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My sister gave me an entire tin of my favourite crayon colour
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Goofing around in the pack on the Belgica expedition, 1898
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on the beach at night alone (2017) dir. by hong sang-soo
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i’m all the ages i have ever been
@swarnpert // haruki murakami “norwegian wood” // laura mathis “no most” // russian dolls // “memento mori” crywank // @ijaazat // “eleven” sandra cisneros // “deathless” catherynne m valente via @maryolive // @blossomfully // “untitled” keith haring, 1982 // dante and aristotle discover // jenny slate // this post @gaycommunist
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I know your voice. I know your face. I know the hands that pull my head from my body. Nothing here is strong enough. It’s a waste of your strength. Make me Holy. Carry my hollowed flesh and my gaunt cheeks. Touch my desiccated mouth. Would I be singing if I knew?
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“Lucille (Jessica Chastain) is actually part of the house. They’re connected. The house is history, it’s the past, it’s her childhood, it’s everything. And she cannot separate that. Her wardrobe has pieces of architecture of the house embroidered in lace,” Del Toro said. “We very deliberately made her the same color as the walls. The walls are the same color as her eyes. We wanted to make them have the color of the house.”
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Absolutely magnificent creature.
(source: Sears catalog, Fall/Winter 1918.)
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“Attack of the Glitter Geeks” Rolling Stone, December 23, 2010 photography by James Minchin III (original from mcrscans)
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okay so rewatching hbomberguy's new video, James Somerton has:
Called ND Stevenson and Rebecca Sugar women so he can make a point about how queer women have it easier
stolen an Asian transmasc person's very personal essay on Mulan and queer Asian identity
stolen from Alexander Avila, the One somewhat well known transmasc video essayist
Lied about English courts letting Radclyffe Hall "live her happy life" because perceived-female queerness wasn't legally persecuted, when in actuality, they were charged with obscenity and had their work destroyed
clearly a man whose very normal and chill about transmascs and anyone he sees as a woman i think
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Dante and Virgil in Hell (1879)
— by Gustave Courtois
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