#vray frame buffer

[miled72]

This quick tip tutorial will show you how to select objects from within the Vray Frame Buffer.

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Hi there! I just want to share this quick update of a work in progress. Direct output from 3DS Max with color correction and contrast from the Vray Frame Buffer. Override Material vs Final Image Crop Final Image

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Now with any path tracing or Raytracing, whether it’s Cycles, V-Ray or KeyShot, the results tend to be noisy and it takes a certain number of passes, and therefore time, before this noise starts to dissipate. So, I’ll hit the ‘Render’ button and we’ll see the Render Process start and the ‘Frame Buffer’ window appear and this will also confirm that I’m using my Quadro card for acceleration – it’s worth noting that rendering this way should be more efficient than rendering in the ‘Raytraced’ Viewport. The ‘Render’ tab here on the right is where you set your variables for the Render, so for example, the output size, the quality settings, Ground Plane and Environmental Settings. The next change in Version 7 is that now, when you select the render button from Rhino, it’s the Cycles Raytrace render that is being used now that may seem fairly obvious but in Version 6, pressing ‘Render’ gave us the older legacy renderer. Essentially these are graphics cards that are purpose built for accelerating Ray Tracing and we hope to be looking at these in the new year with the help of PNY Europe, but for now we’re using NVIDIA CUDA acceleration. If I go to the ‘Rhino Options’ and select ‘Cycles’ you’ll see that I can accelerate the Raytrace mode either via CPU or GPU and on the machine that I’m using here my Quadro P3000 card is selected – as it gives better performance than the CPU, but you can also see that now in Version 7 we have a setting called OPTIX and this should let us take advantage of NVIDIA’s RTX GPU technology. This Raytraced view mode, whilst being a live mode, does take some time to generate and here because of time limitations I’ve reduced the number of Render passes from 1000 to 500 and speeded up the video. This ‘Raytraced’ or ‘Cycles’ mode allows for proper calculations of Reflections, Transparency, Refraction, Translucency etcetera. Version 7 features significant improvements to rendering and, just as with Version 6, Rhino features a ‘Rendered’ Viewport which could be considered a sort of a preview of the ‘Raytraced’ Viewport. Finally, I’ll look at the new Physically Based Materials. I’ll look at the ‘Cycles’ Raytrace Render and how we can add Denoiser elements with the new Package Manager in Rhino 7.

Hi, I’m Phil from Simply Rhino and in this short video, I’m going to take a look Rendering in Rhino 7. Please test with these 3D scanned materials to check whether it’s a problem in your generated textures or not.Rhino 3D v7 Rendering, Denoiser and Physically Based Materials Video Transcript: Lastly, i’m not sure why tangent space acts weirdly in your case. You can easily distinguish them visually:Īnother 2 good articles (first one a bit old but worth reading): Creating and Using Normal Maps and Tutorial 13 : Normal Mapping Vray 3 Manual gives little info about bump types too. Displacement Mapping & Why Games Use Normals Left, right, back and forward slide you along the surface.Īlso check this for a detailed information and comparison: Normal vs. In tangent space, up is always away from the surface (in other words, along the normal). Tangent space, on the other hand, is best thought of as surface space. It is a uniform space that you understand really well because that is what the world is really like.

Object space is the local 3D space of the object. Check this for a brief comparison: Object space, world space and tangent space. Normal Map (Tangent Space) type is widely used and suitable mostly. Do you know the difference betwenn the “Bump type” options? Should I be using a “Normal Map (Tangent Space)” in this case?

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However, Rhino Mac users can also use Maxwell but through the Maxwell Studio workflow​ .

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And with the NVIDIA AI Denoiser, V-Ray delivers instant feedback with less noise, while you design interactively. With V-Ray Denoiser, you can denoise each render element in post-production. Remove noise and dramatically cut the render times. The Cosmos assets have automatic LODs, accurate scale and can be used across Rhino, 3ds Max, SketchUp and Revit.

Our integrated asset library, Chaos Cosmos, enables you to search and add render-ready objects and HDRI skies to your scene directly from the V-Ray toolbar. You can choose between super-fast GPU and CPU or Hybrid rendering to best suit your project needs and requirements. V-Ray comes with two powerful rendering engines. Now, you can explore a real-time view of your scene, set up lights and cameras, and apply materials. V-Ray® Vision gives the power to design and refine in real-time to anyone working in Rhino or Grasshopper. Open BIM-Real Interoperability, Practical Collaboration.Using Worksheets to Manage Site Data in Vectorworks Landmark 2012.

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NVIDIA’s universal material format is now support in V-Ray for Maya 2018, allowing designers to apply MDL materials authored in programs like Substance Designer to their assets and also scenes.

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V-Ray lights can now illuminate objects in Viewport 2.0, making light setup much easier. Built to meet the creative demands of CG artists and modern production pipelines, V-Ray 3.0 for Maya is a full suite of physically-based lighting, shading and rendering tools tightly integrated into Autodesk Maya. In addition, V-Ray 3.6 for Maya full crack focuses on artist productivity and delivers a powerful new set of features and improvements to speed up lighting, look development and rendering workflows. Description V-Ray Advanced Crack a leading provider of state-of-the-art rendering solutions for the media, entertainment, and design industries, has released an update to VRay 5.10.22 for Maya 2017-2020, a major update to its Academy Award-winning CPU and GPU production renderer.This will speed up workflows for compositors working in Fusion or Nuke. Automatically generate ID mattes with support for transparency, depth of field and also motion blur.Render individual lights or groups of lights as separate render elements, with full support for global illumination, reflections and refractions also for accurate light mixing in post.Screenshots of VRay 3.6 for Maya 2018: What′s New in V-Ray 3.6 Maya 2018 ? Crack Vray 3.6 Sketchup 2018 ALso stop your render at any point and continue where you left off.V-Ray’s fast GPU renderer adds support for a wider range of production features. Render larger, more detailed scenes using a lot less memory with On-demand Mip-mapping.

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Select objects, materials and camera focus directly in the frame buffer.

Speeds up look development on individual objects with the new Render Mask: Isolate select tool.

Changes to materials in the Hypershade Material Viewer are made in real time.

New in-process IPR starts instantly, updates faster and uses less memory.

Fast new lighting algorithm that speeds up rendering in scenes with many lights.

– Extensible through plug-ins (Golaem, FumeFX for Maya, Yeti, Shave& Haircut).ĭownload Links : Solid Angle Arnold for Maya v2.1. – Productivity boost: override sets, holdout mattes, shadowcatcher, passes, UDIM – style textures, and arbitrary primvardata. – Defer the creation of geometry at render time with the Stand-inplaceholder nodes. – Particles and nParticles support, including particleinstancer. – Support for volume rendering with Maya Fluids. – Interactive rendering (IPR) allows parameter changes to berapidly previewed – without interrupting your work. – Image Based Lighting support, including a state of the artphysical sky. – Seamless integration with Maya shapes, cameras, lights andshaders. Here are some key features of “Arnold forMaya”: MtoA is nowshipping with the Arnold 5.0 core. Software Description: Solid Angle Arnold for Maya v2.1.0 for Maya 2016-2018 + CrackĪrnold is an unbiased, physically based, ray tracing 3Drendering application created by the company Solid Angle.Arnold for Maya (or MtoA) provides a bridge to theArnold renderer from within Maya’s standard interface.

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Reasons to use V-Ray for Architectural Rendering.

What is V-Ray. Why it’s required in today’s 3d world. V-Ray is a render engine, like so many render engines available in the market like Nvidia Mental Ray, Scanline Rendering, Nvidia I-Ray, Render Man and so on. In simple terms, v-ray is an external plugin, which is used with all 3d platforms like Autodesk 3dmax, Autodesk Maya, Autodesk Revit, Google Sketch-up, Rhinoceros 3D, Cinema 4D, Softimage, Blender and so on.

V-Ray is a Software which was introduced few years back with Chaos group, and its change the scenario of today’s 3d in terms of texturing, lighting, render settings, camera and final one is render. V-Ray gives you : -

Photorealistic result

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Take less render time

Separate Vray Camera for better result

Minimal Settings

Available for almost every Render software

Separate Vray Material Library

Specially designed Vray Lights

Vray Frame buffer for rendering window

Proxy and X-Ref to make files lighter

It gives you the capability to make fast renders as well. Everyone needs to purchase the license first from Chaos Group, to get advantage of V-Ray features.

In architectural rendering, V-Ray plays an important role today. From 3d artist to interior designers, freelancers, works with V-Ray to impress the clients with their photorealistic results. From Residential to Commercial, From Workplace to Living Space, From One object to multiple one, everyone tries to take advantage of V-Ray. And give immensely impressive results. Nowadays every firm used V-Ray, to earn guarantied clients for the future endeavors.

Which software is best suited for 3d rendering, 3dsmax or sketch-up. Most of the designers choose 3dsmax because it gives you more controls to deal with. And give you the desirable results. Sketch-up is good for beginners, who have just started learning 3d. With V-Ray, Sketch-up works as a useful tool nowadays. With lesser skills in sketch-up, you still get an outstanding result. It is the beauty of V-Ray.

After learning V-Ray, you can deal its properties easily with both the software’s. You don’t need to learn V-Ray for both the platforms. Even 3dsmax and sketch-up have different workspaces, but the controls and techniques for texturing, lighting, camera, render settings and render are remain same. Chaos group improves V-Ray render quality techniques day by day, by releasing important V-ray version updates, which makes our task much easier and convenient to deal with 3D.

[miled72]

In this tutorial, we will look at the difference between the regular zoom inside the Vray Frame Buffer, and the Real zoom. The benefit of using Real zoom is that it acts as if you're getting closer to the actual geometries in your scene and rendering them, also, in this mode you can check out other parts of your scene, not included in your actual rendering limits, without the need to mess up your camera location, or, if you're in a perspective viewport, messing up your viewpoint.

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Originally posted on 1 May 2020. Scroll down for news of the commmercial release.

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Vray Material Library 3ds Max

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Title: SIGERSHADERS V-Ray Material Presets Pro 4.1.6 for 3ds Max Info: The Siger Studio’s SIGERSHADERS V-Ray Material Presets Pro is a Plugin – powerful material collection for Autodesk® 3ds Max® and V-Ray® rendering engine + User Library material lab/manager. Key Features: 979 V-Ray material presets and templates. Compatible with SolidRocks. User Material Library manager – fast.

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Attachments: Up to 5 attachments (including images) can be used with a maximum of 2.0 MiB each and 9.8 MiB total. Welcome to the Arnold Answers community. This is the place for Arnold renderer users everywhere to ask and answer rendering questions, and share knowledge about using Arnold, Arnold plugins, workflows and developing tools with Arnold.

Chaos Group has released V-Ray 5 for 3ds Max, the next major version of the production renderer – and the first of the next generation of updates to the entire V-Ray product family – as a free public beta.

The update radically reworks the V-Ray Frame Buffer, adds a new material library and asset browser, and makes a range of other key improvements to V-Ray materials and the V-Ray GPU render engine.

The first of a new generation of updates to the V-Ray product family Chaos Group typically introduces new features in the 3ds Max and standalone editions of V-Ray before rolling them out the other versions, starting with V-Ray for Maya.

As a result, the V-Ray 5 beta provides a glimpse not just of the new features for 3ds Max users, but of the next generation of releases for the product family as a whole.

It arrived much quicker than its predecessor: it’s just over two years since the original beta of V-Ray Next – V-Ray 4.0 in standard version numbering – compared to the four-year gap between V-Ray 3.0 and Next.

Perhaps as a result, the two release cycles overlap: at the time of posting, the new features from V-Ray Next still haven’t rolled out to every edition of the renderer, notably V-Ray for Cinema 4D.

Key changes: built-in compositing and relighting in the VFB, plus a new materials library and browser The major change in V-Ray 5 is the reworked V-Ray Frame Buffer (VFB), which gets an integrated layer-based compositing system, and a Corona Renderer-style LightMix system for relighting scenes after rendering.

Other major changes include a new built-in library with over 500 readymade materials, plus a new material asset browser, a material preview system, and material presets.

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The update also adds new parameters for surface coatings and sheen to the standard V-Ray material, and new texture randomisation and texturing tiling features.

Other significant changes include support for rendering ACEScg colour space, and further updates to the V-Ray GPU render engine, including support for out-of-core rendering.

For a deeper dive into the changes, check out our run-down of the 10 key features in V-Ray 5 for 3ds Max.

Updated 29 May 2020: Chaos Group has released V-Ray 5 for 3ds Max Beta 2.

The update adds further features to the VFB, including support for filmic tonemapping and background colour correction, while LightMix gets an option to solo individual lights.

Other changes include support for Light Path Expressions through VRayLightSelect; and blue noise sampling in the DMC sampler, intended to cut the number of samples required to render a noise-free image.

V-Ray also gets the improved sky model that Chaos Group demoed in the upcoming Corona Renderer 6.

Workflow improvements include the option to export only parts of a scene when generating a .vrscene file, and support for the Alembic file format’s IParticleObjExt interface, making it possible to use particles generated in other DCC applications as instancing sources within V-Ray.

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Updated 16 June 2020: V-Ray 5 is now shipping.

The commercial release adds a few extra features, the most significant probably being new controls for generating procedural streaks of dirt in the V-Ray Dirt material.

Pricing and system requirements V-Ray 5 for 3ds Max is available for 3ds Max 2016+, running on Windows 8.1+.

Pricing remains unchanged from V-Ray Next, with a perpetual workstation licence and one render node priced at $1,180. Rental costs $80/month or $470/year.

Read an overview of the new features in V-Ray 5 for 3ds Max on Chaos Group’s website

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All functions and features of VRay NEXT  in step-by-step – video examples. VRay got so many features and you don’t want to miss any of them! NEW VRAY got completely new architecture and is the first HYBRID RENDERING engine that uses both CPU and GPU to process your renders as fast as possible!

You can check my tests where VRay NEXT can render up to x7 faster than 3.6 version.

In this class we will go through entire VRay functionality

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Rejoice, ye SketchUp folk, for the new V-Ray has come!

Version 4.20 for V-Ray has been released this February. It features some significant improvement over the previous version. Primary of which is new compression used to decrease installer archive size.

For those who are not familiar, here is a short description of V-Ray.

It is a professional lighting and rendering tool for architects and designers. It is created by Chaos Group and comes as an extension of SketchUp.

With an incredible set of creation tools, V-Ray lets you render anything and everything. You can create some quick models, or pull out all brakes and render a whole scene in realistic detail.

You get around 600 realistic new materials to adorn your model using V-Ray in SketchUp, too. This lets you create photorealistic images of your model. You can make 3D models exquisite in detail using this plugin as well.

Features of the new V-Ray 4.20:

1. You can use it to automatically remove noise in scenes. The render time is cut in half. Now you can denoise after rendering as well.

2. Now you can use global illumination in stunningly realistic scenes indoors and outdoors. There are plenty of in-built lighting styles to choose from. Make it look real!

3. You can apply HDR tech on your image as well. The high dynamic range produces a more normalized image that would feel lifelike.

4. VR-ready content creation is now possible. You can now see your model in 3D environment!

5. Around 600 drag-and-drop materials! Use them to dress up your model and customize endlessly.

6. V-Ray now keeps your render history in the frame buffer. You can use this to fine-tune color, exposure, depth perception and more!

7. V-Ray Fur - realistic rendition of furry material like grass, fur, fabrics etc. The viewer will be confused about what is more real - the real photo or a v-ray render! This requires significant processing power though, do remember this.

Technical Information Product Name: V-Ray Next Build 4.20 Latest Version: 4.20.01 Compatibility: SketchUp Pro 2016-2020 (may be compatible with newer versions as they are released), running on Windows 7 through 10 any version Released by: Chaos Group Released on: 17th February 2020 License type: full version, all free Languages available: English only System requirements: 64 bit processor, 4 to 8 gb RAM, 500 mb hard disk space. Of course, it’s senseless to use such heavy rendering software without a powerful graphics processor. We recommend at least a Nvidia GTX 750 Ti.

[fb-interior]

LIGHTING? MORE LIKE RENDERING.

9 / 10 / 2019 (14.30 p.m.)

When composing visuals to show a client potentially, the lights give the visuals a realistic look, and this is one main reason as to why we had this session today. Lights have an impact on our designs, so they exist in our daily life.

    The different lighting effects found on VRAY all have a specific function. We explored and experimented the different types of lighting during our session today. What is notable from the tutorial, is on the VRAY frame buffer, there is a side toolbar where you can edit the exposure of the render. That toolbar is useful to experiment with lighting exposures and will be useful for future practice. Overall, I am pleased with what I learnt today and will use the techniques I learnt in my Salford Museum and Art gallery project.

[3dmaxfarsi]

آموزش فارسی حل مشکل سوختن رندر پلاگین ویری Vray Frame Buffer لینک دانلود #3dmaxfarsi

[archstylemx]

Image Sampler | Anti-Aliasing

Cuando V-Ray renderiza una imagen, determina el color de cada píxel para producir una imagen. Sin embargo, una interpretación pixel por píxel no siempre crea una buena imagen; a veces los cambios abruptos de color de un píxel al siguiente, dan como resultado, bordes dentados – no se representan líneas de menos de un píxel de ancho –. Con el fin de resolver estos problemas, V-Ray mira los colores en un nivel “sub-pixel” y realiza un muestreo (Sampler) para definir el mejor color. Por lo tanto, cuando hablamos de un Image Sampler describimos el método para ver los colores dentro y alrededor de cada píxel. El objetivo es colorear cada pixel de tal manera que la imagen final represente la escena de la manera más realista posible.

En V-Ray, un Image Sampler es un algoritmo para “muestrear” colores y producir la matriz final de píxeles que constituyen la imagen renderizada. V-Ray incluye dos Image Sampler principales: Progressive y Bucket (cada uno con su propio enfoque de muestreo y sus propios parámetros). La elección óptima de Image Sampler varía según los elementos de la escena; influye grandemente en el equilibrio entre la calidad y velocidad de una representación, el nivel de detalle en las texturas y muchos otros factores. La mejor manera de elegir el Image Sampler adecuado para una escena es entender cómo funciona; sus fortalezas y limitaciones.

Los ajustes en Image Sampler para V-Ray Adv. determinan el tipo que V-Ray utilizará para renderizar y proporciona ajustes básicos. Los ajustes en Image Sampler para V-Ray RT son limitados porque el motor trabaja progresivamente (en tiempo real) para renderizar la imagen.

¿Qué es el Anti-Aliasing (AA)?

El siguiente ejemplo muestra la diferencia básica entre una imagen con Anti-Aliasing (AA) y una sin Anti-Aliasing (AA)

En la imagen con Anti-Aliasing, el borde de la esfera aparece más suave que en la imagen sin Anti-Aliasing. V-Ray realiza el “filtro” de Anti-Aliasing mediante el muestreo de colores en áreas donde un color se encuentra con otro (como el borde de la esfera que se encuentra con el fondo azul).

Elegir el mejor Image Sampler para cada situación

Ningún Image Sampler es el mejor para todas las escenas o flujos de trabajo. Elegir el mejor es generalmente una cuestión de la experimentación, pero hay algunas pautas que podemos seguir:

El Image sampler Progressive es útil cuando es necesario ver rápidamente los resultados globales (como cuando se coloca luces, cámaras, materiales, etc.) porque genera toda la imagen a la vez y limpia progresivamente el ruido en ella. Además, el render se puede detener en cualquier momento. También es útil cuando se cuenta con un tiempo fijo para crear un render o procesar animaciones de prueba, donde la secuencia debe ser renderizada dentro de un período de tiempo. Combinar VRayDenoiser (Un Render Element) con Image sampler Progressive puede ayudar con la limpieza de ruido de procesamiento.

El uso de Image sampler Bucket permite ejecutar un render entre varias máquinas (Distributed Renders) de manera más eficaz; puede ser útil para reducir el tráfico de red y reducir la pérdida de información si el trabajo se completa con una o más máquinas. Produce renders de mayor calidad y precisión; pero requiere de mucho más tiempo que el sistema progresivo.

Notas: Ajustar el tipo de Image Sampler a Bucket es igual a usar el Image sampler tipo Adaptive en versiones anteriores de V-Ray. Ajustar el tipo Image Sampler a Bucket; deshabilitar Máx. Subdivs; y desactivar el Noise threshold; coincidirá con el comportamiento del Image Sampler Fixed en las versiones anteriores de V-Ray.

Image sampler y uso RAM

Los Image sampler requieren una cantidad sustancial de RAM para almacenar información de render. Esto es especialmente cierto para Image Sampler Progressive, ya que almacena toda la imagen en la memoria antes de comenzar el proceso de renderizado. El Image sampler Bucket por el contrario, almacena sólo el resultado sumado de todas las submuestras para un píxel y, por lo tanto, normalmente requiere menos RAM. El uso de tamaños de Buckets grandes puede requerir más memoria (un bucket gráficamente es el cuadro pequeño con borde blanco que recorre el VFB al producir un render, dependiendo del número de núcleos con los que nuestro procesador cuenta, aparecerán más cuadros; uno por cada procesador).

Default UI Mode

Ahora que entendemos mejor cómo V-Ray determina el color de los objetos a través del Image Sampler. Explicaré sus parámetros. Los siguientes, están visibles cuando el modo de interfaz de usuario de renderizado se establece en Default.

Type – especifica el tipo de muestreador de imágenes. Dependiendo de esta opción, un despliegue adicional estará debajo del despliegue de muestreador de imágenes (Antialiasing) con configuraciones específicas para ese tipo de muestreador.

Progressive – Muestra progresivamente toda la imagen y refina los detalles con el tiempo.

Bucket – Toma un número variable de muestras por píxel dependiendo de la diferencia en la intensidad de los píxeles.

Render Mask – Permite el uso de una máscara de render para determinar qué píxeles de la imagen se calculan. El resto de los pixeles quedan intactos. Esta característica funciona mejor con Vray Frame Buffer como ventana de renderizado y el tipo Image Sampler Bucket. Las siguientes opciones están disponibles para Render Mask:

None – No se utiliza una máscara de renderizado.

Texture – Crea una máscara a partir de un mapa (textura). Los valores negros en el mapa definen pixeles que no se representan, los pixeles con valores blancos se representan. La textura debe utilizar el tipo de asignación de pantalla – Instancia con Material Editor (M) – para poder ser editada.

Selected – Sólo se renderizan los píxeles que pertenecen al objeto seleccionado actualmente. V-Ray seguirá calculando toda la imagen, pero solo renderizará partes que pertenezcan al (los) objeto (s) seleccionado (s). Este modo es útil si desea aislar o volver a renderizar sólo algunos objetos de la escena.

Include / Exlude List – Igual que Selected, pero los objetos se seleccionan por lista.

Layer – Renderiza sólo los objetos que pertenecen a la capa seleccionada actualmente.

Object IDs – sólo procesa objetos con ID de objetos especificados. Separa ID de objeto con una coma (,).

Advanced UI Mode

Los siguientes parámetros se agregan a la interfaz de usuario Advanced.

Min shading rate – Controla el número de rayos que se disparan para Anti-Aliasing (AA) en comparación con rayos para otros efectos como reflejos, GI, sombras de área, etc. Esta configuración es especialmente útil con el Image Sampler Progressive. Valores más altos significan que se gastará menos tiempo en AA, y se pondrá más esfuerzo en el muestreo de color.

Nota: En una escena previamente guardada con V-Ray 2.x, el parámetro Min shading rate se establece en 1 para producir los mismos resultados que las versiones V-Ray anteriores.

Expert UI Mode

Por ejemplo, si tiene 4 subdivisiones de AA (= 16 muestras de imagen) y 8 subdivisiones de luz (= 64 rayos de sombra), V-Ray traza 4 (= 64/16) rayos de sombra para cada muestra de imagen.

Con esta opción desactivada, la configuración anterior de 4 subdivisiones AA y 8 subdivisiones de luz rastreará hasta 1024 (= 16 * 64) rayos de sombra, aunque V-Ray seguirá intentando reducir esa cantidad dependiendo de los ajustes del muestreador Global DMC. Min.

Nota: Esto también significa que, al probar un efecto de profundidad de campo (Depth of Field), sus subdivisiones deben ser aumentados por encima (a veces muy por encima) de los del Image Sample. Por lo que esta división automática resulta inconveniente para este tipo de efecto.