#unironically this was one of the reasons i was team great comet that year when we had two musicals about rich russsian shenanigans

[areyouwho-ithinkyouare]

the thing about the Anastasia stage musical is that like…….. as a story it’s a real improvement on the original film. way better construction, stronger characterisation etc etc etc. but…. the same choices that make it technically a better narrative also have really weird knock-on effects on the message.

Replacing rasputin with a communist party officer who’s father was one of the ones who executed the romanov family??? UGH that’s so good that’s so juicy the dynamic between the villain and Anya is SO much more interesting than in the original film. But it leads to scenes like Still/The Neva Flows where it’s like.

“The Romanov’s were given everything and gave back nothing until the russian people rose up and destroyed them!”

*girlboss voice* “All but one. I am my fathers daughter”.

And i’m just… ok but he’s right though. He’s absolutely correct there. Factually he is accurate. But she’s the protagonist and he’s the antagonist so the framing is that she’s the one we should be rooting for here. There’s no point where Anya is like “wow my experiences growing up poor and destitute and orphaned have made me morally uncomfortable with the idea of claiming my place as the daughter of the tsar and that’s going to influence my decisions and actions”. She’s just like. Oh cool i get to be a princess??? neato.