#whoever said this show feels like Mad Max meets Godzilla

[the-lightning-strikes-again]

Personal Thoughts on Pacific Rim: The Black (2021)

I watched season 1 of Pacific Rim: The Black, which released to Netflix on March 4! I’ll admit I wasn’t expecting much, after disappointments with the movie sequel. But the Pacific Rim franchise means a lot to me, so I wanted to give it a try. I’m very pleasantly surprised that I enjoyed this new show and connected with it in various ways. And given how wild my own life has been lately, it was really nice to get lost in something that validated the importance of different kinds of connections, and to not close down when the going gets tough or hard to explain.

PRTB is a pretty emotional, angsty story, and it’s not afraid to explore that over the full 7 episodes. The stakes are high, involving the loss of friends and family. So the characters have a real investment in what they’re doing and why they’re fighting.

The grittier tone of the show is a deviation from the movies, which maybe some people would like or dislike more. I think the seriousness helps to balance out having (yet again) inexperienced teenage protagonists. But the show does still get some fun scenes and quips in, and our main jaeger has a snarky AI who provides both humor and critical thinking checks for our protagonists, which is nice.

I liked the 2013 movie because it showed all of humanity coming together to fight a common enemy. Here, there’s enemies and allies on both sides of the Kaiju war, and even some who are in-between. This is a stronger nod to reality while decreasing the fun fantasy violence of the 2013 film. I don’t think this is inherently a bad thing for this series to do, because a series has a lot more space/time to fill than a movie, and even the 2013 film showed that there were significant cracks in the so-called “unity” that the Pacific Rim universe outwardly celebrated. In the midst of the 2013 movie’s talk about countries setting aside old rivalries, we still had politicians who didn’t care, criminals capitalizing off pseudoscience and unsanctioned nuclear weapons deals, religious sectors rising up to worship the title enemy, people being forced into dangerous jobs to keep from starving to death, the rich and powerful experiencing minimal lifestyle impact vs. poor people being abandoned to die or surviving through precarious means, and even toxic hero worship and intriguingly, the glorification of violence for entertainment and toy sales. So in this new show, we’re really seeing the movie’s cracks expanded and focused on. It’s even more front and center, given that the rest of humanity sees Australia as a lost battlefront and has deemed so many left behind as worth less than the effort it’d take to rescue them. So maybe a part of me misses the cool concept of human unity from the first movie, but even that movie was trying to tell people that unity is an illusion. Here, it’s just so front and center that it can’t be ignored in favor of robot fights, and I actually liked that immediate boldness.

(review continued under the cut)

Some of the details feel AU or divergent from what I remember of the movies, but that’s not necessarily a bad thing to me, so long as the show itself can be internally consistent. Transformers franchise spent forever trying to created an aligned continuity to no avail, so it’s not a detraction for me if Pacific Rim franchise wants to just flail in its own playground too.

The animation style grew on me as time passed, as it worked well for animating jaegers and Kaiju even if humans seem a bit stilted. It better captured a sense of scale compared to the sequel film, and the jaegers felt actually integrated in the animated physical space (something I really struggled with in Uprising). The sense of scale is not as good as the 2013 film. But then this show has a significantly lower budget and is a very different medium, so it was easy enough for me to accept it for what it is and to be glad that we got anything halfway decent, really.

The pacing could have been better across the different points of conflict, but honestly if no adult questioned or tried to undercut a couple of teenagers piloting the last active jaeger on an entire continent, that would have felt even more jarring and unbelievable to me.

I think Pacific Rim as a franchise has never been about reinventing the wheel when it comes to characters. But I was definitely interested in the topical similarities between the movie’s Mako Mori and the show’s Hayley Travis. They both do things in want to help/prove themselves, which results in an incredible backlash that they have to emotionally work through and overcome. In comparison, Raleigh Becket and Taylor Travis are both fairly static supporters, but when their hope drops out, it’s Mako and Hayley who kick in with other options, more energy. If we get a season 2, I’d be curious to see how the show further differentiates and humanizes these new characters. 

The 2013 movie had main characters who were very significantly traumatized. So having protagonists in the show who are very significantly traumatized as well didn’t feel like a distraction to me but instead just a nod to the franchise and how it’s closely tied with struggles to obtain mental health and connection. I’d be more worried if the teenage protagonists were people who consistently don’t think of consequences or who don’t take an apocalypse or immense power from a jaeger seriously...

PRTB definitely earned its TV-14 rating. It can be gritty and dark at times, but coming out of several TV-MA shows, the way it’s visibly handled on the human side is a nice break and sometimes even more emotionally effective than if extremely gory scenes were shown. I’m a little hesitant to get too emotionally attached to any character for future seasons, though, given this rating.

Some scenes were more personally engaging to me than others, but I’ve watched several shows lately where I couldn’t stand to actually finish them or was checking to see how much more time was left. With PRTB, I kept wanting to see what happened next, and time really flew by with some episodes.

The Kaiju shown are incredibly diverse, with some really cool designs. There’s something in here I’ve been wanting to write a fic about/daydreaming about since 2013 and this show actually does the thing in its own way, so I was personally excited about that.

If this show gets a season 2, I’d love to see our protagonists meeting up with more people from all walks of life and exploring various ways people have survived and maintained or redefined a culture in this post-apocalyptic world.

There’s an element of “connective regret” in this show that really personally spoke to me, given that I’ve lost a lot of people in real life suddenly. Like, you assume people will always be there until suddenly they aren’t, and that fact of life can really destabilize a family or found family. This show doesn’t shy away from trying to validate that stress, or from validating how important healthy connections still are in the face of loss or decoupling from other toxic relationships.

Mental health relapses, trust issues, and survivor’s guilt are also a thing in this show, which I found really interesting, and that was something we really only had time to see in small measure in the 2013 film.

I still have some worldbuilding questions, but honestly I clicked on this show hoping for a good time to lose myself in—and I feel like I received that in this season. So I ended the show feeling like, actually excited to talk about it with other people.

There’s plot twists and characters I want to flail about so bad, but that would involve dropping very significant spoilers here, so maybe I better hold off for now. 

But yeah, if anyone else watches this show, please feel free to reach out and flail with me about it!