uncannyarcana

[uncannyarcana]

setting up a tiny detail in one chapter to pay it off in the next few chapters feels sooo devious like oooh i can't wait to write the small little reference here that 70% of readers will miss but 30% of readers will cheer for

[uncannyarcana]

5 Tiny Writing Tips That Aren’t Talked About Enough (but work for me)

These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.

1. Put “he/she/they” at the start of the sentence less often.

Try switching up your sentence rhythm. Instead of

“She walked to the window,”

try

“The window creaked open under her touch.”

Keeps it fresh and stops the paragraph from sounding like a checklist.

2. Don’t describe everything — describe what matters.

Instead of listing every detail in a room, pick 2–3 objects that say something.

“A half-drunk mug of tea and a knife on the table”

sets a way stronger tone than

“There was a wooden table, two chairs, and a shelf.”

3. Use beats instead of dialogue tags sometimes.

Instead of:

"I'm fine," she said.

Try:

"I'm fine." She wiped her hands on her skirt.

It helps shows emotion, and movement.

4. Write your first draft like no one will ever read it.

No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.

5. When stuck, ask: “What’s the most fun thing that could happen next?”

Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.

What’s a tip that unexpectedly helped with your writing? Let me know!! 🍒

[uncannyarcana]

I love when there's characters that are pair bonded and you know that wherever one of them is the other is also gonna be there.

[uncannyarcana]

i love characters with abandonment issues so strong they end up being the one doing the abandoning. the first hint they get at there being tension they run. i love when characters dont want to be left so bad they leave first. i love when characters refuse to let someone scar them twice so they scar everyone else first. you can never be left behind if you never let anyone close enough in the first place

[uncannyarcana]

Big fan of characters who “kill” their younger selves. Characters who resent the past version of themselves for letting them get hurt, who look at that kid and feel revolted by the foreignness of it. Characters who feel they have to cut the child out of them like a tumor because it’s hurting them too much and if I don’t kill you you’ll kill me. Nearly nothing remaining of that past self but for the little connections and mannerisms they can’t kick, and when it shines through, it’s a terrible, tragic thing, because the child is still in there. It’s in there and it’s grotesque in its suffocation. But it’s there.

[uncannyarcana]

gagging you with our red string of fate to shut you up for one fucking second

[uncannyarcana]

So my problem with most ‘get to know your character’ questioneers is that they’re full of questions that just aren’t that important (what color eyes do they have) too hard to answer right away (what is their greatest fear) or are just impossible to answer (what is their favorite movie.)  Like no one has one single favorite movie. And even if they do the answer changes.

If I’m doing this exercise, I want 7-10 questions to get the character feeling real in my head. So I thought I’d share the ones that get me (and my students) good results: 

What is the character’s go-to drink order? (this one gets into how do they like to be publicly perceived, because there is always some level of theatricality to ordering drinks at a bar/resturant)

What is their grooming routine? (how do they treat themselves in private)

What was their most expensive purchase/where does their disposable income go? (Gets you thinking about socio-economic class, values, and how they spend their leisure time)

Do they have any scars or tattoos? (good way to get into literal backstory) 

What was the last time they cried, and under what circumstances? (Good way to get some *emotional* backstory in.) 

Are they an oldest, middle, youngest or only child? (This one might be a me thing, because I LOVE writing/reading about family dynamics, but knowing what kinds of things were ‘normal’ for them growing up is important.)

Describe the shoes they’re wearing. (This is a big catch all, gets into money, taste, practicality, level of wear, level of repair, literally what kind of shoes they require to live their life.)

Describe the place where they sleep. (ie what does their safe space look like. How much (or how little) care / decoration / personal touch goes into it.)

What is their favorite holiday? (How do they relate to their culture/outside world. Also fun is least favorite holiday.) 

What objects do they always carry around with them? (What do they need for their normal, day-to-day routine? What does ‘normal’ even look like for them.) 

[uncannyarcana]

a scene can start wherever you want it to

writing isn't real life. You don't need to set up a character walking into a room or two characters greeting each other and talking about the weather or what-have-you in order to lead into the conversation you actually want them to have. just start at the conversation.

hell, start in the middle of the conversation. you could even start at the end and then have one of them leave and the other one left behind to reflect back on what just happened.

writing gets easier when you open yourself up to writing the parts that are interesting, to starting where it's easy instead of where you think you should start.

if it ends up not working? that's okay. you tried it, and sometimes just getting something out of your head is a necessary first step to getting the words right

[uncannyarcana]

20 Ways to Show Extreme Fear in Your Writing

As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.

Physical Reactions

Hyperventilating — sucking in air but never feeling like it’s enough

Chest tightens — feels like a weight or hands pressing down

Limbs shaking violently, knees buckling

Complete loss of muscle control — collapsing or unable to stand

Cold sweat soaking through clothes

Heart hammering so hard they feel it in their throat or head

Tunnel vision — the world narrowing down to one terrifying focal point

Ringing in the ears or sudden deafness, like the world drops away

Dizziness / feeling faint / vision blurring

Dry mouth — unable to speak or even scream

Uncontrollable Behavior

Screaming / sobbing / gasping — involuntary vocal outbursts

Panic run — bolting without thinking, tripping over everything

Clawing at their own skin / chest / throat — like trying to escape their body

Begging / pleading out loud even if no one’s there

Repeating words or phrases — “No, no, no” / “This isn’t happening”

Hiding instinctively — diving under tables, closets, or corners

Desperate grabbing — reaching for someone, anything solid

Loss of bladder or bowel control (for extreme terror)

Total mental shutdown — frozen, slack-jawed, staring blankly

Memory blackout — later can’t recall what happened during the worst moment

[uncannyarcana]

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

[uncannyarcana]

his swagless mental breakdowns this, his homoerotic patterns of grief that. what about HER grief-stricken moments of extremely poor decisionmaking? what about HER incredibly alarming isolation and trauma-driven life choices?!?!?!

[uncannyarcana]

mind if I come over and behave somewhat like a scared animal before I adjust

[uncannyarcana]

please please please please reblog if you’re a writer and have at some point felt like your writing is getting worse. I need to know if I’m the only one who’s struggling with these thoughts

[uncannyarcana]

Love referring to characters who are never seen without each other as "bonded pairs" like yuuuup. if you put these two in separate cages they're gonna get real sad and anxious and possibly violent too, one of em is biting the bars as we speak. you gotta adopt both of them or none at all, it is encouraged that you take them both. they are most likely to thrive if they stick together. it is easier for them to get used to new environments and situations because they have each other. they do everything together because they love each other so so much. you COULD separate them but it's gonna do a lot of psychological damage and it's gonna lead to a lot of issues and there's a big possibility they'll never be the same again

[uncannyarcana]

sometimes you need dialogue tags and don't want to use the same four

[uncannyarcana]

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

[uncannyarcana]

Welcome!

I'm going to update this list as I post more. So make sure to check periodically!

Anon Office Hours: Wed 12:30pm - Friday 6:30pm. (EST)

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Lesson 1: "White Man Painted Black"?

Lesson 1.5: "Hair for Thought"- how visualizing affects your writing

Lesson 2: “That One Hairstyle? RETIRE IT!” Black Hair is an Art (pt.1)

Lesson 2.1: Addendum to Hair pt 1

Lesson 2: "It Takes HOW LONG?" Black Hair is an Art (pt.2)

Application! Examples of Protective Hair Coverings

Application! Ice's Lazy Loc Wash Routine

Application! How to: Simplified Braid

Application! Daisy E's Simplified Hair Drawing

Lesson 3: "Defying the Default"- Skin Tones and the Presence of Black Characters

Application! What are Black fans looking for in Commissions?

Lesson 4: "Do Black People Blush?" Bringing brown complexions to life

Application! Humanæ- Resource for Skin Palettes!

Lesson 5: "The Same Place As the Music" Lighting & Color

Lesson 6: "Let's Have A Talk, First" Stereotypes, pt 1

Lesson 6: “Why’s she so rude?” (She’s Not)- Stereotypes, pt 2

Lesson 6: "Is He the Threat (Or Are You?)"- Stereotypes, pt 3

Application! How to Spot a Stereotype: An Example

Lesson 7: "That's the Black one!"- Imagery and "Black-Coded" Characters

Lesson 8: “Across cultures, darker people suffer most. Why?” Multiethnic and Multicultural Blackness

Lesson 9: “Romance Will Not Solve Racism”- Interracial/Biracial/Blended Black and White Relationships and Families

Lesson 10: “The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards

Lesson 11: “No, That’s Not ‘How Color Works’.” - Whitewashing

Lesson 12: “The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

Lesson 13: “It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture