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Lady DeVoid Turnaround 🖤

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When you're animating really fast and rough, so you accidentally give full-on Castaway Odysseus big, sparkly, anime eyes.

Yeah. That's gonna get edited. This is so jarring to look at.

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looking at my priv hehe

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After finally finishing my animation thesis, wherein a borderline comical amount of bad things kept happening, I naturally decided to kick back and relax by doing more animating.

Anyways, this trend seemed fun, so have a super rough animatic.

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Idea I had for a sort of disabled-superpowered, kids', after-school rec center… place for my comic. I will admit it needs a snappier name.

I was kinda basing it on places I used to go as a kid that were supposedly geared towards helping the disabled kids, but didn't do a great job. I tended to find a lot of the time they would advertise for a wider age range then they could actually accommodate, and there was a lot of infantilisation from staff. So, I was trying to create the feel of a place that just isn't aging with the kids- it's getting older but it's not maturing, if that makes sense.

Absolutely not saying that every after school program for disabled kids is like this, though! I just happened to be pretty unlucky with these things.

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Time, effort and a nagging voice in my head that perpetually says "it's missing something" until I go into a fugue state.

Also, it's not actually all that complicated, just a little time-consuming. I have a working knowledge of colour theory and did it in three-point perspective to exaggerate the size as you go down. I also coloured everything with a textured brush and added a whole bunch of dots to make it look detailed

Here's a background I've been working on for my film project.

Do not repost without permission.

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Just because it's been so long, here's some art I made a for a D&D campaign I was running until the fact that it's my final year of university made my schedule hell.

It's under read more because I know my friends follow me and I don't want to spoil things. That means you, @bugmangaka, @free-egg-voucher.

A ghost elf, basically just a regular quest-giving NPC.

My campaign is a homebrew setting where people worship different aspects of the sun. This is Oudez, the goddess of the day, associated with war and the burning sun of the desert. She's pretty firmly on the amoral side of things, giving her blessings to the strong without really caring what their intentions with it are as long as they earn it.

She was designed to look pretty inhuman to emphasize her alien traits. She should be around ten to twelve feet tall, I think.

This is Miëluri, the goddess of the dawn. She is associated with purity and renewal, though her followers have corrupted her teachings so much as a form of control that they can no longer receive her blessings. So she's pretty much stuck watching as her followers do a lot of pretty awful stuff in her name.

She's meant to resemble a halfling lady since she has a more understandable concept of morality, and I took inspiration from Melinöe from Hades II and Zelda in Tears of the Kingdom for her design.

This is professor Yugo Pirotell! An NPC in one of the characters' backstories. Their name is an anagram for "poor little guy" because awful things happen to them, such as being drafted to make weapons of war, falling in love with an enemy spy, and dying in the process of trying to aid her.

I don't really have much to say on the design, aside from taking some cues from some Fire Emblem mage outfits. Though, in retrospect, I feel I did unconsciously steal Thistle from Dungeon Meshi's entire color palette.

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It's been a while!

Hi! I did not die!

Just wrapping up my final semester of university right now, which has been taking up all my time lately.

Doing lots of cool animation projects, also giving myself mild carpal tunnel.

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This is another character for my comic.

He's called Healer and I wanted to explore a character whose job is to keep everybody on the team safe, and the kind of stress of deciding you're implicitly responsible for everyone else. My aim with him is to have a more of a realistic take on the idea of a kid superhero who now has to deal with both saving people and the realization that there are superpowered criminals out to get you.

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This is the protagonist of my comic, she is an autistic girl who is a superhero.

I designed her superhero persona to kind of look like a middleschooler's Devianart OC, with her very much leaning into things that have given her comfort as a mask.

Also, I just wanted to draw an autistic person being badass, since we do not get to see that in media enough, I think.

Do not repost without permission.

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Here's a picture for a comic I've been working on.

This is Cassandra Regin who is a powerful owner of a tech company. She's… not a good guy.

I decided to style this kind of like those graphics for business articles or magazines- that really simple look without a full face.

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Happy Fullmetal Alchemist Day!

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Here's some art which I made last year, which I think I did a pretty good job on. Honestly, I generally before then didn't aim to be particularly detailed in this style, but I decided to try something new with it.

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Super close zoom in on a work in progress of some fan art! I am taking very serious liberties with the style and color palette. Also, this got really complicated and is taking a while to draw.

It is not The Owl House related and I feel like stating that before people get disappointed.

But if anyone can somehow guess the character, which I highly doubt, you get a metaphorical cookie.

@bugmangaka do not spoil.

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I realize it might be a little weird to people that I post artwork in… not exactly super consistent styles.

When I make original work, I decide on a style that I think fits the tone I'm going for and go with that, and for fan work I just prefer copying the original style unless I find doing so boring.

In general, there are just aspects of art that I like doing that will usually remain consistent across my works, but I wouldn't say I have a specific way of drawing characters or things. For instance, I like focusing a lot on the colors palettes and conveying mood through color, so that's something you'll see I tend to do a lot.

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Here is a map I made for yet another screenwriting class assignment.

Weird how much of this class has just been cartography.

But, this time it's a map for part of a story I'm working on. I was going for a sort of fantasy-map storybook feel for it.

Do not repost without permission.

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Hey. So.

Please do not repost my art on other websites without my permission or crediting me.

At least one person put my work on Deviantart without my consent, which I am very not cool with.

Especially as that site is known to scrape images for AI, and I do not want my work getting stolen. Again.

So yeah. Do not do that. At best it's annoying, and at worst could threaten my career prospects.

Thank you.