#unless there are anymore surprises; forgotten snippets of information; or unresolved questions

[crazy-grrrl-on-the-computer]

@amateurcatalyst​ asked: it's very interesting how they focus on Goura while En talks about chikuwabu; could he be the chikuwabu of their own group?

My original response to that Ask was here, but then...

@angry-jewish-magical-girl​ said: you know why i think the camera panned to goura when en mentioned chikuwabu? Because gora was initially supposed to be a background character who didn’t actually contribute anything to the story, and en was talking about how chikuwabu is pointless and had no reason for existing. The show was lowkey saying gora was a pointless character. I mean ok he’s not actually pointless, he’s yumoto’s guardian. but that early in the show’s development, as far as the writers may have known, gora wasn’t actually there to contribute anything to the plot other than be yumoto’s guardian

THIS WAS IT! THIS WAS THE EXTRA PIECE OF INFORMATION I NEEDED TO COMPLETE THE ODEN METAPHOR!!!!

I had completely forgotten about this interview (thank you so much to @intra-fiducia​ for the translations and @elucida​ for digging this up for me!!!) where Takamatsu explained Goura's development in season 1, but now that I have this information I can elaborate on a thought I had started to touch on in my oden post about the chikuwabu and what it represents.

So, prepare yourselves for another spam of screenshots below the cut as we voyage into Oden Part 2: Return of the Chikuwabu!

~.~

First, some things I would like to point out from the interview that explain certain relevant moments...

That’s pretty sketchy *laughs*. Then, why is the first monster chikuwabu? Whose idea was that? Takamatsu: To be honest, while we were sitting at a drinking party, we started talking about how you could only find chikuwabu in Tokyo, and how people from other regions didn’t even know it existed, and the impression of that conversation stayed with me…I suppose that was it? Yokote: Right, right. Then we decided ‘let’s use this conversation as is’. But we learnt that a surprising number of people liked chikuwabu, so I was…a little worried about messing with the chikuwabu. Miyawaki: It’s okay! Zaou likes chikuwabu, so we’re covering for the chikuwabu thing *laughs*.

Ryuu's tone and the way he looked at the others with that cheesy smile seemed more comedic like "Well, I like chikuwabu. Anyone else with me? Huh? Huh?" while the others just give him a look like "wtf, Ryuu?"

And now I know why (although I will still stand by my "Ryuu sympathizes with the chikuwabu" theory). It's an in-joke with the staff poking fun at themselves because they realized how much they were ragging on something that was more popular than they had initially thought and Ryuu's just there to be their mouthpiece like "but chikuwabu isn't really so bad, please don't hate. *sweats profusely*" XD

Speaking of Gora, why does he keep chopping wood for a natural hot spring? Takamatsu: The Kurotama Bath is actually an onsen even though it’s a public bath. So we realized halfway that you don’t need firewood if it’s an onsen. Yokote: It was like, ‘ehh, at this point in time?!!’. Miyawaki: It would have been terrible to correct, so we had him continue chopping wood as he had been, and let Kinugawa critique that before the viewers could. Takamatsu: And then in the last episodes, 11 and 12, we redeemed ourselves since it was foreshadowing!

We all remember this scene from S1E6, right?

Oh, staff... Way to have Goura lampshade the fact that you originally had no purpose for him other than to stand outside the Kurotama and chop wood all day. Yes, Yumoto, listen to your An-chan. Do not become a "useless protagonist" who does nothing but stand with the main group and smile and look cute while the plot happens around you... oh...

Ryuu is smiling at En's attempt to give credit where credit is due, but Atsushi is having none of it.

He looks so tired. Being one of the designated "straight men" of the group (strictly in the figurative sense) is draining when he can see through all the fluffy bullshit that is constantly being thrown up in front of them.

If Atsushi is the staff's mouthpiece here, then En is us. “Eh?” Yes, Atsushi, do shed some light on the situation for us, for we have all been blind and it is the one with glasses who alone could see.

*click*

For about 4 seconds, Goura sweats profusely

before shutting his window.

He can’t answer and neither could the staff.

Look what you did, Atsushi, you fucked up a perfectly good background character is what you did. Look at him. He has anxiety.

Yumoto, why so harsh? But is this the staff taking a potshot at themselves, too? XD

Bless you, En.

And since they can’t just leave it on that unhappy note, we get the other bookend at the end of the episode…

Thanks, Atsushi. You really won't let that go, huh? Look, I don’t come into your house and ask you why you obsess over jigsaw puzzles, do I? Let the man run his business.

Ryuu, you’re not helping. And to be honest, there’s zero point in chasing skirt as much as you do, so what are you trying to say? *raises an eyebrow* 

Io, you have no right to talk.

Meanwhile, En is so disappointed in them. LET THE MAN LIVE!

Moral of the story: We accidentally gave a "useless" character an even more useless job, literally defeating his entire purpose for being there, so the only way we could fix it without making ourselves look sloppy and destroying the overall moral of this show that everyone's important was to turn it into his hobby and call it foreshadowing. *thumbs up*

I wish I sparkled like that when I sweat. Wow.

You’ve done good, Goura. Follow your dreams. You deserve them.

Did the previous battle lover, Gora, have any companions? Takamatsu: Umm, I haven’t thought about it at all *laughs*. At first, Gora was really only there for chopping wood, but in deciding the brotherly showdown episode he became a pretty central to things. If not for the developments of the final episode, I think he would have just kept on chopping wood until the end.

I wouldn't know when development for the season 1 finale would have taken place, but I think it's fairly safe to say that, even at this point in ep6, Goura was still just a background character. A staple of the Kurotama and nothing more. Until whatever point it was when they decided to turn him into a monster and play up the brother dynamics to sucker punch our hearts even more. In the interview, they mentioned that the development of the brotherly love message in ep10 was where they started to set us up for the pain because they wanted the brothers to battle.

So, that brings this whole thing back around to the chikuwabu...

Basically, the joke I got out of this when I thought about it made me laugh.

At this point in time, Goura looks like he might have an important role because the camera pans to him. He’s there. We see him. But he’s only ever chopping wood. He doesn’t do anything else. Goodness knows we all remember going through each episode during season 1 and wondering what his story was and coming up with theories about why he was even shown in the episodes and interacting with the other characters as if he was so significant if his peculiar presence wasn’t going to be explained eventually.

That’s it. That’s the joke. En is saying, “He just looks like he integrates into the plot, but he really doesn’t. You can stare at him and study him for hours and hours, but you won’t find anything of real substance. He’s good at blending in without actually doing anything. What you see with him is exactly what you get. He just chops wood.”

And then En goes on to say that he doesn’t know if he hates chikuwabu, he just feels like he’s looking at an unknown lifeform, and it’s funny when you think about how everyone just accepts Goura as the staple of the Kurotama because that’s all he is to them and then they still can’t figure him out when they really have to think about it. (Well, aside from Yumoto, of course. Goura means a lot more to him than to the others.)

But despite the fact that Goura is also chikuwabu, I still wouldn’t go so far as to call him a “pointless” character. Because even before he was given a more significant role in the main plot of the season and before there was any “foreshadowing” (I see what you did there, staff), he still had a purpose. Calling him “pointless” would defeat the point of the metaphor, you see.

In fact, all of the background characters, the loveless, and even the Press Society are the chikuwabu. They are only there as a throwaway character or to serve a single mundane purpose, whether they appear as a significant role in the narrative of an episode or not. But they are all still equally important because the show needs them to fill those roles in order to tell the story. Without them, the story could not have progressed the way it did if the only “important” ones were the main characters.

The background characters who have no lines or only a few lines here and there, whether that dialogue is filler or not, just to take up space on screen or prove a point a character is making…

The loveless, who are only used as pawns in each episode to serve as an object lesson in morality and receive life advice…

The Press Society, who shows up a few times to be a nuisance to the main characters and serves as a third-party antagonist so the Caerula Adamas could be redeemed…

The aliens and, heck, even Tawarayama-sensei, who is only used as vehicle of transportation for Wombat and isn’t even given the decency of respect… because he’s dead, remember, he’s dead and his life is but a mere joke to amuse us and the aliens have a penchant for puppeteering more than just human life and deriving enjoyment out of watching it happen…

And Goura, who faithfully stood outside the Kurotama chopping wood and was only much later on given the title of magical boy.

They are the chikuwabu of season 1. And even the chikuwabu, who we might not initially think of as anything important or significant, is a key ingredient necessary for making our beloved story what it is. They support the story while playing their own parts.

They are all oden, guys. Everyone and everything is oden. This show and even us, we are all oden. Oden is love, oden is life, oden is never over.