the-group-project

[the-group-project]

I wish I knew what to do with my life, what to do with my heart… I do nothing all day, boredom settles in, I look at the sky so I get to feel even smaller than I already feel and my mind keeps poisoning itself uselessly.

Sylvia Plath, The Unabridged Journals of Sylvia Plath (via funeral)

[the-group-project]

[the-group-project]

[the-group-project]

[the-group-project]

you have been visited by the seven magic dragon balls your biggest wish will be granted but only if you reblog

[the-group-project]

Gisele Bündchen at Zoomp Fall / Winter 1997

[the-group-project]

KYOTO

[the-group-project]

Licence to Kill (1989)

[the-group-project]

Sylvette David poses for Picasso in his Vallauris studio, 1954 

- Pablo Picasso - Portrait de Sylvette David 21, 1954 

- Pablo Picasso - Sylvette, 1954  

- Pablo Picasso - Portrait of Sylvette David 30, 1954 

There was a time when Sylvette David was at the centre of a media storm and breaking hearts throughout Europe. But, at just 19, she was so timid that she didn’t enjoy her power. With her grave beauty and tumbling blonde hair tied in a coquettish ponytail, she caught the eye of Pablo Picasso in 1954 and, for three months, became his muse: the subject of over 40 of his. 

[the-group-project]

Jacques Grange

Francis Bacon paintings

[the-group-project]

Galileo Galilei, The Pleiades from ‘Sidereus Nuncius’ (Starry Messenger), 1610

[the-group-project]

Anni Albers came to prominence in the German Bauhaus, when the stark gender separations within the school prevented many female artists from pursuing painting and architecture. Anni turned to textiles as a means of exploring modernist ideas of abstraction and color, building on her predecessors’ work in the Bauhaus weaving workshop. After moving to the states and taking up residency at Black Mountain College, where she taught alongside her beloved Josef Albers, she became the first designer to have a one-person show at MoMA. Her writings and designs transform the idea of timelessness into heart-held truth.

With Verticals detail, 1946. Photo from The Josef and Anni Albers Foundation.

Design for Smyrna Rug, 1925. Photo from The Josef and Anni Albers Foundation and MoMa.

Wall Covering Fabric Sample, after 1933. Photo from The Josef and Anni Albers Foundation and MoMa.

Anni in her weaving studio at Black Mountain College, 1937. Photo by Helen Post Modley.

If you’re in Los Angeles, the Black Mountain College exhibition at the Hammer is going on now.

[the-group-project]

hot

[the-group-project]

Cindy Crawford 

Vogue June 1991

[the-group-project]

OUT 1: Noli me Tangere | Jacques Rivette | 1971

Episode 1: From Lili to Thomas

Marcel Bozonnet

[the-group-project]

[the-group-project]

Egyptian Decorative Ornament