#whipmaking

[ateliermobius]

Swiss Army Whip. Multi purpose whip crafting with custom braiding of the overlay and different tailpieces.

[dykepuffs]

Grumble grumble grumble, I bought a tin of .22 pellets to use to make cores for demonstration cracking whips, and it turns out that this was a complete brain fart, .22 does NOT neatly fit down the core of a paracord but .177 does. So now I am stuck with this tub of useless pellets. And can't start plaiting because the first thing I need is the cores.

Decided to not either wuss out on colour and choose all black, OR have to decide what to flag all the time on something that I would doubtlessly want to carry more often than *just* when I wanted to flog or fist or piss etc. So have gone with safety orange and glow-in-the-dark, to flag fire marshal XD

[hasufin]

Gloving is one of the most specialized forms of leatherworking (next to whipmaking and cordwaining) and while I can't say specifically, I would fully expect that historically gloves were very expensive. They are not easy to make at all: they require special skill, very specific tools, and even some of the most expensive, delicate leathers.

where the fuck did the phrase ‘fits like a glove’ come from. ive never worn a glove that fit perfectly in my entire life.

[nomanwalksalone]

ON LASTING THINGS

by Réginald-Jérôme de Mans

A great achievement of the classes that rule us is making us love our chains.  I had this (almost certainly not original) thought reading the estimable Bruce Boyer’s recent essay “Dress Up” on the faith-oriented website First Things, and remembered it again as I struggle to restore one of my chains, my badly worn briefcase bought new 16 years ago from the heavily fetishized English whipmaker Swaine Adeney Brigg.

I can say, with all of the ecumenism worthy of a site like First Things, that Boyer is a mensch, perhaps the most respected English-language men’s clothing writer, and has personally become one of the kindest voices about my own writing and attempts to bring my own book to publication.  So “Dress Up” showcases his splendid knowledge of clothing history, enlivened with his usual verve.

“Dress Up”’s thesis is that we have lost a sense of occasion, a socially shared sense of ritual that inspires us as a group to dress better (Freudianly, I just typed “bitter” and then “butter”), and to know how to dress better to appropriately fit the occasion.  Casualization of clothing is a false democratization; an old order of codes is destroyed and a new surfeit of variety bedevils us: would-be #steezinistas lose their way, unsure how to coordinate their clothes given all the different colors, styles, and changing fashion seasons.  In other words, losing the shared sense of occasion means loss of commonality, community, and “humility,” to be replaced by a society that “gives more leeway to the strong than it does support to the weak.”

Change from a supposed settled and calm order that leads to aimlessness, confusion and indulgence.  I can see why this piece was of publishing interest to First Things.  Nostalgia for a time of less, or more repressed, questioning is rampant in many religious outlets today.

Clothing is a social tool, a manner of expression. Dress codes, including and especially those that “Dress Up” mentions like entire stadiums wearing suits to ballgames, are a method of enforcing social order. The idea of wearing nicer clothing as a sign of mutual respect is profoundly bourgeois, one of many incentives to the middle class to conform to this sense of order. Others include modesty (the wearing of suits means wearing far more layers than, say, today’s T-shirt) and the ideal of quality, the lie of longevity that convinced me so long ago that my briefcase, my leather lunch pail as Tom Wolfe snarkily and observantly called it, would really be a lifetime quote investment unquote.

I got pumped and dumped, in both the investment and the Trumpian senses of the terms.

Things do not last, things do not make you you. It’s a lesson I had to learn over time. Like, I suspect, most iGents, my favorite superhero as a little kid was Batman, because he always had the right accessory. With his utility belt and quick thinking, he had the response to every occasion. (Today, it’s probably Green Arrow, Batman as a bleeding heart liberal.) His things made him him. I admit his deep and twisted repression also made him a natural identification for us iGents too.

Unfortunately, the nature of capitalist society is the privilege of the strong at the expense of the weak.  At best, social support is an afterthought. The creation of a sense of occasion to which we must respond and conform means that the few who are not required to do so enjoy and outwardly signal their power.  Power to transgress the norms they have set down, in dress as in other forms of conduct. (That, incidentally, was prep, in all of its worn-down, bizarrely-colored and patterned glory, a reality far from the idealizations of the Internet creeps who idolize it, a set of strange codes to penalize outsiders, strange codes set by an upper-class and upper-middle-class ability to transgress against norms of good taste and restraint that supposedly dictated how everyone dressed 60 years ago.)  

I selected my briefcase in conformity with the old norms of taste: tastefully anonymous, unlogoed, made by hand by Englishmen guaranteed to treat most non-Sloaney visitors to their St. James’s shop like utter garbage, unwieldily heavy brass fittings on thick, thick bridle hide leather that not only had that forelock-tugging equestrian heritage but supposedly would last forever.

As usual, Ferry was right. Nothing lasts forever. The lies to manage us, though, are the Same Old Scene.  Luxury, as always, is what almost none of us can have. In the rosy-tinted past of First Things, it was casualness, freedom from strictures, suits, codes of professionalism.  Today, as Boyer correctly notes, we have been given freedom to be as casual as we wish by our corporate overlords, a false freedom since now what almost none of us can have is peace of mind, personal time, sleep, job and personal security, perhaps even any kind of future – all things those corporate overlords, and their owners, have in various ways taken away through labor-saving devices that make us available around the clock, donations to think tanks to create deregulatory lies, newly charitable contributions to help elect the most venal leaders.  It was not a change in clothes that created this environment, even if my reaction against the false freedom of casualness was to dress as I liked – well, if I daresay – and to embrace my chains, like my briefcase.  

Welcome the freedom to dress as well as you like, to be individual, rather than as a subject of spoken and unspoken codes of dress. And if you believe in community and shared social support, fight for it on your own terms, rather than ingesting the politically conservative pablum too many mouthpieces of organized religion like to serve up.

Quality content, like quality clothing, ages well. This post first appeared on the No Man blog in October 2017.

[eskelchopchop]

With Regards from Master Darkheart

“I fucking knew it!” Lambert brays. “Think they call him Daddy? Master? King Sugar Tits?”

Eskel grunts low, usually a warning to the keep’s perennial pup, but who could look at that showgirl getup with a straight face? “Shut it. Probably ceremonial. Uh. Contract payment.”

“Sure.” The single word drips enough sarcasm to eat through stonework. “From the whipmakers' guild.”

Geralt returns to Kaer Morhen in an... interesting new set of armor. The other witchers have opinions, especially Eskel.

I wrote some crack about Geralt’s Season 2 armor with a side of Eskel/Geralt fluff. Check it out on AO3 for Kaer Moron shenanigans.

[wsmithknives]

Damn this thing is good ! 4foot 12 plait ash handle #bushbabyknives #wsmithknives #whipmaking #paracordwhip #fatmaninashed

[oscarsgallery]

i don't think that'll stop whipmakers. some pf them handmake them.

..I think your boyfriend/girlfiend?? Just burned down a school

like....a random ass school ?

@doakarma please tell me you're not also on fire.

[pelbrywhoisprimarilyfromwhips]

All yall whipmakers aint shit. I’m the dopest craftsman in this bitch

[jmtorres]

@inky-petrel replied to your text post

"*squints* "Whips and Whipmaking" ... Colour me intrigued. Y'all had better be planning to share this fic with the class when you're done. :p"

@inky-petrel i mean that's the GENERAL IDEA if i can ever finish it /o\

"whips and whipmaking" is because certain infernal beings think limits are for mortals. I tried to do research on hardcore stupidly dangerous flogging and all the BDSM books were just like "don't ffs" so I was like fine I will look into bullwhips as used as intended on bulls and see where that gets me

[swordguybuilds]

Whenever I do lettering in 16 plait I like to align the letters vertically and keep them narrow so that they can be read fully from a single angle. I also try to avoid lines of single diamonds just because I feel it looks a little artless, though obviously there are times it can't be helped.

[jamiebowensardis]

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[wsmithknives]

This one is going to be nice !!! #bushbabyknives #whipmaking #wsmithknives #fatmaninashed #paracordwhip

[eleccafe]

Adam Savage's Favorite Tools: Artificial Catgut Sinew

https://eleccafe.com/2020/09/01/adam-savages-favorite-tools-artificial-catgut-sinew/

Adam Savage's Favorite Tools: Artificial Catgut Sinew

Waxed twine: https://amzn.to/3jq5Cki Artificial catgut sinew: https://amzn.to/3hMII61 Whipmaking: A Beginner’s Guide: https://amzn.to/3bgunfU Adam opens out his leatherworking cabinet to talk about one of his favorite materials used in the construction of his Indiana Jones bullwhip...

[nomanwalksalone]

ON LASTING THINGS

by Réginald-Jérôme de Mans

A great achievement of the classes that rule us is making us love our chains.  I had this (almost certainly not original) thought reading the estimable Bruce Boyer’s recent essay “Dress Up” on the faith-oriented website First Things, and remembered it again as I struggle to restore one of my chains, my badly worn briefcase bought new 16 years ago from the heavily fetishized English whipmaker Swaine Adeney Brigg.

I can say, with all of the ecumenism worthy of a site like First Things, that Boyer is a mensch, perhaps the most respected English-language men’s clothing writer, and has personally become one of the kindest voices about my own writing and attempts to bring my own book to publication.  So “Dress Up” showcases his splendid knowledge of clothing history, enlivened with his usual verve.

“Dress Up”’s thesis is that we have lost a sense of occasion, a socially shared sense of ritual that inspires us as a group to dress better (Freudianly, I just typed “bitter” and then “butter”), and to know how to dress better to appropriately fit the occasion.  Casualization of clothing is a false democratization; an old order of codes is destroyed and a new surfeit of variety bedevils us: would-be #steezinistas lose their way, unsure how to coordinate their clothes given all the different colors, styles, and changing fashion seasons.  In other words, losing the shared sense of occasion means loss of commonality, community, and “humility,” to be replaced by a society that “gives more leeway to the strong than it does support to the weak.”

Change from a supposed settled and calm order that leads to aimlessness, confusion and indulgence.  I can see why this piece was of publishing interest to First Things.  Nostalgia for a time of less, or more repressed, questioning is rampant in many religious outlets today.

Clothing is a social tool, a manner of expression. Dress codes, including and especially those that “Dress Up” mentions like entire stadiums wearing suits to ballgames, are a method of enforcing social order. The idea of wearing nicer clothing as a sign of mutual respect is profoundly bourgeois, one of many incentives to the middle class to conform to this sense of order. Others include modesty (the wearing of suits means wearing far more layers than, say, today’s T-shirt) and the ideal of quality, the lie of longevity that convinced me so long ago that my briefcase, my leather lunch pail as Tom Wolfe snarkily and observantly called it, would really be a lifetime quote investment unquote.

I got pumped and dumped, in both the investment and the Trumpian senses of the terms.

Things do not last, things do not make you you. It’s a lesson I had to learn over time. Like, I suspect, most iGents, my favorite superhero as a little kid was Batman, because he always had the right accessory. With his utility belt and quick thinking, he had the response to every occasion. (Today, it’s probably Green Arrow, Batman as a bleeding heart liberal.) His things made him him. I admit his deep and twisted repression also made him a natural identification for us iGents too.

Unfortunately, the nature of capitalist society is the privilege of the strong at the expense of the weak.  At best, social support is an afterthought. The creation of a sense of occasion to which we must respond and conform means that the few who are not required to do so enjoy and outwardly signal their power.  Power to transgress the norms they have set down, in dress as in other forms of conduct. (That, incidentally, was prep, in all of its worn-down, bizarrely-colored and patterned glory, a reality far from the idealizations of the Internet creeps who idolize it, a set of strange codes to penalize outsiders, strange codes set by an upper-class and upper-middle-class ability to transgress against norms of good taste and restraint that supposedly dictated how everyone dressed 60 years ago.)  

I selected my briefcase in conformity with the old norms of taste: tastefully anonymous, unlogoed, made by hand by Englishmen guaranteed to treat most non-Sloaney visitors to their St. James’s shop like utter garbage, unwieldily heavy brass fittings on thick, thick bridle hide leather that not only had that forelock-tugging equestrian heritage but supposedly would last forever.

As usual, Ferry was right. Nothing lasts forever. The lies to manage us, though, are the Same Old Scene.  Luxury, as always, is what almost none of us can have. In the rosy-tinted past of First Things, it was casualness, freedom from strictures, suits, codes of professionalism.  Today, as Boyer correctly notes, we have been given freedom to be as casual as we wish by our corporate overlords, a false freedom since now what almost none of us can have is peace of mind, personal time, sleep, job and personal security, perhaps even any kind of future – all things those corporate overlords, and their owners, have in various ways taken away through labor-saving devices that make us available around the clock, donations to think tanks to create deregulatory lies, newly charitable contributions to help elect the most venal leaders.  It was not a change in clothes that created this environment, even if my reaction against the false freedom of casualness was to dress as I liked – well, if I daresay – and to embrace my chains, like my briefcase.  

Welcome the freedom to dress as well as you like, to be individual, rather than as a subject of spoken and unspoken codes of dress. And if you believe in community and shared social support, fight for it on your own terms, rather than ingesting the politically conservative pablum too many mouthpieces of organized religion like to serve up.

[edwardsjessica]

My first professional review on my work.  I am very excited!

[robertacraigaz]

Baton Rouge Traditions: An Online Book

Baton Rouge Traditions is a collection of essays– those generated from the Baton Rouge Folklife Survey in addition to others from the New Populations Job, the Louisiana Folklore Miscellany, as well as earlier jobs. Following this intro, the essays are organized into 6 phases: Baton Rouge Gives, Baton Rouge Makes, Baton Rouge Plays, Baton Rouge Worships, Baton Rouge Works, and Baton Rouge Diversifies.

Each essay includes photographs that can be bigger and viewed as a slide show. A lot of essays also have audio clips from the taped meetings. Essays noted with an asterisk (*) in the table of contents have matching field records, readily available upon demand, that use more details.

Subsequent to this essay, the introduction consists of Customs of Baton Rouge, a photographic essay arranged around folklife categories. It includes photos of everyone as well as custom documented in the survey along with customs not recorded by interviews, such as various other craftspeople and also musicians, but also traditions such as office personalizeds, memorials, parades and also marching groups, as well as landscapes.

Baton Rouge Offers focuses on three significant philanthropic initiatives in Baton Rouge: teams taken part in pet rescue as well as individuals that make as well as donate standard fiber arts. Folklorist Carolyn Ware looked at the previous, particularly groups seeking “for life homes,” in addition to their special events, customizeds, as well as volunteers’ personal narratives. Documenting the latter, Laura Marcus Eco-friendly researched fiber artists who make quilts, prayer serapes, caps, as well as other handwork for policemen to give to at-need kids, and also for handwork guilds and craft groups to donate to premature children, cancer patients, and also experts. Two such efforts started in Baton Rouge have become regional as well as nationwide projects: Strings of Love and also The Granting Quilt. Laura Marcus Eco-friendly and I additionally documented St Joseph altars, which are gifts to the area, with a special concentrate on the specialty cakes.

Baton Rouge Makes consists of people that draw upon their diverse heritages to develop a selection of standard crafts. Folklorist Douglas Manger documented cowboy saddles and whips, metal producing barbeque pits, fly tying, horseshoeing, leatherwork, and also airbrushing in addition to wooden boats, christening dress, and power saw sculpting. Folklorist Jocelyn Donlon and also leisure research studies researcher as well as digital photographer Jon Donlon documented fabricators of Mardi Gras sphere gowns and also parade outfits. Folklorist Laura Marcus Green recorded quilter Judith Braggs as well as the ways in which her quilts reflect her heritage. Photographer James Terry and also I recorded African American custom holders that tailgate, do handwork, make fabric dolls, and also celebrate Juneteenth. Folklorist Daniel Atkinson focused on the power of narrative for custom holders when speaking about their practices and also documented the creator of an African American museum and also a quilter who made training help for the museum in addition to carvers, painters, a filé manufacturer, and also a split oak basket maker. Barbara Franklin composed her memories of making dolls and supporting her household for the Louisiana Mythology Miscellany and it is included here. Some tradition bearers have joined public programs or even got gives, like boatbuilder Keith Felder and also whipmaker Billy Anderson. Others had not formerly joined public programming, such as christening gown seamstress Lorraine Bergeron and also saddle manufacturer Ken Raye.

Baton Rouge Plays includes essays on entertainment practices. Douglas Manger profiled sac-a-lait angler Glenn Davis, as well as Jocelyn Donlon documented the Spanish Town Mardi Gras celebration. Essays about secular music and dancing customs consist of Dominic Bordelon’s 2009 essay on Latino songs as well as dance and also Guiyan Wang’s 2009 examination of the value of dancing in the Chinese community. Ethnomusicologist and folklorist Joyce Jackson upgraded paperwork on Baton Rouge blues songs, with a certain concentrate on bluesman Larry Garner, that maintains the most typical collection amongst his local peers. Songs author Ben Sandmel took a look at other nonreligious songs practices consisting of Cajun fiddle, zydeco, c and w, as well as jazz.

Celebration Quartet, based out of College Baptist Church, is a guys’s gospel quartet that sings typical and also modern gospel songs, gone along with and also unaccompanied. The quartet sings for worship solutions and special events in and around the community. Picture: Maida Owens. Baton Rouge Venerates considers spiritual songs and also ritual customs in regional churches, synagogues, mosques, and temples. Joyce Jackson checked out preaching styles of four African American priests and also, in 1996, she discussed scripture quartet The Zion Travelers for a recording job. Anthropologist Liz Williams documented choirs, chanters, cantors, as well as track leaders in varied Christian churches. Ethnomusicologist Maureen Loughran documented other spiritual noises from Greek Orthodox and also Vietnamese Buddhist incantations and also Muslim address and also crucial music to Jewish as well as Christian songleaders and also group singing. From the New Populations task, Daria Woodside documented the Hindu festival of Navaratri in 2007 as well as a puja or Hindu prayer service in 2006. In 2009, Emma Tomingas-Hatch recorded Vietnamese altar customs in Baton Rouge as well as Lafayette. In the 2017 Louisiana Folklore Miscellany, Von de Leigh Hatcher blogged about her family members custom in the Pentecostal church and also the importance of hair for women and it is included here.

In the facility, veterinarian pupils’ brief white layers as well as short sleeves (left) distinguish them from medical professionals, who put on longer white layers. Image: Courtesy of LSU College of Veterinary Medicine. Baton Rouge Functions consists of essays on work mythology. This area is especially solid with an unique focus on individuals used in small companies that have actually specialized skills, such as music tool repair work, automobile airbrushing, bakers, and also specialty boutique proprietors. Jon as well as Jocelyn Donlon concentrated on repair work services– shoes, furniture, rod and also reels, instruments, and also precious jewelry in addition to a locksmith and also clothier. Douglas Manger recorded a taxidermist, barber, funeral home, custom-made sign maker, piano receiver and a clothier. He also checked out restaurateur Wirt Bellue and exactly how he used his welding skills to creatively solve troubles for his restaurant and food processing service. Laura Marcus Green considered bakeries and also specialized cakes including grooms cakes and also the emerging tradition of cakes that reveal a child’s sex. She likewise documented store owners who specialize in hats and also outfits for African Americans to put on to church. Maria Zeringue recorded food business consisting of ethnic grocerys, boudin manufacturers, as well as tea cake manufacturers. David Kunian recorded long-time state capitol workers and also tales concerning the structure.

Work practices documented with an Archie Green Fellowship from the Collection of Congress Folklorist Carolyn Ware brought into play her work with the Louisiana State University College of Veterinary Medication and discussed vet custom-mades and also rituals, consisting of workplace traditions. Folklorist Maria Zeringue recorded tea cake manufacturers, boudin manufacturers, and also specialty grocers. David Kunian recorded legends of the State Capitol by interviewing veteran capitol workers. Laura Marcus Eco-friendly documented the African American custom of wearing hats to church as well as for various other special occasions with a focus on sellers that sell them.11.

Baton Rouge Expands includes essays from the New Populations job that concentrate on immigrant neighborhoods in addition to a write-up from the Louisiana Mythology Miscellany. In 2007, Jun Zou considered the Baton Rouge Chinese neighborhood, including its practices of paper folding, feng shui, events, and foods. In 2007, Jocelyn Donlon documented the practices of different Muslim areas consisting of Bosnian pita bread making, henna, Palestinians cross stitch, and also calligraphy. 2 of these essays were first released in the Louisiana Mythology Miscellany. In 2010 Dominic Bordelon analyzed Latino experiences in the city, in 2012 Cecelia Vo recorded her household traditions surrounding the Vietnamese Moon Event, as well as in 2017 Sylviane Greensword considered African immigrants that have hair intertwining beauty parlors in Baton Rouge.

Check all location here.

source https://platinumtreeservicepros.com/baton-rouge-traditions-an-online-book/ from Platinum Tree Service Pros https://platinumtreeservicepros.blogspot.com/2020/07/baton-rouge-traditions-online-book.html