#website developer Solano

[collapsedsquid]

Two area congressmen who sought for years to find out whether foreign adversaries or investors were behind the buying spree around a U.S. Air Force base vital to national security and the local economy are furious that Flannery kept its identity hidden for so long. The website say 97% of its funding is from U.S. investors and the rest are from the United Kingdom and Ireland. “The FBI, the Department of Treasury, everyone has been doing work trying to figure out who these people are,” U.S. Rep. Mike Thompson, who represents much of the county, said this week after meeting with Sramek. “Their secrecy has caused a lot of problems, a lot of time, and a lot of expense.” The investment group said secrecy was required until enough land was purchased, in order to avoid short-term speculation, but that it is now ready to hear from Solano households via a mailed survey and creation of a community advisory board. Past surveys showed parents were most concerned about their children’s future, the website said. [...] In many ways, Solano County is ideal for development. It is 60 miles (96 kilometers) northeast of San Francisco and 35 miles (56 kilometers) southwest of California’s capital city of Sacramento. Solano County homes are among the most affordable in the San Francisco Bay Area, with a median sales price of $600,000 last month. But Princess Washington, mayor pro tempore of Suisun City, said residents deliberately decided to protect open space and keep the area around Travis Air Force Base free of encroachment given its significance. She’s suspicious that the group’s real purpose is “to create a city for the elite” under the guise of more housing. “Economic blight is everywhere. So why do you need to spend upwards of a billion dollars to create a brand new city when you have all these other things that can be achieved throughout the Bay Area?” she said. Flannery further infuriated locals in May when it sued several landowners in court, accusing them of conspiring to fix prices for their properties. The company disclosed it had purchased or was under contract to buy about 140 properties for more than $800 million.

DIsappointed that Marc Andreessen doesn't believe in the free market and immediately calls on Big Government

[enetarch-working-w-adhd]

Learning Disability Testing - Links

Google Search https://www.google.com/search?client=firefox-b-1-d&q=testing+adults+for+learning+disbilties

The Adult Learning Disability Assessment Process https://ldaamerica.org/info/adult-learning-disability-assessment-process/

SFSU - Off Campus Assessment Referrals for Learning Disabilities https://access.sfsu.edu/LD-assessment

Any licensed clinical psychologist, educational psychologist, school psychologist or neuropsychologist who has experience with an adult population; or a learning disabilities specialist employed in a college or university can administer an assessment for learning disabilities. Evaluations of a learning disability should follow the SF State/CSU documentation guidelines. Please share the enclosed guidelines with your clinician before being assessed.

Learning Disabilities Assessment Referrals

The following list of Bay Area professionals can assess learning disabilities.

Hilary Anand, Ph.D., hilaryanandphd@gmail.com, Lumo Assessment website

Helen Chen, Psy.D., 1 Shrader Street, Suite 550 SF, Ca, 94117, 415-779-2089

Corinne Gustafson, M.Ed., BCET, 1221 Marin Avenue, Berkeley/Albany, CA 94706, 510-524-6455 or 510-233-4042

Jennifer Kirkland, Ph.D., 1057 Solano Avenue, Ste. 102, Albany, CA 94706, 510-525-6608

Stacy Nelson, Ph.D., 250 Bel Marin Keys Blvd., Ste. D-5, Novato, CA 94949, 415-257-0702 or 415-999-9687, Stacy Nelson's website

Katey Nicolai, Ph.D., kateynicolaiphd@gmail.com, Lumo Assessment website

Alan Siegel, Ph.D., 2607 Alcatraz Ave., Berkeley, CA 94705, 510-652-4185, Alan Siegel's website

Allison Waterworth, Psy. D., 2409A Sacramento St., SF, CA 94115, 415-577-4750, Allison Waterworth's website

Julie Wolfert, Psy.D., 2409 Sacramento Street, 2nd Floor, SF, CA 94115, 415-308-9631, Julie Wolfert's website

The following contacts offer reduced or sliding scale fees

Wright Institute Assessment Service, 1918 University Ave., Suite 3D, Berkeley, CA 94704, 510-239-2014

CSPP Psychological Assessment Clinic, 1 Beach St., San Francisco, CA 94113, 415-955-2106

UC Berkeley Psychology Clinic & Center for Assessment, 2121 Berkeley Way, Berkeley, CA 94720, 510-642-2055

Adult Testing https://ldaamerica.org/category/adult-testing/?audience=Students

Screening Adults for Learning Disabilities https://ldaamerica.org/info/screening-adults-for-learning-disabilities/

Assessment for Adults with LD and/or ADHD https://www.ldonline.org/ld-topics/evaluation-ld-testing/assessment-adults-ld-andor-adhd

Learning Disability Testing Process https://cae.ucla.edu/resources/learning-disabilities-assessment-process

Parents - Search https://www.parents.com/search?q=disability+testing

https://www.parents.com/kids/development/learning-disabilities/cost-of-diagnosing-child-learning-difficulty/

https://www.parents.com/learning-disability-tests-8663409

CCSF - Learning Disability Assessment https://www.ccsf.edu/student-services/support-programs/disabled-students-programs-services/learning-disability-assessment

Learning Disabilities Testing https://www.psychtestingsf.com/learning-disabilities/

[baycitiesasphalt]

Driveway upgrade guide transform your homes entrance with asphalt paving

Boost your curb appeal and property value with a new asphalt driveway. Learn about the benefits, design options, and the installation process. Are you a homeowner, property owner, or DIY enthusiast in Solano County, Contra Costa County, Sonoma County, or Santa Clara County looking to upgrade your driveway? Look no further than asphalt paving contractors to enhance your home’s entrance. Bay Cities Asphalt, Inc. is here to guide you through why asphalt is the ideal choice for your driveway and how it can transform your property. A cracked, faded driveway detracts from your home’s beauty. This spring, give your residence a makeover with a smooth, durable asphalt driveway. Explore the advantages of asphalt paving for driveways and get inspired by design possibilities.

Why Asphalt For Driveways?

Cost-effective and Long-lasting An asphalt driveway adds to your home’s aesthetic and is a wise financial investment. Asphalt is known for its durability and longevity. It’s built to withstand the elements, whether intense sun or cold winters, making it a cost-efficient choice for homeowners.

Fast Installation with Minimal Disruption Professional asphalt paving contractors, like Bay Cities Asphalt, Inc., ensure quick and efficient installation of your new driveway. Plus, the latest asphalt technologies are developed with sustainability in mind. Asphalt pavements are 100% recyclable and can be used repeatedly, reducing the overall carbon footprint.

Easy Maintenance Maintaining an asphalt driveway is straightforward. Periodic seal coating and simple repairs can significantly extend the life of your driveway. A well-maintained asphalt driveway can last up to 20 years or more with proper care.

Design Inspiration Colored or Stamped Asphalt Expand your vision beyond traditional black asphalt with colored or stamped options. You can customize the look of your driveway to match your home’s style and increase its curb appeal.

Borders and Accents for Visual Interest Consider accentuating your driveway with borders in complementary colors or materials, adding an extra touch of sophistication to your property.

Practical Layout Considerations A well-planned driveway offers more than visual appeal. It enhances accessibility to your home and can be designed to accommodate multiple vehicles, which is particularly advantageous when hosting gatherings.

The Installation Process Importance of Site Preparation and a Proper Base Professional asphalt paving contractors start with a solid foundation. Proper site preparation ensures that your driveway will look good and endure the test of time.

Laying and Compacting the Asphalt The skill of the paving team plays a critical role in this phase. It’s not just about laying the asphalt – it’s about expertly compacting it to avoid future issues like potholes or cracking.

Timeline and Curing Process The installation process is quick and often completed in a few days, depending on the size of the driveway. Curing takes a bit longer; we will guide you on when your driveway will be ready.

Special Considerations For California Winter Climate Bay Cities Asphalt, Inc. understands the challenges California’s winter climate can pose to outdoor construction. With rising concerns about climate change and its impact on infrastructure, we emphasize adaptation and resilience in our projects. Studies on climate change impacts, such as those published in the Canadian Journal of Civil Engineering, inform our techniques to ensure that your asphalt pavement can withstand environmental stressors, ensuring a longer service life for your driveway.

Need Asphalt Paving Contractors? Choose Bay Cities Asphalt, Inc. Bay Cities Asphalt, Inc. stands out among asphalt paving contractors with a reputation built on quality work, unparalleled customer service, and dedication to eco-friendly practices. Don’t just take our word for it; visit our website and see what our satisfied customers say about transforming their driveways into durable, beautiful entrances.

Start your driveway transformation with Bay Cities Asphalt, Inc. Enhance your home’s curb appeal and functionality. Contact Bay Cities Asphalt, Inc. for a free driveway paving consultation. With our commitment to excellence and your vision for your home, we can create a striking entrance that leaves a lasting impression.

[dutchesfec]

Quantum Machine Learning for Protein Folding

Proteins play a key role in every cell-level process, from immune responses to neuronal activity. They are encoded as long sequences of amino acid residues, which must fold into a complex 3D structure to perform their functions. Determining that structure, however, has proven a difficult computational challenge. This is because the physics of protein folding involves a highly dynamic energy landscape, which is difficult to model from first principles.

Attempts to tackle the problem have so far been limited by the availability of computing resources. The latest advance could potentially bring a quantum boost. Researchers have developed a hybrid classical-quantum algorithm that can predict the lowest-energy protein conformation from its amino acid sequence. It requires just nine qubits, of which seven are configuration qubits and two are interaction qubits.

The algorithm uses the principles of quantum annealing to guide its search for protein structures, and is based on the work of Fingerhuth et al 2018. A key difference between this and other quantum-algorithm approaches is that they use a probabilistic representation rather than a techogle.co deterministic one. This allows the algorithm to take advantage of a feature of the quantum mechanics of proteins, which is that the probability of a given state is proportional to the square root of the entropy of that state.

A major obstacle to protein folding is the Levinthal paradox, which states that the energy cost of sampling the full protein configuration space (the “space of all possible proteins”) exceeds the total energy required to find the lowest-energy conformation. Current computational methods, such as GPU-assisted exhaustive searches of coarse-grained models or protein lattices, reduce this space but require high computation resources. The authors’ new algorithm addresses this challenge by using the adiabatic optimization principle of quantum annealing to transform the protein configuration space into an objective function that minimizes the maximum deviation from the protein’s native conformation.

The adiabatic optimization approach, which is also used by other quantum algorithms, is an example of a general class of algorithms known as adiabatic approximations. The researchers evaluated the performance of their new algorithm on an IBM Quantum Cloud simulator and found that it achieved a computational efficiency of 128 bits per second, well above comparable classical-only algorithms. Their findings show that quantum machine learning can magnify our ability to decipher molecular complexities and supercharge simulations, potentially accelerating drug discovery timelines. The energy potential learned by the algorithm could be applied to designing viable amino-acid sequences for proteins, and it could help us develop better technology website treatments for diseases involving protein misfolding. This work was supported by the European Union Horizon 2020 programme and by the National Science Foundation under Grant No. 1734560. Additional support was provided by the University of the Basque Country UPV/EHU, Kipu Quantum in Germany, and the International Center for Quantum Artificial Intelligence for Science and Technology (QuArtist) and the UC Berkeley-Stanford Joint Institute for Computational Biology. Additional authors include Pranav Chandarana, Narendra N. Hegade, Iraitz Montalban, Enrique Solano, Xi Chen, and others.

[randommains]

Diablo valley college transcript request

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[gystink]

Request for Qualifications: The City of San José/ Santa Clara Valley - Capitol Light Rail Extension (USA)

Santa Clara Valley - Capitol Light Rail Extension 200 East Santa Clara Street, 12th Floor San José, CA 95113 APPLY NOW Contact Email: mary.rubin@sanjoseca.gov Call Type: Public Art Eligibility: National State: California Entry Deadline: 7/2/21

REQUIREMENTS: Media Images - Minimum: 8, Maximum: 8 Video - Minimum: 0, Maximum: 1 Total Media - Minimum: 8, Maximum: 9

View Site Details

INVITATION TO SUBMIT QUALIFICATIONS Submission Deadline: Friday, July 2, 2021,10:59 p.m. Pacific Time (11:59 p.m. Mountain Time) Downloadable RFQ and Addendum 1 available for download here: https://www.sanjoseca.gov/your-government/departments/office-of-cultural-affairs/public-art/for-artists

I.  BACKGROUND

Eastridge to BART Regional Connector (EBRC) is the last phase of the larger Capitol Expressway Transit Improvement Project that transforms San Jose’s Capitol Expressway into a multi-modal boulevard offering Bus Rapid Transit (BRT), light rail transit, and safe connections to the regional transit system.

This 2.4-mile extension of VTA’s light rail “Orange Line” will extend from the Alum Rock Station (on Capitol Avenue) to the Eastridge Transit Center (on Capitol Expressway). The extension will be constructed on an elevated track operating in the median of Capitol Expressway and includes two new stations. At Story Road plans include an elevated station that will be accessed by a pedestrian bridge. The Eastridge Transit Center, one of the busiest hubs in VTA’s transit network, will acquire a new ground-level station. Work at this location will also include an expansion of the existing Park-and-Ride. The overall project also includes new traction power substations at Ocala Avenue and Eastridge Transit Center.

When complete, VTA riders will be able to board light rail at the Eastridge Station, and connect directly with BART at Milpitas Station, the northernmost BART station in Santa Clara County.  

II.  PUBLIC ART PROJECT OPPORTUNITIES

Public Art will be an important feature of the EBRC Project distinguishing VTA as a visible and significant part of the city landscape. Public Art will also contribute to the vibrancy of the cityscape, promote neighborhood pride by strengthening the unique character of the individual stations as landmarks, create engaging experiences for pedestrians and transit users, and reinforce intuitive wayfinding.

The primary opportunities for artwork are located at the Story Road and Eastridge Transit Center stations. These sites allow for both discrete sculpture as well as integrated plaza enhancements. While VTA is open to receiving recommendation for other opportunities within the overall budget, and without impact to project schedule, the final site selection shall be at VTA’s sole discretion.

Story Road: Commuters from the surrounding community connecting to downtown San José, or BART at the Milpitas Station will be the predominate users of Story Station. The street level pedestrian area at the Southeast and Southwest drop off zone has been initially (although not exclusively) identified as the primary public art site.

Eastridge Transit Station: Eastridge Transit Station is an end-of-the line station. It is adjacent to the busy Eastridge Mall, in proximity to Lake Cunningham Recreation Area, and will be one of the busiest stations in San José. Here the Park-and-Ride is being reconfigured, offering opportunities to distinguish the adjoining plaza.

Additional context (e.g. site overview of the transit line, renderigs of the stations, existing photos, etc.), for reference are available in the "View Floor/ Site Plan" link provided above, and attached to the downloadable RFQ as Appendix I. We are seeking 2 artists/artist teams (one for each site) with diverse skill in object making, material integration, and community outreach and engagement. A wide range of artistic approaches is acceptable for these opportunities, but ultimately the work must be appropriate for conditions of an exterior installation.  

III. ARTIST ELIGIBILITY

This opportunity is open to individual artists or artist-led teams working and living in the United States. All applicants must be at least 18 years of age and have all necessary documentation and permits to work in the United States at the time of submittal of qualifications. If submitting as a team, a professional artist must be the lead team member.

To be eligible, artists must demonstrate experience developing and implementing projects in public space with a budget of $200,000 or greater. 

Note: one of these commissions will be reserved for Bay Area region artists defined as artists living and working in one of the following counties: Alameda; Contra Costa; Marin; Napa; Santa Clara; Santa Cruz, San Francisco; Sonoma, Solano, and San Mateo.  

IV.  PROJECT BUDGET & SCOPE

There are two discrete opportunities. The total budget of each project shall not exceed $450,000, which includes all expenses related to the research, community outreach, design, fabrication, delivery and installation of artwork as follows:

Artist Fee: $70,000 for completion of the following:

Research and investigation including, but not limited to, review of background documents and data to understand the EBRC design documents, project area, and community.

Community outreach and engagement, including discussion with key stakeholders and public meetings with community members for the purpose of understanding the diverse community, their goals and values. The engagement process is intended to build community awareness, stewardship, and provide input and feedback for creative inspiration. Based on COVID-19, artist will work with VTA and SJPA to co-create a virtual process as appropriate based on health guidelines.

Preparation of concept, schematic, and design development proposals including: dimensioned plans and elevations describing the artwork design, installation plan, colors, materials, fabrication processes, costs, schedule (from fabrication through installation), and maintenance specifications. Artists will also provide renderings, models and other visual material to adequately illustrate how the artwork will appear when installed.

Presenting the design proposal to project stakeholders including, key community stakeholders, the VTA, and San José Public Art Committee for approvals.

Based on the approved Design Development Proposal, preparing construction documents and specifications (CDs”) for the artwork. Artist will be responsible to provide the services of all licensed design professionals, engineers, fabricators, installers, and other consultants, as needed, to ensure artwork’s code compliance, structural integrity, and durability.

Fabrication and Installation: Up to $350,000 for each location may be allocated for fabrication and installation as determined by the approved Design Development Proposal including, but not limited to: off site fabrication; transportation to site, and final installation; developing comprehensive operation and maintenance specifications, required staff training, and preparing final as-built documentation.

Contingency: In addition to the fabrication and installation budget a contingency of $30,000 is set aside to cover unanticipated costs that are the result of critical, unforeseen circumstances, which impact the artist’s ability to deliver the Project within budget. The VTA retains unused contingency funds and must approve of the use of them.  

V. CONTRACT

The Artist will enter into a three-party agreement between VTA and the City of San José. The Exemplar agreement is attached as Appendix II to the downloadable RFQ available online at the City of San Jose Public Art Program website "For Artists":  https://www.sanjoseca.gov/your-government/departments/office-of-cultural-affairs/public-art/for-artists

Artists are asked to review this contract prior to submitting for this project and refer any questions to SJPA staff or to your own legal counsel as necessary. If you cannot access this agreement via the Internet, please request a copy be mailed to you prior to the submittal deadline so you may review it in advance of your application. Final award shall be contingent upon selected artist/team accepting Terms and Conditions of the agreement in conformity to the terms listed in the referenced document. City reserves the right to accept an offer in full, or in part, or to reject all offers. The selected artist must comply with any local business licensing requirements including any local Business Tax requirements and will be required to obtain Automobile Insurance and General Liability Insurance coverage in conformance with requirements as directed in the three-party agreement.  

 VI. PROJECT SCHEDULE AT-A-GLANCE*

RFQ advertised                                                     Monday, April 26, 2021

RFQ Submittal Deadline                                       July 2, 2021

Artist Selection                                                      July 2021

Contracting                                                            August 2021

Research & Concept/Schematic Development     September - November 2021

Concept/Schematic Proposal Review                   December 7, 2021

Design Development                                             December 2021 – January 2022

Design Development Proposal Review                 February 1, 2021

Construction Documentation                                 February – March 2022

Fabrication, Installation, and Completion              TBD - prior to Winter 2025

* This is a typical schedule; dates may be subject to change.  

VII.  SELECTION PROCESS

There will be a two-phase selection process:

Short List: A selection panel will review artist qualifications, statement of interest, and past work examples with the goal of selecting 4 - 6 finalist artists for interviews. Qualifications, work samples and statement of interest must be submitted through CaFÉ™ per instructions below. Artists need only submit once and will be considered for both opportunities. NOTE: Specific proposals are not requested and will not be reviewed at this time.

Finalist Interviews: Interviews will be conducted virtually and will focus on prior experience of the artist/team; artists’ conceptual approach to developing artwork for specific sites; and strategies for creative virtual community engagement.

VIII.  RFQ SCHEDULE

The following is the schedule for the artist selection process:

RFQ advertised                                             Monday, April 26, 2021

Last date to submit questions/objections      Friday, May 7, 2021

RFQ Closing Date                                         Friday, July 2, 2021

Selection Panel / Short listing                       Week of July 12, 2021

Artist Interviews and Selection                      Week of August 1, 2021

Once selected and contracted, a site visit will be scheduled for commissioned artists to begin site investigations. The timing of this activity will be based on COVID-19 status, design development priorities, and other goals as determined collaboratively with artists.  

IX.  QUALIFICATION SUBMITTAL

Qualifications, work samples, and statements of interest shall be submitted through CaFÉ™ in accordance with the instructions below; there are no exceptions.

Staff will preview all submissions for completeness prior to Selection Committee review and may reject incomplete or non-responsive submissions.

While submittal through CaFÉ is free to artists, any other potential costs associated with responding to this request are to be borne by the Artist.  

X.  SELECTION CRITERIA

Aesthetic excellence of past projects; appropriateness of prior concepts as they relate to EBRC project goals and opportunity.

Experience and/or interest in creating public artworks in collaboration with stakeholder group.

Interest in innovating virtual and/or socially distant community engagement strategies.

Experience developing artworks in outdoor environments.

Experience in construction materials and methods appropriate to the scope of the project.

Demonstrated ability to manage projects on time and on budget.

Demonstrated delivery of projects with similar budgets: Artists must demonstrate experience developing and implementing projects in public space with a budget of $200,000 or greater.

Experience working with a government agency.

  XI.  APPLICATION REQUIREMENTS

APPLICATION DEADLINE:

Submissions (described below) must be received as a complete application in CaFÉ™ by no later than 10:59 p.m. (PST) 11:59 p.m. (MST) on Friday, July 2, 2021.

Note: 10:59 p.m. Pacific Time (PT) is the same as 11:59 p.m. Mountain Standard Time (MST), the time zone in which CaFÉ™, the host for online submittal is located; CaFÉ™ will automatically stop accepting submittals.)

Please make sure you have started your application with time to ask questions, particularly if you have not used CaFÉ™ previously. Late and incomplete applications will not be accepted.

APPLICATION PROCESS: All materials will be submitted online, via CaFÉ™ website (www.callforentry.org). There is no application fee to apply or to use the CaFÉ™ online application system. 

To view the application, go to www.callforentry.org, register a username and password, navigate to “Apply to Calls”, and search the list for “Santa Clara Valley – Capitol Light Rail Extension”

Assistance in using the CaFÉ™ system is available during regular business hours via e-mail at cafe@westaf.org.

 XII.  REQUIRED APPLICATION MATERIALS

The application submission must include the information and materials described below all of which are required to constitute a complete application. Please review carefully as incomplete applications will not be eligible for consideration and will not be reviewed.  

Images of Past Work: Submission must include visual representations of past artwork that demonstrate your qualifications for this project. In order to be considered for this project, the applicant must submit a total of 8 digital images that represent no more than 5 previously completed projects. Proposal images from prior projects may be submitted, but should be clearly marked as proposals and cannot be more than 2 of the requested 8 images. All images are to be submitted electronically through the CaFÉ™ system. Instructions on how to format images to CaFÉ™ specifications can be found on the CaFÉ™ website under Image Prep.

Descriptions of Past Work: Submission must include a list of the submitted project images with descriptions that clearly explain both the projects and images. More specifically, each image must include the following: a) artwork title; b) date of completion; c) location; d) dimensions; e) significant materials; f) budget and g) relevant conceptual and/or contextual description. If you were the member of a team or otherwise worked with other artists on a project you are submitting for consideration, please clearly state your actual role in the creation of the work.

Statement of Interest in in this project: What specifically interests you about this project? What interests you in the site or site opportunities? Do you have specific interests as an artist that you feel align well with a project of this nature?

Stakeholder Engagement/Community Outreach: What is your public art experience collaborating with clients and communities? Given issues associated with COVID-19, how might you approach community outreach?

Résumé: Submission shall include a current résumé that outlines your professional accomplishments as an artist (maximum of 5000 characters/equivalent of 2 pages; if a team, then 3000 character maximum for each team member.)

Application for Completeness: Please confirm that your application includes all the required materials listed below:

Images (no more than 8 images representing no more than 5 projects)

Past Work - Image Description Detail

Statement of Interest

Stakeholder Engagement/Community Outreach

Résumé (5000 characters/2 page maximum)

Reviewed the three-party VTA, City of San José, Public Artist agreement as recommended

XIII.  EVALUATING APPLICATIONS

A.  Responsiveness of Applications: An application that is not current, accurate and/or completed in accordance with the requirements of this RFQ will be deemed non-responsive and will be eliminated by the City from further consideration.  Notwithstanding the foregoing, the City reserves the right to waive minor irregularities in an Application.

B.  Supplemental Information: The City reserves the right to require any or all Artists to provide supplemental information clarifying the submitted materials.

C.  Consideration of Information Outside the Application: The City has the right to conduct a further and independent investigation of the information provided in an application.  This includes contacting and speaking with references.  The evaluation panel may use any relevant information gathered by such investigation – and any other information that comes to the attention of the City – to evaluate an Artist.

 XIV.  COMMUNICATIONS REGARDING THIS RFQ FOR SUBMISSIONS

A.  Submitting a Question or Objection: Artists must submit any questions and/or objections to this RFQ to the Contact Person: Mary Rubin, Senior Project Manager: mary.rubin@sanjoseca.gov

B.  Questions and/or objections must be submitted via email. Contacting any City representative(s) other than the Contact Person about this RFQ is prohibited and is grounds for disqualification.

C.  Content of Question or Objection:  Artist submitting an objection must describe the objection as specifically as possible and set forth the rationale for the objection, including the section number and paragraph title at issue. 

C.  Deadline for Submitting a Question and/or Objection: Artists must submit any questions or objections no later than the Deadline for Submitting Questions and/or Objections as noted in the schedule referenced in Section VIII above.

E.  City’s Issuance of Addenda, Notices and Answers to Questions: The City will post all addenda and notices regarding this RFQ. The City may provide a written response to any question(s) and/or objection(s) in the form of a single answer or by issuing an addendum. 

F.  Artists are Responsible for Checking CaFÉ™: The addenda, notices and answers to questions issued by the City become part of this RFQ.  Each Artist is responsible for checking the City of San José Public Art Program website’s “For Artist” for addenda, notices and answers to questions.  In the event an Artist obtains this RFQ through any means other than to CaFÉ™, the City will not be responsible for the completeness, accuracy or timeliness of the final RFQ document. 

G.  Relying on Other Written or Oral Statements Prohibited: Artists can rely only on this RFQ and any subsequent addenda, notices and answers issued by the City. Artists cannot rely on any other written or any oral statements of the City or its officers, Directors, employees or agents regarding the Project or the RFQ.

 XV.  PROTESTS

A. If an interested party wants to dispute the award recommendation, they must submit their protest in writing to the City’s Public Art Director no later than five (5) business days after the Recommendation of Award is approved by the San José Public Art Committee, detailing the grounds, factual basis, and providing all supporting information.  Protests will not be considered for disputes of requirements or specifications, which must be addressed in accordance with the Objections Section above.  Failure to submit a timely written protest to the contact listed below will bar consideration of the protest.

B. Protests must be addressed to the following:

     Office of Cultural Affairs      Attention: Michael Ogilvie      200 E. Santa Clara Street      San José, CA  95113

C.  Grounds for which No Protest is Allowed: There is no right to protest based on the following:

Incomplete (non-responsive) applications;

Late submission of applications; or

A dispute regarding the application requirements and/or specifications that could have been addressed by submitting a question and/or objection in accordance with Section XIV.

D.  Director’s Decision: The Director or an appropriate designee of the Director will issue a written decision on any protest.  The Director, or designee, may base the decision on the written protest alone or may informally gather evidence from the Artist filing the protest or any other person having relevant information.  The Director’s decision is final.

 XVI.  GROUNDS FOR DISQUALIFICATION

A.  All Artists are expected to have read and understand the "Procurement and Contract Process Integrity and Conflict of Interest", Section 7 of the Consolidated Open Government and Ethics Provisions adopted on August 26, 2014.  A complete copy of the Resolution 77135 can be found here. Any Artist who violates the Policy will be subject to disqualification.  Generally, the grounds for disqualification include:

Contact regarding this procurement with any City official or employee or Evaluation team other than the Procurement Contact from the time of issuance of this solicitation until the end of the protest period.

Evidence of collusion, directly or indirectly, among Artists in regard to the amount, terms, or conditions of this proposal.

Influencing any City staff member or evaluation team member throughout the solicitation process, including the development of specifications.

Evidence of submitting incorrect information in the response to a solicitation or misrepresent or fail to disclose material facts during the evaluation process.

B.  In addition to violations of Process Integrity Guidelines, the following conduct may also result in disqualification:

Offering gifts or souvenirs, even of minimal value, to City officers or employees.

Existence of any lawsuit, unresolved contractual claim or dispute between Artist and the City.

Evidence of Artist’s inability to successfully complete the responsibilities and obligations of the proposal.

Artist’s default under any contract, resulting in termination of such contract.

 XVII.  MISCELLANEOUS PROVISIONS

A. City’s Right to Terminate Process: The City reserves the right to terminate this RFQ at any time.

B. Costs of Preparing Submittal:  Artist bears all costs associated with its efforts in responding to this RFQ.

C. Gifts Prohibited: Chapter 12.08 of the San José Municipal Code generally prohibits a City officer or designated employee from accepting any gift(s).  The Artist selected as a result of this RFQ will be required to comply with Chapter 12.08  accessible here.

D. By submitting a response to this RFQ, the Artist represents that:

It is familiar with the requirements of Chapter 12.08, and

It has complied with, and throughout the remainder of this application process will continue to comply with, the requirements of Chapter 12.08.

The Artist’s failure to comply with Chapter 12.08 at any time during this process is a ground for disqualification.

E. Discrimination:  It is the City’s policy that the selected Artist shall not discriminate, in any way, against any person on the basis of race, sex, color, age, religion, sexual orientation, actual or perceived gender identity, disability, ethnicity, or national origin, in connection with or related to the performance of City of San José contracts.

F. Public Nature of Submissions:  All applications and submissions and other correspondence with the City regarding this RFQ become the exclusive property of the City and become public records under the California Public Records Act (California Government Code section 6250 et seq.)  All submissions and other correspondence will be subject to the following requirements:

The City has a substantial interest in not disclosing submissions during the evaluation process. For this reason, the City will not disclose any part of the Application before it issues the Final Notice of selection. After issuance of the Final Notice of selection, all submissions will be subject to public disclosure.

There are a limited number of exceptions to the disclosure requirements under the Public Records Act, such as for trade secret information. The City is not in a position to determine what information in a submission, if any, may be subject to one of these exceptions. Accordingly, if an Artist believes that any specific portion of its submission is exempt from disclosure under the Public Records Act, the Artist must mark the portion of the submission as such and state the specific provision in the Act that provides the exemption and the factual basis for claiming the exemption. For example, if an Artist believes a submission contains trade secret information, the Artist must plainly mark the information as “Trade Secret” and refer to the appropriate section of the Public Records Act, which provides the exemption for such information and the factual basis for claiming the exemption.

If a request is made for information in a submission that an Artist has properly marked as exempt from disclosure under the Public Records Act (e.g. information that the Artist has marked as “Confidential”, “Trade Secret” or “Proprietary”), the City will provide the Artist with reasonable notice of the request and the opportunity to seek protection from disclosure by a court of competent jurisdiction. It will be the Artist’s sole responsibility to seek such protection from a court.

Any submission that contains language attempting to make all or significant portions of the submission exempt from disclosure or that fails to provide the exemption information required above will be considered a public record in its entirety. Therefore, do not mark your entire submission as “confidential,” “trade secret,” or “proprietary.”

G.  Environmentally Preferable Procurement Policy:  The City has adopted an “Environmentally Preferable Procurement” (EPP) policy. The goal is to encourage the procurement of products and services that help to minimize the environmental impact resulting from the use and disposal of these products. These products include, but are not limited to, those that contain recycled content, conserve energy or water, minimize waste or reduce the amount of toxic material used and disposed. Computers and other electronics are a growing focus of environmentally preferable purchasing activities due to their high prominence in the waste stream, their numerous hazardous chemical constituents, and their significant energy use. Moreover, when these products are improperly disposed of they can release hazardous substances that pollute the environment.

In support of this policy, the selected Artist will be required to work with the City to apply this policy where it is feasible to do so. In addition, Artists should address any environmental considerations with their proposal response.

The entire EPP policy may be found in the City’s internet site here.

H. Unfair Competitive Advantage:

The City seeks applications for this RFQ through a competitive, impartial process in which all Artists are treated fairly. An Artist that has an actual or apparent unfair competitive advantage jeopardizes the integrity of the competitive process.

A number of different situations can give rise to an actual or apparent unfair competitive advantage. Most commonly, an actual or apparent unfair competitive advantage arises because the Artist has unequal access to nonpublic information or unique insight into the scope of work. Whether an unfair competitive advantage exists depends on the specific facts of each situation.

The existence of an unfair competitive advantage is a basis for the City to disqualify an Artist’s participation in this RFQ. If the City determines that an Artist is disqualified because of the existence of an unfair competitive advantage, it will provide the Artist with a written statement of the facts leading to its conclusion that an unfair competitive advantage exists. The Artist may protest the determination in accordance with Section XII of this Application. Notwithstanding anything to the contrary in Section XII, the Artist shall submit its written protest no later than 5 business days after the date of the City’s letter of disqualification.

The Artist represents that before submitting a response to the RFQ it investigated and considered the issue of potential unfair competitive advantage, including considering any subconsultants it has worked with. By submitting a response to the RFQ, the Artist further acknowledges that performing the work resulting from this RFQ potentially could be the basis of creating an actual or apparent unfair competitive advantage for any future work. The City strongly advises Artists to consult with their legal counsel regarding these issues.

I. Disqualification of Former Employees

Chapter 12.10 of the City’s Municipal Code generally prohibits a former City officer or “designated employee”, as defined in Chapter 12.10, from providing services to the City connected with his/her former duties or official responsibilities. The Artist selected as a result of this process will be prohibited from either directly or indirectly using any former City officer or designated employee to perform services in violation of Chapter 12.10.

By submitting a response to this RFQ, the Artist represents that:

It is familiar with the requirements of Chapter 12.10, and

Its response to this RFQ does not contemplate the use of any former City officer or designated employee in violation of Chapter 12.10.

 The Artist’s failure to comply with Chapter 12.10 at any time during this application process is a ground for disqualification

All applicants must be at least 18 years of age and have all necessary documentation and permits to work in the United States at the time of submittal of qualifications.

The City of San José reserves the right in its sole discretion to reject any or all applications, proposals, applicants, or projects, and to modify or terminate the application process or the selection process for any reason and without prior notice.

Applicant agrees that any and all materials submitted pursuant to this Application for entry become the property of the City of San José and shall not be returned to Applicant. Notwithstanding the foregoing, Applicant shall retain all copyright in the work, which may be held by Applicant. 

If selected for a public art commission, Applicant will be required to enter into an Special Purchase Demand with the City of San José and will be required to comply with any relevant requirements, including but not limited to permits, licensing and/or insurance coverage requirements (if any).  

Scope of Work and Form of Terms is attached to this PDF version of the RFQ as an Exemplar Agreement.

 FOR QUESTIONS ABOUT THIS RFQ:

Please contact Mary Rubin via email at mary.rubin@sanjoseca.gov if you have questions about the project. No calls please. Any pertinent questions submitted prior to Friday, May 7, 2021, will be addressed by an addendum and posted on City website here: https://www.sanjoseca.gov/your-government/departments/office-of-cultural-affairs/public-art/for-artists

 FOR QUESTIONS ABOUT CaFÉ™:  Please contact CaFÉ™ at cafe@westaf.org.

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Synder Filtration – 2018 Business Workforce Champion!

We are truly honored to receive the 2018 Business Workforce Champion award from the Workforce Development Board of Solano County. Thank you for all the work that you do to provide employment services and opportunities for job seekers and businesses throughout Solano County. We look forward to working with you more in the coming years. For more information on the Workforce Development Board of Solano County, please visit their website. In addition, click here to learn more about the City of Vacaville and view this video.

 Read more..

[microfiltration-membranes]

Synder Filtration – 2018 Business Workforce Champion!

We are truly honored to receive the 2018 Business Workforce Champion award from the Workforce Development Board of Solano County. Thank you for all the work that you do to provide employment services and opportunities for job seekers and businesses throughout Solano County. We look forward to working with you more in the coming years.

For more information on the Workforce Development Board of Solano County, please visit their website. In addition, click here to learn more about the City of Vacaville and view this video.

 Read more..

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Synder Filtration – 2018 Business Workforce Champion!

We are truly honored to receive the 2018 Business Workforce Champion award from the Workforce Development Board of Solano County. Thank you for all the work that you do to provide employment services and opportunities for job seekers and businesses throughout Solano County. We look forward to working with you more in the coming years.

For more information on the Workforce Development Board of Solano County, please visit their website. In addition, click here to learn more about the City of Vacaville and view this video.

 Read more..

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Synder Filtration – 2018 Business Workforce Champion!

We are truly honored to receive the 2018 Business Workforce Champion award from the Workforce Development Board of Solano County. Thank you for all the work that you do to provide employment services and opportunities for job seekers and businesses throughout Solano County. We look forward to working with you more in the coming years.

For more information on the Workforce Development Board of Solano County, please visit their website. In addition, click here to learn more about the City of Vacaville and view this video.

 Read more..

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6 Ways to Increase Your Mobile Commerce Efficiency

" On our customers' websites, we're consistently seeing regarding half of all web traffic originating from mobile," stated Graham Cooke, Chief Executive Officer of Qubit.

One thing the latest vacation sales season made crystal clear is that mobile commerce is on the increase.

On Cyber Monday-- which set an all-time-high general sales document of US$ 6.6 billion-- mobile shopping completed 47.4 percent of visits to stores' internet sites, inning accordance with Adobe, which examined 1 trillion brows through to more than 4,500 retail sites.

Revenue from acquisitions transformed smartphones grew a record 39 percent year over year to $1.6 billion, as well as mobile transactions closed at a 12 percent greater rate on Cyber Monday 2017 over the previous year.

A pre-holiday study of 1,000 buyers, performed by Leanplum and also Branding Brand name, discovered the following:

65 percent of consumers planned to earn acquisitions utilizing mobile phones; 64 percent expected to utilize mobile to discover sales, vouchers and also other bargains; HALF would opt-in for push notifications; and 35 percent intended to utilize smartphone applications to do their buying. Etailers can do a lot more to milk the mobile shopping cow. Income per site visitor is 56 percent reduced on mobile than on desktop.

Following are some steps SMB etailers could take to improve their mobile efficiency.

" Conventional mobile sites typically aren't made for the method people wish to discover new items," Cooke informed the Shopping Times.

1. Obtain the Essential Right " Make it simple to visit from mobile," Cooke encouraged.

Don't stress about snazzy features like expert system up until your essentials are audio, Cooke said. "AI isn't really with the ability of creating information-- just with the ability of rearranging or mining information."

Etailers should gather information in an useful and consumable kind first.

Item pages ought to feature big, high-grade images that can be zoomed right into," he recommended. Likewise, the online check out "must involve as couple of pages as possible."

2. Make Product Browse Easy Consumers often make use of a typical burger food selection as the way to locate products in brand name directories, some of which include countless things, Cooke mentioned.

Meanwhile, competitors from social networks such as Instagram and Pinterest, which have been going after shopping as component of their future development strategies, has been on the rise.

" Combined with the small screen, brand names face a real challenge when it comes to boosting the conversion rates as well as RPV in mobile, specifically when website traffic to mobile is raising," he said.

3. Rise Website Dampness " Mobile application individuals are a lot more devoted, when a user signs up for an account within your application and also starts discovering, you get accessibility to their name, area, passions, actions and more," said Joyce Solano, VP of worldwide advertising at Leanplum.

" Each of these data factors provides you a chance to tailor a press alert or e-mail with appropriate information, such as exactly what a customer previously browsed, as well as draw them back to your application again," she told the E-Commerce Times.

4. Send Press Notifications It's critical to re-engage shoppers, Solano noted, and also the very best method to do that is through press alerts.

Marketing experts sent 2.7 times as many mobile push notices on Black Friday, as well as customers opened those notices 2.6 times as typically as they generally do would, according to the Black Friday Mobile Report LeanPlum and also Branding Brand launched.

When consumers add products to their cart yet do not have a look at, etailers "can send them a suggestion with personalized information, like their name and also cart time, to carefully press them toward conversion," Solano stated.

Sending out mobile press notifications using the app in-box, and sending e-mails at scale will certainly "enhance earnings greatly, which greater than pays for itself," she mentioned.

5. Add Muscle Mass to Push Notices Make it very easy for consumers to earn a purchase when they open your push notice by giving them a seamless check out flow, the report suggests.

Some possibilities:

Deal a sign-in option with saved info from the client's previous check out; Add a development bar if the procedure is long; as well as Deal streamlined repayment with a digital budget or Apple Pay. Run A/B examinations of all brand-new adjustments versus the initial to constantly optimize, the report suggests.

6. Strengthen Site Safety And Security Information violations have become usual, and also they can cost etailers customers. Sixty-one percent of the on the internet buyers that took part in a current survey claimed they would quit working with a company that experienced a data breach, Gemalto found.

SMBs ought to embrace machine discovering approaches with details concepts as well as groups that could be utilized to develop consumer-device behavior models, Dutt advised.

Existing remedies based on regulations engines that look at gadget ID, blacklists as well as IP addresses "are ending up being inadequate as defrauders alter their patterns," he told the Shopping Times. Better, preserving and updating the policies frequently is labor-intensive.

Several of the major access factors that have to be safeguarded are mobile apps, mobile Web web browsers and APIs, stated Deepak Dutt, Chief Executive Officer of Zighra.q

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How much website design cost? The cost to build a website for a small business averages from $1,000 to $10,000. If you would like to know more information on website design pricing check out our guide we wrote What are website design elements? The major elements in a website design are: mobile optimization, color scheme, typography, overall layout and visual appearance. How will web design change in the future? Web design will change in the future several ways as new technologies are available now that were not available a decade ago. Some changes are such as more available developer tools, chatbots, Conversational interfaces, web animation,   What is your web design process? Our website design process breaks down into 7 steps. Goal identification: Scope definition: Sitemap and wireframe creation: Content creation: Visual elements: Testing: Launch:

The Bay Area is a region in Northern California. The region encompasses the major cities and metropolitan areas of San Jose, San Francisco, and Oakland, along with smaller urban and rural areas. The Bay Area’s nine counties are Alameda, Contra Costa, Marin, Napa, San Francisco, San Mateo, Santa Clara, Solano, and Sonoma. The largest cities in the Bay Area are San Francisco, Oakland and San Jose. The Bay Area has several professional sports teams such as the San Francisco 49ers, San Jose Sharks, Oakland A’s, San Francisco Giants and Golden State Warriors.  Some of the famous landmarks in the Bay Area are the Golden Gate Bridge in San Francisco, Fisherman’s Wharf, Alkatraz Island and The Embarcadero.  The Bay Area consissts of a diverse population and according to the 2010 United States Census, the population of the nine-county Bay Area was 7.15 million.  Drop us a line today for a free quote. Read the full article from Lorenzo Gutierrez https://lorenzo-gutierrez-seo.tumblr.com/post/190191773977

[gystink]

Request for Qualifications: The City of San José/ Santa Clara Valley - Capitol Light Rail Extension (USA) (Copy)

Santa Clara Valley - Capitol Light Rail Extension 200 East Santa Clara Street, 12th Floor San José, CA 95113 APPLY NOW Contact Email: mary.rubin@sanjoseca.gov Call Type: Public Art Eligibility: National State: California Entry Deadline: 7/2/21

REQUIREMENTS: Media Images - Minimum: 8, Maximum: 8 Video - Minimum: 0, Maximum: 1 Total Media - Minimum: 8, Maximum: 9

View Site Details

INVITATION TO SUBMIT QUALIFICATIONS Submission Deadline: Friday, July 2, 2021,10:59 p.m. Pacific Time (11:59 p.m. Mountain Time) Downloadable RFQ and Addendum 1 available for download here: https://www.sanjoseca.gov/your-government/departments/office-of-cultural-affairs/public-art/for-artists

I.  BACKGROUND

Eastridge to BART Regional Connector (EBRC) is the last phase of the larger Capitol Expressway Transit Improvement Project that transforms San Jose’s Capitol Expressway into a multi-modal boulevard offering Bus Rapid Transit (BRT), light rail transit, and safe connections to the regional transit system.

This 2.4-mile extension of VTA’s light rail “Orange Line” will extend from the Alum Rock Station (on Capitol Avenue) to the Eastridge Transit Center (on Capitol Expressway). The extension will be constructed on an elevated track operating in the median of Capitol Expressway and includes two new stations. At Story Road plans include an elevated station that will be accessed by a pedestrian bridge. The Eastridge Transit Center, one of the busiest hubs in VTA’s transit network, will acquire a new ground-level station. Work at this location will also include an expansion of the existing Park-and-Ride. The overall project also includes new traction power substations at Ocala Avenue and Eastridge Transit Center.

When complete, VTA riders will be able to board light rail at the Eastridge Station, and connect directly with BART at Milpitas Station, the northernmost BART station in Santa Clara County.  

II.  PUBLIC ART PROJECT OPPORTUNITIES

Public Art will be an important feature of the EBRC Project distinguishing VTA as a visible and significant part of the city landscape. Public Art will also contribute to the vibrancy of the cityscape, promote neighborhood pride by strengthening the unique character of the individual stations as landmarks, create engaging experiences for pedestrians and transit users, and reinforce intuitive wayfinding.

The primary opportunities for artwork are located at the Story Road and Eastridge Transit Center stations. These sites allow for both discrete sculpture as well as integrated plaza enhancements. While VTA is open to receiving recommendation for other opportunities within the overall budget, and without impact to project schedule, the final site selection shall be at VTA’s sole discretion.

Story Road: Commuters from the surrounding community connecting to downtown San José, or BART at the Milpitas Station will be the predominate users of Story Station. The street level pedestrian area at the Southeast and Southwest drop off zone has been initially (although not exclusively) identified as the primary public art site.

Eastridge Transit Station: Eastridge Transit Station is an end-of-the line station. It is adjacent to the busy Eastridge Mall, in proximity to Lake Cunningham Recreation Area, and will be one of the busiest stations in San José. Here the Park-and-Ride is being reconfigured, offering opportunities to distinguish the adjoining plaza.

Additional context (e.g. site overview of the transit line, renderigs of the stations, existing photos, etc.), for reference are available in the "View Floor/ Site Plan" link provided above, and attached to the downloadable RFQ as Appendix I. We are seeking 2 artists/artist teams (one for each site) with diverse skill in object making, material integration, and community outreach and engagement. A wide range of artistic approaches is acceptable for these opportunities, but ultimately the work must be appropriate for conditions of an exterior installation.  

III. ARTIST ELIGIBILITY

This opportunity is open to individual artists or artist-led teams working and living in the United States. All applicants must be at least 18 years of age and have all necessary documentation and permits to work in the United States at the time of submittal of qualifications. If submitting as a team, a professional artist must be the lead team member.

To be eligible, artists must demonstrate experience developing and implementing projects in public space with a budget of $200,000 or greater. 

Note: one of these commissions will be reserved for Bay Area region artists defined as artists living and working in one of the following counties: Alameda; Contra Costa; Marin; Napa; Santa Clara; Santa Cruz, San Francisco; Sonoma, Solano, and San Mateo.  

IV.  PROJECT BUDGET & SCOPE

There are two discrete opportunities. The total budget of each project shall not exceed $450,000, which includes all expenses related to the research, community outreach, design, fabrication, delivery and installation of artwork as follows:

Artist Fee: $70,000 for completion of the following:

Research and investigation including, but not limited to, review of background documents and data to understand the EBRC design documents, project area, and community.

Community outreach and engagement, including discussion with key stakeholders and public meetings with community members for the purpose of understanding the diverse community, their goals and values. The engagement process is intended to build community awareness, stewardship, and provide input and feedback for creative inspiration. Based on COVID-19, artist will work with VTA and SJPA to co-create a virtual process as appropriate based on health guidelines.

Preparation of concept, schematic, and design development proposals including: dimensioned plans and elevations describing the artwork design, installation plan, colors, materials, fabrication processes, costs, schedule (from fabrication through installation), and maintenance specifications. Artists will also provide renderings, models and other visual material to adequately illustrate how the artwork will appear when installed.

Presenting the design proposal to project stakeholders including, key community stakeholders, the VTA, and San José Public Art Committee for approvals.

Based on the approved Design Development Proposal, preparing construction documents and specifications (CDs”) for the artwork. Artist will be responsible to provide the services of all licensed design professionals, engineers, fabricators, installers, and other consultants, as needed, to ensure artwork’s code compliance, structural integrity, and durability.

Fabrication and Installation: Up to $350,000 for each location may be allocated for fabrication and installation as determined by the approved Design Development Proposal including, but not limited to: off site fabrication; transportation to site, and final installation; developing comprehensive operation and maintenance specifications, required staff training, and preparing final as-built documentation.

Contingency: In addition to the fabrication and installation budget a contingency of $30,000 is set aside to cover unanticipated costs that are the result of critical, unforeseen circumstances, which impact the artist’s ability to deliver the Project within budget. The VTA retains unused contingency funds and must approve of the use of them.  

V. CONTRACT

The Artist will enter into a three-party agreement between VTA and the City of San José. The Exemplar agreement is attached as Appendix II to the downloadable RFQ available online at the City of San Jose Public Art Program website "For Artists":  https://www.sanjoseca.gov/your-government/departments/office-of-cultural-affairs/public-art/for-artists

Artists are asked to review this contract prior to submitting for this project and refer any questions to SJPA staff or to your own legal counsel as necessary. If you cannot access this agreement via the Internet, please request a copy be mailed to you prior to the submittal deadline so you may review it in advance of your application. Final award shall be contingent upon selected artist/team accepting Terms and Conditions of the agreement in conformity to the terms listed in the referenced document. City reserves the right to accept an offer in full, or in part, or to reject all offers. The selected artist must comply with any local business licensing requirements including any local Business Tax requirements and will be required to obtain Automobile Insurance and General Liability Insurance coverage in conformance with requirements as directed in the three-party agreement.  

 VI. PROJECT SCHEDULE AT-A-GLANCE*

RFQ advertised                                                     Monday, April 26, 2021

RFQ Submittal Deadline                                       July 2, 2021

Artist Selection                                                      July 2021

Contracting                                                            August 2021

Research & Concept/Schematic Development     September - November 2021

Concept/Schematic Proposal Review                   December 7, 2021

Design Development                                             December 2021 – January 2022

Design Development Proposal Review                 February 1, 2021

Construction Documentation                                 February – March 2022

Fabrication, Installation, and Completion              TBD - prior to Winter 2025

* This is a typical schedule; dates may be subject to change.  

VII.  SELECTION PROCESS

There will be a two-phase selection process:

Short List: A selection panel will review artist qualifications, statement of interest, and past work examples with the goal of selecting 4 - 6 finalist artists for interviews. Qualifications, work samples and statement of interest must be submitted through CaFÉ™ per instructions below. Artists need only submit once and will be considered for both opportunities. NOTE: Specific proposals are not requested and will not be reviewed at this time.

Finalist Interviews: Interviews will be conducted virtually and will focus on prior experience of the artist/team; artists’ conceptual approach to developing artwork for specific sites; and strategies for creative virtual community engagement.

VIII.  RFQ SCHEDULE

The following is the schedule for the artist selection process:

RFQ advertised                                             Monday, April 26, 2021

Last date to submit questions/objections      Friday, May 7, 2021

RFQ Closing Date                                         Friday, July 2, 2021

Selection Panel / Short listing                       Week of July 12, 2021

Artist Interviews and Selection                      Week of August 1, 2021

Once selected and contracted, a site visit will be scheduled for commissioned artists to begin site investigations. The timing of this activity will be based on COVID-19 status, design development priorities, and other goals as determined collaboratively with artists.  

IX.  QUALIFICATION SUBMITTAL

Qualifications, work samples, and statements of interest shall be submitted through CaFÉ™ in accordance with the instructions below; there are no exceptions.

Staff will preview all submissions for completeness prior to Selection Committee review and may reject incomplete or non-responsive submissions.

While submittal through CaFÉ is free to artists, any other potential costs associated with responding to this request are to be borne by the Artist.  

X.  SELECTION CRITERIA

Aesthetic excellence of past projects; appropriateness of prior concepts as they relate to EBRC project goals and opportunity.

Experience and/or interest in creating public artworks in collaboration with stakeholder group.

Interest in innovating virtual and/or socially distant community engagement strategies.

Experience developing artworks in outdoor environments.

Experience in construction materials and methods appropriate to the scope of the project.

Demonstrated ability to manage projects on time and on budget.

Demonstrated delivery of projects with similar budgets: Artists must demonstrate experience developing and implementing projects in public space with a budget of $200,000 or greater.

Experience working with a government agency.

  XI.  APPLICATION REQUIREMENTS

APPLICATION DEADLINE:

Submissions (described below) must be received as a complete application in CaFÉ™ by no later than 10:59 p.m. (PST) 11:59 p.m. (MST) on Friday, July 2, 2021.

Note: 10:59 p.m. Pacific Time (PT) is the same as 11:59 p.m. Mountain Standard Time (MST), the time zone in which CaFÉ™, the host for online submittal is located; CaFÉ™ will automatically stop accepting submittals.)

Please make sure you have started your application with time to ask questions, particularly if you have not used CaFÉ™ previously. Late and incomplete applications will not be accepted.

APPLICATION PROCESS: All materials will be submitted online, via CaFÉ™ website (www.callforentry.org). There is no application fee to apply or to use the CaFÉ™ online application system. 

To view the application, go to www.callforentry.org, register a username and password, navigate to “Apply to Calls”, and search the list for “Santa Clara Valley – Capitol Light Rail Extension”

Assistance in using the CaFÉ™ system is available during regular business hours via e-mail at cafe@westaf.org.

 XII.  REQUIRED APPLICATION MATERIALS

The application submission must include the information and materials described below all of which are required to constitute a complete application. Please review carefully as incomplete applications will not be eligible for consideration and will not be reviewed.  

Images of Past Work: Submission must include visual representations of past artwork that demonstrate your qualifications for this project. In order to be considered for this project, the applicant must submit a total of 8 digital images that represent no more than 5 previously completed projects. Proposal images from prior projects may be submitted, but should be clearly marked as proposals and cannot be more than 2 of the requested 8 images. All images are to be submitted electronically through the CaFÉ™ system. Instructions on how to format images to CaFÉ™ specifications can be found on the CaFÉ™ website under Image Prep.

Descriptions of Past Work: Submission must include a list of the submitted project images with descriptions that clearly explain both the projects and images. More specifically, each image must include the following: a) artwork title; b) date of completion; c) location; d) dimensions; e) significant materials; f) budget and g) relevant conceptual and/or contextual description. If you were the member of a team or otherwise worked with other artists on a project you are submitting for consideration, please clearly state your actual role in the creation of the work.

Statement of Interest in in this project: What specifically interests you about this project? What interests you in the site or site opportunities? Do you have specific interests as an artist that you feel align well with a project of this nature?

Stakeholder Engagement/Community Outreach: What is your public art experience collaborating with clients and communities? Given issues associated with COVID-19, how might you approach community outreach?

Résumé: Submission shall include a current résumé that outlines your professional accomplishments as an artist (maximum of 5000 characters/equivalent of 2 pages; if a team, then 3000 character maximum for each team member.)

Application for Completeness: Please confirm that your application includes all the required materials listed below:

Images (no more than 8 images representing no more than 5 projects)

Past Work - Image Description Detail

Statement of Interest

Stakeholder Engagement/Community Outreach

Résumé (5000 characters/2 page maximum)

Reviewed the three-party VTA, City of San José, Public Artist agreement as recommended

XIII.  EVALUATING APPLICATIONS

A.  Responsiveness of Applications: An application that is not current, accurate and/or completed in accordance with the requirements of this RFQ will be deemed non-responsive and will be eliminated by the City from further consideration.  Notwithstanding the foregoing, the City reserves the right to waive minor irregularities in an Application.

B.  Supplemental Information: The City reserves the right to require any or all Artists to provide supplemental information clarifying the submitted materials.

C.  Consideration of Information Outside the Application: The City has the right to conduct a further and independent investigation of the information provided in an application.  This includes contacting and speaking with references.  The evaluation panel may use any relevant information gathered by such investigation – and any other information that comes to the attention of the City – to evaluate an Artist.

 XIV.  COMMUNICATIONS REGARDING THIS RFQ FOR SUBMISSIONS

A.  Submitting a Question or Objection: Artists must submit any questions and/or objections to this RFQ to the Contact Person: Mary Rubin, Senior Project Manager: mary.rubin@sanjoseca.gov

B.  Questions and/or objections must be submitted via email. Contacting any City representative(s) other than the Contact Person about this RFQ is prohibited and is grounds for disqualification.

C.  Content of Question or Objection:  Artist submitting an objection must describe the objection as specifically as possible and set forth the rationale for the objection, including the section number and paragraph title at issue. 

C.  Deadline for Submitting a Question and/or Objection: Artists must submit any questions or objections no later than the Deadline for Submitting Questions and/or Objections as noted in the schedule referenced in Section VIII above.

E.  City’s Issuance of Addenda, Notices and Answers to Questions: The City will post all addenda and notices regarding this RFQ. The City may provide a written response to any question(s) and/or objection(s) in the form of a single answer or by issuing an addendum. 

F.  Artists are Responsible for Checking CaFÉ™: The addenda, notices and answers to questions issued by the City become part of this RFQ.  Each Artist is responsible for checking the City of San José Public Art Program website’s “For Artist” for addenda, notices and answers to questions.  In the event an Artist obtains this RFQ through any means other than to CaFÉ™, the City will not be responsible for the completeness, accuracy or timeliness of the final RFQ document. 

G.  Relying on Other Written or Oral Statements Prohibited: Artists can rely only on this RFQ and any subsequent addenda, notices and answers issued by the City. Artists cannot rely on any other written or any oral statements of the City or its officers, Directors, employees or agents regarding the Project or the RFQ.

 XV.  PROTESTS

A. If an interested party wants to dispute the award recommendation, they must submit their protest in writing to the City’s Public Art Director no later than five (5) business days after the Recommendation of Award is approved by the San José Public Art Committee, detailing the grounds, factual basis, and providing all supporting information.  Protests will not be considered for disputes of requirements or specifications, which must be addressed in accordance with the Objections Section above.  Failure to submit a timely written protest to the contact listed below will bar consideration of the protest.

B. Protests must be addressed to the following:

     Office of Cultural Affairs      Attention: Michael Ogilvie      200 E. Santa Clara Street      San José, CA  95113

C.  Grounds for which No Protest is Allowed: There is no right to protest based on the following:

Incomplete (non-responsive) applications;

Late submission of applications; or

A dispute regarding the application requirements and/or specifications that could have been addressed by submitting a question and/or objection in accordance with Section XIV.

D.  Director’s Decision: The Director or an appropriate designee of the Director will issue a written decision on any protest.  The Director, or designee, may base the decision on the written protest alone or may informally gather evidence from the Artist filing the protest or any other person having relevant information.  The Director’s decision is final.

 XVI.  GROUNDS FOR DISQUALIFICATION

A.  All Artists are expected to have read and understand the "Procurement and Contract Process Integrity and Conflict of Interest", Section 7 of the Consolidated Open Government and Ethics Provisions adopted on August 26, 2014.  A complete copy of the Resolution 77135 can be found here. Any Artist who violates the Policy will be subject to disqualification.  Generally, the grounds for disqualification include:

Contact regarding this procurement with any City official or employee or Evaluation team other than the Procurement Contact from the time of issuance of this solicitation until the end of the protest period.

Evidence of collusion, directly or indirectly, among Artists in regard to the amount, terms, or conditions of this proposal.

Influencing any City staff member or evaluation team member throughout the solicitation process, including the development of specifications.

Evidence of submitting incorrect information in the response to a solicitation or misrepresent or fail to disclose material facts during the evaluation process.

B.  In addition to violations of Process Integrity Guidelines, the following conduct may also result in disqualification:

Offering gifts or souvenirs, even of minimal value, to City officers or employees.

Existence of any lawsuit, unresolved contractual claim or dispute between Artist and the City.

Evidence of Artist’s inability to successfully complete the responsibilities and obligations of the proposal.

Artist’s default under any contract, resulting in termination of such contract.

 XVII.  MISCELLANEOUS PROVISIONS

A. City’s Right to Terminate Process: The City reserves the right to terminate this RFQ at any time.

B. Costs of Preparing Submittal:  Artist bears all costs associated with its efforts in responding to this RFQ.

C. Gifts Prohibited: Chapter 12.08 of the San José Municipal Code generally prohibits a City officer or designated employee from accepting any gift(s).  The Artist selected as a result of this RFQ will be required to comply with Chapter 12.08  accessible here.

D. By submitting a response to this RFQ, the Artist represents that:

It is familiar with the requirements of Chapter 12.08, and

It has complied with, and throughout the remainder of this application process will continue to comply with, the requirements of Chapter 12.08.

The Artist’s failure to comply with Chapter 12.08 at any time during this process is a ground for disqualification.

E. Discrimination:  It is the City’s policy that the selected Artist shall not discriminate, in any way, against any person on the basis of race, sex, color, age, religion, sexual orientation, actual or perceived gender identity, disability, ethnicity, or national origin, in connection with or related to the performance of City of San José contracts.

F. Public Nature of Submissions:  All applications and submissions and other correspondence with the City regarding this RFQ become the exclusive property of the City and become public records under the California Public Records Act (California Government Code section 6250 et seq.)  All submissions and other correspondence will be subject to the following requirements:

The City has a substantial interest in not disclosing submissions during the evaluation process. For this reason, the City will not disclose any part of the Application before it issues the Final Notice of selection. After issuance of the Final Notice of selection, all submissions will be subject to public disclosure.

There are a limited number of exceptions to the disclosure requirements under the Public Records Act, such as for trade secret information. The City is not in a position to determine what information in a submission, if any, may be subject to one of these exceptions. Accordingly, if an Artist believes that any specific portion of its submission is exempt from disclosure under the Public Records Act, the Artist must mark the portion of the submission as such and state the specific provision in the Act that provides the exemption and the factual basis for claiming the exemption. For example, if an Artist believes a submission contains trade secret information, the Artist must plainly mark the information as “Trade Secret” and refer to the appropriate section of the Public Records Act, which provides the exemption for such information and the factual basis for claiming the exemption.

If a request is made for information in a submission that an Artist has properly marked as exempt from disclosure under the Public Records Act (e.g. information that the Artist has marked as “Confidential”, “Trade Secret” or “Proprietary”), the City will provide the Artist with reasonable notice of the request and the opportunity to seek protection from disclosure by a court of competent jurisdiction. It will be the Artist’s sole responsibility to seek such protection from a court.

Any submission that contains language attempting to make all or significant portions of the submission exempt from disclosure or that fails to provide the exemption information required above will be considered a public record in its entirety. Therefore, do not mark your entire submission as “confidential,” “trade secret,” or “proprietary.”

G.  Environmentally Preferable Procurement Policy:  The City has adopted an “Environmentally Preferable Procurement” (EPP) policy. The goal is to encourage the procurement of products and services that help to minimize the environmental impact resulting from the use and disposal of these products. These products include, but are not limited to, those that contain recycled content, conserve energy or water, minimize waste or reduce the amount of toxic material used and disposed. Computers and other electronics are a growing focus of environmentally preferable purchasing activities due to their high prominence in the waste stream, their numerous hazardous chemical constituents, and their significant energy use. Moreover, when these products are improperly disposed of they can release hazardous substances that pollute the environment.

In support of this policy, the selected Artist will be required to work with the City to apply this policy where it is feasible to do so. In addition, Artists should address any environmental considerations with their proposal response.

The entire EPP policy may be found in the City’s internet site here.

H. Unfair Competitive Advantage:

The City seeks applications for this RFQ through a competitive, impartial process in which all Artists are treated fairly. An Artist that has an actual or apparent unfair competitive advantage jeopardizes the integrity of the competitive process.

A number of different situations can give rise to an actual or apparent unfair competitive advantage. Most commonly, an actual or apparent unfair competitive advantage arises because the Artist has unequal access to nonpublic information or unique insight into the scope of work. Whether an unfair competitive advantage exists depends on the specific facts of each situation.

The existence of an unfair competitive advantage is a basis for the City to disqualify an Artist’s participation in this RFQ. If the City determines that an Artist is disqualified because of the existence of an unfair competitive advantage, it will provide the Artist with a written statement of the facts leading to its conclusion that an unfair competitive advantage exists. The Artist may protest the determination in accordance with Section XII of this Application. Notwithstanding anything to the contrary in Section XII, the Artist shall submit its written protest no later than 5 business days after the date of the City’s letter of disqualification.

The Artist represents that before submitting a response to the RFQ it investigated and considered the issue of potential unfair competitive advantage, including considering any subconsultants it has worked with. By submitting a response to the RFQ, the Artist further acknowledges that performing the work resulting from this RFQ potentially could be the basis of creating an actual or apparent unfair competitive advantage for any future work. The City strongly advises Artists to consult with their legal counsel regarding these issues.

I. Disqualification of Former Employees

Chapter 12.10 of the City’s Municipal Code generally prohibits a former City officer or “designated employee”, as defined in Chapter 12.10, from providing services to the City connected with his/her former duties or official responsibilities. The Artist selected as a result of this process will be prohibited from either directly or indirectly using any former City officer or designated employee to perform services in violation of Chapter 12.10.

By submitting a response to this RFQ, the Artist represents that:

It is familiar with the requirements of Chapter 12.10, and

Its response to this RFQ does not contemplate the use of any former City officer or designated employee in violation of Chapter 12.10.

 The Artist’s failure to comply with Chapter 12.10 at any time during this application process is a ground for disqualification

All applicants must be at least 18 years of age and have all necessary documentation and permits to work in the United States at the time of submittal of qualifications.

The City of San José reserves the right in its sole discretion to reject any or all applications, proposals, applicants, or projects, and to modify or terminate the application process or the selection process for any reason and without prior notice.

Applicant agrees that any and all materials submitted pursuant to this Application for entry become the property of the City of San José and shall not be returned to Applicant. Notwithstanding the foregoing, Applicant shall retain all copyright in the work, which may be held by Applicant. 

If selected for a public art commission, Applicant will be required to enter into an Special Purchase Demand with the City of San José and will be required to comply with any relevant requirements, including but not limited to permits, licensing and/or insurance coverage requirements (if any).  

Scope of Work and Form of Terms is attached to this PDF version of the RFQ as an Exemplar Agreement.

 FOR QUESTIONS ABOUT THIS RFQ:

Please contact Mary Rubin via email at mary.rubin@sanjoseca.gov if you have questions about the project. No calls please. Any pertinent questions submitted prior to Friday, May 7, 2021, will be addressed by an addendum and posted on City website here: https://www.sanjoseca.gov/your-government/departments/office-of-cultural-affairs/public-art/for-artists

 FOR QUESTIONS ABOUT CaFÉ™:  Please contact CaFÉ™ at cafe@westaf.org.

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Lampa Cultural Center, Lima

Lampa Cultural Center, Lima, Peruvian Architecture, International Design Competition Winners, Photos

Lampa Cultural Center in Lima

14 Sep 2020

Lampa Cultural Center

Design: Christian Verde and Carlo Gonzales

Location: Lima, Peru

Architecture and Planning Graduation Projects Competition – Lampa Cultural Center

The winning project of the eighth version TEAM20 Architecture and Planning Graduation Projects Competition was announced. It is an international competition for thesis projects of architecture students, which aims to provide final year students with a platform for their unique voices in terms of architecture, urban and rural development, problems of the built environment and in general, the man-earth relationship.

The contest is organized by NCKU Department of architecture, more than 700 international projects were submitted to the contest of which 30 finalists ranked. The works were evaluated by a jury made up of 88 architects from South Asia, Europe and South America.

First Place Category Project: lampa cultural center Author: Christian Verde and Carlo Gonzales Guide Teacher: Ricardo huanqui and Carmen Ribas University of Lima – Peru

The Rumi Llanqha Cultural and Interpretive Center refers to the stone in the pink city, this natural and significant element as the Tinajani stone forest that surrounds Lampa with its voluminous monumentality. Now being represented as the main project strategy, this time to shield the historic center of Lampa from contemporary constructions that damage its historical composition, either due to its height, materiality or its composition.

It is from there the importance of the empty terrain that is between a historical and a contemporary fabric. Having a possibility for the project to be an edge for the contemporary fabric and on the side of the historic center to generate an architectural silence; with the continuity of the Lapean atmospheres, this through the project spaces for which compositional factors were used, the genetics of the mansions, the colonial street conditions, the route of catumbas and the monumental buildings of Lampa.

In the same way, the project is invisible towards the historic center; An imaginary line was projected that has as its origin the reference point with the smallest visual angle of the main square, this is projected from the ground level of the roof of one of the 5 colonial houses that constitute our immediate surroundings. Resulting in a guideline that will build the height limit at the time of projecting the new interpretation center.

According to the jury: “The Project stands out for the clarity of the formal operations and materials involved in the constitution of the historical case of lampa with new programs, highlighting the proposal of the volumes inserted in its interior and its predominance of the mass over the void. It also stands out in the quality of its representation, both in its perspectives and in its axonometric and conceptual diagrams. ”

TEAM20

Lampa Cultural Center, Lima images / information received 140920

Location: Lima, Peru

Peruvian Architecture

New Peruvian Architectural Designs – chronological list

Peru Architecture News

Contemporary Lima Houses

Peruvian Houses

Ave House, Cerro Azul, Lima Design: Arq. Martin Dulanto Sangalli photo : Juan Solano AVE House, Lima

Casa Lapa, Pucusana, Lima, Perú Design: Arq. Martin Dulanto Sangalli photo : Juan Solano Casa Lapa, Lima

Peru Architecture

Lima Buildings

New Lima Properties

Casa A, south of Lima Design: BORDE Arquitectos photography: Roberto Zamalloa Casa A Lima

Memory House in Sur, Asia, Lima Design: Chetecortes Architects photograph : Nadia Riva Memory House Lima

South American Architecture

Lima Architect Studios

Comments / photos for the Lampa Cultural Center, Lima page welcome

Website: Lima

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