#tropicaldiasporarecords

[tropicaldiasporarecords]

THE COLORS OF TDR 🟡🔴⚪️⚫️🟠 • The Tropical Diaspora® Records musical ethos Our language is music. We feel obliged to empower the people we work with by means of giving them the chance to control their own narrative. We emphasize cross-cultural experiences that show the manner how communities take their past and present into their own hands. And we are glad to be an instrument for this purpose. We are popular based, politically conscious and anti-colonial. Read our Manifesto. • 👉🏽 www.tdrgo.co/manifesto👈🏾 • #vinyl #tropicaldiasporarecords #renatogamaberlin #olhosnegrosvivo #rapadura #universodocantofalado #fitaemboladadoengenho @rapaduraxc @nibiru_recordz_br @zulusoljah #ladameblanche @ladameblanche13 @forrodecabeca @doctornativo @superspanishcombo @silva.6 @abeokutaafrobeat @elsantogolpe @grupohoroya @losmadeinbarcelona @bandodelaraza @riosentimusica @elv_and_the_gardenhouse @transilvanians #anticolonial @dj_dr.socrates @dj_garrincha @tropical_diaspora_records @tropical_diaspora_party @coletivosamenina @pelepretaestudio #gatefold #colorvinyl 7inch @ronaldogamabass @renatogama8 @pelepretaestudio @vielaemdiadelua @lleoccarvalho (at Berlin, Germany) https://www.instagram.com/p/CqUvcjLNdZs/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

Vinyl PRE-ORDER or CD order • tdrgo.co/tdr33 • Argentinian band La Fanfarriadel Capitán have traveled halfway around the world with their music, bringing their eclectic, energetic and passionate world-folk mix of rock, Latin American rhythms, ska, reggae and Balkan melodies to festival and club venues – Stages in South America, Asia and Europe. In the Spanish TV series La Casa de Papel, the six band members played themselves in seasons 3 and 4 and their music has been used in the Russian Netflix series The Method. Last but not least, the band has also created their own type of wine “El Vino del Capitán”. It was first imported from Argentina as merchandise for tour sales, but has been coming from the well-known Ingelheim organic winery Arndt F. Werner since 2021.• • #lafanfarriadelcapitan #elcantomanto #tropicaldiasporarecords (at Berlin, Germany) https://www.instagram.com/p/CqOLahOtMNr/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

FIRST TIME ON VINYL 🔴 PRE-ORDER NOW • Afrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view. • HÖRÖYÁ - Liberdade • Autonomia • Dignidade - Freedom • Autonomy • Dignity GRI GRI BA, means in Malinke the great spell, the great sorcerer • www.tdrgo.co/tdr12 • #höröyáonvinyl #grigriba #höröyá #greatsorcerer #tdr012 #afrodiaspora #vinyl #afrika #malinke #greatspell #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @andre_piruka (at São Paulo, Brazil) https://www.instagram.com/p/CqH0PXPtIYZ/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

The Isis Papers by Dr.Frances Cress Welsing • The Isis Papers: The Keys to the Colors • “Most important, Black males must help one another to understand that they are being led by the dynamic of white supremacy to inflict extreme damage upon themselves, one another and ultimately the Black race. Black males must understand that, contrary to what is said, the war being conducted in urban centers is not against drugs but against Black males- for the purpose of white genetic survival.” • “Mais importante, os homens negros devem ajudar uns aos outros a entender que estão sendo conduzidos pela dinâmica da supremacia branca para infligir danos extremos a si mesmos, uns aos outros e, finalmente, à raça negra. Os homens negros devem entender que, ao contrário do que dizem, a guerra que está sendo travada nos centros urbanos não é contra as drogas, mas contra os homens negros - para fins de sobrevivência da genética branca.” • #francescresswelsing #stevebiko #sheilaswalker #tropicaldiasporarecords #whitesupremacyisterrorism (at Berlin, Germany) https://www.instagram.com/p/Cp2rAzGNf9-/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

PRE-ORDER NOW • Afrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view. • HÖRÖYÁ - Liberdade • Autonomia • Dignidade - Freedom • Autonomy • Dignity GRI GRI BA, means in Malinke the great spell, the great sorcerer • www.tdrgo.co/tdr12 • #höröyáonvinyl #grigriba #höröyá #greatsorcerer #tdr012 #afrodiaspora #vinyl #afrika #malinke #greatspell #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @andre_piruka (at Berlin, Germany) https://www.instagram.com/p/CpzbZ12Nly7/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

PRE-ORDER NOW • Afrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view. • HÖRÖYÁ - Liberdade • Autonomia • Dignidade - Freedom • Autonomy • Dignity GRI GRI BA, means in Malinke the great spell, the great sorcerer • www.tdrgo.co/tdr12 • #höröyáonvinyl #grigriba #höröyá #greatsorcerer #tdr012 #afrodiaspora #vinyl #afrika #malinke #greatspell #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @andre_piruka (at Berlin, Germany) https://www.instagram.com/p/CpzbCLQtldA/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEW RELEASE ON VINYL - PRE-ORDER NOW Afrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view. • HÖRÖYÁ - Liberdade • Autonomia • Dignidade - Freedom • Autonomy • Dignity GRI GRI BA, means in Malinke the great spell, the great sorcerer • www.tdrgo.co/tdr12 • #höröyáonvinyl #grigriba #höröyá #greatsorcerer #tdr012 #afrodiaspora #vinyl #afrika #malinke #greatspell #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @andre_piruka (at São Paulo, Brazil) https://www.instagram.com/p/CoP5LEUtOqn/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEXT SA. In PARIS 💥 - - - - - - We are very happy to announce our first compilation on vinyl coming out this autumn. The Volume 1 introduces many independent bands and artists with strong social messages and songs that make people think and dance. This socially responsible dancefloor compilation starts with the words of Davi Kopenawa Yanomami, the shaman and spokesperson of the Yanomami natives in today’s Brazil. His words are crucial to understand the challenges we are facing and how much we still have to learn from those people. It ends with a song dedicated to Bety Cariño, a social activist from Oaxaca brutally murdered by the colonial powers and their hitmen. Like so many other things in the small universe of Tropical Diaspora® Records this compilation album is the result of travels and personal connections. In fact, its meaning conveys just that: the creation of human relations based on love and care, understanding, respect and passionate discussions around the topics that move us. Djs Garrincha and Dr. Sócrates do exactly this with a case full of records traveling across the borders of Europe and the Americas. Dj Garrincha’s trips have taken him to meet artists and ignite relations that are meant to last. It can be Chicago, São Paulo, Medellin, Berlin, Barcelona, Olinda or San Juan. We still are committed to add new Diaspora cities into our web of places and people to care about. • @grupohoroya @andre_piruka @skamariapastora_oficial @elsantogolpe @bandodelaraza @losmadeinbarcelona @abeokutaafrobeat @riosentimusica • #forgetfullness #noreturn #tropicaldiasporanr1 #tropicaldiasporarecords #tropicaldiaspora #tdr010 #vinylisculture #vinilecultura #cassetteecultura #diaspora #höröyá #larueda #bantunagojêje #skamariapastora #elsantogolpe #bando #losmadeinbarcelona #abeokuta #riosenti #GriotXamã #ElRurrú #sereno #FanfarraDominicana #Cangrejo #WeareStreet #Mr.Job #Mandin’groove #CanciónparaCariño #betycariño #nonosolvidamos @indielabelmkt (at Berlin, Germany) https://www.instagram.com/p/CoPf1pgN4MF/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEW RELEASE ON VINYL - PRE-ORDER NOW Afrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view. • HÖRÖYÁ - Liberdade • Autonomia • Dignidade - Freedom • Autonomy • Dignity GRI GRI BA, means in Malinke the great spell, the great sorcerer • www.tdrgo.co/tdr12 • #höröyáonvinyl #grigriba #höröyá #greatsorcerer #tdr012 #afrodiaspora #vinyl #afrika #malinke #greatspell #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @andre_piruka (at Berlin, Germany) https://www.instagram.com/p/CoPfIfztK9S/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEW 7” RELEASE PRE-ORDER NOW • In memory of Reginaldo Laurindo Da Silva aka Antônio Regis aka Regis Moreno São Paulo – ★ 13.06.1951 – † 06.09.2022 Featuring Höröyá, Chico César, Clarianas & Banda Jardes First release in the Cities of the Diaspora 7 inch vinyl series. São Paulo is in the spotlight with a single featuring two great bands. On side A, the Afro-Brazilian group Höröyá with “Todo Lugar é Sertão” from their third album Pan Bras’Afree’Ke Vol. 2. In this single Höröyá welcomes Chico César and the group Clarianas who values caboclo songs of Afro-Northeastern-Indigenous origin. Recorded between São Paulo and Bamako, the single follows the concept of Höröyá’s last two albums, Pan Bras’Afree’ke Vol. 1 and 2, in which the group brings together artists from Brazil and West Africa such as Guinea, Mali, Senegal and Burkina Faso. On the B-side, the single features Banda Jardes and pays tribute to the musical career of Reginaldo Laurindo Da Silva, aka Regis Moreno, composer and performer of one of Brazil’s most iconic samba rock songs, “Grilos Da Vida (Nego Vem Sambá)”. Regis Moreno sadly passed away last September. The song was previously released in our Bugiganga Tropical series, Vol. 1 (sold out) and it has been remastered for this album. • www.tdrgo.co/tdr15 • #höröyáonvinyl #todolugaresertao #höröyá #gclarianas #tdr015 #afrodiaspora #vinyl #afrika #malinke #chicocesar #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @sully_zl @silva.6 @oficialchicocesar @clarianasoficial (at Berlin, Germany) https://www.instagram.com/p/CoPe6zXNcZP/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEW 7” RELEASE PRE-ORDER NOW • In memory of Reginaldo Laurindo Da Silva aka Antônio Regis aka Regis Moreno São Paulo – ★ 13.06.1951 – † 06.09.2022 Featuring Höröyá, Chico César, Clarianas & Banda Jardes First release in the Cities of the Diaspora 7 inch vinyl series. São Paulo is in the spotlight with a single featuring two great bands. On side A, the Afro-Brazilian group Höröyá with “Todo Lugar é Sertão” from their third album Pan Bras’Afree’Ke Vol. 2. In this single Höröyá welcomes Chico César and the group Clarianas who values caboclo songs of Afro-Northeastern-Indigenous origin. Recorded between São Paulo and Bamako, the single follows the concept of Höröyá’s last two albums, Pan Bras’Afree’ke Vol. 1 and 2, in which the group brings together artists from Brazil and West Africa such as Guinea, Mali, Senegal and Burkina Faso. On the B-side, the single features Banda Jardes and pays tribute to the musical career of Reginaldo Laurindo Da Silva, aka Regis Moreno, composer and performer of one of Brazil’s most iconic samba rock songs, “Grilos Da Vida (Nego Vem Sambá)”. Regis Moreno sadly passed away last September. The song was previously released in our Bugiganga Tropical series, Vol. 1 (sold out) and it has been remastered for this album. • www.tdrgo.co/tdr15 • #höröyáonvinyl #todolugaresertao #höröyá #gclarianas #tdr015 #afrodiaspora #vinyl #afrika #malinke #chicocesar #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @sully_zl @silva.6 @oficialchicocesar @clarianasoficial (at Berlin, Germany) https://www.instagram.com/p/CoPdjRPNYUc/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEW 7” RELEASE PRE-ORDER NOW • In memory of Reginaldo Laurindo Da Silva aka Antônio Regis aka Regis Moreno São Paulo – ★ 13.06.1951 – † 06.09.2022 Featuring Höröyá, Chico César, Clarianas & Banda Jardes First release in the Cities of the Diaspora 7 inch vinyl series. São Paulo is in the spotlight with a single featuring two great bands. On side A, the Afro-Brazilian group Höröyá with “Todo Lugar é Sertão” from their third album Pan Bras’Afree’Ke Vol. 2. In this single Höröyá welcomes Chico César and the group Clarianas who values caboclo songs of Afro-Northeastern-Indigenous origin. Recorded between São Paulo and Bamako, the single follows the concept of Höröyá’s last two albums, Pan Bras’Afree’ke Vol. 1 and 2, in which the group brings together artists from Brazil and West Africa such as Guinea, Mali, Senegal and Burkina Faso. On the B-side, the single features Banda Jardes and pays tribute to the musical career of Reginaldo Laurindo Da Silva, aka Regis Moreno, composer and performer of one of Brazil’s most iconic samba rock songs, “Grilos Da Vida (Nego Vem Sambá)”. Regis Moreno sadly passed away last September. The song was previously released in our Bugiganga Tropical series, Vol. 1 (sold out) and it has been remastered for this album. • www.tdrgo.co/tdr15 • #höröyáonvinyl #todolugaresertao #höröyá #gclarianas #tdr015 #afrodiaspora #vinyl #afrika #malinke #chicocesar #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @sully_zl @silva.6 @oficialchicocesar @clarianasoficial (at Berlin, Germany) https://www.instagram.com/p/CoPdFoTNFay/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEW 7” RELEASE PRE-ORDER NOW • In memory of Reginaldo Laurindo Da Silva aka Antônio Regis aka Regis Moreno São Paulo – ★ 13.06.1951 – † 06.09.2022 Featuring Höröyá, Chico César, Clarianas & Banda Jardes First release in the Cities of the Diaspora 7 inch vinyl series. São Paulo is in the spotlight with a single featuring two great bands. On side A, the Afro-Brazilian group Höröyá with “Todo Lugar é Sertão” from their third album Pan Bras’Afree’Ke Vol. 2. In this single Höröyá welcomes Chico César and the group Clarianas who values caboclo songs of Afro-Northeastern-Indigenous origin. Recorded between São Paulo and Bamako, the single follows the concept of Höröyá’s last two albums, Pan Bras’Afree’ke Vol. 1 and 2, in which the group brings together artists from Brazil and West Africa such as Guinea, Mali, Senegal and Burkina Faso. On the B-side, the single features Banda Jardes and pays tribute to the musical career of Reginaldo Laurindo Da Silva, aka Regis Moreno, composer and performer of one of Brazil’s most iconic samba rock songs, “Grilos Da Vida (Nego Vem Sambá)”. Regis Moreno sadly passed away last September. The song was previously released in our Bugiganga Tropical series, Vol. 1 (sold out) and it has been remastered for this album. • www.tdrgo.co/tdr15 • #höröyáonvinyl #todolugaresertao #höröyá #gclarianas #tdr015 #afrodiaspora #vinyl #afrika #malinke #chicocesar #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @sully_zl @silva.6 @oficialchicocesar @clarianasoficial (at Berlin, Germany) https://www.instagram.com/p/CoPcyE3tWDQ/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

NEW RELEASE ON VINYL - PRE-ORDER NOW Afrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view. • HÖRÖYÁ - Liberdade • Autonomia • Dignidade - Freedom • Autonomy • Dignity GRI GRI BA, means in Malinke the great spell, the great sorcerer • www.tdrgo.co/tdr12 • #höröyáonvinyl #grigriba #höröyá #greatsorcerer #tdr012 #afrodiaspora #vinyl #afrika #malinke #greatspell #HÖRÖYÁ #Liberdade #Autonomia #Dignidade #Freedom #Autonomy #Dignity #tropicaldiasporarecords #tropicaldiaspora @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @grupohoroya @andre_piruka (at Berlin, Germany) https://www.instagram.com/p/CoPclwQtV1v/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

Danielle Almeida & Pablo Camus Live in Concert Danielle Almeida is singer • educator • artivist in the anti-racism & LGBTQIA+ movements - ADKDW Cologne • Artist-in-Residence. Pablo Camus Pérez Seraphim Breno Gradel Following her contribution to our Learning to Listen podcast, singer and ADKDW artist-in-residence Danielle Almeida presents her didactic concert Diaspórica live at Oblomov in Berlin Kreuzköln. In a didactic recital, the audience will be introduced to a series of songs and rhythms by 20th-century Black women singers from the Latin American musical repertoire. Danielle will be accompanied by the guitar from the outstanding Chilean guitarist Pablo Camus and percussion by Seraphim. In addition to the musical performance, Danielle will present parts of her research dedicated to making visible and remembering Black women singers from Peru, Cuba, Uruguay, Mexico and Brazil. The special format is based on Danielle Almeida’s work and activism against racism and colonialism. Didactic concerts focus on the interaction of the artists with the audience, complementing the sensory experience of music with the transfer of knowledge about the works presented. The goal of this method is to inspire the audience to discover new musical references and non-hegemonic narratives in music history. The Tropical Diaspora Records podcast is intended to be a safe space for people to share their stories. In the second part of the event we will have a talk and speak about her life and work. www.tdrgo.co/podcast • To attend to the event join us live in Oblomov on Friday January 20 from 7 pm till late. Oblomov Kreuzkoelln Lenaustrasse 7, Berlin, Germany •••••••••••••••••••••••••••••••••••••• @maxjorgehinderercruz @akademiederkuenstederwelt @felippegusmao @camusmusico @seraphimbreno @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @oblomov78 #tropicaldiasporarecords #resistance #vinyl #vinylisculture #hiphop #resilience #pablocamus #seraphimbreno #seraphim (at Oblomov Kreuzkoelln) https://www.instagram.com/p/CnkQ8qrteue/?igshid=NGJjMDIxMWI=

[tropicaldiasporarecords]

Danielle Almeida & Pablo Camus Live in Concert Danielle Almeida is singer • educator • artivist in the anti-racism & LGBTQIA+ movements - ADKDW Cologne • Artist-in-Residence. Pablo Camus Pérez Seraphim Breno Gradel Following her contribution to our Learning to Listen podcast, singer and ADKDW artist-in-residence Danielle Almeida presents her didactic concert Diaspórica live at Oblomov in Berlin Kreuzköln. In a didactic recital, the audience will be introduced to a series of songs and rhythms by 20th-century Black women singers from the Latin American musical repertoire. Danielle will be accompanied by the guitar from the outstanding Chilean guitarist Pablo Camus and percussion by Seraphim. In addition to the musical performance, Danielle will present parts of her research dedicated to making visible and remembering Black women singers from Peru, Cuba, Uruguay, Mexico and Brazil. The special format is based on Danielle Almeida’s work and activism against racism and colonialism. Didactic concerts focus on the interaction of the artists with the audience, complementing the sensory experience of music with the transfer of knowledge about the works presented. The goal of this method is to inspire the audience to discover new musical references and non-hegemonic narratives in music history. The Tropical Diaspora Records podcast is intended to be a safe space for people to share their stories. In the second part of the event we will have a talk and speak about her life and work. www.tdrgo.co/podcast • To attend to the event join us live in Oblomov on Friday January 20 from 7 pm till late. Oblomov Kreuzkoelln Lenaustrasse 7, Berlin, Germany •••••••••••••••••••••••••••••••••••••• @maxjorgehinderercruz @akademiederkuenstederwelt @felippegusmao @camusmusico @seraphimbreno @tropical_diaspora_records @dj_garrincha @dj_dr.socrates @oblomov78 #tropicaldiasporarecords #resistance #vinyl #vinylisculture #hiphop #resilience #pablocamus #seraphimbreno #seraphim (at Oblomov Kreuzkoelln) https://www.instagram.com/p/CnkQ4F2tn2W/?igshid=NGJjMDIxMWI=