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Fruits Basket: The Final → The cool kid that’s actually a space cadet

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DAZAI OSAMU  ★  02 x 12

for  @dazais-osamu ♡

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“In an interview in 2002, Roger Ebert told Miyazaki that he loves the “gratuitous motion” in his films — the sighs, the walks, the background and foreground elements — the “extra.” Ebert says : Instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

To which Miyazaki replies : We have a word for that in Japanese. It’s called ma. (間) Emptiness. It’s there intentionally. [claps his hands] The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness. but if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.” (reposted)

SPIRITED AWAY / 千と千尋の神隠し 2001 — dir. Hayao Miyazaki / 宮崎駿 

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Aquamarine (2006)

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“As long as the Sun, the Moon and the Earth exist everything will be alright. After all, you’re alive….so you will always have opportunities for happiness.”

THE END OF EVANGELION (1997) dir. Hideaki Anno

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「 デイダラボッチ 」

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Levi Ackerman in 'that shirt' ( ͡° ͜ʖ ͡°)

S3 Levi is just drop dead gorgeous. 🥵

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people.̼͙̩̫.̫͕p̮̝e͓̲̻̹̲͈o͖̩͓͉͚̭ͅp̣l̲̲͙̻̰̯̲e̞̝̻.͍ p̥eo̞pl͙͕̻̣̣̜̲e̬̘͇͓̙̮.͉̲͎͎.̪̼ f̞̺l̳̭̦̤͔̙e͔̞s̝̻̦h̙.̹͙̦.̟͎͔̗ͅ.̹͎ f͎͍̘̹les͉̲h.̟͈̥͕̲̗̣.̱͈ͅf͈̼͔̰͎l͍e͈͎s͔̫h.̘̗̗͎ͅ.̟̩̤̗.͖̳̹̟̩ ̜people.͚̯̫̲.̞..̘̻̬̪̫people.̘͇͚̪̥͓.͓͉͖̞͍.̮̬͉̦̭̘͈ ̬͔͍̘f̺̬̜̬l̥̻̠͙esh̳..̝̮͇͚̥̯.ͅ ͉̭͇̳̪f̦̣̘͙̩͇L͖̮͍E̗̼SH̯.͚̤̟̬.̱.͚̫̯F̰̭L̫̖̹̤̩E̝S̞̘̠H

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