thebookishdragon

[thebookishdragon]

sparkle on! its the first day of the fifth month in the year the albatross came to the south-western halls. forget who you are

[thebookishdragon]

All my unread books, looming

Shop

[thebookishdragon]

You don’t need therapy you just need to dig a hole.

[thebookishdragon]

📍Voltaire and Rousseau, Glasgow

[thebookishdragon]

circling back around to the issue of writers being expected to do all their own goddamn marketing via social media these days, because it completely nixes the possibility of writers being weird shut ins, off-putting eccentrics, or misanthropes. 80% of the literary canon was written by weird shut ins, off-putting eccentrics, and misanthropes. if you weed out everyone who’s the wrong kind of insane to maintain a twitter presence, who on earth is left

[thebookishdragon]

“It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt.” ― Mary Oliver, Upstream: Selected Essays

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“As far as words go, ‘crying’ is louder and ‘weeping’ is wetter. When people explain the difference between the two to English-language learners they say that weeping is more formal, can sound archaic in everyday speech. You can hear this in their past tenses—the plainness of ‘cried’, the velvet cloak of ‘wept’. I remember arguing once with a teacher who insisted ‘dreamt’ was incorrect, dreamed the only proper option. She was wrong, of course, in both philological and moral ways, and ever since I’ve felt a peculiar attachment to the t’s of the past: weep, wept, sleep, slept, leave, left. There’s a finality there, a quiet completion, of which ’d’ has never dreamt.”

— Heather Christle, from The Crying Book

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Stairs of the Villa Carolina by Tomislav Marcijus

[thebookishdragon]

“Modernist manuals of writing often conflate story with conflict. This reductionism reflects a culture that inflates aggression and competition while cultivating ignorance of other behavioral options. No narrative of any complexity can be built on or reduced to a single element. Conflict is one kind of behavior. There are others, equally important in any human life, such as relating, finding, losing, bearing, discovering, parting, changing. Change is the universal aspect of all these sources of story. Story is something moving, something happening, something or somebody changing.”

– Ursula K. Le Guin, Steering the Craft: A 21st-Century Guide to Sailing the Sea of Story

[thebookishdragon]

What books have you done this to?

Instagram / Shop

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[thebookishdragon]

if i bring a book someplace it doesn't necessarily mean i want to read it mayb i just want to take her own a walk. Get her some fresh air and a change of scenery

[thebookishdragon]

golden hour in my bedroom☀️ ft. my cute ghost poster that i got from redbubble

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Animation by Charlotte Ager

[thebookishdragon]

[thebookishdragon]

something a bit unusual for what you see from me, it’s some of the cast from the long way to a small, angry planet!!! more art featuring the wayfarers series will be coming soon, so look out for that! :D

[thebookishdragon]

Richard Siken, excerpts from “Hansel” in Brothers & Beasts: An Anthology of Men on Fairy Tales