trinaweisenbachfield

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hi whizzer, glad you came!

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BRITTNEY JOHNSON as GLINDA

“ getting your dreams, it’s strange, but it seems, a little - well - complicated. ”

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people who stan matt bare pop opera are. nuts about this little homophobe.

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dig down deep and save your soul, grave mistakes will take their toll Bare: A Pop Opera main characters + quotes

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breaking down is just the trina needs some dick song.

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christian borle’s performance on the cast recorded version of “don’t give up” is so fucking scary.

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Whizzer: Marvin has these insanely strong opinions on everything. Go on, ask him a thing no one should ever have an opinion on.

Cordelia: Hey, Marvin, what’s the worst multiple of four?

Marvin: Twelve, obviously. Dumbass.

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Whizzer and Trina’s relationship from In Trousers to the end of Falsettos

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falsettos unapologetically slapped so fucking hard yall ever think about that

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there’s something kind of bittersweet to me about theater.

like, i’m not really a “theater kid” as it were. i’ve never participated in a production and i wouldn’t really be able to if i wanted to (and i have wanted to.) i’m a very amateur singer and i can’t dance at all; so though i love to perform (or maybe the idea of doing so), i have very little qualifications when it comes to performing.

and it’s a little sad because i really do love musical theater and i keep thinking about the theoretical parts i’d like to play, and it’s like. well, i’ll never actually get to do any of those things. idk, it makes me a bit sad here and there, but it’s not like it really matters at all.

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“at the ballet” from a chorus line has mad bill finn vibes. or maybe his music has mad chorus line “at the ballet” vibes

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This is the best fucking thing I’ve read

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watched the falsettos revival and

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the revival really goes IN on how horny both trina and mendel are and you know? that’s equality.

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Yall keep talking about the Coming out Story from the Side By Side interview but have you considered this is the best retelling of the story.