enough coffee shop aus. time for ‘the thing’ aus. they are trapped together at a research station in antarctica. everyone stands around tensely while getting a blood test. somebody’s head turns into a spider.
yeah i recognised you by your footsteps because of the weird gay shit i feel for you but also because they're loud as fuck like man you sound like a hog hunting for truffles through the undergrowth
what's crazy to me is that supernatural is a whole ass incest show they have father and daughter kissing they have the son calling his mother a babe they have brothers named after their (married) grandparents they have said brothers being soulmates they have big brother and little brother drowning in homoerotic subtext and the list goes on and yet SOMEHOW people still act surprised when they find out sam and dean are shipped 😭😭 like????
even the show instead of going "wtf fans are shipping the brothers lets ignore this and not talk about it until it goes away" they went "oh the fans are shipping the brothers lets have sam and dean being confused with a couple again and again and lets have a character writing wincest fiction and reading it out loud in an episode and also lets have two characters cosplaying sam and dean that are actually dating"
gives the bottom a useless big dick that just hangs there drooling pre while he gets teased for liking anal so much by the rutting whiny top fucking him with his smaller cock
you aren't supposed to tells eggs they might be trans girls you're supposed to get them really high and inject them with estrogen and gaslight them about it. god told me this in a vision
Harry Potter and the Order of the Phoenix / "‘I can touch him now’: Harry Potter as a Gothic Narrative of Trauma and Homoerotic Sexual Abuse" by Antonio Sanna
do i ship wincest. yeah they're an inseparable pair on a narrative and thematic level, can you truly understand one without understanding the other? they're two halves of a dialectic on heroism and sacrifice. they're two points on the family trauma survivor spectrum, sometimes opposing, sometimes intersecting. they're like watching your parents who should've gotten a divorce years ago somehow stay together, against all reason. they're two inheritors of a rugged American masculinity and isolated individualism, internal and external violence springing forth. regressing to the nostalgia of frontier brotherhood as substitute for the nuclear family. they're a set of quintessential outlaw lovers. maybe true love only exists in the kind of freedom you keep when you're always moving, on the road, in your childlike bubble excluded from society, left with nowhere to burrow your roots except into each other's very being. they're the world's loneliest childhood shared between two feral dogs, one biting down on the other, unable to let go. they're the fantasy of an unconditional love so powerful it can survive the apocalyptic enormity of your own self-loathing. they're a set of matryoshka dolls, one consuming the other. journeys end in lovers meeting, but what kind of journey is it really when you've never left home: it's been sitting in the seat next to you this entire time. your haunted house is not a home but a person who'll never let go. they're an erotic fantasy of domestic horror as a sweet, sickening embrace as opposed to an all-consuming fire, a car driving off into heaven's sunset as opposed to one crashing into a tree. (wrong: they're both). so horribly enmeshed and trapped in a magnified love so destructive to the world around them they leave catherine and heathcliff wuthering heights in the dust. they're two brothers trapped in a 15 year long spiral of an abusive codependent pseudo-marriage, in part due to a network unable to let go of a successful show format, thus unable to afford them any growth that might disturb the status quo. but the implications of it all.
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