thetiniestteapot

[thetiniestteapot]

.... this? (...yikes)

+ dropping this right as his birthday rolls around........... dc the haterism never ends does it

[thetiniestteapot]

Look how pretty Jason's All-Caste armour is!

[thetiniestteapot]

Sometimes I wonder if anyone even read Seeing Red with how much it’s misinterpreted.

[thetiniestteapot]

Messaging people for the first time is so hard. What am I supposed to say? Like, "You seem really odd and your blog intrigues me. Do you want to have philosophical conversations or perhaps talk about fictional characters?" What! Whatever. I will just follow you back and stare at your blog with my big beautiful brown eyes.

[thetiniestteapot]

"You were broken, and I thought I could put the pieces back together." "You needed repair." He's not your broken watch!!! He's a person!!! Why did it take you several attempts to say 'healing'??

thinking about how in battle for the cowl bruce’s memorial recording for jason was basically like “ur my biggest mistake sorry bud” like i too would have gone crazy

[thetiniestteapot]

it says thief, in case you actually did want to know

A History of (Supposed) Violence: Jason Todd's Every Kill, part 7

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Foreword: Jason Todd kills people. But has he killed as many people as fandom thinks he has? I'm starting to think the answer is a resounding no. Therefore, I am starting this series to list every single one of Jason Todd's on-page, confirmed kills, and -- to be fair -- all of the heavily-implied and attemped ones, too.

Caveat: I have not read every single comic featuring Jason Todd. But by God, by the end of this series, I will have. Do not send me angry messages telling me I have forgotten this glaring example of his murderous ways. I am moving in deliberate, exhaustive, chronological order. I will get to it.

Part 7: Battle For the Cowl

The story starts out with some ambiguity.

Jason ties up a bunch of Joker henches and leaves them for Tim and his new girlfriend to find. It's not 100% clear if they're alive or not, but since they're tied up exactly the way Batman would, I'm gonna go with alive. Jason actually spends a good portion of this story being as non-lethal as possible.

This single, small panel shows bodies hanging from an overpass.

One says "RAPIST," one says "KILLER," and I can't read the sign for the one in the middle. Given Jason's history of killing rapists, I'm gonna go with yes, he did kill these people.

Here we get another bunch of panels showing Jason fighting henches non-lethally and again leaving them for Tim to find, tied up.

He definitely kills these people. Eight gunmen have Dick and Damian cornered, and are preparing to shoot Dick when Jason pops up and kills all eight of them. (This marks the second time that Jason's entrance to a story centers around saving Dick.)

Dick and Damian then attack Jason, and Jason shoots Damian. I'm not going to count this towards his attempt murder total, as he didn't go for a fatal shot and mostly wanted a distraction so he could get away.

After killing one Black Mask hench, Jason tortures the other for information.

We don't see him kill the second guy, but I'm pretty sure he did.

When they break into Jason's own Batcave, Tim and Selina Kyle find the remains of a hench that Jason left to starve, KGBeast style.

Jason knocks Selina out; Tim and Jason have a fight, during which Tim beats Jason in the head with a crowbar (why did Jason have a random crowbar lying on the ground in his Batcave to begin with?) and Jason finishes the fight by stabbing Tim in the chest with a batarang.

Jason didn't initiate the fight and Tim lives, but I'm still counting this as an attempted kill.

Death count: 14 (1 attempted, though Jason later points out it was self-defense; Tim did break into his Batcave, initiate the fight, and hit him with a crowbar)

[thetiniestteapot]

Fic Recs

For anyone who needs a distraction today:

DC

A Second Chance is Like Punching a Gotham Villain... Don't Miss by Writer_loves_tropes, 61k words, complete

midnight vigilantes by Frill (series), 45k words

The Parent-Teacher Association by Inkwell1013, 1.2k words, complete

It was a joke! by Devilhorn, 33k words, complete

That One's Jason, Right? by batsandthebirds, 11k words, complete

Birds in Rafters by FelicityGrimm, 3.2k words, complete

Rex The Goon by Chronicly Ill Girl, LittleDoot, and Raccoonwriter (series), 24k words

Red Hood's Babysitting Services by why_is_this_a_thing_now (series), 103k words

Mended Wings by Anonymous, 32k words, WIP

Little Jaybird by forever122, 94k words, WIP

Come home, the kids miss you by andromarche, 14k words, complete

those wild charms for you by Nokomis, 5.2k words, complete

Justice League Meets The Red Who? by qaliellis, 4.1k words, complete

when doves cry by Scarlet_Ribbons, 13k words, complete

Don't Wake Me Up, Not Dreamin' by DownTheRabbitTrail, 154k words, WIP

A Father's Love: Conditional or Unconditional? by UnicornVomit, 67k words, complete

Networking by oldmannapping (series), 39k words

Grave-Digging by insertcleverpennamehere, 2k words, complete

Exit Strategy by smilebackwards, 13k words, complete

Family You Made (Go Back, Do it Again) by JUBE514, 50k words, complete

Just Say No by destiny919, 3.5k words, complete

a softer path to tomorrow by orphan_account, 3k words, complete

Green Lies by BoredomBeckons (series), 37k words

Don't let you being legally dead stop you from living you life by BookWrym123, 68k words, WIP

straight back by The Resurrectionist, 3.9k words, complete

i have a cow, too! by carol_in_au, 3.5k words, complete

cardboard box by A_Canceled_Stamp, 1.8k words, complete

Bruce Wayne and Batman: Bitter Ex-Boyfriends??? NOT Clickbait! Click to Read More---> by PrinceJakeFireCake, 2.8k words, complete

Join a Gang, Gain a Family by Llisona (series), 10k words

Jason Todd: Regular College Student by AddictedApple, 51k words, complete

An (Un)Wise Father by Lynlee494, 16k words, WIP

bitter, blunt, biting by CherShare, 45k words, complete (Jason Todd/John Constantine pairing btw in case that's not your thing)

He's Ours Now by Lulu_Rhythm, 20k words, complete

Crime Alley Summer Internship by I See With Soundwaves, 6.4k words, WIP

Roy Harper's Very Weird Month by The_stars_ship_us, 23k words, complete

The Right Substitution is Key by AddictedApple, 34k words, complete

Turns out you know me better than I know myself by Jellyfishwig, 9.3k words, WIP

Burning Ashes - The Rise of a Phoenix by Dreaming_Writer, 26k words, WIP

The Protector by GlitterStained, 47k words, WIP

Jason Todd is the Demon's Head AU by Too_Good_For_Twitter (series) 10k words

[thetiniestteapot]

I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

[thetiniestteapot]

if you like crafting and also free things, might i suggest the antique pattern library?

it’s a not for profit that’s gathering books, patterns, and other materials related to crafting that are out of copyright (or getting permission from copyright holders in some cases) in order to share them online. they scan items, clean them up, then make everything available for free!

free things are great, especially when you’re just starting to get into something. like oh, i’m supposed to spend money on this hobby i just picked up 20 minutes ago???

the first time i ended up on the site, i seriously spent hours just trawling through everything. there’s the usual suspects like knitting, crochet, embroidery, but there’s also woodwork, calligraphy, and books on things like how to mount and frame pictures. with cross stitch patterns, they also make modern charts with the dmc colour codes available.

links to their webbed site and instagram:

https://www.antiquepatternlibrary.org/

https://www.instagram.com/theantiquepatternlibrary/

behold, a glorious cat cross stitch pattern (link goes to antique pattern library page):

[image id: Multicolour charted cross stitch design of a cat sitting on a red pillow with tassels, holding a green ball]

[thetiniestteapot]

Downloading fanfic from AO3

I've been downloading a lot of fanfic lately for personal archival purposes, and I figured I'd share how I do it in case it's useful to anyone else (and so I have it written down in case I forget!).

There are lots of different ways to save fic, including the file download built into AO3, but I find that this gives me the nicest ebooks in the most efficient way.

(Under a cut cause long.)

Download Calibre: https://calibre-ebook.com/ or (clickable link).

Calibre is about the best ebook management and control program around and it's free. You can get it for windows, mac, and linux or download and run it from a portable storage device (I'm using a windows PC).

Install it and run it. It's gonna ask you where you want to put your library. Dealer's choice on this one. I recommend your internal drive (and then back up to external/cloud), but YMMV.

If you want to keep fanfic separate from the rest of your ebooks, you can create multiple libraries. I do, and my libraries are creatively named 'Books' and 'Fic'.

Customise Calibre

Now you're gonna install some plugins. Go to Preferences on the menu bar (far right), click its little side arrow, then choose 'Get plugins to enhance Calibre'.

At the top right of the box that pops up is 'Filter by name'. The plugins you want to get are:

EpubMerge

FanFicFare

Install them one at a time. It will ask you where you want them. I recommend 'the main bar' and 'the main bar when device is attached' (should be selected by default). When you're done, close and reopen Calibre.

The plugins you just installed should appear on the far right of the toolbar, but if you can't see one or both of them, fear not! Just click Preferences (the button, not the side arrow), then Toolbars and Menus (in the 'Interface' section) then choose the main toolbar from the drop down menu. That will let you add and remove things - I suggest getting rid of Donate, Connect Share, and News. That'll leave you room to add your new plugins to the menu bar.

(Do donate, though, if you can afford it. This is a hell of a program.)

Now you're ready to start saving your fave fanfic!

Saving fanfic

I'll go through both methods I use, but pick whatever makes you happy (and/or works best for what you're downloading).

ETA: if the fics are locked you can't easily use FanFicFare. Skip down to the next section. (It does ask for a username/password if you try and get a locked fic, but it's never worked for me - I had to edit the personal.ini in the configuration options, and even then it skips locked fics in a series.)

Calibre and FanFicFare

You can work from entirely within Calibre using the FanFicFare plugin. Just click its side arrow and pick from the menu. The three main options I use are download from URL, make anthology from a webpage, and update story/anthology.

Download from URL: pick Download from URL (or just click the FanFicFare button) and paste the fic's URL into the box (if you've copied it to your clipboard, it will be there automatically). You can do more than one fic at a time - just paste the URLs in one after the other (each on a new line). When you're done, make sure you have the output format you want and then go.

Make Anthology Epub From Web Page: if you want a whole series as a single ebook, pick Anthology Options, then Make Anthology Epub From Webpage. Paste the series URL into the box (if you've copied it to your clipboard, it will be there automatically), click okay when it displays the story URLs, check your output format and go.

Update series/anthology: if you downloaded an unfinished fic or series and the author updates, you can automatically add the update to your ebook. Just click on the ebook in Calibre, open the FanFicFare menu using its side arrow, and select either Update Existing FanFic Books or Anthology Options, Update Anthology epub. Okay the URLs and/or the output format, then go.

Any fic downloaded using FanFicFare will be given an automatically generated Calibre cover. You can change the cover and the metadata by right clicking on the title and picking edit metadata. You can do it individually, to change the cover or anything else specific to that ebook, or in bulk, which is great for adding a tag or series name to multiple fics. Make sure you generate a new cover if you change the metadata.

Browser plugins, Calibre, and EpubMerge

You can also use a browser addon/plugin to download from AO3. I use FicLab (Firefox/Chrome), but I believe there's others. FicLab: https://www.ficlab.com/ (clickable link).

FicLab puts a 'Save' button next to fic when you're looking at a list of fics, eg search results, series page, author's work list etc. Just click the 'Save' button, adjust the settings, and download the fic. You can also use it from within the fic by clicking the toolbar icon and running it.

FicLab is great if you're reading and come across a fic you want to save. It also generates a much nicer (IMO) cover than Calibre.

You can add the downloaded fic to Calibre (just drag and drop) or save it wherever. The advantage to dropping it into Calibre is that all your fic stays nicely organised, you can adjust the metadata, and you can easily combine fics.

Combining fics

You can combine multiple fics into an anthology using EpubMerge. This is great if you want a single ebook of an author's short fics, or their AUs, or their fics in a specific ship that aren't part of a series. (It only works on epubs, so if you've saved as some other format, you'll need to convert using Calibre's Convert books button.)

Select the ones you want to combine, click EpubMerge, adjust the order if necessary, and go.

The cover of the merged epubs will be the cover of the first fic in the merge list. You can add a new cover by editing the metadata and generating a new cover.

Combing with FanFicFare

You can also combine nonseries fics using FanFicFare's Make Anthology ePub from URLs option by pasting the individual fic URLs into the box.

Where there's more than a few fics, I find it easier to download them with FicLab and combine them with EpubMerge, and I prefer keeping both the combined and the individual versions of fic, but again YMMV.

Reconverting and Converting

Once I'm done fussing, I reconvert the ebook to the same format, to ensure everything is embedded in the file. Is this necessary? YMMV, but it's a quick and easy step that does zero harm.

If you don't want your final ebook to be an epub, just convert it to whatever format you like.

Disclaimers

Save fanfic for your own personal enjoyment/offline reading/safeguarding against the future. If it's not your fic, don't distribute it, or upload it to other sites, or otherwise be a dick. Especially if the author deletes it. Respect their wishes and their rights.

This may work on other fanfic sites, eg FFN, but I've never tried so I don't know.

If you download a fic, do leave the author a kudo or a comment; you'll make them so happy.

This is how I save fic. I'm not pretending it's the only way, or even the best way! This is just the way that works for me.

[thetiniestteapot]

Skip Google for Research

As Google has worked to overtake the internet, its search algorithm has not just gotten worse.  It has been designed to prioritize advertisers and popular pages often times excluding pages and content that better matches your search terms 

As a writer in need of information for my stories, I find this unacceptable.  As a proponent of availability of information so the populace can actually educate itself, it is unforgivable.

Below is a concise list of useful research sites compiled by Edward Clark over on Facebook. I was familiar with some, but not all of these.

⁂

Google is so powerful that it “hides” other search systems from us. We just don’t know the existence of most of them. Meanwhile, there are still a huge number of excellent searchers in the world who specialize in books, science, other smart information. Keep a list of sites you never heard of.

www.refseek.com - Academic Resource Search. More than a billion sources: encyclopedia, monographies, magazines.

www.worldcat.org - a search for the contents of 20 thousand worldwide libraries. Find out where lies the nearest rare book you need.

https://link.springer.com - access to more than 10 million scientific documents: books, articles, research protocols.

www.bioline.org.br is a library of scientific bioscience journals published in developing countries.

http://repec.org - volunteers from 102 countries have collected almost 4 million publications on economics and related science.

www.science.gov is an American state search engine on 2200+ scientific sites. More than 200 million articles are indexed.

www.pdfdrive.com is the largest website for free download of books in PDF format. Claiming over 225 million names.

www.base-search.net is one of the most powerful researches on academic studies texts. More than 100 million scientific documents, 70% of them are free

[thetiniestteapot]

Hello! I apologize if im bothering, and wish you all the best in upcoming year! I wanted to ask, do you perhaps have some suggestions for modern plays ( written in last 20 or so years) inspired by greek tragedies (either serving as motifs or beibg retellings), particularly Oresteia? I am asking because I see lots and lits of literary retellings, but with few exceptions, rarely dramas. Thank you anyway, sorry for bothering, and have great holidays!

hi!!! i can think of a few but but because i'm more of a roman epic person the list is mostly plays i've actually seen. i think literary retellings are probably easier to find people talking about online because like. they aren't performed and so there's not the access barrier of needing to Go And See The Performance. and then also there are plays where you then can't get hold of the script! i'm also assuming you're interested in plays that aren't just translations / close adaptations of tragedies, because those are a lot easier to find and also like. more common?

here are some plays that i have either read or seen that fit your criteria and also fuck immensely:

the burial at thebes: a version of sophocles' antigone - seamus heaney

antigone the musical - marina mccready (does cool things w genre; version of antigone that has made me feel the most genuine sympathy for creon)

the cure at troy: a version of sophocles' philoctetes - seamus heaney (this isn't quite within the last 20 years but you may be interested anyway!)

phaedra's love - sarah kane (also a bit older but it's sooo good. although it is maybe more senecan tragedy than greek tragedy?)

phaedra - simon stone (based on euripides' hippolytus but also the plays by seneca and racine. but also it isn't any of them. but also it IS)

oresteia - robert icke (maybe my favourite play of all time ever) (robert icke has also done a version of oedipus but it was in dutch and i don't think it's possible to get the script?)

girl on an altar - marina carr (inspired by the oresteia but. not. also very cool in that it incorporates a Lot of iphigenia at aulis and yet iphigenia never appears. and then the whole play is about her)

also! if you aren't aware of the archive of performances of greek and roman drama productions database you might also want to rummage around in there! like i am Aware of things like a recent musical version of medea / iphigenia in splott but they are almost certainly in that extremely filterable database :D

also also clutuals pspspspsps if you have any particularly cool additions to this list. hi. hello.

[thetiniestteapot]

per anon’s request, i present to you THE best version of beatrice’s monologue in much ado about nothing. i thought about cropping this but decided this scene must be watched in its full glory

[thetiniestteapot]

In the 1980s in France, musicologists and archaeologists Iégor Reznikoff and Michel Dauvois used their voices to explore caves with notable Paleolithic wall paintings. By singing simple notes and whistling, they mapped their perceptions of the caves’ acoustics. They found that paintings were often located in places that were particularly resonant. Animal paintings were common in resonant chambers and in places along the walls that produced strong reverberation. As they crawled through narrow tunnels, they discovered painted red dots exactly located in the most resonant places. The entrances to these tunnels were also marked with paintings. Resonant recesses in walls were especially heavily ornamented.

In a 2017 study, a dozen acousticians, archaeologists, and musicians measured the sonic qualities of cave interiors in northern Spain. The team, led by acoustic scientist Bruno Fazenda, used speakers, computers, and microphone arrays to measure the behavior of precisely calibrated tones within the cave. The caves they studied contain wall art spanning much of the Paleolithic, dating from about forty thousand years to fifteen thousand years ago. The art includes handprints, abstract points and lines, and a bestiary of Paleolithic animals including birds, fish, horses, bovids, reindeer, bear, ibex, cetaceans, and humanlike figures. From hundreds of standardized measurements, the team found that painted red dots and lines, the oldest wall markings, are associated with parts of the cave where low frequencies resonate and sonic clarity is high due to modest reverberation. These would have been excellent places for speech and more complex forms of music, not muddied by excessive reverberation. Animal paintings and handprints were also likely to be in places where clarity is high and overall reverberation is low but with a good low-frequency response. These are the qualities that we seek now in modern performance spaces.

Sounds Wild and Broken, David George Haskell

[thetiniestteapot]

What people think why i became a bookbinder: Oh she wants to explore her artistic horizon with those pretty leather bound books of hers. She even gives them out as gifts to her friends. It most likely helps her with anxiety or maybe she just wanted a more special costume made notebook.

Why I actually became a bookbinder: I just illegally downloaded and printed out several of my favourite fanfics and books and started binding them into books cuz I love reading them but looking at screens for too long gives me headaches.