#you know those movies/shows where a character befriends a dangerous wild animal / monster

[carnivalcarriondiscarded]

i need to share the absolute fucking Experience i had playing minecraft tonight. i'm gonna be emotional about it for days

so me and my friends like to play on this server that's pretty much just a bunch of minigames. one of them is Murder Mystery - of a group of - i think its 13/14 people - one person is randomly selected as the murderer (spawns with a sword), the other as the sheriff (spawns with a bow). the rest are innocent. the innocents can gain a bow by collecting coins. no one knows anyone's status unless the player shows their sword/bow. i'm doing a quest where, in order to get points, i need to kill the murderer.

so as the game start countdown begins, me and my pal are checking out this Red Link skin. it's pretty neat! we're all crouching and punching at each other, as one does. i feel a connection form with Red Link. we're buddies now. we're in this together.

so we're all running around the map. every time i see Red Link, we crouch and punch at each other. the game is going fine, we're having fun. i'm delighted that i've made a one-game friend.

then my friend says that Red Link is the murderer, and i literally have a hard time believing it. Red Link? my Red Link? no, they must be mistaken. we were together at the start. they had ample opportunities to kill me. it can't be Red Link. but whoever the murderer killed was the sheriff, and i needed to complete the quest - picking up the sheriff tombstone grants me the bow.

so i run, trying to find it, and i turn the corner.

there Red Link was, standing at the end of the hall, by the tombstone, with a sword in hand. i froze. i was so upset - not Red Link! not my dear companion! i was so sure that was it.

but i walked forward anyway, thinking that maybe if i dodged around them, grabbed the bow, and turned and shot fast enough, i could get them. the thought was actually distressing! Red Link didn't put the sword away. they watched me slowly approach. we stood on either side of the tombstone, and i expected Red Link to cut me down. i was well within reach of their sword.

Red Link calmly, still looking at me, moved to the side and past me. i panicked and grabbed the bow, ran to the corner, turned and drew - Red Link was already at the other end of the hall, running away. i didn't want to shoot, but i needed the kill - who knows when i'd get an opportunity to complete the quest again. it's a tough one.

i missed, thank fuck, but man. i was in shock. i thought i was a goner.

then, after the game where awards are given - the murderer, who killed them, who collected the most coins - i went up to Red Link and crouched. they crouched back.

then they left the game.

[popculturebuffet]

Ducktales Lena Retrospective: The Other Bin of Scrooge McDuck! or Why Does Lena’s Darkest Hour Have a WACKKKYY Bigfoot Subplot?

Hello all you happy people and welcome back to Shadow Into Light, my look back the LIfe and Times of Lena Sabrewing. And we’re almost at the end of season 1. Woo-Ooo!. While i’ll have more season 1 episodes to cover for it’s sister arc, this is the last episode in this arc before the finale.. and i’m happy to repeat that next week will be DUCK WEEK as a result, finsihing up this arc and the Della arcs, as well as dipping into season 2 a bit for Lena’s return to celebrate the finale of this wonderful show. Full disclosure: I didn’t PLAN for it this way, I assumed the show would be ending in April, but sometimes serendipity just works out for you. So pitter pat er, let’s get at er.

 When we last left off Webby went on a wild duck chase for her grandma in England and 87!Webby befriended that version of Magica’s niece and told off a grown woman masquerading as a child because her husband likes being called “Daddy”. When we last left the plot proper though, we learned Lena just wanted to be free, and was willing to do whatever it took, and Magica was getting more abusive and more impatient. And if you thought the end to Jaw$! was pretty sad and dark.... strap in and steel yourself as we take a look at one of the darkest episodes in the series.

The opening sets the stage perfectly as we’re in Scrooge’s Room in the middle of the night, when Lena comes in.. with a knife. 

Naturally she dosen’t have baked goods, but instead is trying to cut the knife from around his neck while Magica won’t shut up while she works and keeps distracting her and BLAMING her for getting distracted. As for the knife it’s glowing and mystic because naturally, Scrooge doesn’t trust just ANY string but a magically woven one to hold his dime. Unlucky for her her girlfriend walks in at the exact moment she’s standing over her idol holding a mystical knife. I don’t think hallmark makes a card for “Sorry I was lying to you for months for my abusive aunt to earn my freedom and then looked like I was about to slit your uncle’s throat. I love you though. “ Yet. 

Scrooge starts to stir so Webby pulls Lena out of there and back to her room... and flashes a lamp on her to interrogate her. Lena is able to bounce back, asking “what were you doing there”. Which NORMALLY wouldn’t last more than two minutes.. but since Webby was there to get Drool samples, maybe she wants to clone him I mean she does know a guy I think the why is something we’d rather not know about, Webby herself was a bit suspcious and Lena uses her starkerish ways to say she’d also gotten into being a Scrooge fangirl. This also allows her to ask about the dime.. but since Scrooge never takes it off, that means they have no access and both Lena and Magica are stuck watching Webby’s long presentation on Scrooge’s life story. I mean personally i’d love to see this in it’s full probably 8 hour glory but I’m not trying to earn my freedom or stuck as a shadow monster. 

It was then when watching the episode this morning.. I was reminded it had a subplot. And the instant I saw Dewey folding Louie’s shirts... I started to piece together it was the bigfoot one. 

As you can tell i’m not a fan of this subplot. It has a good core idea, riffing on “kid takes home sasquatch films” like Cry Wilderness, Big and Harry and of course the one that started it all, Harry and the Hendersons. 

It’s just bogged down by one really obnoxious trait that trips it up and is in the wrong episode entirely. We’ll get to that first scene and the plot as a whole in a moment we just need the setup in the a-story first: Scrooge privately conferring with Beakly, which Magica snoops on. While Lena didn’t get far at all in cutting the rope of his dime, she still left a knick and the fact someone got into his house, let alone his bedroom and got THAT far, means SOMETHING bad is afoot. So while he looks for it he’s putting the dime in the Other Bin for safekeeping. We’ll find out what that is in moment. For now 

Let’s Get This Stupid Sasquatch Plot Over With

We open with Louie having conned Dewey into folding his stuff for the “world laundry folding record”. I mean.. it’s greasy but I gotta respect game here. And it’s not actively harming anyone. Though we do find out from an irate Huey he’s done far worse, if in a hilarious way with Louie’s Kids, his obviously fake charity he uses to get money out of Donald. And so far into it, as Huey hid something he had in the closet and offered to Fix Louie’s stretched out hoodie, the reason he was mad at Dewey, I didn’t get why I hated it before. I wondered why I was so annoyed. Same when Huey while carrying Louie’s hoodies hears his uncle looking for something in the mansion. 

Turns out he’s got a bigfoot hiding in their closet, that he found injured int he woods and brought back and all that good kid finding a mythical creature stuff. Dewey of course loves him on first sight and both want to keep him. But unlike most of these sorts of things where the creature’s damage to the room and what not is played off or the sibling doesn’t know, Louie does see it and isn’t happy about it and only agrees to hide the furry bastard because his brothers blackmail him with his schemes, and refuse to feel sorry for him as the creatures antics continue, including drinking Louie’s special pep and eating his snacks. 

And this is where one of the plots two major issues crops up: The way Dewey and Huey act. Both just ignore any damage wooly foot does, any discomfort to Louie and any obvious downsides of this. Now Dewey being clinginly attached to a majestic creature he found and wanting to keep it? Fits perfectly, and him being mean to louie fits because louie tricked him. Huey however.. is horribly out of character, as while I could see him being charmed at first and not wanting his uncle to hunt his new friend.. he’s not an impractical boy. He’d of tried to get his new friend to the woods first thing because it’s where he’s safest from scrooge and his foot has healed. He’s also a Woodchuck and I can’t imagine the JWG says it’s okay to keep a wild animal person as a pet basically. None of it fits him and makes him into a moron for an episode solely for the plot to work. This still could’ve worked but just have Huey and Louie BOTH get suspicious, Huey later, and find out Tenderfoot is actually Gavin, whose sapient, has a phone and simply is taking advantage of them. it would’ve gone the same way: if they told Dewey , Gavin would kill them, as he threatened to do if louie told his brothers. The Gavin part though is brilliant and a really nice twist I didn’t see coming when I first saw this.  

And it would’ve made the already great climax more interesting as Huey would’ve been forced to use the methods of Louie’s he’d derided to beat a far worse scammer. Instead it’s just Louie but he doesn’t take Gavin’s threats lying down.. and comes up with a clever way to use his scam against him. He shaves Gavin, hides the razor then claims to his brother that not being in the woods means he’s dying or some such thing. So our two idiots and our hero drag them out and while they run into scrooge, Louie still saves the idiots life by manipulating him with a schmaltzy speech and they let him go despite his best attempts to stay, with Louie getting a nice “I win in there”. Overall a bit of a mess with some good ideas, but Huey suddenly taking dum dum juice really drags it down.

So in any other episode this would’ve been fine whatever just mildly obnoxious. What makes it really,  unintentionally obnoxious.. is it’s in the middle of a tense, dark, horror story that dives into the depths of Lena’s soul and ends on a really horrifying note. Case in point Louie shaves a bigfoot and gets his victory over his nemesis.. after an utterly spellbindingly horrific nightmare by Lena, easily the most terrifying moment in the entire show. Followed up with a shaved bigfoot. 

Now I could buy Disney simply forced them to do this to keep things light... except Frank’s been pretty upfront about the production process, how Disney has treated him, what they’ve said no on. So if it had been something they were forced to do, he would’ve said it. No this is just not reading the room and not thinking things through and an otherwise stellar episode suffers for it.They could’ve waited till season 2 for it, they didn’t, and this was the result. It dosen’t ruin the rest of the episode it’s too good for it, but damn if it dosen’t create mood whiplash so severe I need a neckbrace. 

The Good Part

So back at the plot anyone actually cares about, we found out what the “other bin” is when Lena asks Webby: While the Money bin is for well, money and precious keepsakes, the other bin is the stuff too dangerous to keep out in the world. And this is the guy who kept a mystical gold eating dragon, a pirate ghost, and a medusa gauntlet in his garage, and we’ll learn after this ep also keeps a giant golden aztec golem in there. NONE of that was deemed dangerous enough to put in the other bin. So Webby is understandably hesitant.. and it gets a bit unsettling when Lena manipulates her into it. While she has in the past.. she usually just nudged Webby into something she’d do anyway at worst, or showed her an r-rated movie or something harmless. While she did use her as an in she clearly cares.. so it shows how horrifically desperate she’s got she’s willing to pressure her into going into Scrooge’s most dangerous and secure location, pointing out this may be her only chance to see the Dime. 

So she reluctantly agrees, and the two head into the garage. Turns out Scrooge keeps all his junk here for more reason than just shoving it wherever it’d go, as the entrance to the other bin is hidden here. The statue that gave Manny his head is actually a clue towards the painting hiding the second bin, which itself requires one of those things used to hold up ropes and such like you’d see at a movie theater... god I miss movie theaters.. I mean watching stuff in the comfort of home is very nice, but it was nice getting out, making a day of it. I mean their around, but I really don’t want to go till one till more vaccinations have happened and it’s a lot safer to go. Wait what were we talking about? Oh right gay ducks going into a horrifying nightmare vault. But yeah the theater thingy is the key, it unlocks the entrance and our heroines head inside. 

In contrast to the modern, buisnessy welcoming bin, the other bin is basically one giant vault/prison, with everything in it securely locked inside identical doored rooms. It’s genius as it is simple: Only 6 people have likely ever had access to this place: Scrooge, Beakly, Gyro, Duckworth and MAYBE the twins. Even Della and Donald being allowed down here is an unknown. The non-scrooge people are only because someone besides him needs to maintain it, keep any creatures fed, that sort of thing and he’d only trust his butler and his housekeeper, who are also both extraordinarily badass, to do so. Gyro is because someone needed to design the cells. I also wouldn’t be surprised if Quackfaster was a 7th since season 3 casts her as Scrooge’s magic expert and he’d likely need specific runes for specific cells. He’d want as few people down here as possible, and even fewer knowing. I’m sure Bradford knew, and i’m also certain it’s the one thing he never quibbled about the expense as while he hates what Scrooge stands for and tried to curb his “chaos” as much as possible.. this is doing exactly what Bradford likes: locking it away where it can’t hurt anybody. Plus quibbling about it might make Scrooge want to show it off to him and that’s.. that's’ a whole lotta nope in a 2 pound bag. 

So for once Webby is very hesitant and very cautious, though naturally Magica points out a door.. and Lena stupidly follows her advice as she knows her “aunt” is impulsive and has no regards for her safety. What did she think was going to happen? They instead find a unicorn.. or rather it’s angry murderous cousin the Sword Horse, which naturally tries goring them. I’d go with Spear Horse, but semantics. Point is Webby is soon tackled by the thing and Magica just wants to let her die. As seen before the tension between Magica and Lena has hit a breaking point: Magica is fed up with Lena’s clear feelings for webby and caring more about her than the mission.. while Lena is fed up with Magica not listening to her, respecting her as sentient being and dismissing her out of hand instead of listening to her often very valid criticism. So Lena naturally ignores her and throws her the knife, which Webby uses to get the Sword Horse back in it’s pen. And then wonders why her girlfriend has  glowing painstakingly crafted magic knife. Whoops. Webby also wants to leave but Lena convinces her to keep going. but it’s also very clear that Webby’s getting more and more reluctant and i’ts very hard to watch. You can’t blame Lena for wanting to be free of Magica: she dosen’t see her as a person, and dosen’t value her life. But it’s still hard to watc her have to manipulate the only person that loves her and do so so.. effectively. It’s easy to imagine Lena’s done this dozens of times to other people.. but not to someone she actually CARES about. 

Webby DOES figure out how the rooms work though: each one is labeled by the year Scrooge caught it. So she assumes one room she fine is the dime.. and Lena of course runs in and slams the door shut... they’ve found it. So we then get to the most terrifying moment of the series. With victory in her grasp magica roars for Lena to claim the dime, filling the room and Lena with shadow with Lena seemingly disolving.. until Magica is restored or at least partially, still a shadow. Magica has just one thing for her.. and Lena’s reactoin is terrified.. and says oh so much in just one expression it’s VERY clear Lena fears she’s about to die... if she’s lucky. Magica’s been so verbally abusive, tearing her down constantly, manipulating her constantly.. why WOULD Lena expect anything good? Why would she expect anything other than pain or death? So a hug is a surprise.. as is Webby who assumes she’s being attacked... and is clearly heartbroken that’s not the case and runs for Scrooge when Magica admits the truth... only for Magica to seemingly kill her, turning her into a doll resembling the original Webby

Yeah at this point it’s obvious something’s up.. but before we can get to the natural reveal at the end of this horror show, Lena demands Magica change her back... only for a fight to naturally ensue with Magica rubbing the way Lena’s treated Webby in her face: How she manipualted her, lied to her and used her. Even if it was for more noble reasons.. she never told her any of this or tried to and is now directly responsible for her death. She’s a monster.. and then Lena’s amulet activates.. and seemingly finishes the job. 

Then Lena wakes up. This was simply one of SCrooge’s artifact, one Webby mentioned earlier off hand and Webby rescues her. It was all a nightmare.. easy to see given Webby was seemingly killed or turned into a doll at points.. but besides making Lena realize how while not as bad as her aunt, she ahsn’t been great.. it also gives us a painful look into her head and how she sees both Magica and Webby. With Magica.. it’s again VERY clear Magica verbally abuses her, depersons her and is in general a horrifiingly relastic depection of a domestic abuser. But it’s also telling Magica hugs her... while Lena didn’t expect it, this is all her subconcious mixed with a magical cursed artifact, it’s clear that deep down one of the things she wants most.. is for Magica to LOVE HER. 

That is just... it hurts so much.  She just wants a Mom.. and even then her subconcious can’t give her THAT because it knows the truth. Granted the nightmare thing might of had something to do with it, but still, the fact is deep down she knows Magica dosen’t care about her but she WANTS her to. As with Webby, she fears Magica is right, that all her gaslighting has had an effect and Webby would run away the second she found out. When as we’ll learn.. that’s not true at all. She’s deeply hurt... but she still belivies in her. But Lena can’t even see that. She’s been beaten down so much by someone constnatly telling her no one will ever love her she belivies it herself and all her mind and the dreamcatcher can do is pummel her over and over again with what she feels about herself, what she’s KNOWN about how she treats webby even if she had no way out otherwise, how wrong it’s felt. Just holy shit it’s a lot to take in. 

But all this trauma has made Lena realize she truly does love Webby and this isn’t worth it.. she’ll find some other way out or figure out something, for now their leaving. She’s not dying for this.. not for her. They happen to run into Scrooge who, due to the WACKY BIGFOOT SUBPLOT THAT HAPPENED RIGHT AFTER THE ABOVE SCENE, no I will not let that go even going back to Frank’s twitter asks he outright said it was their darkest plot paired with one of their most insane, he knew what he was doing. Turns out cleverly he kept the Dime in vault one. As he puts it “They never think to check the first one”. Smart. He also keeps his worry room down here. Just a note I wanted to mention. 

He does chide them, and Lena takes the full fall.. but suprisingly he dosen’t ban her from his home or anything, he just asks they be honest and would’ve gladly showed the dime off to them both if they’d just asked. Once Scrooge and Webby walk off far enough Magica berates her again..but Lena is done. She’s realized from her own horrifying nightmares that NO amount of freedom is worth what Magica will get out of this, that her own soul isn’t worth the death of the one person she cares about: Webby will fight her and she might not make it. She loves her more than she fears Magica. And even if it means loosing Webby.. she knows who can stop him. Unfortunately.. this is not a happy ending as Magica simply takes full control. And now has Scrooge’s full trust. 

Final Thoughts: This episode is one half a masterpiece. The parts with Lena are to this day, as we approach the very last episode, some of the show’s finest writing and Lena’s nightmare is easily the darkest scene in the series, and only not the most gutwrenching.. because we’re getting to that next week. It finishes the first leg of her character arc, with her selfishness all gone, and the only thing she wants is Webby’s hapiness. Granted that leads to a whole nother character arc over her season 2 episodes, but we’ll get there. Point is she’s realized her manipulations are wrong and not worth the cost, and that she’ll never get anything good out of Magica. Freedom.. will take just a bit longer. It’s eerie to watch, uncomfortable as Lena sinks to her lowest point before climbing out of it, and with a very tense atmosphere the whole time, the bin having a smothering uncomfortableness as we know there’s tons of horrible things here.. but we don’t know what. 

So on it’s own it’d be one of the series best episodes, and the plot itself is still one fo the series best.. but it’s weighed down by one of the series worst plots. Still tame compared to a lto of other series worst moments but being paired with something so dark and excellent really shows how fucking stupid this plot was and made it that much more grating. It just clashes badly. Thankfully the crew did learn from this fiasco to the point we got one of the series best episodes “Escape from the Impossibin!”. That one seemingly has two light enough plots, Scrooge, Louie and Della escaping from the bin and Webby stalking the boys, but in a comedic ic still messed up fashion.. but both take a sharp left at just the right time as to not clash: the full implications of what Webby’s doing and her physical fight with Bentina happen around the same time Scrooge breaks down and confesses he’s scared he can’t win this time. The episode gets really dark in the second half but it eases into it and slowly makes it’s way to it, building to it with some laughts to disarm it. But stuff like robo scrooge or the timeloop room, or the timeloop room, or the timeloop room, or the oh thank god i’ts broken. That stuff isn’t SO wacky or out of place that it detracts from the other plot. They compliment each other. Here it’s just two plots that don’t work together at all joined together for some reason.  So yeah overall a very mixed bag of an episode and if you do want to watch or rewatch it.. just skip the bigfoot subplot> it’s not worth it. 

Next Time on Shadow Into Light: It’s all come down to this. Magica finally ges what she wants. The Shadow War is Night.. but before I can tell you that story we have a bit of ground to cover so..

Next on this Blog: The family minus Beakly ends up in Greece. Dewey is forced to deal with his fears about his mom, Scrooge is forced to deal with his old rival Zeus, and Donald is forced to deal with an unwanted admirerer. Spanikopita!

If you liked this review, follow for more, feel free to contribute to my patreon, and feel free to commission a review of your own. Until the next rainbow, it’s been a pleasure. 

[justalittlelitnerd]

The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

You deserve to be here. You deserve to exist. You deserve to take up space in this world of men

Also:  Felicity Montague, you are a cactus.

This book is the feminist anthem you didn’t know you needed. Actually, no, scratch that it’s the human rights (and sometime even animal rights) anthem you didn’t know you needed. It tackles race, religion, sexuality, gender, and probably any other slightly controversial topic under the sun. 

It is unabashed and recognizes flaws within arguments and defenses and it doesn��t try to say one way of life or being is better than another but they all simply deserve to exist.

If that isn’t enough to compel you maybe the fact that it is set in England (actually all over Europe really) back in the olden days (honest to God can’t remember what time period but the aforementioned petticoats probably gives you a clue) with pirates and sea dragons (it’s not as mystical as it sounds but still slightly magical) will be enough to compel you to pick up this book. Because you should. Like right now. 

It’s hard to be raised in a world where you’re taught to always believe what men say without doubting yourself at every step.

So I loved the first book in this series (The Gentleman’s Guide to Vice and Virtue) and was super excited when I heard there would be one focusing on Felicity because I wanted more from her character. However, that doesn’t mean I wasn’t apprehensive because all too often the sequel is not as good as the original.

I’m pleased to report that, in my opinion, is not the case here. The Lady’s Guide is every bit as funny and poignant and socially relevant as The Gentleman’s Guide, in fact, it felt even more relevant to me as a woman who could identify strongly with Felicity’s character. But don’t worry there’s still plenty of Monty and Percy present in the story. 

I have learned that men respond best to nonthreatening women whose presence and space in the world does not somehow imperil their manhood, and so, as much as it pains me, I put on a smile so big it hurts my face and try to think like Monty, which is infuriating.

My favorite part of this novel is that Lee resists the urge to submit Felicity to the standard YA Romance storyline. That may have been what gave me the most apprehensive since the first novel implied that she was asexual, or at the very least more interested in her career than a marriage, and I was worried that having a story strictly about her would make Lee feel pressured to give her a romance. I will admit at times it felt like it was going to fall into that trap, but then it would turn around to show how it was just Felicity feeling the pressures of society.

When stripped of the illegalities and the Biblical condemnation, their [Monty and Percy’s] attraction is no stranger to me than anyone’s attraction to anyone.

The Lady’s Guide picks up about a year after the end of The Gentleman’s Guide with Felicity in Edinburgh working at a bakery trying to appeal to various hospitals and school to allow her entrance to no avail.

A year of men telling me I am incapable of this work only gives my pride a more savage edge, and I feel, for the first time in so many long, cold, discouraging months, that I am as clever and capable and fit for the medical profession as any of the men who have denied me a place in it.

The tipping point is when the man at the bakery who has helped her for the last year decides it is time to propose. This sends Felicity into a sort of tailspin because she’s not willing to give up on her dream yet but everyone around her is telling her she should settle down and be married and she’s starting to wonder if they are right. 

Which gave him the idea that men often get in their heads when a woman pays some kind of attention to them: that it was a sign I want him to smash his mouth -- and possibly other body parts -- against mine. Which I do not.

She makes the impulsive decision to travel to London to see Monty and Percy and appeal to medical boards there to grant her admission. However, once again she is denied and practically laughed out of the room for her ideas of becoming a doctor.

“You’re so determined to become a lady doctor then,” he says. “No, sir,” I reply, “I’m determined to become a doctor. The matter of my sex I would prefer to be incidental rather than an amendment.”

Their exclusionary policies rest entirely on the fragility of their own masculinity, but it doesn’t matter because they’re men and I’m a woman so it’s not even going to be a fight and it was never going to be a fight.

But this time one of the doctors recommends she reach out to Doctor Alexander Platt for mentorship which through a series of events leads her to befriending a Black Muslim Hijabi pirate named Sim and going off on a new adventure. Along the way, she encounters an old friend which brings to the forefront the intricacies of feminism. Because really that is what this book is all about in the end. Three women all fighting for their place in this world of men who try to tell them their only place is in the household.   

He has me apologizing for asking for the minimum that is granted to most men.

It turns out that Platt is set to wed Felicity’s childhood friend, Johanna, which she decides to use to get a meeting with him. However, it’s revealed that Felicity and Johanna had a falling out over their differing views on femininity and what it means to be a strong woman. 

You stopped taking me seriously when I stopped being the kind of woman you thought I had to be to be considered intelligent and strong. All those things you say make men take women less seriously -- I don’t think it’s men; it’s you. You’re not better than any other woman because you like philosophy better than parties and don’t give a fig about the company of gentlemen, or because you wear boots instead of heels and don’t set your hair in curls.

Johanna is still strong and intelligent and independent and she likes wearing dresses and makeup and heels and flirting with boys and those things are not incompatible, but a lot of times it’s a sticking point in feminism. Somewhere along the way there became this belief (which Felicity believes) that to be a feminist, to be strong woman standing up to men, you couldn’t also be traditionally feminine. It takes almost the whole novel for Felicity to realize that Johanna is not any less strong and intelligent because she subscribes to traditional gender roles/beauty standards and it takes her even longer to be willing to admit she is wrong.

I have spent so long building up my fortress and learning to tend it alone, because if I didn’t feel I needed anyone, then I wouldn’t miss them if they weren’t there. I couldn’t be neglected if I  was everything to myself. But now, those fortifications suddenly feel like prison walls, high and barbed and impossible to cross.

To be honest the relationships formed between and the battles waged by Sim, Felicity, and Johanna are more than enough reason to read this novel. But Lee decides to make it even better by throwing in scientific discoveries, men stealing women’s credit, danger, and a fight on the open seas reminiscent of any pirate movie. 

It’s not hopelessness, it’s just pure stubbornness. Not even so much a will to live as a refusal to die. Not yet, not now, not here, not when we have so much left to do. There isn’t a goddamned chance I’m dying on this rig.

It turns out that before she died, Johanna’s mom discovered a new species with Platt that honestly sound like sea monsters, something half dragon half snake like? And that the scales of these sea dragons can be used as drugs (both medicinally and recreationally). Platt wants to exploit the dragons while Sim’s family has sworn to protect them at all costs. The women band together to plot against both Platt’s exploitations and Sim’s father’s stubbornness against progression.

Everyone has heard stories of women like us -- cautionary tales, morality plays, warnings of what will befall you if you are a girl too wild for the world, a girl who asks too many questions or wants too much. If you set off into the world alone. Everyone has heard stories of women like us, and now we will make more of them.

Of course, they succeed in both tasks and along the way decide maybe they should get their own ship and go on their own research voyages including exploring more about the sea dragons. 

I am filled suddenly by that wanting, to know things, to understand the world, to feel myself in it.

In the company of women like this -- sharp-edged as raw diamonds but with soft hands and hearts, not strong in spite of anything but powerful because of everything -- I feel invincible. Every chink and rut and battering wind has made us tough and brave and impossible to strike down. We are mountains -- or perhaps temples, with foundations that could outlast time itself.

I know this was a long review filled with an overabundance of quotes, but I hope that just shows how good this book is. I read it a month ago and am just now writing this and still find myself remembering it vividly despite the fact that I’ve read maybe 5 books since then. So do me, and yourself, a favor and go out to read this book (I’m even okay if you skip the first one though I promise you’ll regret it if you do). 

You are Felicity Montague, I tell myself, and the darkness, and my heartbeat, in an attempt to rein it in. You have climbed through catacombs darker than this, you escaped from a second-story window with only your bedsheets, and you should not be frightened of the darkness, but instead be sure that the most frightening thing in it is you.

Bonus:

- The chairman tosses his cloak over his shoulders and gives me a smile that he likely thinks is kind, but is, in fact the smirk of a man about to explain something to a woman that she already knows.

- Humans have instincts specifically for situations like this. Everything in me is saying there is danger lurking in this forest, eyes bright and hungry through the dark.

-  Below is an unhelpful drop to the street -- no footholds, ledges, or loose bricks promised by every fiction book I have ever read. Not even a convenient hedge to drop into.

-  Charming is not a word I’d use -- or ever want used -- to describe me, but the way she says it prickles me. It’s the sort of thing I feel entitled to say disparagingly about myself, but from someone else, it feels blunt and unkind.

- Zounds, does this fool actually think he’s saving me? Another storybook hero to swoop in and rescue a girl from a dragon or a monster or herself -- they’re all the same. A woman must be protected, must be sheltered, must be kept from the winds that would batter her into the earth.

- I can do more than memorize maps of vessels and arteries and bones; I can solve the puzzle of what to do when those pieces come apart. I can write my own treaties. I am a girl of steady hands, stout heart, and every book I have ever read.