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Gold collar with medallion and pendant, Alexandria, Roman Egypt, 3rd century AD
from The Cleveland Museum of Art
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Persephone
(Votive plaque) Representing Hades and Persephone enthroned. Hades holds a phiale, from Epizephyrian Locri, first half of the 5th century BCE, terracotta Pinax
Museo Archeologico Nazionale di Reggio, Calabria Inv. Z 8/31 (x)
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Maenads
The dance of the Maenads, ca.120/140, white marble
Museo Nacional del Prado, Madrid Inv. E000042/43/45/46
The four reliefs of Bacchantes (E00042, E00043, E00045 y E00046) are Roman copies of Greek originals made in Athens in the late fifth-century B.C. to adorn a monument to Dionysius, or related with theatrical activity under his patronage. The reliefs show Dionysus鈥檚 followers who, on account of their unrestrained dance, were called Maenads. Wearing almost transparent dresses and their jewels, they might represent women who took part in rites under the appearance of mythical Maenads. Copied many times on marble plaques and vessels, the original reliefs are traditionally attributed to Callimachus (ca. 410-400 B.C.), whom Vitruvius credits with the invention of the Corinthian capital. This sculptor was famous for his works麓 perfect finishes. (Museo del Prado)
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A set of four Egyptian limestone canopic jars Third Intermediate Period, circa 1069-664 B.C.
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Central Mesopotamian Goddess Figurine (Possibly Eshnunna)
2000-1800 BC
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