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Cardcaptor Sakura Clear Card Chapter 78: Comments + JP-ENG translation differences

Hello hello!! End of the month, just witnessed Harvest Moon high in the sky (the last Supermoon of 2023!), and we're back like clockwork with another chapter of Cardcaptor Sakura Clear Card!! I have to say the release of Clear Card chapters have often coincided with a Supermoon and I find that so funny, as well as fitting....the moon is such a big element in this arc!

And as we have seen in this arc, the moon is also a messenger of love, and there's so much of it in this chapter....feelings, conflicting emotions, but most importantly, talks of happiness. This chapter wrecked me with emotions even more than the previous one, as we finally got the Kaito/Akiho moment of "discussion" that we waited for so long....where the focal point of the entire arc is: how far can we push ourselves to make our loved ones happy? Is it right for us to arbitrarily decide for their happiness? Along the years, I've seen countless of complains for how the events of the story were unfolding, for how some characters did absolutely the hell they wanted and made decisions for others, but as I knew perfectly well, a story is something in constant development and the goal wasn't to show how helpless people are or how it was right for others to act in that way, quite the contrary. And we'll see with full force what that means in this chapter of the climax, which is surprisingly BIG (36 pages long).

I also have to (unfortunately) report a quite annoying translation mistake in the English version that can confuse people and trick them to believe that Sakura remembered about a certain someone. Along with the usual nuances and such.

BUT FIRST!!

Hehe, you know what's coming, right?

Akiho went THIS close to go full Greta Thunberg on a certain someone!!! 😂 Let's find out WHO it is under the cut!!

The Color Page

Our Sakura this month takes the color spread with one of the most beautiful portrayal of our little magician: dressed in a very elegant layered white dress with jewels, head covered by a white veil, immersed by half in a pond, she looks halfway between a bride and a priestess! And yes, I can already hear you screaming "Tsubasa!!1!1!!!!" because she vaguely reminds of little Sakura-hime at the reservoir....😆 But I think what really makes the atmosphere of this color page "magical" is the presence of countless spheres of light, which seem to be emerging from crystal water lilies and converge in a huge sphere, which really looks like the moon....just to go back to the incipit of this blog post, right? 😂 After observing this color page, I couldn't help but being reminded of the spheres of light that were featured in the color pages of chapter 52 and 63 (with respectively, Kaito and SyaoSaku). Back in my post of chapter 63 I had made an analysis about what the common thread between those two color pages could be, and especially the significance of those spheres of light. If they really are representing the feelings of love for your dearest person, then I'd like to think that here Sakura is being represented as a "fairy" fostering and releasing that love in the open, to help and save the people dear to her. Which is totally the image I'm getting not only from this chapter, but ever since we started to see what happened in the "re-written world". Sakura is literally a messenger of love. And I love that for her. ❤️

The editorial text in the JP version is referencing what Sakura told Akiho back in chapter 49, right after her "sister" shared with her the recount of her night walk with Kaito: "To me, you’re someone I want to see happy forever. Because you're my friend, and someone really precious to me"

"Blink To Say Yes"

The chapter starts with me making amends to Kaito for the nth time, asking for his forgiveness for doubting his intentions and emotional state way over what was due: as the dragon keeps flying away, Sakura grabs Akiho's hand and starts going after the creature, of course followed by Syaoran, Kero and Yue. Akiho (poor girl, still with a tear in her eye) notices with shock that the "portal" to the fake moon is completely disintegrating, revealing the real moon behind it. Flying side-by-side to the dragon, Sakura realizes that the creature got finally out of that place to avoid that Akiho would put herself in danger: in fact, with the portal disappearing like that, she might have been trapped inside that space forever! Sooo as usual, Kaito's actions are skillfully framed by CLAMP in a way that will make you misunderstand him and think he's being irrational or getting on everyone's nerves on purpose, but no, he was actually just putting Akiho's safety first, as usual. ❤️ I know there were some interpretations of him precisely doing this, but I thought it wasn't the case because Sakura broke the spell inside the fake moon, removing the pressure and all, so I couldn't see what danger he needed to protect her from: in fact, the looming danger was a different one, and it was well symbolized by those "bzzz" sounds and effects near the entrance when Akiho was getting in. I had noticed them but dismissed them as the instability of Touya's time magic. I should've known better! 😆 Sorry, Kaito. I know that the only one who can make you do anything at all is only Akiho! Therefore I'm still laughing at how Sakura tried to convince him to get out for half an hour, when all Akiho needed was to move an inch forward 😆😆😆 I also think that what she told him, the fact that she was sure to be in front of "her most important person", changed things for Kaito. His reaction was tangible, despite being hidden behind the eyes of a dragon. And therefore I'm still partially peeved and heartbroken at him, because before hearing that from her (and seeing her putting herself in danger), he was fully planning on staying inside that space forever. He was refusing to come out, knowing very well that the portal would've disappeared at any minute, eliminating any chance of saving him. How dare you.

Well. We were saying that Sakura realized the dragon's intentions right away, and we see her shouting, with a face halfway between shocked and fired-up, "This means she's important to you, too!" (good job ENG translation for not messing this up, I guess. I was worried). Damn right, Sakura. She must be so confused by this person dragon's behavior. It is all so crystal clear to her. It's not only in her head, all the signs keep confirming to her that he really does consider Akiho very important, even now, immutably. The time he spent in that cage didn't change anything for him (and that, if anything, makes everything even more heartbreaking because of how agonizing that must have been). Sakura just can't understand why this person is acting like this, since he truly does care about Akiho. Refusing to go back to her. None of the people around her behave in this way and for her it must be something very new to deal with - and this reminds me of what a blessing we had to get these new characters in this arc, so different from what she's used to, who sometimes pushed her beyond her comfort zone, hence expanding her experience and making her grow up.

Akiho seems encouraged by Sakura's firm statement, so she takes the matter in her hands and shouts to the dragon to please have a talk with her. She shuts her eyes tight, as if being desperate for him to listen to her.

And that's it. That's all it takes for Kaito to be ol' good Kaito and stop immediately at Akiho's request, looking intently at her. As if he's saying "I'm at your service". I've said it countless times in my blog posts, how Kaito is someone who really would do whatever he wants and listens to no reason, but when it comes to Akiho, he really cannot deny anything to her. Akiho sighs in relief at seeing him stopping, and she starts talking to him, so tiny in front of such a giant (is he supposed to look scary? To me he really isn't, he's quite cute) creature. Akiho is well aware, from the countless books she's read till now, that the ones who can have conversations with dragons are almost entirely people with marvelous capabilities (the ENG went for "strange powers" for this, I don't think it fits). She's got no magical powers, but she quickly comes up with a clever way of "communicating": blink your eyes to say 'yes', do nothing and stay like that to say 'no'. And so she immediately starts, because she needs to know, she needs to understand. It's her goddam*ed right to do so, and Kaito knows this very well, hence why he's not denying her the opportunity. Akiho fires the first question: "Are you the one who re-wrote the world?" Kaito blinks, admitting it. I can see a streak of sadness in his eyes as he opens them again. This doesn't make any good to Akiho, who looks pretty sad as well, at hearing that. It's like having one fear, and seeing it confirmed. But she goes on, explaining how the world she's living in right now is warm and caring, full of people who support her and dote on her as if she were one of their family. While she states this, we can see Tomoyo following the events from the tablet with a concerned face, and Touya looking more and more worn out by the time magic he's being keeping up, sustained by Ruby Moon and Spinel Sun.

Akiho is very intuitive, so it's easy to guess where the question is leading: "Did you rewrite it because I never had this, before? And for that, were you the one who erased any trace of you from inside of me?" The ENG version here adds a "Did you do it to bring me happiness?" which is not incorrect, of course, but it doesn't exist in the JP text, and as usual it's used to spoon-feed the readers as if they couldn't get there on their own (and to probably fill a bubble with something).

Kaito cannot lie to the burning question, and he blinks his eyes. We see appearing a "crease" next to his eye, a clever way from Mokona to show us that he's growing more and more distressed. The pain of remembering how her clan abused her, how they got there because of something he said, the pain that resulted from the decision he made when he was just a kid. And the next question is even more burning.

"Did I wish for it?"

Kaito does nothing, confirming he now understands that in fact, Akiho never asked for this. Never. And the girl herself confirms: "I don't remember (you), but I know. I would never wish for a happiness that did not include you". Kaito listens intently to her. I just can't imagine how it must feel to not remember a single thing about someone, and yet feeling all that love pouring out of you. Simply out of instincts.

I Want My Most Important Person Back

Then, with a very (very) resolute face, Akiho turns to her dear Sakura, and affirms: (JP) "Sakura-san. I want to bring my most important person back". Here it is again, the famous term that we CCS fans all know well, the code for "the person I love", that keeps being changed in the ENG translation to a less recognizable "favorite person", which I'm still not sure conveys the same meaning. Sakura agrees with a pleased smile, she's totally ready to do anything to give her true happiness back to her "sister". Then, she turns to Dragon Kaito, and here we start with the "parallels" that will enrich this chapter of many many additional emotions.

Yes❤️ it's a parallel with Lilie, from chapter 72. Same expression and all. Precisely from when she was telling her the words that Sakura is going to relay to Kaito now: "What is happiness, to you?".

And here I have to introduce probably the worst mess of a translation mistake of this chapter, that will surely confuse people and make them believe things that actually arent' true:

ENG: "Someone asked me that once, too. In a dream. But, try as I might...I couldn't remember who it was. Not until she crossed time and dreams to see me. I think she did that for this moment. And...I think that's why she left me this card in the end, too"

JP: "These are words I've heard in a dream. I can't really remember who said them, no matter how hard I try, but...that person crossed time and dreams in order to come to see me. It was surely for this moment. And...this last Card remained, too...was for this very moment, right?"

I sincerely have no idea how they could mess up and make Sakura say that she actually remembers about Lilie, after she came to see her. Lilie had been so clear about it, in chapter 72, that the Forbidden Magic would've made Sakura forget as soon as she exited the dream, and so it happened, indeed. Why making her basically say that she remembered, afterwards? This is against the script! Moreover, not happy with messing that up, they even made Sakura say that the last Clear Card remained was left by Lilie herself! That's nonsense, that's not what the JP text says! Momo told her that there were some Clear Cards that were protected by her with a spell and they were waiting for Sakura to call them up, that's HOW the Clear Card that we're going to see now is able to be here. Not because Lilie gave it to Sakura. And before anyone points out "yes, but the one who paid for that spell with her ring was Lilie", I have to remind you that Sakura is not supposed to know that. Momo never told her WHO paid that price. So basically this is a mess-up on all fronts. But let's go back to our story because the emotional moments are just escalating. Before Sakura mentions the Card, we can see for a moment Lilie's reflection in the Dragon's eyes. A clear sign that Kaito understood perfectly who Sakura was talking about! And I think it's so beautiful that Sakura, always listening to her intuition (remember how she wasn't very good at this, before? That she dismissed her intuition, and Syaoran told her that his mother taught him not to?), understands that THIS is the moment to get this question out, because here she basically posed this question to Kaito. And this will help him decide in a few pages.

Proceeding forward, we can finally meet the big absentee ever since Sakura secured it back in chapter 33: the Rewind Card!!! One of the most beloved Cards, obviously for its appearance that was based on Syaoran and its cuteness! This card is the last one that still had to appear and that never showed up in Clockland, a sign that Kaito wasn't able to put his hands on it and "drag it" into the fictional world created with Momo's magic. It's the last Card that was waiting to be called by Sakura. And so she does! Syaoran is quite surprised and provides a "Spiderman meme" moment when he realizes that the Card looks just like him! 😂 Sakura explains to him that Record was able to record this Card as well, so that's how she knew of its existence (and not because Lilie gave it to her, once again!!!).

It's time. Sakura announces to the Dragon that she's going to bring him back to "himself". Our girl does so because she wants to implicitly give him the chance to have a say in this. She doesn't really "ask", but it's like she's implicitly doing it, because she wants to make sure that this is something he wants too.

In fact, in a very emotional moment, he and Akiho exchange again a long stare. It's like a silent conversation is going on between them. The dragon is depicted with a painful expression, while Akiho is staring at him firmly and determined. He's still, to the very end, thinking he does not deserve to go back to his human real form and go back to her. But she's unwavering, and uncompromising. She wants him back, and she's going to have him back. Because, after all, under a pile of self-loathing and pain, this is what he wants too. This is his happiness. So, with a very suffering expression, he blinks his eyes one more time to say "go ahead". In his condition, this must have costed him a lot of effort. You know who they reminded me of, in this scene?

Yeah, them. I've been saying it for long time, agreeing with other friends affirming the same in their own posts, how I could see a clear parallel between Clone SyaoSaku from TRC and YunaAki in Clear Card. They didn't exactly go through the same things, but their experiences often overlapped. And this in particular is overlapping really well. As I wrote already in my Twitter thread, he's given a chance to go back, but he's crushed by guilt. He doesn't think he deserves it. But she stares FIRMLY at him, pulling him towards life, a life with her. And he closes his eyes, and caves in. Because in the end, this is what he wants too. To be with her.

So Sakura proceeds. She says that she doesn't know who the Dragon is, but the pocket watch does. And as said pocket watch levitates in the air from Akiho's hands towards the Rewind Card, Sakura explains that it does know him because it used to "weave time" together with him. And so, combining the Card with the watch, Sakura activates Rewind on Kaito, exactly as I expected!

And the moment is absolutely emotional, as we finally see again after 8 long chapters (and relative months), our dear Kaito's face!!! The way the Rewind Card "works" on him is also quite spectacular, from a visual POV, since the pocket watch seemingly "enters" the dragon and frees Kaito from within. The fact is, we don't see the pocket watch after he changed back, so now I'm wondering: did it stay inside of him???

But, whoops, something didn't quite go alright. The black wings of the dragon stick to Kaito's back. Kero observes him and wonders with Yue if he's been a creature like them this whole time, but fear not, Yue dissolves the doubt right away: he thinks he's a regular human magician (the kanji says 魔術師, magician, while the furigana reads ひと, person), it's just that the spell that was active on him (the "Seal of D", as we know) was probably so damn powerful that even borrowing the pocket watch's power (as said in the JP version) wasn't enough for Rewind to bring him completely back to his appearance. Well, you want my opinion? Those wings look FANTASTIC on him and I absolutely want him to keep them!!! (maybe with a little spell he can conceal them when it's not convenient?) 😂❤️ He looks like a dark angel and it's amazing.

Don't Decide My Happiness On My Behalf

But the real, heartwrenching emotional moment starts here. This is also the moment when I started emitting all kinds of inhuman sounds, so I'm grateful I'm not one of those people doing a live reaction on youtube or something because this would be the end of my reputation on the internet 😂😂😂😂

Akiho and Kaito, finally in his original human form, exchange a long stare, again. His face is showing perfectly how he's absolutely heartbroken at what he realized he caused to her. It's guilt adding over guilt. And as she finally looks at the face of the person her heart knows is the one she loves, she can't stop the tears from forming again in her eyes, while she poses the only REAL question that she probably wanted to ask all along:

"Why?"

And as I always do with pivotal moments, I'm going to continue with the direct translation from the JP text, because the ENG added something ("why did you leave me?", which contributes to convey Akiho's feelings and possibly makes this even more romantic) that wasn't there in the original, and I have to be impartial.

Akiho, JP: "Why did you choose to disappear....from the rewritten world?"

I wanted to put the JP version here also because an important verb is missing from the ENG version: choose. Akiho is questioning Kaito about his choice. Because yes, this wasn't a result of a whim, Kaito chose to disappear from her life. And now he has to answer for that. Akiho's face is twisted in pain, as if she's trying to control the tears that now profusely fall from her eyes, and contain an immesurable grief in realizing that her most beloved person chose to remove himself quite definitively from her life.

His reply, though, proceeded to shatter my heart even further, cause it's exactly what I expected and have been saying this whole time.

Kaito, JP: "Because I thought I wasn't necessary to your happiness"

This is the only line we'll hear from Kaito in this chapter. For the rest of it, he'll listen in silence, giving space to Akiho and trying to elaborate. Besides, I want to point out that for the first time ever, he uses "ore" as a personal pronoun while talking to Akiho, and he's also seemingly dropped the use of keigo, the polite speech that he used with basically everyone before. Signifying that he's finally being honest and open, he's being his true self.

In his reply, there's all the self-loathing and hurt and pain he's been experiencing till now. Not recently, but ever since he was a baby. Remember that this boy grew up completely devoid of love in his life, completely abandoned to himself, exploited for his powers by a congregation of criminals. Kaito is, himself, a victim of abuse too, and I would want the CCS readers to acknowledge that more. Because if we have to wonder how we came to this situation, well, this is how. This is the damage that growing up in that kind of environment can cause to people. And we don't have to go that far because, if we remove the "magic" factor from the Association, we can find environments of that kind even in our daily real life. Growing up in that environment didn't stop Kaito from developing attachment to a person. From developing love for them. But, as he grew up not knowing what his self-worth was, being used as a commodity by other people, he's been convinced this whole time that he was nothing to her. That when he managed to accomplish his goal, he wouldn't need to be there because she didn't need him anymore. And I know, I can hear you, "How is it possible that he didn't notice how Akiho looked at him and how she loved him?" That's precisely because of his mental condition that prevented him from seeing or even believing what he was seeing. Kaito thought that he was born alone, and he'd die alone. That no one would ever be able to love him. That's why. And it's heartbreaking that someone would live their life like that.

With such a condition, Kaito's intentions were good but he went down a twisted path to make them true, completely missing the right way to go about it. Akiho doesn't know anything about this, but the heartwrenching scene that follows is something that's absolutely in her right to say. It is something I anticipated so so much.

Akiho, JP (lit.): "Please don't decide my happiness for me! Even if it's you! Please don't tear up and throw away my most important person!!"

Sadness and anger are mixed with Akiho's tears while she pours out all of her pain. I wanted to feature the literal translation of the JP text because I think the verb used, 破り捨ててしまう, depicts a very heartwrenching scene in my head. It is a verb that it's akin to when you tear up a piece of paper and discard it in the trash.

This is literally what Kaito did with his existence, when he went through with his plan.

So Akiho here is not only scolding him because he dared depriving her life of her most important person (and she doesn't care if it's he himself, he's not allowed to do that), but also BECAUSE HE DISREGARDED HIS OWN LIFE IN DOING SO. He's treated himself as a disposable object. And Akiho can't stand that. She loves him so much, despite not remembering a single thing about him, that she can't stand the thought of him hating himself to that point. I think, the way the ENG translation portrayed it, focuses too much on Akiho scolding Kaito for not having the right to remove himself from her life, and completely misses the other, implied, darker part of her line.

Akiho is understandably wrecked and she would want to scold Kaito more, but as she says herself, she doesn't even know what name to call him with. He erased so much from her that she isn't even allowed the luxury to remember his name. But I think this scene here might actually be a foreshadowing for him to reveal his true name to her later, so I'm waiting in anticipation for this (I've been actually waiting ever since chapter 51!). In the meantime, to break a little the drama with a funny moment, I think she wanted to call him baka, but as she doesn't even know his name, she can't do that! 😂what do you think???

And as I always say, Eriol suddenly opens the communication with Sakura to bring bad news! 😂Kaho is exhausted and can't hold the time stopped much longer (furthermore, it seems even Eriol is participating to keep the spell up), so he informs Sakura of that and she thanks him with a worried face. Syaoran looks up and notices that a hole is appearing in the stopped environment, signifying that the time magic is wearing off. So Sakura turns to Akiho and asks her what she wants to do from now. Notice that "from now" well, cause it's very symbolic: it's as if Sakura is saying "other people chose for you till now, but now you're given the chance to finally decide by yourself". With a painful face, eyes drowned in tears, Akiho ponders for a moment and then says that she's been really, really happy to be part of Sakura's family, but if that's not real, then she wants to go back, no matter how much hardships and pain is awaiting ahead. Please register how difficult it must have been for Akiho to wish that. Because right now, she's got all she wanted, love, a warm family, friends and even her most important person is here with her. But the fact is, this arrangement was created by someone with magic, it's not real, it's not how things naturally came to be. Moreover, no matter how strong her love can be, she still doesn't remember anything about her most important person and all she experienced with him, and that is something that is eating her soul away, because she recognizes that she lost something invaluable. So she's willing to let go of all this comfort to go back to the life she had before, WELL KNOWING (because Kaito confirmed it to her earlier) that in her previous life there will also be a lot of pain awaiting her. Moreover, she adds that if there's anything she'll be able to change, then she wants to do that with her own strength (again, a detail that's missing from the ENG translation). And then, turning to Kaito with a very assertive face: "Together with my most important person".

Kaito at this point can only stare in shock at her. Because I'm sure that he thought that after making her cry and suffer this much, she wouldn't have wanted anything to do with him anymore. But, as Kaito hopefully will have all the time to find out, this girl's feelings are no joke. It's no flimsy crush. This is the type of love that binds you to your soulmate forever, and gives you the strength to forgive them when they make you suffer, if you can recognize that their heart was in the right place. Akiho wants to grasp control of her life, wants to be the one to completely make decisions from now on, but she also wants Kaito with her, not only by her side but also participating to those life decisions. She doesn't want to cut him off.

Sakura, with the sweetest smile ever, tells her (JP)"If you two will be together....everything will surely be alright". And here I have to point out two things in the ENG translation: that single "together" that sounds a bit overcautious, not specifying who's together, when in the JP text it's clear she's referring to those two (because the context comes from the panel right before), and then the choice to translate Sakura's iconic invincible spell with "I'm sure it'll work out". That's not how the English speaking fandom knows Sakura's invincible spell as, and from what I've been told, it's not even how it's been translated previously! So this makes pretty difficult for the English speaking fans to recognize that she's uttering her invincible spell here!

Especially cause, look what a wonderful and touching parallel they have done...

The one you can see above is coming from Volume 5 of the old manga, and it's the very first time Sakura uttered the invincible spell, releasing the Light and Dark Cards from inside herself. This parallel, where you can see that Mokona sensei strived to redraw the spread exactly as she did back then, really gives off a feeling of "coming full circle", especially cause when you put them one beside the other it's so easy to see how much Sakura grew since then. Back then, Sakura told those words to herself to comfort herself in a moment of panic. Now, Sakura is telling these same words to a beloved person in a critical situation, to encourage her that if she'll be with her most important person, everything is going to be alright, no matter what awaits ahead. It also reminded me of the comforting words that Yukito told Sakura back in volume 12 of the old manga, the night before Sakura ran to the bus stop to give Syaoran her teddy bear. Yukito told her that as long as both she and her most important person wished to see one another again, it would be fine. I can kinda sense that Sakura wanted to comfort Akiho in the same way, that as long as she and Kaito stay together, they can overcome anything ahead. And I found that absolutely wonderful.

Unfortunately, the awesome moment full of courage and love is interrupted because Syaoran notices the time magic has given up and the arrows start attacking them again, as expected. We see a very worrisome panel with Eriol crouching to the ground next to a passed out Kaho (poor Kaho!!!!), while he hold his staff and sends a remote protective spell to shield the kids from the oncoming attack.

Without wasting time, Kaito grabs Akiho and holds her tight in a protective embrace, curling his beautiful black wings on her to shield her, while she's still shocked (and with tears in her eyes). I have no shame in admitting that THIS panel turned my screams in ultrasounds and it's become my favorite one of the chapter!! Especially cause here we have that magician who couldn't even bring himself to touch his beloved Akiho's head to comfort her, now finally not hesitating anymore and holding her in a very tight embrace to protect her (still giving all of himself for her, I guess it's just his way to love her). The situation is dire: Syaoran activates his Fuuka Shourai to fight the arrows off, while Kero and Yue shoot their own attacks, because the arrows just keep coming at them non-stop. Kero tells Sakura that they're going to take care of the attacks, and Yue says that she's the only one at this point who can change radically the situation. Then, Syaoran, our brave hero, says that he will absolutely protect what Sakura wants to protect (I didn't like the ENG phrasing, at all!! "Whatever it is that you want to protect" sounds so dismissing towards Akiho and Kaito?? Is it only me having a bias at this point?), so he urges her to focus on what she can do (to change this situation)!! I found this moment very exciting....everyone is placing their hope in Sakura and they're gonna do what they can to protect everyone, Akiho and Kaito included (and Kaito took personally care of protecting Akiho by himself).

Sakura is left wondering what to do. "To turn things back to normal, then I should use Rewind one more time" but she expresses doubt at it being enough to complete the task, so she wonders what else she needs to do, while the final page shows in her hands both the Time Card and the Rewind Card!

Aaaaaaand this is how the chapter ends, we finally reached the bottom oh my gosh!! 😂 This chapter was so long but also so full of emotions, I really wanted to touch all the important topics and parallels that have been portrayed in these 36 pages. I know the post became infinite, but I wouldn't feel right to know that I left something interesting out.

I am so damn proud of my Akiho girl. Her assertive discussion with Kaito, tinted with a touch of anger, was exactly what I wanted and expected from her. Because she's sweet, yes, but also got a strong personality. And once you get her fired-up, she's not going to stop. She's a bulldozer. I mean, haven't you seen what she did in chapter 52/53 and 58 with Kaito?? She's definitely not afraid to confront people thanks to her strong nature. This finally elevates her character development in this arc. I'm also grateful to Sakura and her empathy, once again, because it's so beautiful to witness what she's doing for these people. And she's so wonderful that even her loved ones are helping her in this quest, because they all trust her and recognize that this is a way to make her happy too. I'm absolutely thrilled to have Kaito back, finally. And my heart bled for him when he gave that single answer to Akiho.

Despite seeming like we're almost at the end of the run, there are still some important matters to fix and explain, especially in regard to the magical artifacts, and how things will be once Sakura effectively manages to "go back". Will they remember, first of all? And will the situation be exactly like before? Because then, Akiho will have the artifact inside herself once again and they'll have to do something about that too. Also, Kaito's lifespan was pretty bad by the start of the Alice in Clockland play, so of course one has to wonder what they'll do about that too. I also expect one more YunaAki moment because we haven't really heard Kaito's version of the facts, the origin of his quest to save Akiho and how that turned into a "I'm going to give her a happy life too", which absolutely seems beyond what he would need to do if what moved him was only guilt for what he caused to her. Of course it's not only that. And I also expect to hear his apologies to Akiho, of course! ❤️ But gradually, because he must be a confused, hurting mess right now. Whatever else CLAMP sensei will decide to give us regarding those two, I'll take it as a blessed present. We're slowly but inexorably going towards the finale. I really can't wait to read the next chapter, which is expected by Halloween on October 31st! And as a YunaAki fan I can't avoid remembering that even chapter 48, when Akiho confessed covertly to Kaito, came on the day of Halloween of 2020! Will we get a real, spelled out confession exactly 3 years later???

As usual, I await your comments here or in my inbox, see you at the end of this month!!

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taichi12 · 1 year

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Clear Card Trivia 1 ~ Literary and musical references/mentions in Cardcaptor Sakura Clear Card

Hello everyone! The end of the Clear Card manga is very near, so I thought it was about time to start writing the long list of posts I'm going to release in the upcoming months, since it's almost time to wrap everything up and it would be nice to look back and not only analyze the plot but also trivia and themes/topics discussed (openly or not) in these almost 7 years of serialization of Cardcaptor Sakura Clear Card Arc.

Today we talk about the several literary and musical references spread across the different CCS Clear Card media. The references are quite a lot and I find it so very fitting for a story that features books so much, both under a positive and negative light. Books have a life-saving role, being the only thing young Akiho could cling to, to survive mentally till the arrival of Kaito in her life and the subsequent removal from her abusive family, but for a twist of fate, a spell under the guise of a book is also what was about to destroy her soul forever when said book got filled up with magic. The very first time Akiho's inner book gets set off is precisely in Fujitaka's library. Moreover, a fictional world existing into a forbidden book called Alice in Clockland is also where Kaito sends everyone in the climax of the story. In that fictional world, it is said that books record the memories and feelings of people. And after recording them, that same book can rewrite them. Books are literally an essential element of the plot of Clear Card Arc.

In my list I will take in consideration both the anime and the manga, with a special section for the now-defunct Happiness Memories mobile game! The references are ordered basing on their impact or importance within the plot, and include all the info we have till chapter 72. I might update this post if we get more literary references in the very last chapters of the arc. I will probably not be able to talk in depth about all the possible double meanings and connections of these stories to the real Clear Card plot, as I haven't read most of these books or I'm still in the process of reading them, but I have looked at summaries on Wikipedia, so hopefully I'll be able to feature at least a part of the interesting connections. Anyone who knows these stories or songs in depth is welcome to give more insight!

Soooo, ready to dive in?

1) Through the Looking-Glass, and What Alice Found There / Lewis Carrol

Of course the first reference featured in this list couldn't be other than this one! The whole Clear Card arc is heavily based on the Alice In Wonderland narrative, but particularly in the sequel "Through the Looking-Glass". The very first mentions of "Alice-related" stuff is as early as chapter 12, when Sakura and Tomoyo visit Akiho's home and they check out her huge library: here Akiho shows them her book "Alice in Clockland" for the first time. Tomoyo spots the resemblance with the title of the best-known novel, but Akiho says that the book she's holding wasn't written by the author of Alice in Wonderland, and although the language it's written in is composed by runes, she was taught how to read it. Later on we discover that the more she progresses reading this book, the more it gets connected to recurring dreams she's having, with an "Alice" as the main character who experiences all sorts of adventures (unbeknownst to her, she's dreaming about Sakura's adventures with the Clear Cards). Akiho sometimes shares these dreams with Kaito and he always listens attentively, commenting that it'd be good if Alice acquired "more and more skills". We also see Rika (through Sakura) giving away to Akiho one of her Alice picture books, and the girl is definitely thrilled and moved by the kind gesture of who is basically a stranger to her.

Moreover, in chapter 38 & 39, Kaito shrinks Sakura in order to prompt her to create a Card, and sends her down a hole carved in a tree, calling her "Alice". Sakura also created the Shade card supposedly basing it on the Jabberwock featured in Through The Looking Glass. The whole situation prompts Kaito to remember about his first face-to-face meeting with Akiho, which he says happened in a garden fit for Alice in Wonderland. The whole scenery Sakura witnesses in the strange world she's sent to is very reminiscent of Alice in Wonderland/Through the looking Glass, with her being so little and the talking flowers. Of course, the biggest reference to Through the Looking Glass is the whole Alice in Clockland play, in its first version based on Akiho's beloved book with the same title (Naoko initially called the play "The Two Alice", but then decided to change it at last minute, in a twist of fate). Both "before" and "after" the rewriting of memories operated by Momo's book, we not only have an Alice in this story, but also a Cat (which will have a key role) and a Red Queen. Another notable similarity is how Alice, in Through the Looking Glass, crosses "the wood where things have no names", forgetting her own name for a short time while crossing that forest in the company of a fawn. In Alice in Clockland, the Red Queen completely forgot her name once she entered Clockland, in both versions of the play, before and after the rewriting. Akiho/Red Queen regains her memories by lifting the dark veil covering her face, while Sakura/Red Queen regains her memories thanks to Alice telling her the truth about what happened.

Furthermore, the fact that later in the climax Sakura and Akiho are turned into twins by the forbidden magic activated by Kaito might be considered a reference to the famous twins Tweedledum and Tweedledee (although, that's also commonly known as one of CLAMP's obsessions 😂). One more reference is represented by the White Queen in Through the Looking Glass, who can remember events that will happen in the future, and while Sakura can do that herself to a certain degree, certainly this character is better represented by Lilie, Akiho's mother, who could see so much of the future ahead and tried to reach Sakura in her dreams to inform her of an important truth. It is also to be noted that the White Queen's daughter in Through the Looking Glass is named.....Lily.

2) Ten Nights of Dreams (夢��夜) / Natsume S��seki

"Ten Nights of Dreams" is a collection of short pieces by Japanese novelist Natsume Soseki, where he narrates 10 mysterious dreams set in various time periods, including his own. The book gets featured for the first time in chapter 10 / volume 3 of the manga, and episode n. 6 of the anime. In this scene, Sakura and Akiho are each reading a portion from the 7th dream, the one where the dreamer finds himself on a ship, among strangers, not knowing where the ship is headed to or when he'll see land again. The tone of this dream, like the rest of them, is pretty dark, as the dreamer is extremely discouraged and decides to throw himself into the sea, regretting it when it's already too late. This book gets directly mentioned again in chapter 58 of the manga, when Naoko reflects on the fact that even the tenth night told in the collection is a dream, because there's no point where the storyteller wakes up. This leads her to think how scary it would be to have a dream you can't wake up from, and this will become for her one of the sources of inspiration for the scenario of the school play. When the teacher talked about this book to her students back in chapter 10, she stated "this collection features plenty of mysterious stories, but depending on the person, they could also be considered 'scary' ". I feel like this is exactly how Clear Card Arc could be described too, especially from the POV of the Japanese readers, that I've witnessed these past couple of years on social media. I wonder if this wasn't a way for CLAMP to tip the readers off regarding the thematics and tone that Clear Card would take halfway through. Moreover, the teacher mentions "foretelling dreams" in relation to this book, and that prompts Sakura to consider if the dream she's constantly seeing with the Mysterious Cloaked Figure could be a foretelling dream too.

3) Momo / Michael Ende

"Momo" is a fantasy novel written by German writer Michael Ende (the same of The Neverending Story), and it gets featured in chapter 39 of Clear Card, while Kaito is having a flashback of his first face-to-face meeting with Akiho. At the moment of Kaito's arrival in the rose garden, Akiho was reading a book, and when she's asked about its content by Kaito himself, the girl tells him of a story that is unequivocally that of "Momo": a little girl battles some so-called "time thieves". Akiho seems to love that story, as she has read it many times.

Although it might seem just an easter egg at the level of the Cthulhu books that I will mention later, the presence of the "Momo" novel here is completely different and very significant to the main story of Clear Card. First of all, its complete German title translates in English to "Momo, or the strange story of the time-thieves and the child who brought the stolen time back to the people". As we all know, this sequel of the Cardcaptor Sakura series deals heavily with the theme of time, and Kaito is strictly related to that theme, as he's the major "player" of that element, using magic to stop it or especially to rewind it. In "Momo", the "time-thieves" (also called Men in Grey) are some kind of paranormal parasites with the goal of stealing the time of humans. They appear to people offering to save their time in some so-called "Timesaving Banks", urging them to spare time by dropping any activity that supposedly "wastes time" like relaxing, playing, enjoying things, with the goal of having that time returned back with interests later. But that time saved in the bank is actually stolen and consumed by the Men in Grey for their own survival. Human feelings such as love are a hindrance for them, and they avoid at all costs to form any bond with anyone. Momo is a mysterious little girl, beloved by everyone in her town as she seems to be able to solve anyone's problems or afflictions just by listening and talking to them. She will eventually take on the task of defeating the Men in Grey. Ende's novel is a critique to consumerism in the modern society and how hectic our lives have become, where time is everything and we often never use it for what really matters the most: making us happy. Momo was published in 1973 but its thematics are super relevant even today.

Aside from the easy connection of the topic of time to what Kaito does (although in a more benign way, in our case), "Momo" is also how Akiho chose to name her beloved bunny plushie, who, unbeknownst to her, is actually the magical Guardian of the Book of Time. We don't know when exactly that naming happened, as of chapter 72, but the fact that one of the most treasured and beloved existences in Akiho's life was named "Momo" - the same as the title of the book Akiho was reading when she met Kaito for the first time - suggests hitsuzen is strongly at work here. Akiho might have named Momo after she met Kaito, and to show how important that meeting was to her, she chose to name her after an element that was strictly connected to that meeting. And if she named her so before meeting Kaito, then it shows just how fateful their meeting was. She named one important existence after a beloved book, and precisely when she was reading that same book, she had her first meeting with another important person in her life. The one she will love the most.

It is also to be noted that in "Momo", the time is consumed by the Men in Grey in the form of smoking cigars made out of dried hour-lilies' petals, which are pink flowers representing time itself. Again, a feature of lily flowers, which connects us once more to Lilie.

Depending on how Clear Card will end, and whether Sakura will be able to regain all the memories and the time lost with them, beating the Forbidden Magic activated by Kaito, we might even draw another reference - how Ende's Momo is able to give the stolen time back to the people of her town.

4) "Tsuki ga kirei desu ne" (月が綺麗ですね) / Natsume Sōseki + "Kaze no nai yoru ga boku wo semetogameru" (風のない夜が僕を責めとがめる) / SPARKS GO GO

In chapter 48 of the manga, Akiho, unable to sleep after waking up from an unsettling dream, heads to the garden of her home in the middle of the night. And there surprisingly she finds Kaito, also awake and staring intently at the full moon. In a magical and emotional scene, illuminated by the full moon and prompted by feelings of worry for Kaito's pale complexion - too pale for his own good, Akiho tells him "Can we talk a little bit longer? Because...the moon is really beautiful".

At first, these can seem totally normal words of admiration for the full moon illuminating the two. But actually in this scene, Akiho has just covertly confessed to Kaito that she loves him. Many of you probably already know, but in Japan there's a little story that takes us back again to the famous novelist Natsume Soseki who seems to influence Clear Card so much (he'll get another mention later in this post). There's no actual written evidence of this, so Japanese people tend to consider this as some folklore tale, but when Soseki worked as an English teacher, he allegedly corrected one of his students who translated too literally the English phrase "I love you" in Japanese. He supposedly said "that's too direct, Japanese people don't express such phrase so directly. You should use 月が綺麗ですね (tsuki ga kirei desu ne, 'The moon is beautiful, right?') instead". And that's how the myth of expressing "I love you" in Japanese with "the moon is beautiful, right?" was born. It is very poetic, romantic and subtle so there's no doubt its popularity is really high and used in all kinds of media even today. And, I have to say, it fits romantic, shy and bookworm Akiho to a T. But how can we be sure that Akiho was really-really meaning that? It's because of the quotation marks on the original Japanese script. Akiho was deliberately quoting a source. And her face right afterwards, eyes cast down and red as a tomato, is the final proof of her intention. We still don't know, 24 chapters later, if Kaito's surprised face meant he understood what she was secretly meaning, or not.

However, I have a second source for this particular line from Akiho. One day I was searching on the internet, wanting to know more about this popular phrase, exactly as she worded it (it's slightly different from the classic one) and I stumbled upon the song "Kaze ga nai yoru ga boku wo seme togameru" (The windless night is reproving me) by Sparks Go Go. It's a love song from 1993, and the very first verse features the very same line Akiho said, worded exactly as she did. When I started to translate the lyrics, I was shocked. The lyrics actually fit perfectly the scene in the garden under the moonlight and what was going on between Kaito and Akiho in that moment, so much that it really makes me wonder if Ohkawa wasn't trying to make a double reference here:

Since the moon is beautiful I'll invite you for a stroll outside Tonight it's a bit chilly So wear one more layer of clothing I'm stammering And for some reason I suddenly realize All the feelings I've kept inside till now The windless night is reproving me Even though you're telling me A funny thing that happened to you today Tonight it's a bit different than usual My heart is twinkling Our footsteps echo softly As if I'm about to realize something All the feelings I've kept inside till now The windless night is reproving me The windless night is gently inviting me

As you can see, it's almost a precise description of that scene, with the mention of the stroll at night under the moonlight, the talk and the hidden feelings that are being conveyed in that moment.

I'll conclude this paragraph with something that I usually always mention when I tell people about the "moon is beautiful" 's hidden meaning in relation to Clear Card's storyline, because I think it's highly related. There are several ways to respond "I love you too" to a love confession made in that fashion. And one of the most popular ones that gets associated so much to this phrase (despite not coming from the same author but actually another one, Japanese novelist Shimei Futabatei who lived in the same period of Soseki) is 死んでもいいわ (shinde mo ii wa), which literally translates in English to "I can die happy" or "I can die for you" (you already know where I'm going with this one, right?). Apparently, Futabatei decided to translate in Japanese as shinde mo ii wa the Russian word Ваша present in a passage of the book "Asya" by Ivan S. Turgenev. The word Ваша actually literally translates in English as "yours", and the scene showed a woman deeply committing to her love, but since this is the same period as Soseki, the Japanese novelist used an indirect way to express it. I've read that the choice of shinde mo ii wa is tightly connected to the context of the original story, where a woman of low social status (an illegitimate daughter of a Russian landowner) and a man of higher class fell in love, but kept it hidden for most of the story. Back in those times, such relationship was frowned upon by society and so, indulging in that love could also be seen as the death of someone's life in society. In that sense, that "I would die for you" expresses the spirit of abnegation and complete dedication that such profound love inspires. Now, back to Clear Card, consider who's literally sacrificing himself for Akiho, and draw your conclusions.......

5) Liber Ivonis, Celaeno Fragments / H. P. Lovecraft & August Derleth

When Akiho visits Sakura's home in ch. 26 in order to learn how to cook from her, Sakura also brings her to visit her father's small library. In a very excited way, Akiho recognizes some books of her interest and she asks Sakura if she can take them. Those books are, in order of appearance, "Liber Ivonis" and "Celaeno Fragments" (there's a small typo on the book's title, due to the ambivalence of R/L in Japanese) which are two books featured in the Cthulhu Mythos created by US writer H. P. Lovecraft. Both books seems to be grimoires about occult topics and dark magic spells. It is very likely that the two books are merely easter eggs (they had no influence whatsoever on the plot) or a covertly way from CLAMP to let us know that Akiho was acquainted with magical books.

6) Buying Mittens (手袋を買いに) / Nankichi Niimi

"Buying Mittens" from Japanese author Nankichi Niimi is the book Sakura and Akiho are asked to read to the children of the hospital in episode 19 of the Clear Card anime. The story features a baby fox going on a journey to a nearby village to buy mittens to warm its cold paws in the rigid snowy winter. The story revolves around the themes of trust in other human beings. Although the mother fox advised her little one to be careful of human beings, because if they found out it was a fox, something terrible would've happened, the little fox actually finds out humans are not all the same, and the human being selling the mittens wasn't actually harmful at all.

See, when this episode was released in May 2018, I remember it got a lot of criticism for being a "wasted episode" and not bringing the plot forward at all. But I had already understood back then that this was actually a very symbolic episode for one of the major thematics of Clear Card, which would've shown its full importance only later on the story: how much we can trust other people, especially when we don't know them and they are having seemingly hostile behaviors. I knew the anime staff chose to feature this book for a precise reason. With hindsight, from the manga storyline POV, this is absolutely connecting to how Sakura had her trust tested multiple times in the entire arc, not only towards Kaito who had the most ambiguous behaviors, but also her loved ones, starting from Syaoran himself - who stole her cards in the very beginning and even lied to her, hiding an important truth for her sake; but also Yukito, for a moment, when he activated the Moon barrier all of a sudden, scaring even Kero and Suppi; or how inevitably Sakura's trust in Akiho was also put under pressure once she found out that Kaito was a magician and so inevitably she had to question the reliability of a person very close to him. Trust, trust in your beloved people and even more deciding to trust someone you don't know well is of utmost importance in this arc. If Kaito the magician is, in Buying Mittens, the human known for hurting and hunting and killing foxes, Sakura is the little fox who has to make the important decision of whether she can trust him or not, especially when she's in a moment of vulnerability (in the story the little fox shows the fox paw instead of the human hand to the hatter, who recognizes it as a fox but actually doesn't hurt it at all).

When Sakura found out about Kaito being a magician, she made a careful and delicate decision: she decided to trust Akiho and indirectly to trust Kaito too, avoiding to jump to conclusions and to ruin Akiho and Kaito's relationship by questioning her friend about Kaito's nature. And despite acting in shady ways for the entire arc, and sometimes being just misunderstood - leading everyone to believe he intended to hurt Sakura, in the end we found out that none of that has ever been Kaito's intention from the very beginning.

As repeatedly told by Nanase Ohkawa of CLAMP in Twitter Spaces, Sakura trusts her loved ones, and that actually represents her strength to believe that she will always be ok and everything will eventually be alright.

At the end of the Buying Mittens story, on its way back to his mother, the little fox hears a human mother singing a lullaby to her baby, and the fox draws a parallel to its own mother. Thanks to that, while being cuddled by the mother fox later, the baby fox says "maybe humans are good, after all". Motherhood and mother's love is definitely another thematic common to Clear Card and Buying Mittens, but also finding something that wholesome in common between the two species (humans and foxes) is the key to trust that there can be something good to be found even in "the other" that seems so scary and oppositive in the beginning. I'm certain that will also be a huge theme that will lead Sakura to help Akiho and Kaito in the very end of this climax.

7) Night on The Galactic Railroad / Kenji Miyazawa

"Night on The Galactic Railroad" is the title of the book Yukito is reading to the children of the hospital in episode 19 of the Clear Card anime.

8) "Oborozukiyo" (朧月夜)

"Oborozukiyo" is a Japanese folk song that gets featured in chapter 9 of the manga and episode 6 of the anime. Tomoyo and Akiho sing together this song in 2 different occasions between manga and anime: in the manga they sing it at the hanami in front of group of school friends, while in the anime it is a song that Tomoyo suggests to Akiho to sing together, and at the end of the performance she offers Akiho to join the choir later. The song is also featured in the Clear Card soundtrack album.

9) Special references appearing in the mobile game Happiness Memories:

Botchan / Natsume Sōseki

Natsume Soseki gets mentioned again in the Happiness Memories game when Akiho, in one of the photostories (the one focused on the study of English, with Syaoran reiterating his love to Sakura in English without her knowing what he meant ❤️) tells Sakura she's looking for the English version of some books, namely Night On The Galactic Railroad by Kenji Miyazawa (already mentioned above) and Botchan by Natsume Soseki. Apparently, Kaito suggested her to find those books and read them in English, since she's still having some difficulties with Japanese language. Akiho doesn't initially remember the titles of those books, so Syaoran intervenes and tries to help.

The Wandering Lake / Sven Hedin

"The Wandering Lake" is a book written by swedish geographer Sven Hedin. This one gets seemingly mentioned during one of the photostories set during the old anime arcs, where Syaoran gets invited to the Kinomoto home and bakes a cake with Fujitaka and Sakura (I don't really know much of the details because I never got this card 💦) While they wait for it to bake, Fujitaka and Syaoran talk about their favorite subject, archeology! And Fujitaka apparently makes references to this book (he supposedly mentions the lake name, Lop Nur) while explaining his love for archeology.

And I believe that's all for this first installment of "Clear Card Trivia"!! I hope you enjoyed it and maybe that it surprised you too, for some reference that you didn't catch before today! My love for this story is infinite, for all the reading "layers" it provides us with, and one of those is composed by all the literary references featured in it, since books are really so important in this arc. Knowing all these little quotes and references makes me appreciate CLAMP's efforts to build this arc as something deeper and more meaningful.

As I said in the beginning, I intend to update this post in case something else comes up in the handful of chapters that are left! See you next time, what will I feature? I have looooots I want to talk about!!

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