Ani / Scotland / Art, architecture, books and social issues.
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What if your BOYFRIEND was getting DEPORTED and had to move back to CANADA so you decide to MARRY him but then you chicken out so your FRIEND says that SHE will marry him and then he decides to platonically marry your gay FRIEND instead and then you tell them to KISS but you immediately realize they are in LOVE and then the POWER goes OUT because your OTHER friend didn’t PAY the dumb ELECTRICAL BILL
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Imagine the pure chaos of being a classmate of Katniss and Peeta’s and then watching them in the games. Delly mentions Katniss was admired and Peeta is said to be popular. So now these nice kids you’ve known for years took two days in each other’s close proximity to act weird.
The reserved girl who doesn’t even smile in town with either of her friends is laughing and kissing the boy. The charming guy is making fun of her scowl and saying he doesn’t mind if she sees him naked. He also airs out some of his family’s dirty laundry. They make a suicide pact. The girl has always tried for a stoic face but now she’s cried hysterically over the boy. They’re volunteering to die for each other. They’ve kissed for at least ten minutes on national television twice.
I’m sure the games have caused tributes to act different from their district impressions but I’m not sure if they ever revealed two people to be so weirdly intense about each other.
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The remains of a prehistoric house from the Bronze Age settlement of Akrotiri in Santorini, Greece. The settlement was destroyed in the Theran eruption in the 16th century BC and buried in volcanic ash.

(English / Español / Italiano)
Restos de una casa prehistórica del asentamiento de la Edad de Bronce de Akrotiri, en Santorini (Grecia). El asentamiento fue destruido en la erupción de Theran en el siglo XVI a.C. y enterrado en ceniza volcánica.
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I resti di una casa preistorica dell'insediamento dell'età del bronzo di Akrotiri a Santorini, Grecia. L'insediamento fu distrutto nell'eruzione di Theran nel XVI secolo a.C. e sepolto in cenere vulcanica.
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“It is extraordinary that nobody nowadays under the stress of great troubles is turned into stone or a bird or a tree or some inanimate object; they used to undergo such metamorphoses in ancient times (or so they say), though whether that is myth or a true story I know not. Maybe it would be better to change one’s nature into something that lacks all feeling, rather than be so sensitive to evil. Had that been possible, these calamities would in all probability have turned me to stone.”
— The Alexiad, written by Anna Komnene, the daughter of the Byzantine Emperor Alexios I Komnenos, c. 1148.
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online communities are so strange because people slip away so easily. you can be on here for years, folding people you've never met into the fabric of your daily life, and then they disappear, leaving only ghost posts scattered across tumblr behind. or their blog stays dormant, for weeks, months, years, until you're only still following them because you remember that they love sunflowers or they were kind to you when they didn't have to be or the last thing they posted was sad and raw and you still worry about them sometimes.
and sometimes they come back when you least expect it, years later, even, and there's this sudden rush of relief like there you are, there you are, even though you barely knew each other.
there's a strange kind of love to it. i don't know you and i want to hold your hand across miles and time zones and oceans. i can still see the imprint of you in this community you left. you don't think anyone will notice or care when you're gone, but we notice and we care and we wish you well.
i hope you're all okay out there. i hope the sun is shining on your face and you are breathing deeply. i miss you.
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love the word aforementioned. like i already said that
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It’s all fun and games laughing about Haymitch over sharing and Katniss under sharing in comparison until you realize Haymitch is trying to remember all the fine details of everyone he will never see again and Katniss is trying to protect her remaining autonomy by keeping those details private
The difference in their trauma responses being shown from the very start of their narratives guts me
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When BoJack Horseman (2014-2020) said "you can't keep doing shitty things and then feel bad about yourself like that makes it ok. you need to be better" and "all we have are the connections we make" and "I really should've thought about the view from halfway down" and "sometimes you have to take responsibility for your own happiness" and "you do the hokey pokey and you turn yourself around, you turn yourself around, THAT'S what it's all about" and "things have to get worse before they can get better" and "in real life, the big gesture isn't enough, you need to be consistent" and "if we hadn't met each other until now, we wouldn't be the people we are now" and, my personal favourite, "every day it gets a little easier, but you gotta do it every day, that's the hard part, but it does get easier".
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can anyone find me that mesopotamian clay tablet telling you to marry a party girl because she'll bring you joy
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tumblr users love reading. you literally stopped for this post just because it has words in it
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i hear a good lyric and start mentally holding up blorbos like im in the home depot paint aisle comparing swatches
#most if my favourite ships can fit to At The Beggining from the Anastasia soundtrack#thats the test
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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They should block chatgpt on uni WiFi the way they used to block coolmathgames
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