#w. b. macdougall
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weirdlookindog · 29 days ago
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William Brown Macdougall (1868–1936)
Edgar Allan Poe’s “The Masque of the Red Death”
illustration from ‘The Eerie Book’, edited by Margaret Armour, London: J. Shiells & Co., 1898
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5c077w4ll3r · 29 days ago
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three of wands, found tarot, queer tarot, gay sex tarot
definition from wikipedia
The key meanings of the Three of Wands:[3]
Achievement
Fresh starts
Long-term success
Partnerships
Trade
the woodblock print is from an Edgar Allan Poe, of whom I am not a fan but the image spoke to me because it's phallic in nature and from the Red Death Mask story, which I love the Vincent Price movie. traditionally, the Pamela Coleman-Smith design is a man looking out over ships on the sea. these three men are looking to ship (wakka wakka). the card is cum stained. these images weren't even close to each other but I knew I'd find the perfect companion image when I scrolled far enough. there's also some residual AIDS emotional baggage because I'm a queer who survived the 80s
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of-fear-and-love · 9 months ago
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Some of the post-apocalyptic exteriors and matte shots from The World, the Flesh, and the Devil (1959)
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agendaculturaldelima · 2 months ago
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 #ProyeccionDeVida
🌎 Cine Bajo las Estrellas, presenta:
🎬 “PISO DE SOLTERO” [The Aparment] 
🔎 Género: Comedia / Romance / Drama / Navidad / Película de Culto
⌛️ Duración: 125 minutos
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✍️ Guion: Billy Wilder y I.A.L. Diamond
🎼 Música: Adolph Deutsch
📷 Fotografía: Joseph LaShelle (B&W)
🗯 Argumento: C.C. Baxter (Jack Lemmon) es un modesto pero ambicioso empleado de una compañía de seguros de Manhattan. Está soltero y vive solo en un discreto apartamento que presta ocasionalmente a sus superiores para sus citas amorosas. Tiene la esperanza de que estos favores le sirvan para mejorar su posición en la empresa. Pero la situación cambia cuando se enamora de una ascensorista (Shirley MacLaine) que resulta ser la amante de uno de los jefes que usan su apartamento (Fred MacMurray).
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👥 Reparto: Jack Lemmon (C.C. Baxter), Shirley MacLaine (Fran Kubelik), Fred MacMurray (Jeff D. Sheldrake), Hope Holiday (Mrs. Margie MacDougall), Jack Kruschen (Dr. Dreyfuss), Ray Walston (Joe Dobisch), Edie Adams (Miss Olsen), Naomi Stevens (Mrs. Mildred Dreyfuss) y Joan Shawlee (Sylvia).
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📢 Dirección: Billy Wilder
© Productoras: United Artists & The Mirisch Corporation.
📼 Distribuidora: United Artists
🌎 Pais: Estados Unidos
📅 Año: 1960
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📽 Proyección:
📆 Martes 29 de Abril
🕖 7:00pm.
🌳Jardines del Parque Reducto Nº2 (calle Ramón Ribeyro 490 - Miraflores)
🚶‍♀️🚶‍♂️ Ingreso libre.
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🍿 Organiza: Miraflores Cultura.
👪 El Dato: ¡No se olviden de traer canchita, snacks y manta!
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thefugitivesaint · 6 years ago
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William Brown Macdougall (1868-1936), ''The Fall of the Nibelungs'' by Margaret Armour, 1897 Source
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enchantedbook · 3 years ago
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The Fall of the Nibelungen illustrated by Margaret Armour 1897
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wtf-triassic · 5 years ago
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Hypsognathus fenneri
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By Ashley Patch
Etymology: High Jaw 
First Described By: Gilmore, 1928 
Classification: Biota, Archaea, Proteoarchaeota, Asgardarchaeota, Eukaryota, Neokaryota, Scotokaryota, Opimoda, Podiata, Amorphea, Obazoa, Opisthokonta, Holozoa, Filozoa, Choanozoa, Animalia, Eumetazoa, Parahoxozoa, Bilateria, Nephrozoa, Deuterostomia, Chordata, Olfactores, Vertebrata, Craniata, Gnathostomata, Eugnathostomata, Osteichthyes, Sarcopterygii, Rhipidistia, Tetrapodomorpha, Eotetrapodiformes, Elpistostegalia, Stegocephalia, Tetrapoda, Reptiliomorpha, Amniota, Sauropsida, Diapsida?, Parareptillia, Procolophonomorpha, Ankyramorpha, Procolophonia, Procolophonoidea, Procolophonidae, Leptopleuroninae, Leptopleuronini 
Time and Place: Between 228 and 202 million years ago, from the Carnian to the Rhaetian of the Late Triassic
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Hypsognathus is known from a wide variety of formations, including the Wolfville and Blomidon Formations of Nova Scotia, the New Haven Formation of Connecticut, and the Passaic Formation of New Jersey.
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Physical Description: Hypsognathus was a Parareptile, a group of odd creatures much more common in the Permian but had their last hurrah during the Triassic. These animals were some of the most varied and fascinating creatures of their time, including some of the first bipeds, first megafauna, and first aquatic reptiles. In the Triassic, most looked like your generic tetrapod - lizards, except without their specializations and long tails; salamanders but with scales. Some, however, kept doing weird things, including our friend Hypsognathus here. Hypsognathus was about 33 centimeters long, with stocky limbs and a thick trunk. Its head was almost half as wide as the body was long at 12.5 centimeters, and it wasn’t very mobile (or kinetic) - instead, fixed in place for extra support and sturdiness. Notably, Hypsognathus had extensive spikes and protrusions coming off of its head to the sides and down on the face, making it look rather monstrous from the front. These spikes may have even been longer than the fossil indicates, covered by keratin for display purposes. Its jaw was curved upwards, giving it a weird sort of permanent smile, and it had giant teeth protruding from its mouth. These teeth were blunt and thick, allowing for strong mashing of food. These teeth were also fascinating because there was clear tooth replacement, usually alternating - in the sequence of ABABABAB, the A’s would get replaced, and then the B’s. The rest of its body was fairly standard for a Procolophonid - with short, splayed out legs for walking slowly and from side to side; wide and thick fingers and toes for gripping the ground; and a short stubby tail not used for much at all. It would have probably been covered in something akin to scales, and well adapted for dry conditions as a result. 
Diet: Hypsognathus was an herbivore, feeding on high-fiber, tough plant material. 
Behavior: Hypsognathus was, more likely than not, a burrowing animal. The lack of kinesis in the skull allowed it to use it like a shovel, which may have been one of the uses of the spikes on its face. It could then dig into the ground to hide from predators, burrowing deep and not worrying about the fact that the rest of its body is relatively unprotected since it is being hidden by the dirt. This also explains the lack of ornamentation elsewhere on the body, and its squat and short structure. A long tail, or long limbs, would not have aided in hiding in the dirt! In addition, those wide and thick fingers and toes would have helped in kicking up dirt and escaping from predators quickly. The spikes may have also been able to anchor Hypsognathus within the burrow itself, preventing it from being dug out by a small predator. These spikes would have also been decent as display structures, with longer or more ridiculous looking ones appearing Fancy to other Hypsognathus. This could have been added on to with more keratin sheaths, reflecting the ability of an individual Hypsognathus to waste energy - and burrow space - on more elaborate horns because it was doing so well. It would then emerge from the burrows to feed on roughage and tough plants - though it may have been able to feed on roots and tubers underground as well. Given it could have used the horns for display, it was probably at least somewhat social; however, we have no idea how much or if it took care of its young, or had any other complex behaviors. Juvenile and young specimens are known, and they also have spikes, so if they served for communication, social life may have been a part of youth as well as adulthood. 
Ecosystem: Hypsognathus was a consistent feature of Northeastern North America during the Late Triassic, present in a variety of environments and ecosystems along the geologically active area that would eventually open up to begin forming the Atlantic Ocean. It generally favored sandy beaches lining seasonal lakes and rivers, with a variety of coniferous trees and swamp trees rooted in the lake. There were also ferns, cycads, and plankton abundant around and within the water. There were also proto angiosperms! While Hypsognathus lived with a wide variety of animals, some creatures kept popping up over and over again - the Aetosaur Stegomus, Phytosaurs such as Belodon and Rutiodon, Rhynchosaurs like Scaphonyx and Colobops, predatory Pseudosuchians such as Erpetosuchus and Rauisuchians, the weirdo Tanystropheid Gwyneddichnium and the Allokotosaur Teraterpeton, other Procolophonids like Scoloparia and Acadiella, the Temnospondyl Metoposaurus, the Cynodont Arctotraversodon, and there were also early dinosaurs and late Dicynodonts (though only footprints were preserved). In fact, Hypsognathus is most commonly preserved alongside footprints, lending credence to the idea that it would burrow in wet, sandy places, and get trapped and preserved there in the same events that preserved the prints. 
Other: This strange burrower with a spikey head was a very successful animal - it was found all over Eastern North America, throughout the Late Triassic, and seems to have only gone extinct because of the end-Triassic extinction. This is notable, because it is one of the last surviving Parareptiles, ever. The other Parareptiles of the Triassic were also small, squat lizard-like burrowers, many with interesting head ornamentation as well. While the heyday of Parareptiles was behind them, they managed to put on an excellent (and adorable) final act. In fact, morphological diversity of Parareptiles went down from a wide variety of shapes and forms and lifestyles to just one, the Procolophonids like Hypsognathus. This makes Hypsognathus a unique example of an ancient lineage, survivors of one Mass Extinction just to be finished off by another. 
~ By Meig Dickson
Sources Under the Cut
Carroll, R. L., E. S. Belt, D. L. Dineley, D. Baird, and D. C. McGregor. 1972. In D. J. Glass (ed.), Guidebook: Excursion A59. Vertebrate Palaeontology of Eastern Canada 1-113. 
Colbert, E. H. 1946. Hypsognathus, a Triassic reptile from New Jersey. Bulletin of the American Museum of Natural History 86: 225 - 274. 
Ford, D. P., R. B. J. Benson. 2020. The phylogeny of early amniotes and the affinities of Parareptilia and varanopidae. Nature Ecology & Evolution 4: 57 - 65. 
Gilmore, C. W. 1928. New Fossil Reptile from the Triassic of New Jersey. Proceedings of the United States National Museum 73(7):1-8. 
Lucas, S. G. 2018. Late Triassic Terrestrial Tetrapods: Biostratigraphy, Biochronology, and Biotic Events. The Late Triassic World, Topics in Geobiology 46: 351 - 405. 
Macdougall, M. J.; D. Scott, S. P. Modesto, S. A. Williams, R. R. Reisz. 2017. New material of the reptile Colobomycter pholeter (Parareptilia: Lanthanosuchoidea) and the diversity of reptiles during the Early Permian (Cisuralian). Zoological Journal of the Linnean Society 20: 1 - 11. 
MacDougall, M. J.; N. Brocklehurst, J. Frobisch. 2019. Species richness and disparity of pararpetiles across the end-Permian Mass Extinction. Proceedings of the Royal Society B 286: 2018572. 
Olsen, P. E., and D. Baird. 1986. The ichnogenus Atreipus and its significance for Triassic biostratigraphy. In: K. Padian (ed.), The Beginning of the Age of Dinosaurs: Faunal Changes Across the Triassic-Jurassic Boundary. Cambridge University Press, Cambridge 61-87. 
Olson, P. E. 1988. Paleoecology and Paleoenvironments of the Continental Early Mesozoic Newark Supergroup of Eastern North America: In Manspeizer, W. (ed.), Triassic-Jurassic Rifting and the Opening of the Atlantic Ocean, Elsevier, Amsterdam, p. 185-230. 
Palmer, D. 1999. The Marshall Illustrated Encyclopedia of Dinosaurs and Prehistoric Animals. London: Marshall Editions. 
Sues, H. D., P. E. Olsen, D. M. Scott, P. S. Spencer. 2000. Cranial Osteology of Hypsognathus fenneri, a latest Triassic procolophonid reptile from the Newark Supergroup of Eastern North America. Journal of Vertebrate Paleontology 20 (2): 275 - 284. 
Sues, H.D. 2019. The Rise of Reptiles: 320 Million Years of Evolution. JHU Press. 
Tsuji, L. A. 2017. Mandaphon nadra, gen. Et sp. Nov., a new procolophonid from the Manda Beds of Tanzania. Journal of Vertebrate Paleontology 37 (supp1): 80 -87. 
Zaher, M., R. A. Coram, M. J. Benton. 2018. The Middle Triassic procolophonid Kapes bentoni: computed tomography of the skull and skeleton. Papers in Palaeontology 5 (1): 111 - 138. 
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mun-sal-vache · 8 years ago
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Margaret Armour. The fall of the Nibelungs, illustrated and decorated by W. B. Macdougall.
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theonyxpath · 5 years ago
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The free offers keep rolling along! Today’s free PDF is Mage: The Ascension 20th Anniversary Edition. Clocking in at 696 pages, this is one of the biggest books we’ve made!
To clear up some confusion we’ve seen: as the post title says, this is free today. Each offer this week is valid for one day only.
I tell you this: We are Divinity. 
Reality is ours to bend. To subvert. To command. We have that power – all of us.
Not everyone knows what to do with it, or uses it well. Most of us never realize just what it is we are or how much we can do.
Those of us who do… well, some of us are monsters. Manipulators. Parasites. Tyrants. Fanatics.
And the rest of us never see that monster in our own mirror, only in the reflections of those folks who are not “us.” 
Here’s the truth, though: We are ALL “us.” We are ALL gifted, 
We can ALL change the world. Most of us remain asleep. 
A blessed few Awaken. Fewer still use that power wisely. And none without consequences.
And so, reality is up for grabs. Where do you stand?
And will you Fall… or Ascend? 
What’s in it?
Updated profiles of the Council of Nine Traditions, the Technocratic Union, and the Disparate Crafts… with many unexpected developments.
An epic history of magick and its factions.
A compilation and clarification of essential and optional rules, including martial arts, vehicles, hazards, cybernetics, the Otherworlds, and far more besides.
Overviews of paradigms, practices and tools – the focus of your Art.
Detailed explorations of the epic concepts involved in Mage.
Chilling looks at the Nephandi and Marauders.
The Nine Spheres, plus their Technocratic variants.
Old favorites and new faces from among the Awakened Ones.
Reality Zones, Paradox, Quiet, the “coincidental vs. vulgar magick” debate, and far, far more…
New full-color original art by Michael William Kaluta, Echo Chernik, Steve Prescott, Christopher Shy, Larry MacDougall, and other classic Mage artists, as well as classic B&W pieces carefully chosen from the earlier editions.
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peach-salinger · 6 years ago
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✧・*゚scottish surnames
→ link to my scottish female name masterlist → link to my scottish male name masterlist
under the cut are 733 scottish surnames. this masterlist was created for all in one breath rp at the request of lovely el, but feel free to link on your own sites! names are listed in alphabetical order. ❝mac❞, ❝mc❞ and ❝m❞ are split into three sections because i mean... look at them. please like♡ or reblog if you found this useful.
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abbot(son), abercrombie, abernethy, adam(son), agnew, aikenhead, aitken, akins, allan(nach/son), anderson, (mac)andie, (mac)andrew, angus, annand, archbold/archibald, ard, aris, (mac)arthur
B
(mac)bain/bayne, baird, baker, balfour, bannatyne, bannerman, barron, baxter, beaton, beith, bell, bethune, beveridge, birse, bisset, bishop, black(ie), blain/blane, blair, blue, blyth, borthwick, bowie, boyd, boyle, braden, bradley, braithnoch, (mac)bratney, breck, bretnoch, brewster, (mac)bridan/brydan/bryden, brodie, brolochan, broun/brown, bruce, buchanan, budge, buglass, buie, buist, burnie, butter/buttar
C
caie, (mac)caig, (mac)cail, caird, cairnie, (mac)callan(ach), calbraith, (mac)callum, calvin, cambridge, cameron, campbell, canch, (mac)candlish, carberry, carmichael, carrocher, carter, cassie, (mac)caskie, catach, catto, cattenach, causland, chambers, chandlish, charleson, charteris, chisholm, christie, (mac)chrystal, (mac)clanachan/clenachan, clark/clerk, (mac)clean, cleland, clerie, (mac)clinton, cloud, cochrane, cockburn, coles, colinson, colquhoun, comish, comiskey, comyn, conn(an), cook, corbett, corkhill, (mac)cormack, coull, coulthard, (mac)cowan, cowley, crabbie, craig, crane, cranna, crawford/crawfurd, crerar, cretney, crockett, crosby, cruikshank, (mac)crum, cubbin, cullen, cumming, cunningham, currie, cuthbertson
D
dallas, dalglish, dalziel, darach/darroch, davidson, davie, day, deason, de lundin, dewar, dickin, dickson, docherty, dockter, doig, dollar, (mac)donald(son), donelson, donn, douglas, dorward, (mac)dow(all), dowell, (macil)downie, drain, drummond, (mc)duff(ie)/duff(y), duguid, dunnet, dunbar, duncan, dunn, durward, duthie
E, F
eggo, elphinstone, erskine, faed, (mac)farquhar(son), fee, fergus(on), (mac)ferries, fettes, fiddes, findlay, finn, finlayson, fisher, fishwick, fitzgerald, flanagan, fleming, fletcher, forbes, forrest, foulis/fowlis, fraser, fullarton, fulton, furgeson
G
gall(ie), galbraith, gammie, gardyne, (mac)garvie, gatt, gault, geddes, gellion, gibb(son), gilbert, gilbride, (mac)gilchrist, gilfillan, (mac)gill(ivray/ony), gillanders, gillespie, gillies, gilliland, gilmartin, gilmichael, gilmore, gilroy, gilzean, (mac)glashan, glass, gloag, glover, godfrey, gollach, gordon, (mac)gorrie, gourlay, gow, graeme/graham, grant, grassick, grassie, gray, gregg, (mac)gregor(y), greer, greig, grierson, grieve, grimmond, (mac)gruer, gunn, guthrie
H
hall, hamill, (mac)hardie/hardy, harper, harvie, hassan, hatton, hay, henderson, hendry, henry, hepburn, herron, hood, hosier, howie, hugston, huie, hume, humphrey, hunter, (mac)hutcheon, hutcheson
I, J, K
(mac)innes, irving, iverach, ivory, jamieson, jarvie, jeffrey(s), johnson, johnston, jorie, (mac)kay, (mac)kean, keenan, keillor, keir, keith, kelly, kelso, keogh, kemp, kennedy, (mac)kerr(acher), kesson, king, kynoch
L
laing, laird, (mac)laine/lane, lamond, lamont, landsborough, landsburgh, lang/laing, larnach, laurie/lawrie, lees, lennie, lennox, leslie, lindsay, little(son), lithgow, livingston(e), lobban, logan, lorne, lothian, lovat, love, loynachan, luke, luther
MAC-
mac ruaidhrí, mac somhairle, mac suibhne, macadam, macadie, macaffer, macainsh, macalasdair, macallister, macalonie, macalpine, macanroy, macara, macarthy, macaskill, macaskin, macaughtrie, macaulay, macauslan, macbean, macbeath, macbeth(ock), macbey, macbriden, macbryde, maccabe, maccadie, maccaffer, maccaffey/maccaffie, maccalman, maccambridge, maccann, maccance, maccartney, maccavity, maccaw, macdowell, maccheyne, maccodrum, maccomb(ie), maccorkindale, maccormick, maccoll, macconie, macconnachie, macconnell, maccoshin, maccoskrie, maccorquodale, macclaren, maccleary, macclew, maccloy, macclumpha, macclung, macclure, macclurg, maccraig, maccrain, maccreadie, maccrimmon, maccrindle, maccririe, maccrone, maccrosson, maccuaig, maccuidh, maccuish, macculloch, maccurley, macdermid/macdiarmid, macdougall, macdui, macduthy, maceachainn, maceachen, macelfrish, macewan/macewen, macfadyen, macfadzean, macfall, macfarlane/macpharlane, macfater/macphater, macfeat, macfee, macfigan, macgarrie, macgarva, macgeachen/macgeechan, macgeorge, macghie, macgibbon, macgillonie, macgiven, macglip, macgriogair, macgruther, macguire, macgurk, machaffie, macheth, machugh, macichan, macinnally, macindeoir, macindoe, macinesker, macinlay, macinroy, macintosh, macintyre, macisaac, maciver/macivor, macilherran, macilroy, macjarrow, mackail, mackeegan, mackeggie, mackellar, mackelvie, mackendrick, mackenna, mackenzie, mackerlich, mackerral, mackerron, mackerrow, mackessock, mackettrick, mackichan, mackie, mackilligan, mackillop, mackim(mie), mackinven, mackirdy/mackirdie, mackrycul, maclafferty, maclagan, maclarty, maclatchie/letchie, maclaverty, maclearnan, macleay, maclehose, macleish, maclellan(d), macleman, macleod, macleòid, maclintock, macllwraith, maclucas, macluckie, maclugash, macmann(us), macmaster, macmeeken, macmichael, macmillan, macminn, macmorrow, macmurchie, macmurdo, macmurray, macnab, macnair, macnally, macnaught(on), macnee, macneish/macnish, macnicol, macninder, macnucator, macpartland, macphail, macphatrick, macphee, macphedran, macpherson, macquarrie, macqueen, macquien, macquilken, macrae/machray, macraild, macrob(bie/bert), macrory, macrostie, macshane, macsherry, macsorley, macsporran, macsween, mactavish, mactear, macturk, macusbaig, macvannan, macvarish, macvaxter, macvean, macveigh/macvey, macvicar, macvitie, macvurich, macwalter, macwattie, macwhannell, macwhillan, macwhinnie
MC-
mccabe, mccain, mcclelland, mcclintock, mcconell, mccracken, mccune, mccurdy, mcdiarmid, mcelshender, mceuen, mcewing, mcfadden, mcgeachie/mcgeachy, mcgowan, mcilroy, mcinnis, mcivor, mckechnie, mckeown, mclarty, mclennan, mcneill(age/ie), mcowen, mcphee, mcpherson, mcwhirter
M
maduthy, magruder, mahaffie, main(s), mair, major, malcolm(son), malloch, manson, marr, marno(ch), (mac)martin, marquis, massie, matheson, mathewson, maver/mavor, maxwell, may, mearns, meechan, meiklejohn, meldrum, mellis(h), menzies, mercer, micklewain, milfrederick, millar/miller, milligan, milliken, milne, milroy, milvain, milwain, moannach, moat, moffat, mollinson, moncrief, monk, montgomery, moore, moray, morgan, (mac)morran, morrison, morrow, morton, mossman, mucklehose, muir(head), mulloy, munn, munro, (mac)murchie/murchy, murchison, murdoch, murphy
N, O, P, Q
nairn, naughton, navin, neeve, neil, neish, nelson, ness, nevin, nicalasdair, niceachainn, (mac)nichol(son), nicleòid, (mac)niven, noble, ochiltree, ogg, ogilvy, o'kean, oliver, omay/omey, orchard(son), orr, osborne, park, paterson, patrick, patten, peacock, peat, peters, philp, polson, power, purcell, purser, qualtrough, quayle, quillan, quiller, quinn, quirk
R, S
(mac)ranald(son), randall, rankin, reid, reoch, revie, riach, (mac)ritchie, roberts(on), rose, ross, rothes, roy, ryrie, salmon(d), scott, selkirk, sellar, shannon, sharpe, shaw, sheen, shiach, sillars, sim(son/pson), sinclair, skene, skinner, sloan, smith, somerville, soutar/souter, stein, stenhouse, stewart/stuart, strachan, stronach, sutherland, (mac)swan(son/ston), swinton
T, U, V, W, Y
taggart, tallach, tawse, taylor, thom(son), todd, tolmie, tosh, tough, tulloch, turner, tyre, ulrick, urquhart, vass, wallace, walker, walsh, warnock, warren, ward, watt, watson, wayne, weir, welsh, whiston, whyte, wilkins(on), (mac)william(son), wilson, winning, wright, young
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cair--paravel · 7 years ago
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The Eerie Book, edited by Margaret Armour, illustrated by W. B. MacDougall, 1898 (via).
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if-you-fan-a-fire · 2 years ago
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“Riot Hearing Proceeds at Dorchester,” Moncton Daily Times. --- Seven More Witnesses Testify in Case Against Four Alleged Rioting Convicts, Carvery, Walker, Johnson and Izzard  ---- FURTHER CHARGES ---- Laid Against Second Quartette of Alleged Prison Mutineers and Their Preliminary Hearing Begun - Continues Today ---- (Special to The Times) Dorchester, N. B., March 8 - Seven witnesses gave evidence at this morning's sitting of the preliminary hearing being held at the penitentiary before Magistrate C.G.M. Chapman, in the case of Alex. Carvery, George Walker, Charles Jack- son and James Izzard, who are charged with rioting at the prison on January 7th last, the information being laid by Warden G. T. Goad. Col. E. C. Weyman, of Saint John, is appearing in the interests of the Attorney General's Department, and the accused men are not represented by counsel. 
Ernest T. Partridge, temporary guard at the prison and a member of the rifle squad which confronted the rioters inside the prison yard, was the first witness heard this morning. He told of recognizing Jackson, Izzard and other inmates named Hopkins Babcock, Ferguson and McKinnon. He also told of seeing a mob congregated near the schoolroom door and of firing two shots over their heads. and of then moving to another locality and firing two more shots over the heads of rioters on C-5 landing. 
Robert S. Sinclair, farm instructor and also a member of the armed squad, also told a story very much like that of the previous witnesses, describing the riot and telling of seeing the accused men. 
David W. Adshade. temporary guard, told of being in charge of a gang at the rear of the boiler room tearing down a wall. He said he had 20 prisoners under him and took them to the cracking shed at 4 p.m. He went on to say that Jackson, Cormier, Duncan, Gaudet, Roberts and Beck of his gang joined that which emerged from the cutting shed. He continued that he recognized Carvery and Izzard, Murphy, Gaudet. Jackson, Walker, among the rioters. 
Carvery asked witness "What time was it you saw me with the gang of men," to which witness replied. "at 4.10 p.m. or thereabouts." Answering further question if he was positive Carvery was in the gang, witness said he was. 
R. T. LeBlanc, temporary guard on duty this day of the riot, in the dome, said he was armed with a rifle. revolver and tear gas bomb. in the afternoon. He said he was one of the rifle squad; came out of main entrance, then to the main gate. He was stationed on B-3 landing of north wing, when the men came out of the shops. His story was the same as told by the previous witnesses.. 
Keeper Ward N. P. Ward, keeper, on duty this. day, was in charge of a gang taking down telephone poles. There were eight in the gang. Later in the afternoon they were left in charge of another officer. and he returned to the prison and became. one of the rifle squad. His evidence was same as former witnesses. 
C. C. Young, guard, told of having a party of 12 men in his charge, repairing mail bags. The first thing he saw unusual was when a gang came out of the carpenter shop. ahead of his gang. Then he came out to shop dome door, looked out, and rushed back again. He saw the deputy warden stationed on boiler room. He with Mr. Emery brought some of the prisoners in A-2 north landing and began turning bolts on the men in their cells. After this he went to D-2 south wing. He said he recognized Izzard throw his supper tray over the landing, also a box of rubbish and cupboards. He said he saw Beauchamp, an inmate, putting ink wells in his pockets in the library. He was locked up in a cell, and finally assisted in locking up all the inmates. 
Sinclair MacDougall, chief keeper, told on January seventh last and was around the dome near 4 o'clock, there being a terrible noise going on, hollering and yelling, and things were being thrown from the landings. He saw inmate Izzard. standing near the kitchen door and was ordered to the landing. He saw him throw stuff from there He saw inmate Alexander pull a standard from the wall, also recognized inmate Webber throwing things. He saw Beauchamp and Flynn running up and down the landings in the vicinity of the library. He was on duty all afternoon until they were all finally put in their cells. 
This hearing was adjourned until Thursday afternoon at two o'clock. 
Others Charged With Rioting The preliminary hearing of in- mates James Weatherbee, Martelle Silver, Edward Roberts, and John MacDonald, was begun before Magistrate C.G.M. Chapman this after- noon at 2 o'clock at the penitentiary. These inmates are also charged with rioting at the institution on the seventh of January last, on information laid by Warden G. T. Goad. Col. E. C. Weyman, of Saint John. appeared for the prosecution and the inmates are not represented by counsel. Nine witnesses were called and their evidence was similar to that given on the previous hearings and were as follows: Deputy Warden E H. Cummings, William DeVarenne, H. N Robinson. Fernley A. Lyne. John H. Field, Edgar Cook. Edward K. Ewing. R. S. Sinclair, farm instructor, and F. C. Bowes, keeper. 
This hearing was adjourned until ten o'clock Thursday morning.
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Peristyle Driver
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July 15, 2020 - The 66th Split Summer Festival was officially opened on Tuesday evening at Peristyle with Verdi's opera I Lombardi alla Prima Crociata. This year's edition, respecting all epidemiological measures, brings art back to the ancient stages under the starry night sky.
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Reconstruction of a Roman peristylum (peristyle) surrounding a peristylium (courtyard) of Pompeii
Split's center at Peristyle within Diocletian's Palace.
The Peristyle was, quite literally, built for parties – parties with dancing, to be exact. In 1907, architect Paul Andry created this neo-classical open-air pavilion with a colonnade, and the structure has been lovingly maintained over the years through several renovation projects, including one by the generous donation of Mea and Vincent Saia in 1989 and the most recent, in 2012.
Welcome and thanks for checking out the Peristyle Podcast, our internet radio show covering the USC Trojan football team.Every week host Ryan Abraham brings you multiple Trojan podcasts, with a variety of guests and opinions talking about football, basketball, recruiting and more!
In the Peristyle, John William Waterhouse (1849–1917). Rochdale Art Gallery, Rochdale, England.
Ceiling decoration in the peristyle hall of the Medinet Habu
In Hellenistic Greek(1) and Roman architecture,(2) a peristyle (/ˈpɛrɪstaɪl/; from Greekπερίστυλον)(3)(4) is a continuous porch formed by a row of columns surrounding the perimeter of building or a courtyard. Tetrastoön (τετράστῳον or τετράστοον, 'four arcades')(5) is a rarely used archaic term for this feature.(6) The peristyle in a Greek temple is a peristasis (περίστασις).(7) In the Christian ecclesiastical architecture that developed from the Roman basilica, a courtyard peristyle and its garden came to be known as a cloister.
Etymology(edit)
The Greek word περίστυλον perístylon is composed of περί peri, 'around' or 'surrounded', and στῦλος stylos, 'column' or 'pillar', together meaning 'surrounded by columns/pillars'. It was Latinised into peristylium.
In Roman architecture(edit)
In rural settings, a wealthy Roman could surround a villa with terraced gardens; within the city, Romans created their gardens inside the domus. The peristylium was an open courtyard within the house; the columns or square pillars surrounding the garden supported a shady roofed portico whose inner walls were often embellished with elaborate wall paintings of landscapes and trompe-l'œil architecture. Sometimes the lararium, a shrine for the Lares, the gods of the household, was located in this portico, or it might be found in the atrium. The courtyard might contain flowers and shrubs, fountains, benches, sculptures and even fish ponds.(8) Romans devoted as large a space to the peristyle as site constraints permitted; even in the grandest development of the urban peristyle house, as it evolved in Roman North Africa, often one range of the portico was eliminated, for a larger open space.(9)
The end of the Roman domus is one mark of the extinction of late antiquity (the Late Classical culture): 'the disappearance of the Roman peristyle house marks the end of the ancient world and its way of life,' remarked Simon P. Ellis.(10) 'No new peristyle houses were built after A.D. 550.' Noting that as houses and villas were increasingly abandoned in the fifth century, a few palatial structures were expanded and enriched, as power and classical culture became concentrated in a narrowing class, and public life withdrew to the basilica, or audience chamber, of the magnate. In the Eastern Roman empire, late antiquity lingered longer: Ellis identified the latest-known peristyle house built from scratch as the House of the Falconer at Argos, dating from the style of its floor mosaics about 530–550.(11) Existing houses were subdivided in many cases, to accommodate a larger and less elite population in a warren of small spaces, and columned porticoes were enclosed in small cubicles, as at the House of Hesychius at Cyrene.(12)
Other uses(edit)
Although ancient Egyptian architecture predates Greek and Roman architecture, historians frequently use the Greek term peristyle to describe similar, earlier structures in ancient Egyptian palace architecture and in Levantine houses known as liwan houses.
See also(edit)
Notes(edit)
^J.A. Dickmann. 'The peristyle and the transformation of domestic space in Hellenistic Pompeii', Journal of Roman Archeology 1997.
^A. Frazer, 'Modes of European Courtyard Design before the Medieval Cloister' Gesta, 1973; K.E. Meyer, 'Axial peristyle houses in the western empire,' Journal of Roman Archaeology, 1999; S. Hales, The Roman House and Social Identity 2003.
^Harper, Douglas. 'peristyle'. Online Etymology Dictionary.
^περίστυλον. Liddell, Henry George; Scott, Robert; A Greek–English Lexicon at the Perseus Project.
^τετράστοον in Liddell and Scott.
^'Tetrastoön' . Encyclopædia Britannica. 26 (11th ed.). 1911. p. 671.
^περίστασις in Liddell and Scott.
^E.B. MacDougall, W.M.F. Jashemski, eds., Ancient Roman Gardens: Dumbarton Oaks Colloquium on the History of Landscape Architecture, 1979.
^Yvon Thébert, 'Private life and domestic architecture in Roman Africa', in Paul Veyne, ed. A History of Private Life, I: From Pagan Rome to Byzantium (1985, Arthur Goldhammer, tr., 1987) esp. 'The peristyle', pp 357-64.
^Simon P. Ellis, 'The End of the Roman House' American Journal of Archaeology92.4 (October 1988:565-576) opened the article's abstract with these words.
^Ellis notes G. Akerström-Hougen, The Calendar and Hunting Mosaics of the Falconer in Argos, Stockholm, 1974; a somewhat later peristyle house, at Hermione in the Peloponnesus, of the end of the 6th century, was not initiated at this late date but a partial reconstruction of an earlier elite dwelling (Ellis 1988:565).
^Noted by Ellis p. 567.
External links(edit)
Media related to Peristylia at Wikimedia Commons
Barbara McManus, 'The Peristylium': a reconstruction of a peristyle
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Peristyle&oldid=1004883254'
From The VODOU Page (http://members.aol.com/racine125/index1.html)
The ancestors, zanset yo in Haitian Creole, are ever with a Vodouisant. He/she lives, breathes and acts with the awareness of their presence. The national anthem of Haiti begins, 'For the country, and for the ancestors, we walk united..'.
In the countryside of Haiti, each family compound includes a family graveyard. The tombs of family members are as elaborate as the family can afford. Some resemble small houses built above ground, with the crypt below. The structures built for wealthy families may even comprise a small sitting room, complete with a picture of the deceased and good quality chairs. When a newcomer enters the family compound for an extended visit, courtesy requires that her or she make a small libation of water at the tombs, so that the ancestors will welcome the person. Family members and guests may also, at any time, make an 'illumination'. Candles or beeswax tapers are lighted, placed on the tombs, and a short prayer is said.
In the city, the law requires burial in the city graveyard. Again, structures may be quite elaborate, and large padlocks and other security devices are used to prevent graverobbers from making off with the metal coffin findings, bones, or other articles of the dead person.
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The bones of dead individuals are considered to have great magical powers, particularly if the dead person was a Houngan, Mambo, or in any other way notable or distinguished, for good or ill.
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A Vodouisant is buried with Roman Catholic ceremony, and a wake is held for nine nights after the death. The ninth night is called the denye priye, the last prayer. After the last prayer, the Catholic part of the death ritual is closed.
At some point either before or after the Roman Catholic ceremony, the Vodou ceremony of desounin is held. In this ceremony, the component parts of the person's soul and life force, and the primary lwa in the head of the person, are ritualistically separated and consigned to their correct destinations. The desounin of a well known and highly respected Houngan, such as my initiatory Houngan Luc Gedeon, Bon Houngan Jambe Malheur, may be attended by hundreds of white robed, weeping mourners. It is at this time that the inheritor of any family lwa liberated from the deceased is usually revealed, as the chosen individual becomes briefly possessed.
One year and one day after the death of the individual, the ceremony retire mo nan dlo, take the dead out of the water, may be performed. The spirit of the dead person is called up through a vessel of water, under a white sheet, and ritually installed in a clean clay pot called a govi. The voice of the dead individual may speak from the govi, or through the mouth of another person briefly possessed for the purpose. The govi is reverently placed in the djevo, or inner room of the temple.
Sometimes the spririt of a departed ancestor may return of it's own accord, as a 'lwa Ghede' . My own initiatory Houngan (see Biography of a Houngan ) had in his head a Ghede named Ghede Arapice La Croix, who revealed to me that he had once been a black Haitian man, born on Nov. 2, All Souls' Day, in the Bel Air district of Port-au-Prince. His outspoken nature and inability to tolerate injustice got him murdered by a neighborhood strongman at the age of 21. Then followed a long spritual odyssey (see Biography of a Lwa). One day, he saw Luc Gedeon in the woods with the govi of another lwa, Kanga, working on a cure for a sick person. Arapice asked Kanga for permission to enter the govi with him, but Kanga refused, and made Arapice hang around immaterially outside Luc Gedeon's peristyle for another year. Then Kanga required a ceremony of installation for Ghede Arapice la Croix.
When Luc Gedeon, Bon Houngan Jambe Malheur, became possessed for the first time by Ghede Arapice la Croix, Arapice demonstrated his power and his loyalty to Luc by sitting down in the middle of the huge ceremonial bonfire. Screams of fear from the congregation and tears of terror from Luc's family did not dissuade him - and in a moment the terror turned to wonder as not a hair of Luc's head nor a thread of his clothes was burned. Arapice then entered the peristyle and was reverently installed in his very own govi, where he remains until today, manifesting through one of the younger relatives of the late Houngan.
Part 2A - BARON
The head of the family of ancestral lwa is Baron. He is Master of the Cemetery and guardian of ancestral knowledge. He has many aspects, including Baron Samedi, Baron Cemetiere, Baron la Croix, and Baron Criminel. In all of his aspects, he is a masculine lwa with a nasal voice who carries a walking stick or baton, uses profanity liberally, and dresses in black or purple. He is considered the last resort against deaths caused by magic, because even if a magical spell should bring a person to the point of death, if Baron refuses to 'dig the grave', the person will not die.
Baron, with his wife Maman Brigitte, is also responsible for reclaiming the souls of the dead (see Part 1) and transforming them into lwa Ghede. Baron may be invoked for cases of infertility, and he is the divine judge to which people may bring their appeals, singing:
(Haitian Creole)
O kwa, o jibile (repeat)
Ou pa we m inosan?
(English)
Oh, cross! Oh, jubilee!
Don't you see I'm innocent?
The grave of the first man buried in any cemetery in Haiti, whether the person in life participated in the Vodou religion or not, is dedicated to Baron (not Ghede), and a ceremonial cross is erected on the spot. In family compounds in the countryside, a family may erect a cross to Baron for their own lineage, and no peristyle is complete without the cross of Baron somewhere on the grounds.
Baron may be invoked at any time, and he can appear without being called, so powerful is he. He drinks rum in which twenty-one hot peppers have been steeped, and which no mere mortal could swallow! His ceremonial foods are black coffee, grilled peanuts, and bread. He dances the remarkably improvisational banda with great skill, and sometimes puts his walking stick between his legs to represent a phallus. Baron is a very masculine lwa.
One day, I saw a Baron possess a homosexual Houngan (see Homosexuality in Vodou). A passing woman teased Baron that he was a 'masisi' (faggot, disrespectful term for a homosexual man.) Baron reared up and roared at the woman, 'I am Baron! This Houngan, my Houngan, he is a faggot, yes, but I, Baron, I'm no faggot, I f*ck the beautiful woman Maman Brigitte!' And he stalked off in high dudgeon, swinging his baton most threateningly.
The Feast of the Ancestors, Fet Ghede, is considered the end of the old year and the beginning of the new, much as in the European Wiccan tradition. Any debts to Baron, Maman Brigitte, or Ghede must be paid at this time. Baron Kriminel sings to his debtors:
(Haitian Creole)
Bawon Kriminel, map travay pou ve de te yo, m pa bezwenn lajan (repeat),
Bawon Kriminel, O! Lane a bout o, map paret tan yo.
(English)
Baron Criminel, I'm working for the worms of the earth (lowly, poor people),
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I don't need money (repeat),
Baron Criminel, oh! The year has ended, oh, I'll appear, to wait for them (to pay me).
(back to top)
Part 2B - MAMAN BRIGITTE
Maman Brigitte, surprisingly enough for a Vodou lwa, is British in origin, descended from Brigid/St. Brigit, the Celtic 'triple goddess' of poetry, smithcraft, and healing. She must have come to Haiti in the hearts of deported Scottish and Irish indentured servants. There is even a song we sing in ceremonies which goes Maman Brijit, li soti nan anglete, Maman Brigitte, she comes from England..' (I think that Brigid was more Scottish than English, but in Haiti perhaps at one time the word anglete represented all the British Isles.)
Nowadays, Maman Brigitte is considered to be the wife of Baron, Master of the Cemetery and chief of all the departed ancestors, known as lwa Ghede. The grave of the first woman buried in any cemetery in Haiti is consecrated to Maman Brigitte, and it is there that her ceremonial cross is erected. She, as well as Baron, is invoked to 'raise the dead', meaning to cure and save those who are on the point of death from illness caused by magic. Here is a very famous song about Maman Brigitte sung in Vodou ceremonies:
(Haitian Creole)
Mesye la kwa avanse pou l we yo!
Maman Brigitte malad, li kouche sou do,
Pawol anpil pa leve le mo (les morts, Fr.)
Mare tet ou, mare vant ou, mare ren ou,
Yo prale we ki jan yap met a jenou. Download pc depot laptops & desktops driver.
(English)
Gentlemen of the cross (deceased ancestors) advance for her to see them!
Maman Brigitte is sick, she lies down on her back,
A lot of talk won't raise the dead,
Tie up your head, tie up your belly, tie up your kidneys,
They will see how they will get down on their knees.
(Meaning, tie up your belly, 'gird up your loins' to prepare for the strain of work, we will make the people who did this evil spell get down on their
knees to beg pardon and receive their punishment.)
Maman Brigitte, like the rest of the Baron/Ghede constellation, is a tough-talking lwa who uses a lot of obscenities. She drinks rum laced with hot pepper, so hot that a person not possessed by a lwa could never drink it. She also is known to pass hot Haitian peppers on the skin of her genitals, and this is the test to which women are subjected when they are suspected of 'faking' possession. She dances the sexually suggestive and remarkably artistic banda, and the virtuosity of her dancing is legendary.
Maman Brigitte and Baron are the mother and father who reclaim the souls of the dead and transform them into lwa Ghede, removing them from the mystic waters where they were without cognizance of their own identity and naming them.
There is a plaintive song about the condition of souls in the mystic waters, which is also sung when an initiate is being prepared for the period of seclusion, ritual death, and rebirth of the initiation cycle:
(Haitian Creole)
Dlo kwala manyan, nan peyi sa maman pa konn petit li,
Nan peyi sa, fre pa konn se li, dlo kwala manyan.
(English)
Water kwala manyan (not Creole words), in that country a mother does not
know her child,
In that country a brother does not know his sister, water kwala manyan.
(back to top)
Part 2C - THE LWA GHEDE
The lwa Ghede are an enormous family of lwa, as many and varied as were the souls from which they originated. Since they are all members of the same family, spiritual children of Baron and Maman Brigitte, they all have the same last name - La Croix, the cross. No matter what other name they bear, their signature is always La Croix.
Some Ghede's names include: Ghede Arapice la Croix, Brav Ghede de la Croix, Ghede Secretaire de la Croix, Ghede Ti-Charles la Croix, Makaya Moscosso de la Croix; and such sad and degraded sounding names as Ghede Ti-Mopyon Deye la Croix (Ghede Little Crab Louse Behind the Cross), Ghede Fatra de la Croix (Garbage Ghede of the Cross), Ghede Gwo Zozo nan Crek Tone de la Croix (Ghede Big Cock in Pussy by Thunder of the Cross) and so on. There is a reason for these odd names, which will become clear as we go along.
The vast majority of Ghedes are male, but there is at least one female Ghede which I have seen, called 'Ghedelia'. Her name is also emblazoned on a few buses in Port-au-Prince, but I have not determined whether she is a well known Ghede who may appear in almost any peristyle, or whether she is a unique 'family' Ghede.
Ghede may possess anyone, anytime, even Protestants (to their enormous embarassment and displeasure.) I have a woman friend in Haiti who one day was observing a group of women possessed by Ghede, cavorting and dancing the banda. She said something like, 'Look at those disgusting whores, they have no respect for themselves.' On the spot, a Ghede possessed my friend, threw her to the ground, and declared from her prostrate body that he would take her to join her ancestors forthwith! Pleading and intercessions from her family members finally pacified the Ghede, who promised to relent - on the condition that the woman become a Mambo! Mambo Delireuse now practices in a rural area near Petite Riviere de l'Artibonite, in central Haiti!
The Ghedes are very much transitional figures, standing as they do between the living and the finality of death, between the ancestors in Guinea and the living men and women of Haiti. Perhaps this is why the Ghede are honored midway through the full orthodox Vodou ceremony, after the Rada (primarily Dahomean and Yoruban) and before the Petro (primarily Western Hemisphere).
The Ghedes dress much like their father Baron - black or purple clothes, elaborate hats, dark glasses, sometimes missing a lens, a walking stick or baton. They also dance the banda, but they retain more of the individual personality of the person from whom they originated. For example, the Spanish-speaking Ghede I have already discussed turns his baton around and holds it like a guitar. Realtek hard disk controller driver download 64-bit. He pretends to strum as he sings love songs to una mujer. This is a bit atypical, but many Ghedes proclaim their geographic origins - 'I come from Thomazeau', 'I'm a Port-au-Prince guy'.
The Ghede family, including their father and mother, Baron and Maman Brigitte, are absolutely notorious for their use of profanity and sexual terms. There is a reason for this - the Ghede are dead, beyond all punishment. Nothing further can be done to them, so the use of profanity among the normally somewhat formal Haitians is a way of saying, 'I don't care! I've passed beyond all suffering, I can't be hurt.' In a country where disrespect for authority figures was until recently punished by torture or death, this is a powerful message.
However, this profanity is never used in a vicious or abusive fashion, to 'curse someone out'. It is always humorous, even when there is a pointed message involved.
There are some very stately and dignified songs sung for Ghede, particularly the older, racine or root aspects such as Brav Ghede. Nowadays however, the accent is on the sexual and obscene humor the Ghede lwa provide. Here is a popular song sung for Ghede in public celebrations and Vodou peristyles:
(Haitian Creole)
Si koko te gen dan li tap manje mayi griye,
Se paske li pa gen dan ki fe l manje zozo kale!
(English - hold on to your socks, folks!) -
If vagina had teeth, it would eat roast corn,
It's because it has no teeth, why it eats peeled penis!
In the same vein, Ghede is said to be a thief. It is true that he appropriates what he likes from streetside vendors, but once the seller accedes to Ghede's demands his pilfering is usually limited to a few scraps of coconut meat or a bit of roast corn. At Fet Ghede, most peristyles cook food especially for the hundreds of Ghedes which appear and wander through the streets. Here is a song that a crowd of Ghedes sang as they went to the house of a well know and particularly generous Mambo in the Carrefour area of Port-au-Prince, named Lamesi (from the French La Merci, the thanks).
(Haitian Creole)
Ting ting ting ting kay Lamesi,
Whoi mama,
Kay la Mesi gen yon kochon griye,
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Whoi mama!
(English)
Ting ting ting ting Lamesi's house
Whoi mama,
Lamesi's house has a whole roast pig,
Whoi mama!
November 2, All Soul's Day, commonly called Fet Gede (pronounced GAY-day), is a national holiday in Haiti. Catholics attend mass in the morning and then go to the cemetery, where they pray at family grave sites and make repairs to family tombs. The majority of Haitian Catholics are also Vodouisants, and vice versa, so on the way to the cemetery many people change clothes from the white they wore to church, to the purple and black of the lwa Gede, the spirits of the departed ancestors.
By midmorning the streets of Port-au-Prince are thronged with thousands of people. Dozens are already possessed by a Ghede, and their nasal voices, obscene jokes, and gyrating banda dance make them unmistakable. Grand Cemetiere, the main cemetery of Port-au-Prince, is jammed with people. Crowds press close around the twelve foot high ceremonial cross of Baron and the nearby smaller cross of Maman Brigitte. Many bring offerings of black coffee and rum, which they pour at the foot of the crosses. They also bring food offerings of bread, grilled peanuts, roast corn, and sometimes peppery cooked food. Occasionally a person, usually a Houngan or Mambo, will sacrifice a chicken or a pair of pigeons or doves. The offering is quickly appropriated by the many beggars who throng the cemetery. Some people sell candles, beeswax tapers, and religious images of saints considered to represent Baron, Maman Brigitte, and the Ghedes.
Imagine a Mambo in voluminous skirts of black and lavender, a flounced bodice of the same colors, several silk kerchiefs wrapped around her head, and strings of beads at her neck; as she approaches the cross of Maman Brigitte with her hounsis (those who have received the first grade of initiation.) She carries sticky beeswax tapers which she affixes to each arm of the cross and to it's center. Then she produces a black hen from her straw knapsack, and passes it downward over the bodies of her hounsis, removing all evil influences. After prayer, she kills the chicken quickly just as she would for an ordinary meal. The blood spurts on the cross, and she donates the chicken to a hungry beggar woman awaiting alms. The Mambo becomes possessed by Maman Brigitte, and prophesies the events of the coming year. One of the hounsis who has behaved badly is disciplined with a few gentle taps, and one who is ill is given the recipe for an herbal tonic. Then Maman Brigitte drenches her cross with rum and sets it alight, singing and dancing the banda with great virtuosity to the joy of all present. A few moments later she leaves the head of her Mambo, who, returned to consciousness, composes herself and leaves the cemetery with the utmost dignity.
Across town at the cemetery of Drouillard, wherein are buried the poorest of the poor, the people of the Cite Soleil neighborhood, the worship is yet more intense. Bands of Vodouisants from various peristyles march singing behind teams of drummers, with more and more people undergoing possession as they near the cemetery. Those who remain in their normal consciousness visit the graves of friends and relatives, speaking to them as though they can hear under the ground.
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'Look, Papa,' says one woman, 'I've brought food for you.'
'Older brother,' weeps a young man, 'the Army killed you, we found your body in pieces, but all of your pieces are there, brother, are they not? You will not play the drums for us again, dear brother.. Mother misses you, she wanted to come but she is ill.. see the rum I have brought for you!'
The Ghede lwa, epitomizing defiance, sweep through the crowd shouting obscene jokes and singing obscene songs at the top of their lungs. Here is a song popular among the Ghedes last year in the Drouillard cemetery:
(Haitian Creole)
Zozo, tone! A la yon bagay ingra, (repeat)
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Koko malad kouche, zozo pa bouyi te ba l bwe,
Koko malad kouche, zozo pa vini we l.
(English - with caution and apologies to those of delicate sensibilites)
Penis, by thunder! What an ungrateful thing, (repeat)
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Vagina is sick lying down, penis does not boil tea for her,
Vagina is sick lying down, penis does not come to see her.
(The words zozo and koko are actually very naughty terms for the parts
involved, not at all like 'penis' and 'vagina'.)
Last year I, an American Mambo, left a peristyle with a Houngan and our congregation. The Houngan had a very powerful Baron in his head called Secretaire de la Croix, but Secretaire was refusing to possess the Houngan, because the Houngan had taken some of the money given him for Fet Gede and used it for his own purposes. The Houngan was very humiliated, and decided to go directly to the cemetery to ask for forgiveness.
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I had the use of a pickup truck, so we filled it up with members of our peristyle and drove through the choked streets to the cemetery. We got stuck in traffic, and as we sat and sat, Baron Secretaire de la Croix became impatient and took my head instead!
As far as I am told, there was a car in the oncoming lane, also stuck. Secretaire leaned out the driver's window of the stopped pickup and began to talk with the occupants of the car, who were very surprised to see a Baron in the head of a foreign Mambo! Two very wealthy ladies were seated in the back of the car, and Baron paid them special honor.
'Good evening, ladies,' said Baron.
'Good evening, Baron, Papa,' they giggled.
'And how are your clitorises today?', inquired Baron very seriously. https://abcblog260.tumblr.com/post/657956696667422720/drivers-paradigit-laptops-desktops. 'If your clitorises are not well, you may tell me, and I will tell those two big old penises in the front of the car to go to work!'
Peristyle Driver Download
The women, who under any other circumstances would have been furious, roared with laughter, as did the two men in the front of the car. The older woman leaned out the window and replied to Baron.
'Our clitorises are very well, Baron Papa. Thank you very much!'
Peristyle Drivers
And in a few moments the traffic jam broke up and Baron released me from possession, leaving me to drive the pickup truck to the cemetery and grovel with embarassment as our peristyle members, laughing hysterically, related the incident to me!
In the evening, each peristyle holds a dance in honor of Baron, Maman Brigitte, and the Ghedes. The people who come must all be fed, and the lwa who appear are also feasted from kettles of food specially prepared for them. Dancing goes on long into the night, even until daybreak. The artistry of the lwa is incomparable, and even non-Vodouisants often come to watch. Then the exhausted worshippers return home, to await the coming of Fete Ghede the following year.
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of-fear-and-love · 9 months ago
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agendaculturaldelima · 4 months ago
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#ProyeccionDeVida
📽 Cine Club. Del Oscar a la Pantalla Grande, presenta:
🎬 “ALMA EN SUPLICIO” [Mildred Pierce]
🔎 Género: Drama / Cine Negro / Melodrama / Maternidad
⌛️ Duración: 109 minutos
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✍️ Guion: Ranald MacDougall y Catherine Turney.
📒 Novela: James M. Cain
🎼 Música: Max Steiner
📷 Fotografía: Ernest Haller (B&W)
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💥 Argumento: Cuando el segundo marido de Mildred Pierce es asesinado, la policía la interroga. La mujer cuenta cómo ha sido su vida desde que se casó por primera vez y cómo se ha sacrificado para proporcionar a su hija todas las oportunidades que ella nunca tuvo.
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👥 Reparto: Joan Crawford (Mildred Pierce), Zachary Scott (Monte Beragon), Ann Blyth (Veda Pierce), Eve Arden (Ida Corwin), Jack Carson (Wally Fay, Wally Burgan), Bruce Bennett (Bert Pierce), Jo Ann Marlowe (Kay Pierce), Veda Ann Borg (Miriam Ellis) y Lee Patrick (Mrs. Maggie Biederhof).
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📢 Dirección: Michael Curtiz
© Productora: Warner Bros.
🌎 País: Estados Unidos
📅 Año: 1945
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🎥 Proyección:
📆 Sábado 22 de Febrero 🕗 7:00pm.
🏛 Auditorio del ICPNA (av. Angamos Oeste 120 – Miraflores)
🚶‍♀️🚶‍♂️ Ingreso libre
🖱 Reservas: https://bit.ly/4gvBFNo
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thefugitivesaint · 6 years ago
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William Brown Macdougall (1868-1936), ''The Fall of the Nibelungs'' by Margaret Armour, 1897  Source
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