two V500 models will come with zero-turn capability and flip-up standing platform to walk behind the mower if necessary. Available with a 48- or 54-inch ClearCut deck, the V500 models are also equipped with removable deck covers, easy-to-reach transmission by-pass and front-mounted hydro tanks and pumps.
K-Rain RPS Select rotor The RPS Select rotor can be used in almost every landscape situation without the need to change nozzles. Four built-in selectable nozzles match arc settings to any degree. The spray pattern and nozzle can be set remotely.
Natural Paving USA Promenade Flagstone The Promenade Flagstone is a hand-cut sandstone paver available in calibrated square or rectangular sizes.
Optimas/Pathfinder Systems T22 The Optimas T22 paver laying machine is the newest, entry-level line of mechanical paver laying equipment. This machine utilizes Optimas’ proven paver clamp attached to an upgraded chassis design. The T-22 is designed to increase speed of installation while reducing labor needs. The machine is just over 2,000 millimeters tall and weighs 1,100 kilograms.
SnowEx UTV V-plow The SnowEx UTV V-plow is 6 feet wide and the blade angles to 5 feet wide to fit most sidewalks and through gates. It is constructed of high-strength, low-alloy steel components and reinforced with six vertical ribs for additional stability.
Toro Precision Series Rotating Nozzle Shrub & Slope Kit The Precision Series Rotating Nozzle Shrub & Slope Kit from Toro includes a pre-assembled nozzle, shrub riser and check valve. The pre-installed PRN nozzle delivers multiple wind-resistant, low trajectory streams at a matched precipitation rate of 0.6 inches per hour. It also has Toro’s patented X-Flow Technology built into the riser to prevent the flow of water through the riser.
Milwaukee Ultimate and Low-Profile Backpacks Constructed with tear-resistant 1680D Ballistic Material and metal zippers for durability, the new Ultimate and Low-Profile Backpacks have vertical attachment straps to mount the backpacks. The reinforced base of the Low-Profile Backpack provides extra protection, and the impact-resistant base on the Ultimate Jobsite Backpack also allows the backpack to stand up on its own.
Warming Trends CROSSFIRE The new CROSSFIRE brass burner is patent-pending and creates a taller, brighter, fuller flame with less gas using technology. It has all brass components with a lifetime warranty made in the USA.
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