#well really it features BOTH their Nii-san Complexes

[feroluce]

want you to, want you, too

Blankshipping <1k; getting together featuring a big fat scoop of Ingo's Catholic Guilt and Nii-san Complex uwu

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When Emmet forces his way to Hisui, fueled by a determination that could override every karmic force in the universe, Ingo thinks nothing of his immediate attempts to get him alone.

His memories are still vague, but they're stronger now than ever, jolted and jogged, jostled about by the reappearance of the one person he'd remembered before anyone else. Ingo understands; all he wants is to stay close, spend every waking moment basking and soaking up his brother's presence. He'd missed him before he even knew him, deeply and intensely missed him, enough to hurt, enough to leave an empty ache.

Ingo had been content with the Pearl Clan in Hisui, but it had never quite felt like home. It does now.

As early as the first day after his fated Fall, Emmet fixes him with an odd look and says he has something he needs to tell him. Something important. Emmet is strangely serious as he says it, deathly so. Ingo finds himself standing straighter. 

"While we were apart, I realized something. I-" A pause, something akin to regret in his briefly hollowed eyes and his stitched-on smile. "Well, ok, no. I knew it before then. I've known it for a verrrry long time. I just didn't act on it." Ingo wants to ask; Emmet is rarely hesitant to act- whip-smart and sharp as a tack, once he's decided something needs to be done, he figures out how to do it as efficiently as possible. For him to be so overly cautious, it must be a truly tricky and delicate matter. But he doesn't dare interrupt now. 

"But I did not chase you across continents-" Emmet's eyes light up again, blazing now, bonfire-bright "-across centuries-" something rumbles within Ingo, like an early warning, moving as a phantom sensation beneath the balls of his feet, as though the world were about to shift, "-just to not take advantage of a second chance."

Ingo is suddenly painfully aware of his own body, of the curl of his knuckles, the bite of his nails in the flesh of his palms, a twitch in his legs and an itch in his throat. His head has forgotten, memories smeared and leaking out like a bird's egg dropped on a rock, but much still lives on in his heart, some beacon is in his center, at his core, sending out signal after signal, a rapid-fire jumble of SOS and morse code that Ingo can't decipher.

There is something happening here, something only his heart and his brother (between which there is only a small difference, he'll admit) are privy to, Emmet's voice a chorus of trumpets, a declaration of war, and Ingo's brain is scrambling to form some response. There is a niggling feeling somewhere within him, in a secret place cordoned off by chain and padlock, that all of this was a long time coming. That this is a long-at-sea ship finally docking, this is all of his chickens and bad decisions and "I'll reflect on these thoughts later"s come home to roost.

Emmet steps closer. The door is right behind Ingo, tauntingly unlocked and beckoning, he could so easily leave if he wanted to. Emmet never does things accidentally. He's given Ingo an escape route. Emmet takes another step, slow, watching and observing with his quicksilver eyes, giving every opportunity to turn and run. Like he's dealing with a skittish creature.

Ingo should escape.

Ingo does not want to escape.

Emmet is right in front of him now and he leans in so close that Ingo can't see anything else, loses view of the rest of the world around them. When he stops, it's at a lethal, point-blank range.

"Don't just let me do this to you, ok? Don't let me unless you want me to." He shouldn't. There is still that twitch in his limbs, those loud wordless pings of alarm in his heart that urge him to retreat, that tell him staying here is going to damn them both. Because his younger brother is making the worst mistake of his life, and Ingo is doing nothing to stop him. But Emmet's breath mixing with his own between them is a rallying cry, the close warmth of his body a call to action, the press of his lips against Ingo's a battle hymn.

Emmet kisses him, and Ingo horribly, selfishly, wants him to do it again.

The long, bitter civil war is over in a flash, he's won and he's lost. The side of him that had struggled to resist, that had held strong and weathered for years and years as it tried to be the model older brother Emmet deserved, finally succumbs and is trampled in the trenches by the incoming cavalry, stormed and seized by the parts of him that love Emmet in all the ways that he shouldn't.

"-san. Ingo-niisan." Hands cupping his face bring him out of the gunsmoke and fog. "Tell me if you don't want this, too."

Ingo stands atop a bloody battlefield of corpses, both conqueror and vanquished. He feels like he's won, a thrilling victorious high stronger than any challenger has ever given him. The loss is immeasurable.

"...I'm terrible," Ingo whispers.

His brother begins an attempt to console him because he's too kind, too forgiving, he always is when it's just the two of them. But he's cut short when Ingo grabs him, crushes them together and gorges himself, gluttonous and greedy, swallowing the rest of Emmet's sounds to hoard them for himself.

Emmet's smile widens against his lips, his arms coming up to hold on to Ingo like some sought-after, fought-for prize, as though he were the Spoils of War, kiss tasting like a bloodsoaked victory.

[recentanimenews]

INTERVIEW: So I’m a Spider, So What? Voice Actors Shun Horie and Kaito Ishikawa

The upcoming Crunchyroll Originals series So I’m a Spider, So What? will be making its way to Crunchyroll in January 2021 and to celebrate the upcoming release, today we are publishing some exclusive interviews with the voice cast of the show! If you want to check out the original Japanese interview, you can do so right here. In this interview, voice actors Shun Horie (Kazuya Kinoshita in Rent-a-Girlfriend, Enta Jinnouchi in Sarazanmai) and Kaito Ishikawa (Naofumi Iwatani in The Rising of the Shield Hero, Tenya Iida in My Hero Academia) talk about their upcoming roles as Shun and Hugo, giving voice acting advice to each other, and more! Also be sure to check out the interview with “I (Kumoko)” voice actor Yuuki Aoi right here!

  The translated text follows.

    The TV anime So I’m a Spider, So What? is set to begin airing in January 2021. We’ve interviewed the main cast for a special program to be aired right before the series premiere. Our second interview features Shun Horie-san, the voice of Shun, and Kaito Ishikawa-san, the voice of Hugo! What drama will unfold between Shun, with his overwhelming sense of justice, and Hugo, who sees him as his enemy?

  What was your first impression of the series?

  Horie: I read it out of a personal interest. In most isekai stories, only the main character gets reincarnated in a new world, so seeing all the main character’s classmates also get reincarnated was new to me. It’s divided between Kumoko’s side of the story and the hero’s side, and it’s also interesting how the two storylines frequently seem like they should overlap but don’t. It was like reading two fun stories in one.

  Ishikawa: I also thought the way it was divided between Kumoko’s perspective and the hero’s was really creative. It’s fun to think about which side of the story you should give more of your focus to, plus it’s interesting to see what kind of foreshadowing happens and to imagine how it’ll come into play later. It’s definitely a story that keeps you wondering what’ll happen next.

  Shun (voiced by Shun Horie)

  Then what impressions do you both have of Horie-san’s character, Shun?

  Horie: Shun is the fourth prince of the Kingdom of Analeit, and both before and after reincarnating, he’s the type whose strong sense of justice won’t let him ignore anyone who’s weak or in need. In his previous life, though, he didn’t immediately condemn people who were bullying others, but tried to approach everyone openly and without any bias. That made me think he was a very kind guy who treated others as equals.

Ishikawa: I actually auditioned for Shun’s part as well, so Horie-kun’s Shun seemed a lot softer and gentler than I was expecting. He does have the spirit for saving the weak and the strength to follow through on it, not to mention lots of friends and acquaintances who adore him, so at a glance, he seems like this amazing hero. But he also has the naivete and artlessness of an ordinary kid with a strong sense of justice who just happened to obtain incredible power.　

Horie: Right, the sound director told me about that during my audition. I tried to portray him as the archetypal hero, strong and gallant with high enthusiasm, and the sound director asked me to bring down the “strong” quality a bit. During episode 1’s recording, too, I went through a lot of adjustments with the director and other crew to make sure Shun would sound like his own brand of hero, not too strong but not too weak.　

  Ishikawa: I didn’t know that.

  Horie: Yeah. I was also told to play up 　his admiration for his older brother Julius a bit more. Once, during recording, the director asked me why I chose Shun’s part to try out for, and my answer was, “Because I seem to have a fitting voice for people with brother complexes” (lol).

  (All laugh)

  Horie: The hero side of him is important too, but they also wanted to portray the depth of his love for Julius. For that reason, I’ve been putting more emphasis on the overflowing love that Shun has, and especially his admiration for Julius.

  Hugo (voiced by Kaito Ishikawa)

  And what about Ishikawa-san’s character, Hugo?

  Ishikawa: I’m trusting that no one will get the wrong idea when I say my first impression was, “I really don’t like this guy (lol)!”

  Horie: You’ve been saying that for a long time (lol).

  Ishikawa: In total contrast with Shun, he’s an extremely self-righteous, self-obsessed guy. You really get the sense that he’s the kind of character who was designed to inspire disgust and rub people the wrong way just by watching him. As an example of one finer detail, I make sure his chewing sounds are really pronounced whenever he’s eating something. I feel like the director really wanted viewers to feel repulsed by him, and make sure everyone would perceive Shun as “good” and Hugo as “bad.” As a prince, Hugo has grown addicted to his own remarkable talents, and it’s made him arrogant, so he seems less like a mere rival and more like “THE bad guy.”

Horie: He definitely seems evil when I see him normally, but when I look at him from Shun’s perspective, I also kind of pity him. No matter how hard he tries to become stronger, there’s always going to be a hero he can never surpass, and that must be a really painful way to live life. Although Shun’s fairness and lack of bias might just irritate Hugo even more...

Ishikawa: Yeah, from Shun’s perspective, Hugo might just be someone who’s worthy of pity. But as far as Hugo’s part goes, it’s really important that all the viewers are repulsed by him, so I’ve been trying to act him out in a way that no one could have any sympathy for. To put it another way, I think it’s important to not be overly conscious of how he works and what he thinks. We already have Shun as the embodiment of goodness, and then there’s Kumoko with her positivity. If I portray him as a redeemable character, it would throw off that balance, and it’s quite clear that his bitterness toward Shun accumulates over the course of the story, so I’m taking great care to portray him as an evil character.

      Since the two of you are senpai and kouhai from the same agency, do you ever consult one another for advice or guidance during your recording sessions?

Horie: I don’t usually ask any of my senpai for advice, including Ishikawa-san. I tend to feel like I need to find all my answers for myself. What about you, Ishikawa-san?

Ishikawa: I’m the opposite. If there’s anything I’m not clear on, I’ll immediately ask for guidance. I’ve started to enjoy finding answers for myself more and more, but back when I had just made my debut, I’d go out for drinks with my senpai after every recording session and say things like, “This is the kind of expression I’m going for. Why isn’t it coming out that way? What am I doing wrong?”

Horie: Oh, wow!

Ishikawa: I tried out lots of different things, even stealing my senpai’s techniques, in the sense that I wanted to know exactly how they construct their acting. Once I knew their method, I could try it for myself and find out whether it gave my acting the senpai’s flavor or my own flavor. And if I didn’t like the result, I’d think up a new method. In a way, it’s kind of like playing a video game.

  Does everyone on the hero’s side record together?

  Ishikawa: Yes, Horie-kun and I have been recording together from the start.

  Horie: We also frequently record with Kitamura Eri-san, who plays Fei. Given the state of the world right now, we don’t all get to record together every time, but having our recording sessions separate from Yuuki (Aoi)-san, who plays Kumoko, actually worked out well since it made it easier for us to become immersed in the world that the hero’s side experiences.

Ishikawa: Apparently, keeping us separate from the actors on Kumoko’s side was what the sound director wanted in the first place.

  Horie: I’m excited to see how the two sides will eventually connect.

    Are there any characters on the hero’s side that interest you?

  Horie: Both as Shun and as a viewer, I’d have to say Hugo interests me the most. Seeing how the conflict between them unfolds creates a lot of drama, especially early in the series. Other than him... I guess I’d say Yuri.

  Ishikawa: Yuri is scary!

  Horie: She’s the one that seems the most dangerous to me. She’s a follower of the Word of God religion, but she’s a bit of a fanatic. I kind of enjoy what a mental case she is, though (lol).

Ishikawa: In terms of contrasting personality traits, I think Shun’s younger sister Sue is cute, too. She normally comes across as cool and aloof, but she’s very attached to Shun, calling him “Nii-sama” all the time.

  Horie: She’s very wary of other girls around Shun. But you know, they’re all classmates, so sometimes I wish she’d stop acting so threatening toward them and try to get along.

  Ishikawa: I’m also interested in Katia, who used to be a boy but reincarnated as a girl. I’m looking forward to seeing what happens to the male spirit within her as she goes through life as a girl, what happens between her and Shun since they’re together so often, and how Higashiyama (Nao)-san will act out her thoughts and feelings.

  Thank you very much. Lastly, could you share a message with the fans who are looking forward to the anime?

  Ishikawa: As you could guess from the title, So I’m a Spider, So What? is about a spider and her fierce efforts to get by. I’m looking forward to seeing how a tiny spider’s battles might appear on the screen, and I hope all the fans will, too. Also, there’s a lot of drama unfolding in the relationships on the hero’s side, and I hope everyone will watch for that, as well.

  Horie: I think this is going to be a completely new sort of isekai series that follows two storylines at the same time. Each episode is limited to a 30-minute time slot, but the story is so dense that it surpasses that limitation, so I hope everyone will look forward to seeing how each of the characters contributes to the richness of the story.

      Kyle Cardine is an Editor for Crunchyroll. You can find his Twitter here.

By: news+feed@crunchyroll.com