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thelankyrandman-blog · 8 years ago

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Annotated Album-A-Day List:

Alphabetical Order: January - June 2017

So this is every album I listened to from January to the end of June. Every one has a quick opinion of mine. Let me know what you think of my thoughts if you know the albums or decide to check them out!! Happy listening!!

Actress - AZD: A solid electronic album that messes with sound in some very interesting ways. Worth a listen but it hasn’t been pulling me back as much as I would have hoped.

America - America: Really enjoyable classic folk rock that most definitely was influential. They do a great job layering their tracks with percussion and a fleet of guitars. Donkey Jaw is probably my favorite track due to how hard it rocks out (for folk) at a few points. If you like folk, you’ll enjoy this album quite a bit.

Anderson .Paak - Malibu: Sweet Kraken!! This album is fantastic! It’s groovy, smooth, sexy and has some nice hip hop flavor to it. It gets a little long with some more fatty songs, but I can’t stop going back to it.

Angel Olsen - Half Way Home: Honestly, this isn’t my cup of tea. It’s just a bit too twangy for my taste. If you like country a lot, check it out.

Animal Collective - Marriweather Post Pavilion: This album is a wall of sound. There are no empty spaces in any song. If there was empty space at any point they popped in another synth layer, or another vocal track to fill the gap. This is what makes this album unique. It sounds like nothing else from that time where rock bands were going for more stripped down sounds with kitschy melodies played on xylophones while their acoustics shit out the same chords over and over. This showed that Animal Collective wasn't like the rest of the “indie” rock bands of the day.

The Avalanches - Since I Left You: What an incredible album! This is what electronic albums should use as a baseline and it’s influence has been seen since it released in 2000. This is a sample album, so every sound used on it is taken from something else. While that sounds like it may be a bit derivative or outright copying, it isn’t. They are able to create utterly new and unique sounds and songs that will no doubt blow you away. Also, this album has a near impeccable flow from track to track. A must listen.

BADBADNOTGOOD - BBNG: This is a great jazz album with some hip hop influence. It’s even better if you’re into video games because of their covers of songs off of the Zelda soundtrack. Even if you are not familiar with those though, this album is worth your time. And I’m sick of Giant Steps too.

Beach House - Depression Cherry: If you like dream pop, this is the album for you. It’s spacey, catchy and clean. If you’re looking for variety though, go somewhere else. This is very much an album from a band who has found their sound and is sticking with it.

Blank Banshee - Mega: This is a weird album. It’s some good electronic music, but the songs started to blend together in my mind, and when it was over, I was surprised I had listened to an entire album.

Big L - Lifestylez ov da Poor & Dangerous: You can’t go wrong with Big L! His rhymes were incredible and his lyrics were nasty. It’s not often that you find more accessible horror core.

Big L - The Big Picture: Another solid album, but it has a little weirdness to it considering that it is a posthumous album. Big L will spit a verse then Jay Z will come on and finish up with a respectful rest in peace to the man of the hour. It feels incredibly odd, but weirdly special.

Bob Dylan - Empire Burlesque: Ooffa dooffa! This is a bad album. There is such a palpable lack of effort on this album that kills me when I listen to it. Dylan was just going track by track hitting the highs and lows that he knew would sell. It just feels like a lazy album that doesn’t even remotely stand out as a good one in his career. If you love Bob Dylan I’d say check it out to have more of an appreciation for his good stuff, but otherwise maybe skip this one.

Boogie Down Productions - Criminal Minded: Fucking classic masterpiece. Required listening. ’Nuff said.

Capital STEEZ - AmeriKKKan Korruption: Man, this is such a solid record, it sucks so bad that STEEZ took his own life. His topics and flows feel good and his beats are that nice and comfortable Pro • Era style.

Carly Rae Jepsen - E•MO•TION: This album has no right to be as awesome as it is. I was expecting some pop drivel that I’ve heard since birth just regurgitated for the billionth time because producers know that it will make money, but Jepsen actually knocks it out of the park with an original pop album. My only gripe is the lack of lyrical variety, but it doesn’t drag the album down too much.

Chance the Rapper - 10 Day: Man, it’s crazy to think that a 17 year old Chance was able to put this together. It’s tight, it’s mean and god damn is it solid. With the ethos surrounding it I wasn’t expecting such a great mixtape, but man, does he deliver with it.

Chance the Rapper - Acid Rap: This is the best Chance mixtape in my opinion. With the exception of the extended period of silence in the first half, the album has a great pace peaking with Cocoa Butter Kisses. Chance finds his style here and never has it been as strong!

Chance the Rapper - Coloring Book: Coloring Book is great, don’t get me wrong, especially with songs like No Problem but this album drags. It hits about the halfway point and runs head first into a brick wall with some of the most skippable tracks that Chance has ever made.

Charles Mingus - Mingus Ah Um: I mean… It’s Mingus, obviously it’s amazing.

Childish Gambino - Because the Internet: I wanted to like this album so badly. I love Donald Glover in almost every other avenue, but as a rapper his style isn’t distinct enough, his lyrics can be half baked, and his sense of pacing is sorely lacking. This is another album that’s first half is stacked well, so when the second half comes in all you want to do is take a nap.

Childish Gambino - Awaken, My Love: Now this, this is where I think Glover should be going. This album is better than Because the Internet in every way. From song writing to the production, not to mention the more obvious fit of the new genre he decided to tackle. With the exception of California, every song is pretty solid.

Clarence Clarity - No Now: I literally can’t get enough of this album. It’s so weird and perfect. Clarence Clarity creates pop songs with somewhat familiar sounds and distorts them beyond a sane level. They sound like they were made in space and that’s what makes the album so compelling. Each time I listen I hear a new song in the track listing. Also, Cancer in the Water is such an incredibly powerful track!

Crosby, Stills & Nash - Crosby, Stills & Nash: Coming out in 1969 Crosby, Stills & Nash began their journey to become on of the best folk bands of all time. They basically created modern folk as we know it, so if you enjoy Fleet Foxes or Mumford and Sons then do yourself a favor and check out their stuff. It has an older style but it still has acoustic guitars and beautiful vocals.

Crywank - Tomorrow is Nearly Yesterday and Everyday is Stupid: I found this album incredibly randomly and wasn’t shocked or disappointed with it. It’s fine. It has some catchy tunes and deals with some heavier emotions like existential dread and depression, but unfortunately sometimes it just comes off as a little whiny.

(Quick Danny Brown Note: I’m a huge Danny Brown fan, but he isn’t for everyone because of his unique sound, don’t be discouraged if you don’t like him)

Danny Brown - The Hybrid: If there has ever been an album that has shown potential, it’s The Hybrid. Danny Comes through with a great tape with his signature two styles of songs, the more party based ones, and the serious ones.

Danny Brown - XXX: Man. This album is good. Every song is good. Every. Fucking. One. Danny does this cool thing too where he changes hist style on the fly. The first half of the album is crazy. Danny raps about drugs women and partying while using his unique higher pitched vocals. Then the second half is a much more toned down serious sounding bunch of tracks that deal with more difficult topics. Instant classic.

Danny Brown - Old: Old is another strong album from Danny, but can get a little patchy at the very end. But man, I can’t stop listening to it. Dip stands out as one of the coolest sounding tracks that Danny’s put out.

Danny Brown - Atrocity Exhibition: Jeezers peezers, what a goddamn album!! This is one of Danny’s (I’m assuming there will be more) magnum opuses. This album gets weird. The production on the first track gives us the perfect tone for this record, that coincide with the lyrics that just tell us that something is off. And every other track works towards this idea. Ain’t it Funny feels like this massive cry for help and Really Doe is a perfect track talking about the problems in the rap game. This is another must listen.

Death Cab for Cutie - Transatlanticism: This album is fantastic. I’m not a huge Death Cab fan, partially due to a lack of knowledge of them and partially due to the singers voice, but this album is undeniably good. It his some raw emotions with perfectly crafted music to back it up. I will be coming back to this album again and again.

Death Cab for Cutie - Narrow Stairs: I Will Possess Your Heart is an awesome 8-minute track that feels anxious and perfectly repetitive, but this album drags. The pacing here is an issue. By the end of the album I was ready to bail and finally be done with it. There are some good tracks, but there are too many duds.

(Quick Death Grips Note: I’m also a huge Death Grips fan, they are incredibly aggressive and experimental hip hop, not for everyone but give them a shot, good to use as a gaming soundtrack for the first time you listen to them so your brain can get used to their sound)

Death Grips - Exmilitary: Death Grips sounds so incredibly different from any of their other albums on this mixtape, but that’s what makes it so compelling. Their unique use of sampling mixed with MC Ride’s classic shouting delivery packs a massive punch to your ears and gut. It’s abrasive, but you can’t help but jam along with it.

Death Grips - The Money Store: This album is probably perfect. I wouldn’t cut a single song from its 40-minute runtime that ends much much too short. This album is mandatory listening. It’s abrasive, catchy, disgusting and aggressive. It makes you want to scream out into the night with a big “fuck you!”

Death Grips - No Love Deep Web: Where could Death Grips go after the money store? Darker. This album looses any sense of light which makes it feel like Ride is forcing rocks into your ear canals, but these emotions feel right at home in Death Grips unique sound.

Death Grips - Government Plates: This album starts off incredibly strong, hitting a great stride with Birds. As it goes on it slowly looses its footing, and Ride’s vocals which makes for a slightly lackluster album. Yet, it still keeps me coming back for the first half and the last two tracks.

Death Grips - Fashion Week: There are some great instrumentals here, but I had two problems with it. First, it is hard to call it Death Grips without MC Ride screaming murderous lines into my head, and second the album has very little focus musically. It ends up being a bit long for it’s own good and misses a few great places to end in favor of an incredibly abrupt ending.

Death Grips - The Powers That B: This two parter is interesting. Most critics prefer the second half like I do, but I still enjoyed the first part quite a bit. But man, Jenny Death (disc 2) ends up blasting Ni**as on the Moon out of the water with it’s punk rock influences, something that they would later touch more on in Bottomless Pit.

Death Grips - Interview 2016 EP: This is a strong instrumental album that is a perfect length. It feels less criminal in its exclusion of MC Ride than Fashion Week does, but I could always use more Ride.

Death Grips - Bottomless Pit: Shit, this album is nasty! Like really nasty and makes for such a strong Death Grips album. The beats are disgusting, the samples are depraved and the lyrics shouldn’t even be allowed they’re so gross, and that’s why I love it.

Denzel Curry - Nostalgic 64: It’s amazing that this was Curry’s first mixtape because it sounds like he’s been in the game a long time. He has style and his flow is tight. He knows when to get emotion and delivers a powerful song discussing the difficult topic of police violence.

Denzel Curry - Imperial: Another solid record with great pacing. Slowly Curry is growing into one of the greats of this generation of rap and I’m happy to be on board now while he’s still on his way up. He’s got some great anger and intensity that I haven’t heard since like Young Pappy.

Earl Sweatshirt - Earl: Earl comes out swinging for the fences, or for peoples faces. This mixtape is short, sweet and vicious. His lyrics range from poetic to downright disgusting. He shows off his skills and a little influence from the Odd Future crowd.

Earl Sweatshirt - Doris: Doris is incredibly solid. Every track is great instrumentally and lyrically. Features from Frank and Tyler propel this album into being a good album, but it’s Earl’s wordplay and unique flow that make it great.

Earl Sweatshirt - I Don't Like Shit, I Don't Go Outside: This is such an unpopular opinion, but this is my favorite Earl record (even Siri likes Doris more). Earl is introvert, anxious, anti-social and distrusting, which speaks to me very clearly. Each song is brimming with emotions that hide just beneath this tough guy facade, briefly showing their faces from time to time. Grief and DNA are the two best tracks as they paint such gnarly pictures.

Elucid - Valley of Grace: Wowzers bowzers, this is awesome. This is so awesome. It’s short as hell, but it comes in throws some great tracks and socially conscious lyrics at you then gets out. There is no fat on this, if anything I want more, but this is already the most experimental hip hop album I’ve heard in a while. He messes with industrial sounds, messes with mixing so that he is sometimes overshadowed by the music, messes with samples and messes with you. Listen to this, it’s half an hour so if you somehow don’t like it, it’ll be over soon.

Eric Clapton - Eric Clapton: This is a great album by Clapton that feels very much like a debut record. It’s not as catchy as Slowhand but still manages to entertain you. Worth a listen but I’m not going to be returning to this particular record month after month.

Everything Everything - Get to Heaven: It’s fine. The first few tracks are great, the last track is great. The middle is long and tough to get through, and the extended version just throws on songs that were rightfully cut from the regular studio version.

Father John Misty - Fear Fun: Father John Misty makes a great first album apart from Fleet Foxes that immediately sets him apart from their sound. His humorous and cynical lyrics help to make the album standout as musically it isn’t anything you haven’t heard before.

Father John Misty - I Love You, Honeybear: Man, Father John Misty makes a solid album from front to back here. It’s funny, it’s awkward, its pretty and it’s a little nasty. Father John Misty found a style that mixes modern lyrics that are cynical and jaded with this happy sounding almost 50’s-esque rock that just inherently happy. The music and lyrics kind of oppose each other which makes this amazing disconnect that shows Father John Misty’s discontent with the current state of things. This is a must listen.

Father John Misty - Pure Comedy: This album is black comedy. Make no mistake, it is funny, but it is also depressing. The best way I can describe this album is that it’s like getting punched in the balls then riding a ferris wheel. You know it’s magical and beautiful, but it fucking hurts.

Feist - Let It Die: Mushaboom is so god damn catchy and sweet. There are some amazing songs on here, and then some that are… less amazing. Some can be a bit boring or just kinda iffy. Worth a listen though, it has a nice unique pop sound to it that is nice and soothing.

Fleet Foxes - Sun Giant EP: This EP feels very much in the same universe as Fleet Foxes first studio album which makes sense that they often package them together. It feels like a continuation of a fantastic album.

Fleet Foxes - Fleet Foxes: Talk about a strong album, this is pretty much perfect from the first second to the last. White Winter Hymnal is a great indie rock track that most people should know, but that may be the most underwhelming song on the album, which is saying a ton!

Fleet Foxes - Helplessness Blues: This sophomore record does not suffer from a slump, in fact it’s right on par with their first album. It hits hard and beautifully with some of their most beautiful and odd tracks to date.

(UPDATE) The more I listen to this album the more I love it. And dare I say that it may be a perfect album. Its just so beautiful, so romantic, and just so goddamn perfect.

Fleet Foxes - Crack-Up: Crack-Up is weirdly dark for Fleet Foxes. There are some emotions that they are dealing with here that they haven’t had to deal with before. Isolation and alienation are common themes on this due to Robin Pecknold’s isolation from the band prior to the recording of this record. They also get more experimental. Their quiet moments are dead silent while their crescendos are blaring. I will be coming back to this album throughout life.

Flying Lotus - 1984: I wanted to like this album, but I found it to be a little repetitive and I couldn’t quite tell each song apart. It’s just a bit too focused for me and I was hoping for more of an array.

Flying Lotus - Cosmogramma: This is the one though, the sounds are weird and fresh and feel full of energy. FlyLo pops out a record that will be remembered in the electronic community for years to come.

Frank Ocean - Nostalgia, Ultra: Man, I wanted to like this mixtape a lot. It had great reviews, Frank’s voice and songwriting are usually top notch, but this one just didn’t do it for me. What bothered me was a lack of catchy tunes, too many filler tracks, and some pretty lazy sampling that actually resulted in a (probably unwarranted) lawsuit from the Eagles. This mixtape showed potential, but that was about it.

Frank Ocean - channel Orange: I really like this album. The first time I head it, it blew me away. Frank’s songs are catchy and his emotions run high through his lyrics. It’s a must listen, but what I will say is that after hearing Blonde, I think it has aged weirdly. This album has a loose concept that doesn't always work and not every song is perfect. His big focus of the album, Pyramids is basically two songs just jammed together with one being honestly kind of obnoxious while the other is incredible. It’s a great album but his next is better.

Frank Ocean - Blonde: Some prefer channel Orange to Blonde, but I’m not sure why, or how for that matter. It is less catchy, there are some weird flaws to the album, but it’s a much better album because of it’s emotional impact and the way in which it all comes together at the end of the album to make one of the strongest R&B albums out there. There are catchy songs like Solo and Nikes, if you don't mind the pitched vocals, then there are more subtle tracks that have palpable energy like Skyline To, a song about the every accelerating passage of time. You can literally feel the song, the day, week, months slipping away from Frank on this track. It’s amazing. And the ending track gets me so good every time.

Freddie Gibbs - Shadow of a Doubt: This is a great hip hop album that makes you feel cool. It’s drug dealing talk isn’t always glamorous, but Gibbs’ always lets it slide off his back. Also, any track with Dana Williams is bound to be incredible.

Freddie Gibbs - You Only Live 2wice: Short, bitter, redemption. YOL2 is nothing new, but it was a necessary album before we get anything new sounding from Gibbs. He’s been through a lot, and he lets us know in full detail. He’s happy to be home, but he is definietely a changed person.

Freddie Gibbs & Madlib - Piñata: This is probably as close as we are going to get to a followup to Madvillainy, and that is okay because this album is fiyah! The two complement each others styles nicely and are able to push out fantastic beats and rhymes together that outshine most acts out there today. Not even remotely as good as Madvillainy, but it’s a worthy successor.

Ghost Ship Octavius - Ghost Ship Octavius: If you like metal, especially classic metal, you’ll love it. These guys blast out songs with blaring guitars that shoot up scales faster than I knew hands could move. The singer holds these notes that force your index and pinky fingers up while sending your middle and ring fingers up. It’s nothing too new, but it’s great classical metal.

Godspeed You! Black Emperor - Life Your Skinny Fists Like Antennas to Heaven: I don’t want to say much about this album because of what it means to me, but it is a must listen. It’s simply remarkable that humans made something this beautiful. I’m not too proud to say that this one made me cry.

Grizzly Bear - Horn of Plenty: Man, this album is lonely, but beautiful and ends on one of the most emotionally resonant songs you can listen. Check out the comments for the song ‘This Song’ on Youtube, people can’t help but get nostalgic with the track.

Grizzly Bear - Yellow House: Every song is a 3-D space. It sounds almost like the whole thing was recorded in a vast valley where sound was able to travel on its own time to the microphones. Each guitar, trumpet, violin and bass sounds perfectly orchestrated, yet utterly spontaneous. It’s beautiful and near perfect.

Grizzly Bear - Veckatimest: Grizzly Bear went a slightly different route here and made their songs a little less 3-D. Instead they feel tighter. The band feels like they know each note upcoming note from whoever is placed next to them. The songs are a bit catchier too, Two Weeks being a beautiful indie pop rock darling used in plenty of soundtracks over the years.

Harry Styles - Harry Styles: I wasn’t expecting much from this album which made for a nice surprise, it’s not half bad. Problem is that it sounds incredibly dated and it came out a few weeks ago. The songs feel recycled from either some band in the sixties and seventies or Wolfmother, who would do it much better. His vocals are fantastic and clean, but that almost doesn’t work with the nature of the music. It almost sounds like it needs some more grit to it to be able to stand a chance.

Ice Cube - AmeriKKKa’s Most Wanted: A classic. Ice Cube is a wordsmith, his rhymes are deadly and so is his attitude. It’s worth every second it takes to listen to the whole thing.

Ice Cube - Death Certificate: Another strong album that ends on the most brutal diss track I’ve ever heard. No Vaseline was so brutal that Ice Cube and Dre still haven’t talked about it to this day! That’s pretty fucking awesome!

Isaiah Rashad - Cilvia Demo EP: It’s weird, this album starts similar to how Rashad’s next album feels, with much more laid-back tracks you can vibe to. Right towards the end though, Rashad picks up the intensity and drives it a bit. It works for him and the album has a really cool ending to it.

Isaiah Rashad - The Sun’s Tirade: Great if you like music that vibes a bit. It’s not gonna blow your socks off with energy, but it’s a great record that tackles tough emotions and drug abuse. Rashad is someone to watch in the future, if he can pop albums out in time.

J Dilla - Donuts: Beats baby, beats!! Holy god, this is an amazing instrumental album that you can just feel the influence on. J. Dilla was on another playing field and this album shows just that.

(Quick J.Cole Note: I’m not a big J.Cole fan, nor have I ever been at any point, keep that in mind, if you like him keep liking him)

J. Cole - 2014 Forest Hills Drive: J. Cole is sort of an enigma to me, people love him and swear that he is rap royalty on the same level with Kendrick and Kanye, but he clearly isn’t. His production is good, yet lacks a certain dimension that others are able to attain. His lyrics, while slightly conscious, lack focus and self-awareness. And his albums in total feel jumbled and messy. This album is worth a listen, and sure has some catchy tunes, but will not go down in rap history as a classic. Also, Wet Dreamz is the most predictable song I have ever heard.

J. Cole - 4 Your Eyes Only: I enjoyed this album a bit more than 2014 Forest Hills Drive, which seems to be the opposite of most people. It has a more nineties sound, it’s a bit darker, but overall much more focused. With the exception of Neighbors, which comes out of absolutely nowhere, the album feels like a cohesive idea. Again though, this album just isn’t as good as it should be for the sales and praise that it gets.

Joey Bada$$ - 1999: How the hell was Joey 17 when this came out? This album is a solid 90’s throwback album with some great flows and rhymes. It’s not particularly conscious or aware, but as a debut mixtape, there are few that compare to it’s quality.

Joey Bada$$ - B4.Da.$$: I enjoyed this album a lot, but it feels almost like a continuation of 1999 and maybe comes off a bit better if it is listened to directly after 1999. It has a really similar 90’s hip hop sound, similar lyrical style and delivering. Great tracks, but not too different.

Joey Bada$$ - All-AmeriKKKan Badass: This is where Joey really changed things up a bit. Joey put out a fantastic record that will be on year ending lists. With this one he took a slightly more modern sound to his beats. His lyrics, if you can’t tell by the albums title, are much more politically charged. People have complained about the album being a bit jumbled and unfocused, but too me it felt right due to the amount of problems that we face today.

John Coltrane - A Love Supreme: Sweet Jesus!! This is that shit. This is a must listen album for every person alive.

Joni Mitchell - Ladies of the Canyon: Joni Mitchell writes poetry, then songs. This usually works incredibly well, but every once in a while it can make her songs feel like they have too little structure. This happens a few times on this record and it makes it a little hard to follow. When it does work though, which is most of the time, it’s beautiful music.

Joni Mitchell - Blue: Dimbo wimbo, this album is probably perfect. There are few records that are as beautiful as this one. Joni Mitchell takes poetry and turns it into music to incredible, INCREDIBLE results. A Case of You may be the most beautiful breakup song ever written, and the palpable sadness in The Last Time I Saw Richard is sure to get you to choke up a bit. Perfect on nearly all fronts. If you like folk, look no further.

Joni Mitchell - Court and Spark: Another nearly perfect album. More beautiful lyrics, more beautiful singing from Joni. My only problem with the album is it’s final track. The album feels very focused with a particular sound, and right at the very end she throws it out the window for a jazzy cover of Twisted that isn’t necessarily bad, it just doesn’t fit. Other than that, it’s pretty fan-fucking-tastic!!

Ka - The Knight’s Gambit: Listen to this more than once. The first time you listen to it, it will feel kind of one track minded and slow. The production on each song feels a little similar, and so does Ka’s delivery. It’s his lyrics though that make his albums so astounding. Take some time to listen to his poetry in the music.

Ka - Honor Killed the Samurai: This album is similar to The Knight’s Gambit in the fact that it’s dense and requires more than one listen. If you like Ka you will like this album, if you don’t like Ka, it’s pretty similar sonically to his previous record.

Kamasi Washington - The Epic: Wow. This album brings something new to jazz, an genre that basically lives on retreading the past. This album feels fresh and like it could bring about a jazz revolution. It’s a bit of a beast though clocking it at around three hours, so take it slow when listening to it.

Karriem Riggins - Alone Together: Want fucking great beats that you can jam to? Check this one out, it’s easy to miss but should not be.

Kendrick Lamar - Section.80: These songs are all amazing, but have really meh hooks. Every hook just feels like it could have been thought out more and leave me a little disappointed every time. Yet, after every verse I’m thinking, or gasping, or wanting to listen again. This was telegraphing what would soon be some incredible albums.

Kendrick Lamar - Good Kid, m.A.A.d City: This is Kendrick’s first masterpiece. There are no bad songs. Every song is catchy, every song is thought provoking, and every song is rock solid. The track order is thought out and the tone of each song is perfectly crafted. With Kendrick’s focus comes conscious lyrics, or stories that paint pictures, or the hubris of a 16 year old growing up in one of the toughest towns in the world. This album is endlessly replayable.

Kendrick Lamar - To Pimp a Butterfly: This is Kendrick’s magnum opus. Kendrick mixes jazz, hip hop, politically charged anger, the frustrations of fame, and the fear of mortality into a living album that seems to show a new side to it on each listen. It’s depth almost can’t be understood on the first listen through. It’s dense, long and a little obtuse at times. But once the full picture comes together, you’ll notice the album’s perfection. Each song feels like it serves a purpose, each feature is utilized perfectly, and each word was picked with thought and precision. This is a must listen.

Kendrick Lamar - untitled unmastered.: Leave it to Kendrick to have golden b-sides. How is he so good? These incredible tracks were the throw aways from the same recording sessions as To Pimp A Butterfly. They share the same jazzy funky style, but showcase new ideas. Sometimes it makes sense that a song or two wasn’t on TPAB, but never are the songs bad. This collection could’ve been a studio album, but at least he decided to release them in some form rather than cast them out to deluxe editions of albums down the line.

Kendrick Lamar - DAMN.: How do you follow up one of the best albums of maybe the past twenty years? It seems like a weird task, and even Kendrick knew it. This album is a departure from his previous styles. It sounds more modern, more catchy, much darker. From the album cover to the grime laced track Lust, this album reeks of depression. Each song sends us further down this pit that Kendrick was finding himself in. That even goes for the songs that seemingly attempt to throw us off from that. Love, a summer jammy type song, feels off, a trait that I’ve never heard on a Kendrick album. While this isn’t Kendrick’s best album, it has some of his most aggressive and brutal tracks to date.

Killer Mike - R.A.P. Music: This is basically an RTJ album before RTJ. Killer Mike does a majority of the rapping while el-p does the production, and pops in on a few songs. There’s raw anger that the two bring to RTJ albums here and Killer Mike comes through with some astounding bars. This album is a great listen and a great precursor to the stuff they would later do together as RTJ.

Local Natives - Gorilla Manor: The first half of the album sounds like your ex-girlfriend’s “indie rock” playlist that features only recycled sounds from all the other bands that were out there around 2010. The second half feels like it was thought about a bit more thoroughly. The songs flow a bit better, the sounds are at least a little more unique, but for the most part this album feels like a mediocre “indie pop rock” album.

The Long Winters - Putting the Days to Bed: This album I listened to because I had heard of it from one of the many podcasts I listen to (MBMBAM). I am kind of on the fence with this record. When it hits a high, like the track (It’s A) Departure, it nails it, but there is a lot of downtime where songs either leave you wanting more or something different. It’s worth a listen or two but that’s about it.

Lorde - Pure Heroine: This is pop music with some surprising depth. Lorde doesn’t go the same route that most pop artists go talking about their money and fame, or other topics that no one can relate to. In fact, she goes the opposite direction and tells us how bored of that she is. On Team she sings one of the most accurate examinations of pop music, “I’m kinda over getting told to throw my hands up in the air.” Lorde makes an anti-pop pop album that is pretty great.

Lorde - Melodrama: Golly gee, this one’s a gooden!! Lorde makes an angsty album that isn’t obnoxious or really that trite. She feels alienated, she doesn’t like being famous, and she feels like people use her, and she is able to share those ideas with us in 11 awesome songs that are all catchy and serve their purpose well on the album. She even gets a little experimental from time to time, which is where I hope she goes next, in between her radio hit type tracks. Definitely surprised me with how good it really is.

Madvillain - Madvillainy: This is an absolute must listen. Madlib basically defines what good production is on this album. His beats are incredible backdrops for MF Doom to drop some of the smoothest rhymes and bars you’ll hear. I keep coming back to this album over and over again because of Madlib’s production. He absolutely destroys it with weird samples and risks that should never work. Who puts an accordion on a hip hop track? Fucking Madlib does.

Marvin Gaye - What's Going On?: Smooth, sexy and ahead of its time both sonically and in its subject matter. It’s a classic and required listening simply for how influential it has been the R&B as a genre. We would be nowhere without Marvin Gaye, absolutely nowhere!!

MF Doom - Mm.. Food: This album is so weird. It’s a concept album about food. MF Doom makes a whole album about food, and it is somehow legendary. He’s able to spin this concept about a billion different ways with his weird sample heavy production. Just listen to it, I really don’t know what to say about it other than it’s incredible.

Mick Jenkins - The Water[s]: It’s kinda weird thinking that a concept album about water could be as good as it is. Mick Jenkins has an awesome flow, mixed with beats that literally feel like they’ve been drowned. They have this weird spacey underwater feel that just makes the album come together as a whole. If you like vibes hip hop that is weirdly aggressive (yeah I know that’s a contradiction but that’s kind of an accurate explanation), then you will like The Water[s].

(Quick The Microphones Note: The Microphones and Mount Eerie are both projects from Phil Elverum, he just changed his name after four albums to Mount Eerie)

The Microphones - Don’t Wake Me Up: How was this his first album? How was he 21 when he made it? He, ladies and gentleman, is Phil Elverum. He writes folk with weird noise rock stuff in there and this album is awesome and shows incredible potential. I can’t get enough of him. Listen to his entire discography. You will not be disappointed.

The Microphones - It Was Hot, We Stayed in the Water: This is probably Phil’s first masterpiece. I don’t know anyone who uses sound in the same way. It’s lo-fi and grainy, he messes with the stereo mix, he throws in sounds that are literally unrecognizable. But under that are these incredibly rich folk songs that come straight from the heart. Phil’s lyrics are unique and beautiful. This can even be seen in the beautiful simplicity of the album title. This is another incredible album by Phil.

The Microphones - The Glow Pt. 2: This is probably one of my top five albums of all time. It’s weird experimental folk that has some elements of noise rock and metal et cetera. This album literally has me on the verge of tears a few times each time I listen to it because of Phil’s lyrics, his still fresh, even 16 years after it’s release, use of sound and beautifully flawed vocals.

The Microphones - Mount Eerie: This album picks up exactly where The Glow Pt. 2 leaves off. This album though is a much, much slower burn than The Glow Pt. 2, and can give you a bit more existential anxiety. This album feels massive in ambition and almost otherworldly. There is this odd feeling to all of the tracks that make it feel incredibly important and like you are just for listening to it. It’s just as experimental as The Glow Pt. 2, but in very different ways. This was, if you couldn’t tell by the name of the album, the beginning of Phil’s Mount Eerie style.

Miles Davis - Kind of Blue: This is the gold standard for jazz standards. These are some of the most famous jazz songs that are nowadays repeated at nauseam. On the record though they have some great life to them and are recorded beautifully. If you enjoy jazz this record is a must listen not only because it’s beautiful, but due to it’s historical significance.

Miles Davis - Bitches Brew: Oh baby, yes please!! Experimental jazz has never sounded so goddamn good!! This is such a weird and awesome album that just leaves you wanting more and more, despite it’s long length. This is where a lot of bands took their experimental influences from. Radiohead for example cited this as a major inspiration when they wrote OK Computer. This is such a good one.

(Quick Mount Eerie Note: The Microphones and Mount Eerie are both projects from Phil Elverum, he just changed his name after four albums to Mount Eerie)

Mount Eerie - “No Flashlight” Songs of the Fulfilled Night: Weirdly enough this album has a similarity to The Microphones first album. When listening to this album you can kind of feel that Phil has changed. His sound is much more subdued here than it is on The Microphones Mount Eerie album. it feels less grand in scope, but more personal to Phil. It sounds like he wrote these songs in the woods, by himself, with no flashlight. It’s beautiful and heartbreaking. The perfect start to the Mount Eerie name.

Mount Eerie - Lost Wisdom: This is probably tied with Ocean Roar as my least favorite Mount Eerie album. It isn’t bad so much as it is a little boring for Phil’s discography. It’s incredibly short and doesn’t really explore anything too new for him other than having a female vocalist on every track. I just wanted more and not really in a good way. This album only clocks in at 24 minutes so it feels too short for its own good.

Mount Eerie - Dawn: Aside from his most recent album, this is Phil’s quietest record. It’s easy to miss, but really shouldn’t be. It’s soft and thoughtful, but comes in and out of your life quickly and quietly. You won’y be itching to hear that one catchy track again, but you may come back to it to feel some quiet tracks on a sad night. Absolutely beautiful and understated record from Phil.

Mount Eerie - Wind’s Poem: Wow. This is a killer album, potentially his best, but it’s another one that is a little more difficult to listen to. This album mixes his normal folk style with these screeching metal guitars that thoroughly shake your head when you’re listening. This album feels like a sonic manifestation of anxiety and depression. That’s all I’ll say. Go listen to it.

Mount Eerie - Clear Moon: This album honestly feels like beauty and anxiety or tension at least are just having the most intense showdown. This album has some of Phil’s most beautiful songs that he has ever written on it, like Through the Trees Pt. 2. You can’t listen to that song without falling under it’s perfect, spacey spell. On the other side though are some of the most chillingly anxious tracks that envelop your body with their dissonance. This is another near perfect album by Phil.

Mount Eerie - Ocean Roar: In theory this album is a sequel to Clear Moon, but its predecessor is a thousand times better. Ocean Roar is just kind of… well boring honestly. It’s very slow, very droney, and very meh. If you love Phil, you’ll at least enjoy it a little bit for what it is, but it just doesn’t stick out like his other immaculate albums do.

Mount Eerie - Sauna: Phil was in a good place in his life here, which makes his next album so goddamn sad. This album is pretty lighthearted, to the point where Phil has a song about books. It’s not his regular death contemplation or the exploration of depression. It feels like he was happy, I wish he could’ve stayed happy…

Mount Eerie - A Crow Looked At Me: This album is a little weird to talk about due to its subject matter. This is one of Phil’s most stripped back albums because the music almost doesn’t matter, even though it is very good. This album is basically Phil venting to us about the recent death of his wife. It isn’t a fun time. There are times during this record where Phil is talking directly to his deceased wife, saying the exact amount of time since he saw her last. It’s incredibly raw emotion and rare truth that Phil spills on this record. Each song is soft and sets the tone for Phil to come in and just break your heart with each song, each idea and each word that comes through on this record. If you can, please support Phil and buy this record, or at least check it out.

M83. - Dead Cities, Red Seas & Lost Ghosts: Hurry Up, We’re Dreaming is big and catchy, each bubblegum, neon dripping hook easily able to fill stadiums. Dead Cities is smaller, more intimate, weirder, more tortured and slept on. It takes more than one listen to hear it’s intricacies and emotions. Sometimes it’s beautiful, like on Unrecorded. Synths fill the air as soft piano-like notes flutter on top of it. Other times it’s nasty and harrowing, the last part of Beauties can die feels utterly hopeless and covered in grime. This is a great electronic album.

NAO - So Good EP: So Good is so good. This EP is pretty awesome, mostly due to the catchy titular track with A.K. Paul. Their chemistry is awesome and this song is sexy as all hell. Definitely worth a listen, and I’ll bet that you’ll come back to So Good when you need an extra dose of sexy in your day.

NAO - For All We Know: Not every track is a winner, but when NAO hits, she has a killer song on her hands. For example, In the Morning is incredible, absolutely incredible. But this album is long, and there is a lot of filler in between the great songs. NAO’s voice though is what pulls this record together into a project that is satisfying despite it’s misses, and she is going to stay on my radar in the future.

Nas - Illmatic: Looking back at it, it’s absolutely insane that I somehow missed this album. This is one of those albums that is pretty goddamn perfect from start to finish. It’s production defined the nineties and it’s lyricism was smart, cynical and sometimes heart breaking. And to top it all off, Nas was only 19 when this album came out. That always makes me feel bad about being 20 and not having one of the most genre defining albums out. Check this one out.

The National - The National: I went into this album with lower expectation due to it’s mixed reviews and I wasn’t really surprised either way. There isn’t anything super new or really too impressive here. It’s some decent rock with a slight country or Americana twang to it. If anything this album showed that they were a band to keep an eye on in the future. Potential, potential, potential.

The National - Sad Songs for Dirty Lovers: This one is a step in the right direction. This album has some great tracks on it. But the best parts of the record come when the band decides to really take a step out of their comfort zone. There are a few tracks where they decided to go slightly punk with it and begin to ramp up the intensity in the instrumentation and Matt really lets loose with some passionate yelling. This album is the direction I wanted the band to go in, more intense, more raw, more brutal.

The National - Alligator: This album is where the band really starts to get some buzz and good reviews, but honestly, I’m not sure why. This is the opposite direction in which I was expecting, and hoping the band would go in. Rather than lean into the more raw and intense, semi-punk driven style, they go back to their softer “indie” rock (I hate that moniker but I’m not sure what else to use) sound with Matt’s regular delivery. Speaking of his delivery, good lord can he please change it up? Literally every song he uses the same exact inflection and tone of voice, which makes them all blend together into this album sized amalgamation that just makes me lose interest around the midway point. He has this weird deep, throatier sounding drawl that gets old fast. Not quite my style.

The National - Boxer: More of the same… I mean, I’ll keep trying, because people say they’re amazing, but they just aren’t doing it for me. And Matt, please, stop with the weird throaty drawl. Please stop.

Neon Indian - Psychic Chasms: How is Neon Indian so cool without even trying? This album has this almost Strokes level of swagger in a drastically different genre. This electronic album is funky, danceable without being fast, and spacey. This is the type of music you listen to by yourself while staring at the ceiling, mesmerized by all the weird sounds and smirking knowing that you are cool for knowing who Neon Indian is. It feels like a album that was slapped together pretty easily from the heart and just nailed everything perfectly, even finding one of the most unique sounds in the electronic genre. This is feel good music that is original.

Neon Indian - VEGA INTL. Night School: Neon Indian’s second album Era Extraña lost the magic that Psychic Chasms brought to the table. It felt self conscious and much too aware of what it was going for. This album feels like a slightly fed up Neon Indian deciding to just make something that they enjoy rather than cater to every audience at once. All I want to do when listening to this album is dance. It’s catchy, it’s sexy and it makes you feel awesome just for listening to it. This album isn’t quite like his previous ones because of it’s more catchy melodies and danceable beats, and I don’t think it’s quite as good as his debut album, but it packs a gnarly punch from its first track to its last.

Neutral Milk Hotel - On Avery Island: Their first record is this amazing mix of folk and noise rock that they would later perfect on their next record, but this record is nothing to sneeze at. It feels much different from their next partially due to the amount in which they utilize noise rock here. There are a few songs where the instrumental would be called, “not music” by those who can’t appreciate the experimentation. Not only did this album show potential, it also takes you on an awesome journey that you will come back to, no doubt.

Neutral Milk Hotel - In the Aeroplane Over the Sea: This album is plagued by memes and obnoxious 4chan users who think they are funny just writing lyrics on repeat at nauseam on threads, but there is actually a reason for it. This is one of those albums that from the moment it starts, you can feel something special about it. It has weird, often surreal or fantastical lyrics mixed with a sort of folk rock with these noise rock accents. There are beautiful melodies and dissonant ones too that each work together to make an utter masterpiece. You’re doing yourself a disservice if you miss this album, it is spectacular.

Nick Murphy (fka Chet Faker) - Missing Link EP: I wanted this to be good, I wanted it so badly, but it’s just not great. Nick is in a weird place right now, he has no idea where to go right now. What do you do after an album that blasts you out of obscurity, that’s style is no longer appealing to you? I have no idea… and Nick doesn’t either. This EP feels so uncomfortable, and not in a good way. Each song feels like a different album, hell, even a different artist. None of them are particularly shocking or catchy, they just kind of roll off your back once they finish. It’s just… disappointing.

Noname - Telefone: Noname is like the quiet girl in high school who, when she does speak up, is by far the most interesting and entertaining person in the room. Her style is similar to the likes of other Chicago artists (or you could call it the Chance style). She uses some hints of gospel as a backdrop for her subtle and soft lyrical style that make you take a minute and think about. She doesn’t show off her beats and vocals though, she opens up and really gives us some incredibly touching stories and emotions. She’ll be around a long time, and she can only go up from here.

Notorious B.I.G. - Life After Death: Biggie is one of those rappers that is just on the boarder of being overrated, then when you listen to his stuff you don’t think he’s popular enough. He just had a way with rhymes and beats. He was able to rap about slinging crack, then immediately after share some deeper emotions and have it all fit into these crazy visions he had for his two records. Just incredible stuff, truly incredible. We lost Biggie much too soon.

Oddisee - The Iceberg: This just barely missed being on my best of 2017 list. This is a great, conscious hip hop album. Oddisee has some interesting insights and is a great storyteller. My favorite song on the project, or at least the one that sticks with me the most is You Grew Up. It takes an interesting look at racism and how that can grow in children if it is fostered, definitely a powerful portrayal.

The Pablo Collective - The Death of Pablo: I usually do not enjoy remix albums. Their lack of creativity usual defines the style, slapping on today’s most obnoxious trends onto previously released songs. But this… this is different. This doesn’t even remotely feel like The Life of Pablo. Following their mission statement, this album is darker, grittier and so much more disgusting. It will drain the life out of you and make you feel utterly hopeless, especially in the middle where there is about a ten minute industrial sounding interlude attempting to simulate the sounds of death. Right as you want to shut it off from just being too much, it comes back around and hits you with this incredible speech from Kanye set to music. This is an incredible project.

Perfume Genius - Put Your Back N 2 It: You ready to cry a little bit with me? Goddamn, Hadreas delivers an incredible album that is stripped back to basically just his own soft shaky vocals and piano chords that are reverbed the fuck out of. He throws in a few background sounds here and there, like heavily distorted vocals or strings, but the take away hear are the lyrics. This is an emotional ride that will break you. He sings about the struggles of being a gay man, domestic abuse, just being sad, and be able to power through that.

Perfume Genius - Too Bright: Hadreas brings the feels again with this soft, at times nasty, sludgy record that mixes his previous style with something a bit more layered. The song Queen is a good example of what this album is. Hadreas uses vocals that could be found on his last record, but with an instrumental that would’ve felt outlandishly out of place due to its thickness and staggering dimensions. With that being said, it’s still able to remain subtle, soft and slow. But if there weren’t emotions flowing through each lyrics veins, it wouldn’t be a Perfume Genius album.

Perfume Genius - No Shape: Man, this album immediately shows that it’s different from Hadreas’ previous records. On the first track, it starts like his other albums, soft and subtle, then it just explodes with a wall of sound and textures. This is Hadreas’ most difficult album to listen to if you are not acquainted with more experimental sounds, but in my opinion, it’s his best record.

Phoenix - Ti Amo: I love Phoenix. Wolfgang Amadeus Phoenix is such an awesome album that just hits high after high until you’re left mashing the repeat button on every track. I listened to Ti Amo on its release date, and I genuinely don’t recall a single lyric or melody. It’s just really boring and uninspired. It feels like they were contractually obligated to pop out another album so they put something together in three months that at least sort of sounds like Phoenix and called it good. I hope they take some time to find themselves and a good direction forward before making another album.

The Postal Service - Give Up: I almost guarantee that you’ve heard a majority if not all of this record before just on radio stations or your friends barbecue mix tape. It’s influential no doubt, it’s sounds are familiar at this point due to how often people have borrowed their sound, but that doesn’t alway mean it’s good. Some songs are fantastic and each catchy note or melody gets burned into your skull, yet other songs can get a little boring. It’s just a bit inconsistent. I wish that they had made more albums together because if they had let their sounds grow a bit I bet they would've put out a killer record.

Quelle Chris - Being You is Great, I Wish I Could Be You More Often: This is an awesome hip hop album that skates through humor and existential fear at the same time. Quelle Chris’ delivery stays at a lower, almost monotonous, level that works with his dry humor and battered emotional state. His production also has some Madlib-esque spice to it that is entertaining and experimental. Please check out this record, it is worth your time.

Quasimoto - The Unseen: This is one of those classic hip hop albums that only intense hip hop heads know. I wouldn’t have found it had my good friend not told me to check it out. Quasiomoto is one of Madlib’s alter egos. He works in some great production and lyrics into this must listen album.

Radiohead - Pablo Honey: This album gets a lot of hate from Radiohead fans for being too generic and of the nineties. It’s not terrible, but it’s definitively not Radiohead. Creep is by far the best song on the album but should not be Radiohead’s most popular song. The bad songs on the album though could have been popped out by any band from that time period.

Radiohead - The Bends: This is the first “real” Radiohead album. They really began to find their footing here. This album is filled with two types of songs, way more of the latter than though. The first are songs that feel slightly dated with that nineties alternative rock sound. These are songs like The Bends. The second type are songs that feel right at home in Radiohead’s discography. The songs that feel dated though aren’t bad, they just have a little nineties stank on them. But when this album hits a high, similar to Radiohead’s other albums, it hit’s so hard that you are amazed for the next five minutes because of that one note. High and Dry comes to mind as a song that will blow you away.

Radiohead - Kid A: They say that OK Computer was what solidified Radiohead in history, then Kid A solidified them in the future. This album showed us that Radiohead had legs past the nineties. They came out with this album that is part rock, part electronic and all weird. It was polarizing when it came out, but an undeniable classic now that has influenced the rest of their discography and so many other bands all over the place. Listen to this record. Period.

Radiohead - Amnesiac: Packaged as a sort of sequel to Kid A, Amnesiac is a collection of Kid A b-sides that are surprisingly good. These tracks were so good in fact that they warranted another studio album rather than being scattered and released at weird times throughout the years. The rock tracks here are Radiohead’s classic style that is always able to amaze me, and their electronic tracks give you new sounds to wrap your head around. All in all, a great record.

Radiohead - Hail to the Thief: People have thought of some weird analogies for this record. Pitchfork even went as far as to say that it’s an anti-masterpiece (in a good way somehow?). All you need to know is that this is a great record. It won’t alter your life like some of their previous projects, but it’s got some fantastic stuff on it.

Radiohead - In Rainbows: This is the album that they needed after Hail to the Thief, a great but not spectacular album. They took some extra time with this one and popped out one of their best records. This thing is filled with amazing songs from the almost dancey 15 Steps, to the soft and thoughtful track Nude. This was Radiohead telling us that not only did they still have it, they were better than most even after 15 years since OK Computer.

Radiohead - The King of Limbs: People hate this record. It’s fine. It’s not amazing, but it’s not terrible. It’s just kinda middle of the road. Listen to it if you love Radiohead, if you don’t know Radiohead don’t start with it. That’s it. It’s fine.

Radiohead - A Moon Shaped Pool: Oh man… where to begin. This shows Radiohead’s brilliance. After over 20 years they are somehow still able to pop out one of the best records of the year!! It’s slow and soft, yet it drags you into it’s atmosphere immediately and holds you under what feels like sonic water. The highs are spectacular and the emotional lows can be felt throughout your whole body. This is just another one of Radiohead’s immaculate albums.

Ratt - Out of the Cellar: It’s Ratt. Their fun, they put out some good hair metal, they’re fun live. I don’t think that their music will really go down in history as incredible stuff. It also kinda says something when I was the youngest person at the show. It’s just kind of a dated sound that doesn’t really need to come back because we’ve just moved past it. Again, it will occupy you for about thirty minutes but it’s not something that will change your outlook on life.

Red House Painters - Down Colorful Hill: Eh… Not for me. It’s too slow and dramatically emotional. I’ll try again with them in the future, but I was more waiting for the album to be over than listening for subtle details.

Run the Jewels - RTJ3: This is not my favorite RTJ album, but by no means do I think it’s bad, it’s spectacular. These two have some of the best chemistry in hip hop today. Their political opinions blast through and give this album the most anxious feeling. Even when they step away from political ideology it works well. Their song to their deceased friend is heartbreaking and perfectly accented by Kamasi Washington on the tenor sax.

Sampha - Process: My god. This album is incredible. Sample fuses R&B with electronic music, just sings over the piano, and get’s slightly experimental here. It’s pretty amazing that this is a debut album because it feels like he’s been doing this a while. This album will have you moving, will make you try and hit the notes that Sample belts out, and will tug at your heart a bit. He really blew it out of the park with this album.

(Sandy) Alex G - Rocket: Damn. Incredible fusion of folk, punk, experimental, industrial and everything else. It’s so goddamn good. Poison Root kicks off the album softly and as it progresses it gets intense, then it eases back out. One of the best albums of the year in my opinion and may make it into my year end list. Go listen to this sucka!! (Also, he was opening for Fleet Foxes when I saw them, but I got to the show late and missed him, I’m beyond crushed!!)

Shabazz Palaces - Black Up: I had heard these guys compared to Death Grips a couple of times so I had to check them out. After listening, they are only similar in their use of experimental beats. But man, if they aren’t experimental. These guys do some crazy things from polyrhythms, to throwing out song structure completely. That may sound interesting, or be a deal breaker to you, but either way, you should check these guys out if not to only see what is possible under the hip hop umbrella.

Shapes & Colors - Love / Sex / War EP: Okay, so these guys talked to me on twitter and seemed really nice, so I will try to be gentle. It’s… not great. It feels very generic and done a million times before. It’s just indie rock that maybe would’ve sounded new in 2008, but it feels a little dated upon release. Check it out if you want to support these guys, but I found it difficult to get through it’s short length.

The Shouting Matches - Grownass Man: I wanted this album to be amazing, but it just isn’t. There are some amazing tracks, like the great Gallup, NM, but there are also some boring tracks. It feels like the boys weren’t quite sure what they wanted to do with this album, they just knew they wanted to make a bluesy record. With the few exceptions, most of the album feels a little stale.

Snakadaktal - Sleep in the Water: That reverb be heavy doe!! I wasn’t expecting much from this due to the band’s silly name, but this is a pretty great dream pop album. It feels spacey, yet emotionally potent. Plus the band’s dual vocalists adds another dimension to songs like Too Soon. These guys reminded me of Beach House a bit, but not so much that it felt like either band was stealing from each other.

Soft Cell - Non-Stop Erotic Cabaret: Look, this album is incredibly 80’s. It feels like they were using synths for the first time in the studio they sound so simple. But this album has some killer tracks. First off, the classic Tainted Love is undeniably catchy despite being so 80’s you can basically feel the neon dripping off of each beat. The final track Say Hello, Wave Goodbye also stands out because of its emotional impact coming late in the record. If you can get behind the 80’s clichés and rock with this britpop, you will find something to enjoy here.

Spoon - Hot Thoughts: It’s weird how Spoon is incapable of making bad albums. They just seem to pop out good albums one after another. While this isn’t my favorite of theirs, it still has some great material, including the title track that bounces in your head and gets stuck their for weeks. Britt’s vocal delivery fits so perfectly with their sound it seems like these musicians were born to play together. Another great one from the boys in Spoon!!

Squarepusher - Feed Me Weird Things: I don’t know if there are any other artists that have a similar sound. Squarepusher has made a career out of the most unique mix of jazz and… I don’t even know it’s just incredible. His first album must’ve seemed so weird when it came out. I can’t imagine what people who knew him must’ve said about it. I know this is vague, but I’m not sure what to say about his stuff, just go listen to it.

Squarepusher - Music is Rotted One Note: I feel like I will be listening to this album when I finally go insane. This is like jazz if jazz had schizophrenia. It’s so weird and experimental and anxiety ridden, yet beautiful at the same time. It makes you feel like you’re crazy when you listen to it, but it also takes your breath away at least once every song. It’s not for everyone, but goddamn it’s at least for me.

Squarepusher - Go Plastic: This is Squarepusher going plastic, or at least synthetic. These songs are all electronically produced, which is different from his normal style of physical instrumentation. This is another great album by the always weird always awesome Squarepusher.

Substantial - The Past is Always Present in The Future: This album really surprised me. To be honest, I wasn’t expecting much. I hadn’t heard of Substantial, and his album cover for this thing is… just really bad, like really bad. But good goddamn if it’s not fantastic!! It’e emotional, socially conscious, utilizes Tonedeff very well, and is thoroughly enjoyable. It sounds weird, but I do think that the tracklist should be shuffled around a little bit in order to really make certain songs have more of a payoff, but this is a great hip hop album even without that.

Syd - Fin: I knew Syd a little bit from her days in Odd Future, providing backing vocals for Tyler, Earl and Frank. I hadn’t listened to her stuff from The Internet, so I went into this pretty unaware of how she would sound. Goddamn does she have a voice. This album is enjoyable because of her voice.

SZA - Ctrl: Man, SZA is fun to listen to. She’s got a great voice, can write lyrics well and has some great beats backing her. The one problem I had with the album is just the lack of focus in terms of emotions. I didn’t feel a central idea coursing through it, which isn’t necessary, but I feel would be greatly impacting and powerful for her style. Kung Fu Kenny also has a good feature on this thing.

Temple of the Dog - Temple of the Dog: This album is another one, similar to Mount Eerie’s A Crow Looked at Me, that sends a past loved one off. Rather than being as detailed and soft, this one goes for a different approach. It’s music as opposed to lyrics are what do the trick here. This super group of nineties rockers came together to pop out this one beautiful record. Chris Cornell (RIP), Mother Lovebone and Eddie Vedder all bring their styles together for an incredible and heartbreaking project that will go down as a fantastic nineties moment.

Thundercat - The Golden Age of Apocalypse: This is Thundercat at his absolute best musically. Every song is incredible with some of the most impressive bass playing that I have ever heard. If you like jazz, hip hop, funk, or anything in between, you would be doing yourself a disservice if you missed this incredible record.

Thundercat - Drunk: Thundercat’s lyrics get funnier, his songs get catchier, but his focus gets wider. This album is fantastic, but is a little on the long side and could probably use a few edits here and there of songs that don’t quite stand out among the others. And let’s just get Wiz Khalifa off of this, he just doesn’t do the album any good. Kendrick can stay though, Kendrick can always stay.

Todd Terje - It’s Album Time: This album is so weird and funny and cool and stupid and amazing. It feels like Todd wrote and performs this album with a giant smirk on his face the whole time. I mean for god sake, it’s called It’s Album Time. His tongue is in his cheek and it works so well for this electronic joyride. It’s just fun and weird. I have no idea what else would fit into the same category.

Tonedeff - Polymer: Tonedeff is interesting to me. On paper I should love him. He is a fantastic producer, an artist who tries to go deeper than most, and a great storyteller on top of that. But for some reason I have a hard time getting into his stuff. There always seems to be some aspects of his songs lyrically that I just can’t get over. Sometimes they just feel like he’s trying a little too hard, sometimes he’s just trying to go for the quick emotions. He’s okay, but just not my cup of tea. However, he is great to see live and if you get the chance please do, because he makes his shows incredibly entertaining and interactive.

A Tribe Called Quest - The Low End Theory: Tribe is legendary. If you don’t know them you are depriving yourself of some of the best jazz hip hop ever to be produce. ‘Nuff said!!

A Tribe Called Quest - Midnight Marauders: Another stellar projects from Tribe. Their chemistry is always amazing, their beats are perfectly stylish and practical, and their lyrics always surpass expectations. Legendary group that will go down in history!! Perfection!!

Tycho - Past Is Prologue: This album showed me that Tycho had a little growth throughout his career, but it’s honestly pretty subtle. There are just certain droney sounds he likes using more now than he did then. Still sounds like Tycho.

Tycho - Dive: Don’t get me wrong, I like Tycho, but his music isn’t anything I haven’t heard before. It’s something that you would find on one of those YouTube playlists called, “Chill Music,” or “Chill Wave.” It would have some picture of a sunset or beach and this would be perfect to zone out to with friends while talking about the universe. It’s slow and meant to be in the back of your head.

Tycho - Awake: Tycho’s albums kind of all feel like a continuation of the last one. This is vibe music through and through. If you are looking for something challenging or incredibly interesting, look somewhere else. This one is basically filler music, or entertaining elevator music.

Tycho - Epoch: More of the same. It just sounds like Tycho, which can sometimes just be aggressively average.

Tyler, The Creator - Bastard: When you go back and look at all the old Odd Future stuff, if you’re like me, you’ll get a little nostalgic and watch Oldie with a huge grin. So much of their stuff at the time was great but has aged pretty poorly, or I can just see that it was never very good. But Tyler, Earl and Frank did always have something special. Of the mixtapes that came out in the early Odd Future days, this and Earl are the two best. Bastard is one of those albums that provoked and prodded, but above all, it showed potential. The beats are nasty, the lyrics are nastier and Tyler’s attitude is above all the nastiest. If you can stomach his shit, this is a great one to check out.

Tyler, The Creator - Goblin: This is an awesome concept album that starts so strong then kinda peters out under its own weight. This album is chalk full similar to his next album, and not every song is great. But Tyler brings a certain anger that just makes me want to throw shit out the window in defiance. His nasty lyrics itch that fucked up part of your brain that is often discouraged, but Tyler forces it out of you on songs like Yonkers and Tron Cat. If you enjoy hip hop and can handle song goddamn disgusting lyrics mixed with a cool concept, check this one out.

Tyler, The Creator - Wolf: Wolf is Tyler’s strongest album, despite the fact that it lacks a lot of focus. (UPDATE: Flower Boy is now his strongest with Wolf as his second most) I’ve listened to Wolf probably ten times now and I can recall songs from it, but when I try to think about the overarching themes or ideas, I kind of tend to draw a blank. Yet, the high moments are high, raw and fucked up. Rusty is a great ensemble track that tries to piss you off in classic Tyler style, Awkward is a heartfelt song from Tyler to his dad, and IFHY is an amazing song to an ex who he had a bit of a rough breakup with. Tyler also used his features incredibly well making them important and necessary parts to each song. This is a great album that you should really check out.

Tyler, The Creator - Cherry Bomb: Oh boy… Cherry Bomb is Cherry Bomb. It’s weird, it has some good stuff, but it’s also got Tyler’s worst stuff. It’s such a mixed bag that just doesn’t always work, in fact it doesn’t most of the time. This is one of those ones for die hard Tyler fans, but if you don't love him it’s not really for you…… I’m sorry, I’m trying to be positive here, but it’s just bad.

Vagabon - Infinite Worlds: Look, I like the genre, but Jesus Christ, can someone please, PLEASE just think of something new?! This album is literally every single idea that I’ve been hearing for years just jammed up in the same album. There are like two songs of note and I don’t remember which ones because I didn’t want to listen to it a second time. This album was just disappointing to me.

Van Morrison - Astral Weeks: This is one of those albums that you would find in your parents or aunt and uncles collection that upon first glance would skip, then when listening to it cry like a fucking baby. I’ve always been a fan of Van Morrison, and Moondance was what I’ve always thought of as his best album, but this one… this one is different no doubt. This one is less catchy, a bit more long winded, but maybe more powerful. Morrison’s almost strained Irish vocals are carried along by the soft guitar and meandering flute player on the title track, setting a perfect tone for the album. If you want a great album that is soft, but will blow your socks off, check this one out.

(Quick Vince Staples Note: I have seen Vince Staples live and that may have caused me to be a little biased, I don’t think it did but just keep that in mind)

Vince Staples - Hell Can Wait EP: This is a great EP. This is what put Vince on the map. This album shows his talent and incredible struggle to get to where he is now. The beats slap and his vocals cut through the mix like knives. Some may find his voice to be whiney or too high pitched, but it works for his style in my opinion. This is a can’t miss, especially if you are interested in seeing where he came from and where he will go.

Vince Staples - Summertime ’06: Badabing!! Wowzers bowzers, radio hits, spacey beach sounds and Kilo Kish. This is Staples at his best. This album’s structure is incredible, starting off strong with Lift Me Up and Norf Norf, then Lemme Know all on the same side?! Unreal shit. This album is awesome!!

Vince Staples - Prima Donna EP: This one gets a little darker. Vince sounds like he’s been trapped in his own head for a little too long and is pleading to get out. His lyrics are anxious and his delivery varies from emotionally distant on War Ready to a little more urgent on Pimp Hand. His beats are ugly, in a good way, they’re lo-fi and glitchy, almost as if he rubbed sand into the soundboard in the studio. Great EP.

Vince Staples - Big Fish Theory: This is where Vince Staples needs to go. This album is a bit more experimental and uses his style in a way that is different from his previous releases. He seems to be experimenting more with beats than lyrics, which makes a few songs have eh lyrics, but overall it works. This album to me, seems like it will be a stepping stone to another album that just pushes everything further and he’ll pop out his magnum opus next, mark my words!!

Warren G - Regulate… G Funk Era: Makes you want to go to the East Side Motel. (It’s a classic that is required listening, so go listen to it… like now.)

Wavves - You’re Welcome: It’s just so aggressively mediocre that I began to resent it after the first ten seconds. There is nothing that sets this album apart from others, there is nothing that makes it very good or very bad. The road they drive down is very much in the middle. Yucko.

X - Los Angeles: Never thought I would hear Ray Manzarek playing punk music, but man, he fits in perfectly. This album is one of those ones that is the perfect amount of time. There is no fat on this album and every song fits in like it should. And again, Manzarek on keys was such a smart choice.

The xx - I See You: It’s pretty good, probably my favorite album of theirs. But it left me just wanting more of Jamie’s solo stuff. On Hold is just a Jamie xx song that the other two members of The xx jump on and deliver their usual meh style on. I liked it for what it was but I'm just sick of The xx sounding the same on every song… and I want more Jamie xx.

YG - Still Brazy: YG gets pretty brazy on this album. His production uses that classic G Funk style with a few updates to keep it fresh. The beats perfectly complement his vocal delivery that changes on tracks on in tracks too like on Don’t Come to L.A. YG also get’s pretty political on this one with tracks like FDT (Fuck Donald Trump), Blacks & Browns and Police Get Away Wit Murder. This is a surprisingly good album that I wasn’t expecting much on.

Young Pappy - 2 Cups Part 2 of Everything: This kid had some talent. Sadly, he is no longer with us, but, man, he knew how to write songs. His style is aggressive, Killa sounds like he’s gonna jump through your headphones and bite your head off. His production is sample heavy and bass heavier. We lost this guy too soon, I would’ve loved to see what he would’ve been able to put out in his later years.

Your Old Droog - Packs: The Jeselnik skits are pretty useless, forgettable and low energy from Jeselnik, but if you skip those this album is pretty amazing. Droog is a great storyteller, his beats are bonkers and utilize sound effects to help push his stories along and he knows how to write some real hot hooks. One of the best hip hop albums of 2017. Also, Danny Brown has a killer, KILLER feature on Grandma Hips that you can not miss!!

You guys are the best!! Thanks for everything!!

--Andrew

#music #reviews #lankyrandman

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