A few Armand thoughts that currently have me in a chokehold:
1. The building in Dubai only “groans” when Armand is around, and specifically when Armand is mad. Some of my favorite times I’ve noticed it include when Louis tells him to go take care of Daniel’s room in ep 1, after Daniel slaps Louis in episode 5, when Daniel tries to put Dr Fareed “on the record” in episode 6, and when he declares “this session is over” after Daniel starts pressing Louis about the rats in episode 7.
2. This, along with the fact that Armand is literally controlling the windows and balcony doors with his iPad, really adds to the feeling that he’s holding both Louis and Daniel hostage in a trap of his own design. When he mentions the interior designer that pitied Louis and his separation from the natural world and added the tree to compensate? That was definitely Armand’s idea, to make the captivity a little more bearable.
3. I’ve always wondered why I find the Beethoven Sonata 14 to be such effective scoring at the end of episode 7. There are a lot of contributing factors I think— it’s dramatic, it’s recognizable and therefore builds suspense, it’s used in the beginning and end of the episode as bookends. But it feels so *right*— even though I LOVE all of Daniel Hart’s original score. But here’s the thing. Armand controls the diegetic music being played in the penthouse. That’s established in ep 2 when he turns it on before Daniel and Louis have dinner. And when the sonata is first playing at the beginning of episode 7, Daniel and Louis are back in the dining room (being served by Armand/Rashid). So we can assume that the music is diegetic in that scene, and that Armand is controlling it. When it comes back in the moment of conflict and reveal at the end of the episode 7, the music is nondiagetic. It’s not playing literally in the room for the characters, but is part of the score. But we’ve already established that Armand is controlling it. It’s like his control has suddenly spread to the entire narrative that we’re witnessing. He’s in control of the whole show.
4. This is kind of a separate thought and more oriented towards season 2, but Armand is always styled— costume but also especially hair— to match whoever he’s romancing at the time.
I kind of assume the Dubai aesthetic is what he has chosen, and Louis is more matching him (see above points for my reasoning on that I guess).
But when Louis meets him in Paris, he’s perfectly positioned aesthetically to be attractive to Louis (especially coming off his experience with Lestat). He looks mature, capable of leading the coven. He’s suave, with his well fitted suits and slicked back hair.
In the 18th century flashbacks (god I can’t believe we are getting to go back to the 18th century, my favorite of all historical eras) he is matching Lestat like, down to the color palette.
But in San Francisco (and forgive the bad quality screen grab for these, I don’t think we have any high quality stills of this yet) his hair is light and curly, and he looks a fully 5-10 years younger than the Paris or Dubai scenes.
i'm so sorry that i want to savagely sink my teeth into your soft warm flesh and drink and drain you of all your blood but sanguination is like. my one and only vice