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urban-sound · 1 year ago

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P.O.P: A masterpost!

Given that this is a blog about Greece, I suppose it's only fair to discuss what is going on in Greece right now. We're in the mid of an interesting, maybe unusual (if not unprecedented) cultural phenomenon. And I am seeing that splinters from this explosion have even reached Tumblr.

Chapters:

Preface

The Album

The Songs

Preface

The artist that represented Greece in Eurovision this year, Marina Satti, is not exactly a newcomer. She's actually involved with the music and general artistic industry of the country pretty much in the last 15 - 18 years. However, it was only eight years ago when she decided to put her phobias and anxieties aside and claim a prominent role as a solo singer and performer of her own work. In those eight years, she had the tendency to appear suddenly, go viral with one song or one project, then disappear and repeat that cycle over and over. In 2022 she eventually released her first album YENNA (=birth), celebrated by fans and music critics, and from that point onwards she started building a more consistent career, more open to the exposure of the audience and the media alike.

In late 2023 she was announced as the representative of Greece in Eurovision. In March 2024 she released the song for the contest, Zari, which sort of shocked a large part of the population for many reasons that I do NOT ascribe to, half of which should be studied in Greek sociology. (The song has literally 0 shocking elements.) From that point onwards, an unbelievable war was unleashed against her, not only by people, but also by other celebrities and the media, all while she was trying to prepare for her Eurovision performance. Satti defended her song Zari but except for rare incidents, she mostly avoided commenting or answering back to the hate she was receiving. This mass assault persisted and continued even when she lost her father three weeks before she had to fly to Sweden for the contest.

Her days and rehearsals in Malmö, Sweden weren't exactly good either but I have analyzed what she went through in another post already. On top of everything else, in the press conference of the qualifiers for the final, she feigned disinterest towards the Israeli participation for the obvious political reasons, a move that doubled the hatred she was receiving from the Greek government, Greek national TV broadcaster, half the people and all the Israeli, Jewish people and Israel supporters who unleashed a well organized cancel campaign against her. Unlike what happened with the Belgian, the Dutch and the Irish participants, the Greek TV broadcaster did not support or protect Satti but instead forced her to revoke, in supposed fear of a diplomatic episode (for a yawn in a pop song contest, mind you).

Marina Satti and her song Zari for Greece got the eleventh place in the final, which caused confusion anew in the country, as the fans were not happy but still content with the result, while the haters wanted to blame her for missing the Top 10 but had a hard time proving themselves right for having predicted a disaster or a disqualification.

In any case, with her unconventional song and her very charismatic if a little loud persona in Eurovision, Satti managed to quickly build a small European fan community. A few days after the final, Zari started climbing the global charts (it's #16 in the Global Viral Chart as we speak, a first for a Greek lyric song).

Four days after the contest, Satti strategically released her second album, called P.O.P.

The album

P.O.P. has become single-handedly the talk of the town in Greece, in a way that I don't remember happening enough for other artists and certainly not for a woman. To be honest, I don't remember another famous woman doing what Marina did here. Part of the novelty of this album is that its main goal is not the music itself but rather expression and it is a manifesto of sorts. But the true novelty is HOW she did it. So let's analyze a bit the genius of P.O.P.:

I call it P.O.P here but the album's title is actually Π.Ο.Π in Greek. Apart from the obvious nod to the pop music genre, Π.Ο.Π. actually stands for P.D.O. (Protected designation of origin). This could be a jab at all those who hated her and questioned her ethnicity for having a Sudanese Arab father and being, ALAS!, only half-Greek, while in the meantime Marina in Sweden was vocally advocating for the support and promotion of the Greek language and Greek ethnic sounds in modern music. So, she's P.D.O., certified GreekTM and pop! This is one of the cleverest album titles I have seen.

Now, let's go to the equally clever cover of the album.

What is only seemingly a rushed design looks like a draft in microsoft paint. It looks like the colour base was black which is erased with rushed white brushes, until the white prevails over the black, leaving only a few traces of the darker paint behind (remember, she's half-Greek half-Arab and she receives hate for this). On top of it all, there are several bold brushes of Greece's trademark blue. At the center of the cover we see the title, in the likes of an instant message. P.O.P aka P.D.O. and a Greek flag emoji next to it. Protected Greek origin. Below is her name in Latin characters, with her surname in capital letters, probably a tirbute to her late father. The time of the text message, next to her surname, I wonder whether it is random, but knowing Marina, I have this morbid feeling this time is not random at all. The message is circled with more blue paint and it suspiciouly looks like something is covered under the blue paint, next to the Greek flag. Below the text message, there is an emoji of a goat. This works in three possible ways: a) the goats are a classic image of the Greek countryside, especially Crete island where Marina comes from, b) it is used as the slang G.O.A.T, which is possible given the content of the songs and c) well, it could also serve as a self-deprecating joke idk!

The back of the cover features the names of the songs with a suitable emoji each. The time remains the same, next to the last song, which is the song she dedicated to her father.

The songs

TUCUTUM

Tucutum is a song Marina had releashed as a single last year actually. The reception of this song was very interesting because before Eurovision it had almost as many dislikes as likes. You see, it was Marina's song that made Greeks remember they actually like quality music. An extremely hypocritical attitude since more young Greeks than I care to admit like trap music. And I am listening to it and I am pretty sure Marina's trap is rocket science compared to the average trap of the... uh... proper trappers. And yet the trappers get nowhere near as many dislikes. But there is an explanation even for this: Marina blends Greek, other Balkan and Romani cultural elements, she indirectly trashes the biggest political party of the 80s-90s (largely responsible for the financial crisis), she directly addresses her haters, "who do nothing but say, say, say" and states it's her time to be heard. In the music video, she is supposedly the guest singer in such a feast of mixed cultures where men drink and celebrate to a decadent degree. When Marina breaks her trapping to intersect with a beautiful melodic bridge which is the part she was practicing the most before she arrived, therefore what she truly cared to express, a short ballad expressing her dream to fly away free like a bird, only a little girl listens to her in hope, while all the men have dropped unconscious due to their decandence. In the end of the feast, women discard the unconscious men in trucks. So you see, there is cultural, political and gender commentary. Too much for a braindead type of Greek to deal with, so let's just pretend we suddenly hate trap.

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2. ZARI

As already stated, Zari was the Greek song for Eurovision. The lyrics is a blend of a regular love song, her exorcising her anxiety for the contest and multiple sly references to her older songs as a treat to her fans. She did once more something amazing - the song is sort of jarring and crazy because it combines many music genres. Instead of toning it down with the music video, she went all in and created an even crazier albeit ingenious video targeting foreign viewers. This time, Marina is a lowkey insane tour guide helping an unsuspecting typical "German tourist" (fun fact: the actor is actually an American retiree in Greece!) navigate and explore what seems to be an Athens-on-drugs. This once again made "proud"(?) Greeks protest that "this is not what Greece truly is", entirely missing the point that Marina didn't even have to do a travel promo in the first place. My humble opinion is that Greece is A LOT of things and when all of these are compressed in a presentation under 3 minutes with a touch of humour, it can totally give an on-drugs vibe. In truth, Marina didn't lie about anything she showed. She was proven right again, with most foreign people loving the video and her perception of Athens, including the winner of this year's public vote, Croatia's Baby Lasagna, who praised her for having the best music video this year. Objectively, she did.

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3. STIN IYIA MAS

Now we go to the new, post-Eurovision songs. This is a pure song for a feast, where the composition belongs to Marios Tsitsopoulos, an artist I don't know much about but the general vibes are bouzoukia, ethnic, folk, balkan, arabic, a bit of trap, world etc. It's an easy, cheerful song and Satti elevates it with her angelic voice. So far, so good. (NOTE: There is a lyric there, she says she is swimming in the Aegean Sea but calls for he love to take her out so she won't drown. This is not an unusual lyric trope in Greek but keep it in mind for later.)

4. LALALALA

This is a song that takes you aback with it's childlike, unreserved joyousness. It almost feels like a musical "talk to the hand while I go lalalala" to the haters. It is basically Greek island folk turned into pop and the lyrics are pure innocent happiness, perhaps also paying tribute to classic Greek movies of the 50s-60s. I don't know if Marina filmed the music video before or after the ageists went berserk against her (she's 37 and everyone acts like she's 87) but the music video for this song, intentionally or unintentionally, is the most epic fuck you to the ageists. Marina, all people in our 30s are with you!!! The music video has had more than 1 million views in under 48 hours, a huge success in our small country. She's going viral. Again.

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5. EIMAI KALA!!!!!!!!

The party is officially over. Again, this album is more of an experience than purely music. In this track, which is under one minute, the album features a Greek life coach recommending some positive affirmations for happiness, love, career etc. In short, that is a jab for what Marina has to do to deal with all the changes in her life and also all the good and all the bad vibes she has received.

6. MIXTAPE

If everything else wasn't bold enough, here we are. Mixtape. The 10-minute descent into madness. Ultimately, this is what makes this album what it is more than anything else. A song that is resolutely not a song and yet everyone admits that they have been listening to it again and again, either trying to understand everything or dancing to it as if it is actually a song. The funniest comment I saw about it is someone saying: "my mom entered the room as I was listening to this and I switched it to porn because at this point it is easier to explain". XD This could serve as one of those youtube videos about "what schizophrenia feels like". There is no way Mixtape can be effectively translated into English. In short, it is her answer to all the hate (or some of it, for the full deal Mixtape should be one hour long) in a delirious way through a patch of sounds and songs. There is trap in there, a famous bouzoukia singer whose lyrics can incidentally be used as Marina's commentary for the haters, she warns and reminds of her first song TUCUTUM, saying "didn't I say back then I am ready to speak now", she says she managed to shut the haters up, there is direct address for the criticism for Zari, she's mocking the lyricist who claimed copyright violation for the lyric "ta ta ta ta" (for real), she features (surely to her ignorance) a song from the singer that called her song "cat vomit", she features other trappers making a commentary on the Balkan ways of a Greece that pretends to be West Europe, she mocks those who obsess over Bouzoukia but become music critics when it comes to her, she mentions Eurovision, I think she also makes some references to Ireland's and Malta's songs (not negative), she speaks of a man that I am not sure who is supposed to be, many more things that I haven't fully deciphered, then she has like a kid song praying to Virgin Mary for a miracle for all this madness to stop before (tw) she loses her mind and falls from a cliff, then some more stuff, then suddenly a catholic Hallelujah is heard (implying the miracle has happened) and then she returns to the kid song but her voice sounds more mature than before and she goes like: "Sike I lied to you, thanks to Virgin Mary I don't care anymore, I am off to my vacation, I don't give a fuck and BYE". I don't think this has happened before by a Greek artist, especially in such a way. And I am so delighted that it is a woman who did this. This has attracted so much interest and curiosity around her, her personality. She is THE talk right now. Hats off, honestly. We wish non-Greek speakers could really fathom what is going on here but after all, she made this for us only... and it is...an experience.

7. AH THALASSA

In another 180 degree turn, this is a very emotional ballad for the loss of her father. She ends this frankly lunatic album by allowing access to her psyche, the suffering she went through all this time and never let it show. The title means "Oh, sea", where she implores the sea to take her down and drown her (notice the contrast with the lyrics in STIN IYIA MAS, that I mentioned). The ballad is sweetly haunting, Marina sounds truly like a siren mourning. But even here we get a taste of the ever surprising gem Satti is. The last part of the song is instrumental and as the music reaches its climax, the song ends straight away, right before the highest note in a morbid metaphor that almost scares you to death. Because that's how death is, especially of a loved one. Always unexpected. (This is the only song of hers so far that her haters have steered clear from and I think this says something.)

So, this is what Greece is basically dealing with now, crazy as it is. We are losing our mind over an artist who is not new, but only recently decided to start revealing all her cards. Furthermore, Satti is about to become known globally or at least beyond Greece's borders. If eventually she doesn't, that will be because she decided against it or she miscalculated greatly. But right now, the stars are on her side and we only need to see what happens next.

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