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veralinlux · 3 days
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BEFORE WRITING: Oh, this fic idea is so cute, and it won't take any time at all! WHILE WRITING: Oh...oh, no...I Underestimated this. Again.
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veralinlux · 9 days
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After that fateful night, the Golden Prince lay in ruin, his splendor utterly fractured.
在那个命运多舛的夜晚之后,黄金王子支离破碎,他的辉煌彻底瓦解
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veralinlux · 11 days
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veralinlux · 12 days
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the usage of different types of english in elden ring
most human/tarnished NPCs we meet, like rogier, ansbach, and nepheli, use late modern english:
"a sorcerer, as you might have guessed. i'm looking for a little something, here in the castle. when i'm not hotfooting it from the troops, that is." - rogier, first meeting "general radahn. a pleasure to see you, after all this time. but those remains do not belong to you." - ansbach, upon summon for PCR
but older demigods like messmer, ranni, and morgott use early modern english:
"thou'rt tarnished, it seemeth. mother, wouldst thou truly lordship sanction, in one so bereft of light? yet… my purpose standeth unchanged." - messmer, pre-battle cutscene "thou needst not indulge them unduly, but they too wish to appraise thy worth. it hath been a passing long time since a newcomer entered my service, after all." - ranni, after agreeing to serve her
then there are the younger demigods, like miquella, malenia, and potentially melina, who use a later variant of modern english, similar to the tarnished NPCs we speak to:
"if we honour our part of the vow, promise me you'll be my consort. i'll make the world a gentler place." - miquella, post-PCR cutscene "the scarlet bloom flowers once more. you will witness true horror. now, rot!" - malenia, phase 2 transition cutscene
finally, the hornsent NPCs like the hornsent, hornsent grandam, and the hornsent spirits such as the one outside the whipping hut, who use late middle english similar to the english found in shakespeare's sonnets:
"fie, another? ... then, as that woman would surely say, we are in our purposes well aligned. but understand. your kind are not forgiven. the erdtree is my people's enemy. by marika long betray'd, set aflame." - hornsent, first meeting "all your resentment lingers yet... the raw stuff from which i shall surely forge a curse. upon the dastard messmer's head. upon marika's children each and all." - scorched ruins hornsent spirit
i find it interesting how different the usage of english is in the game, and i feel that it can be a hint on how to properly date an individual's occupation in the lands between/land of shadow. the hornsent, being a people much older than many in the lands between, use the most archaic version of english, while the tarnished and younger demigods use a form of english more closely related to our own in the current period. older demigods (and marika herself, as heard from melina's recounts of marika's spoken echoes) use a form of english more closely related to the period of transition from middle english to early modern english.
additionally, another interesting thing to me: mohg is almost certainly nearly the same age as morgott (since they're referred to as twins), yet he speaks a little differently compared to morgott:
"tarnished, thou'rt but a fool." - morgott, post-battle dialogue "dearest miquella. you must abide alone a while." - mohg, pre-battle cutscene
this makes me wonder if it's possible that, assuming that miquella's verbiage is indicative of his younger age in comparison to the older demigods (aka the demigods born before the marika/radagon union), miquella's charm altered mohg's perception enough to also alter his manner of speaking and carrying himself in some way. if his pursuit of finery (dressing in embroidered robes and handling himself with poise, juxtaposing his bestial growls and strength) was mainly done in an effort to fit into miquella's ideal of a consort. of course, mohg could just be as vain as he seems to be all on his own accord, but i find that it's interesting to entertain the idea that even his current state of being was due to miquella's charm.
i'd love to hear what others think about this. i'm not very learned when it comes to english (it's not really my first language), but i find this all very cool to think about.
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veralinlux · 12 days
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Is It Cold In The Water?
I loved @neanmoins-que 's Godwyn design and had to draw something based on it :]
Some details below v
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veralinlux · 12 days
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The "Hornsent deserved it" sentiments make me lose my goddamn mind
Short answer: No they didn't.
Long answer: Oh my gooooooooooood can we NOT do this shit, please???
There are two underlying sentiments to this line of thinking.
The Hornsent hurt Marika's people, thus Marika did nothing wrong, therefore they deserved to die badly
The Hornsent hurt Marika's people + Midra and some others, Marika is still evil, but the Hornsent deserved to be destroyed
Both may even come to the extreme of "Messmer wasn't cruel enough" or some other nonsense in the same vein.
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Number 1
To tackle number one, we need to remember a little thing called Elden Ring's base game. The Hornsent's jar ritual is undoubtedly abhorrent, that much is true. But I urge you to remember the things that happened during Marika's reign. She:
Murdered all of the Fire Giants but one, subjecting him to a fate similar to hers but worse, forced into labor confined on the mountain among the remains of his people and culture. She mocked him, to boot. All of this because they might have burnt the Erdtree.
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Enslaved the Misbegotten from birth "or worse" because their species just so happened to have made contact with the Crucible.
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Rewarded her own loyal Crucible Knights with scorn because of it too, as they didn't fit her current society that they fought to establish.
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Made sure the Albinaurics were seen as lesser just because they were graceless, which influenced the way they were treated. She even had her Inquisition, run by Rykard, torture them in needlessly cruel manners, as they appear to be their main victims.
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Just in general, she allowed Rykard to run a sadistic Inquisition to torture heretics to the Golden Order in the first place, and she saw nothing wrong with it or their practices.
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She entombed the entire Great Caravan over a false rumor, which is the sole reason why the Flame of Frenzy was even a problem during her reign. This has also scarred the remainder of their people greatly.
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Made the lives of all Omen a living hell either by cutting their horns just as they were born which often kills them, hunting them down in as cruel a way as possible by using their trauma and body parts against them, or throwing them in a sewer to fester with evil spirits hidden from view. She also used to shackle them, including her two children, just to make extra sure they wouldn't crawl out.
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Shunned anyone who saw a vision of the Erdtree burning, regardless of who it was, and chased them away from their homes.
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Literally allowed the belief that shorter people are somehow lesser, for apparently no reason at all (her most random discrimination decision tbh). This forces them to band together and take up honorless jobs just to get by, and in turn, people start to spread rumors of their inhuman practices, which are likely all untrue.
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Had people literally work as slaves for the nobility just by virtue of "being born into obscurity", whatever that means. As well as other accounts of slavery like the Fallen Hawks (likely tied to the defeated soldiers of ancient Stormveil).
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Likely endorsed viewing anyone without Grace as inferior beings, which includes the Tarnished that only exist because she divested them of it. She has done nothing to ease their discrimination (despite potentially seeing them as a future asset of sorts), as even the members of the Crusade are more than ready to kill us, like Fire Knight Queelign.
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All of this was done in service to HER religion and order. Killing all the Fire Giants and burying the Nomadic Merchants alive? Oh, they could have ruined her age with those pesky flames of theirs.
Systematically oppressing Omen, Misbegotten, Albinaurics and the likes? Oh, they are impure creatures, unlike her people, blessed with the Grace of Gold, elevated from the rest. (Which is the exact same line of thinking as the Hornsent and their horns for crying out loud).
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"Oh but the Hornsent stuffed her people into jars" yeah, and I am not arguing the contrary! It was a cruel, deranged practice, born of simple superstition that their victims would be reborn as "good people". But Marika's answer if you don't fit her vision of the world is to either get rid of you and your people through extermination, by literally hounding you from your rightful home, or by enslaving you.
Both sides are genuinely awful... but there's only one side that people are justifying, and it sure as hell isn't the Hornsent.
Marika's backstory is meant to make her less a god, which is all we have ever known her to be before the DLC, and more a human, which is what she once was. It gives her complexity as a character, it's meant to be the catalyst from which we learn why she took the path that she took. It is absolutely not meant to make us go "holy shit guys, Marika was the good guy all along???", because what she brought upon this world through her burning desire for vengeance has ruined it irreparably, and ruined the lives of most of the creatures who inhabit it.
This includes her ruthless, honorless, pointless Crusade against the Hornsent. Sure, it was her own son that started it, but it was for her sake. It was her who allowed him to wage it, he had her full support... until the thing turned to such a slaughter-fest that even she could not associate with it anymore due to how appalling it all was. And what better way to do that than to seal her own son away to wage war endlessly? And not just because his actions made her look bad, but also for the same crippling fear and prejudice that saw her kill all Fire Giants but one and scar the Great Caravan.
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Gratuitous violence across the board, and for what?
(I want to make it absolutely clear that I don't mean you can't like Marika now. In fact, I'd say the DLC made her much more of an interesting character to me as well. I just cannot fathom seeing the entirety of Elden Ring and coming out thinking "wow Marika was the good guy" because she isn't. Heck, coming out thinking that she'd be disgusted with what her grandson Godrick is doing with grafting as if she isn't the queen of having zero empathy for those who are graceless or aren't her family, which the Tarnished he grafts are neither. She'd probably be very proud if anything. Marika is a monster. She became one the moment she obtained godhood, because no milestone would quell her. She did all the wrongs, so take this whole section as a refresher in case you had forgotten)
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Number 2
Now, to tackle number 2... this one seemingly has more nuance, but falls for the tried and true pitfall of "the many must pay for the crimes of the few" which is exactly where it rots and collapses onto itself.
Apparently, because of the perpetrators of the Jar Rituals, ALL Hornsent, INDISCRIMINATELY, deserve to be destroyed. They all, each and every single one, deserve the Crusade and the absolute pointless ruin that it brought them. From the children, to the ones who were friends with people with no horns, to the ones who found their own practices grotesque, to the ones that weren't even tied to the Tower's religion and were just simply living their lives.
They ALL, EQUALLY deserve to be burned, to have their cities destroyed, to have their lives ruined. All of them. Ok.
Number 2 works with the assumption that the Hornsent are some sort of hive mind. Some sort of all-encompassing religious order who believes in their superiority. But that's just the Tower's religion. Hornsent are a people. And people are individuals, with their own opinions, their own lives. In fact, from the perspective of the average Hornsent citizen, they were attacked out of nowhere as they were living in peace, which likely means they weren't even at war with Marika before this event.
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People also have the assumption that all of the Hornsent were benefiting from their society, which is blatantly false. In fact, outside the treatment of the Shamans, the people that we know the Hornsent have hurt the most are their fellow Hornsent. We know of quite a few of them suffering at the hands of their kin BECAUSE of their religious and cultural practices.
Being Hornsent isn't a "free from mistreatment" card. If anything, the large Gaols where they were imprisoned were built specifically to house them. The main prisoners we find in large numbers are commoners, the same types as the ones scavenging the ruins of their ravaged towns. They are often seen eating maggots off the floor and cowering in fear. All of them were Hornsent too, locked away for who knows what crime. Could have been big and important, small and insignificant, or even just a failure to do something properly (there's precedent), point is, it's clear the Hornsent weren't having a good time in there.
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The jar rituals were used mainly as punishment for the imprisoned Hornsent themselves, as a way to have them become "good people". This was just as horrifying for the Hornsent prisoners as it was for the Shamans I assume. Look how terrified this Hornsent seemed at the prospect of sharing that fate. This is the reason why they chopped up Shamans in the first place, as ritual ingredients for a punishment meant primarily for their kin.
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And there were more Hornsent who suffered because of the leading ideology. Curseblades were once shunned because they failed to become tutelary deities, and so they were thrown in the Jar Gaols. They were only let out so they could use their expertise and flowing movements to defend their homeland when Messmer invaded, otherwise they'd be rotting with the Innard Shamans and the other Hornsent prisoners the way Labirith is.
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It's also worth pointing out that Midra's Mense was filled with Hornsent attendants who sided with their sagely master regardless of his lack of horns and what the Inquisition believed of him. If we were to operate with reasoning number 2, they too would deserve to be murdered in the Crusade because they just so happened to be Hornsent. Because ALL Hornsent deserve extermination for what happened to the Shamans.
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And we also know that the Hornsent can find what happens in Bonny Village revolting. In fact, we know that from someone who was born and raised there.
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This sounds nothing like someone who thought any of that was ok. So who is to say other Hornsent weren't like this too, especially those who DIDN'T live in Bonny Village? Those who risked being stuffed into those same jars themselves? We make waaaay too many assumptions about an entire race, and that in itself is foolish enough.
If there's someone to blame, it's the Tower's Inquisition. They are the religious order that governs the Hornsent. They have all the power in their society... and yet, would you look at that? Enir-Ilim, their sanctum, the one place where those calling the shots reside, is completely untouched. And what about Bonny, the most structurally fine Hornsent settlement, when you'd expect it to be a black stain of char by now. But nope, no sign of Messmer activity and the Greater Potentates are just running around naked, doing their thing as usual.
The Crusade isn't even a good tool of vengeance, the only ones suffering are the civilians who were likely the ones with a higher risk of ritual jar punishment anyway. If this isn't proof enough that the Crusade is a completely petty, useless revenge war that accomplishes nothing I don't know what else to say. I'll just leave with what the people taking part in it were taking pride in doing.
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These are people who, without a shadow of a doubt, would have chopped up most of the oppressed groups described earlier and stuffed them into jars if Marika had told them to do so. (Heck, something like this was being done to the Albinaurics already, as we have seen previously...)
They have zero moral superiority, their deranged zealotry is the only reason they act in the first place. Not to mention that they have no connection to Marika's struggles or past, nor were they informed of them I bet. It's likely only Messmer truly knows the reason for the Crusade, and that's only because he is her child and shoulders all the blame onto himself.
"Those stripped of the Grace of Gold shall all meet death" is LITERALLY their motto. Do you really think they stopped at the Hornsent? They were just their main target, but judging by the way all of Messmer's soldiers, including Queelign and the other Fire Knights, and even HE HIMSELF, attack us on sight for the simple fact we are Tarnished and lack Grace in our eyes, I have no doubt in my mind these people were just rounding up and killing anyone who didn't conform with the Golden Order.
THESE are the people who should be allowed to play judge, jury and executioner with the entire Hornsent race. And people will genuinely, with a straight face, tell you "That's right".
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To conclude... I think I actually hate reasoning 2 more than reasoning 1 lol, despite not liking either at all. At least 1 is understandable. Marika is a very interesting character, one that we have known for a few years now. We have an attachment to her, heck, sentiments of her being some sort of misunderstood/rebellious figure were already there before the DLC. In that regard, I understand the emotional response, even though I still think it's a wrong mindset to have. I have at least some hope that it is purely in the realm of fiction because it's a beloved character, nothing more...
Reasoning 2, on the other hand, attempts to be nuanced, or at least pretends to be. In reality, all it peddles is the "an eye for an eye" mentality which is much too common irl as well. Not only that, but it deals in monoliths. All people belonging to a group or race are equally responsible for stuff they didn't even commit, stuff that could have even harmed them, because their leaders decided to commit crimes against another set of people. And don't get me wrong, there will be even commoners from that group or race that will agree with and celebrate that bad deed, but just as many will not, but will be either scared, powerless, already being punished for speaking up through physical violence or elaborate shunning, or currently protesting and doing something to hopefully ignite a change.
But that reasoning only exists to perpetuate cycles; of war, violence, and hate for the most part. And sadly, this mindset is very prevalent, a lot of people fail to see the issue with wanton violence as long as it's to stroke that lust for vengeance. And vengeance is a theme that Elden Ring criticizes multiple times in a row, even beyond the obvious horror of the Crusade.
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veralinlux · 17 days
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poor little meow meow... he looks so good on all fours 🤤
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veralinlux · 27 days
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Just saw some weird discourse on Twitter and got curious
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veralinlux · 27 days
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— Fyodor Dostoevsky; Letter to his brother 9th August 1838
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veralinlux · 1 month
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*sighs*
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veralinlux · 1 month
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@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks
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veralinlux · 1 month
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"I wasn't sure if I wanted you or if I wanted you gone from my sight so that I would stop feeling as I did, which made me even more unkind. But when you were gone—truly gone beneath the waves—I hated myself as I never have before"
- Cardan Greenbriar, The Wicked King
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veralinlux · 1 month
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not his snakussy for the entire world to see this man is a whore
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veralinlux · 1 month
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Messmer moaning For Science™
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veralinlux · 2 months
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For all you Messmer writers/artists fighting with his Shakespearean speech: this guide is straightforward and has multiple parts if you click around. Here’s a small chart with terms of address, examples of word order/basic questions, and some verbs.
Here’s a simple explanation of “-eth” and “-est” verb endings.
Ranni and several other characters also speak this way or in a similar fashion. Something to note is that “you” was used by lower-ranking people to address those of a higher rank/status, and “thou/thee” by higher-ranking people to address those of a lower rank/status. Alternatively, nobles used “you” amongst themselves, which adds some flavor to dialogue.
A lot of Shakespearean dialogue is meant to showcase how performative and ridiculous the nobility or upper-classes were during his time (and still is nothing changed lmao). There are tons of Shakespearean dictionaries as well; a lot of words we use today meant something entirely different then, or had different contextual interpretations. It’s meant to sound flowery and has a particular cadence that I recommend listening to as well. Find a good reading on YouTube and really listen to how the words fit against each other. No, you don’t have to write in metered verse (sweats in iambic pentameter) or rhymed prose, but it helps develop dialogue that flows and feels more natural when you can imagine how it sounds as you write.
Here’s a glossary. Have fun with it, don’t let it roll you. Weak foe ahead.
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veralinlux · 2 months
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I made this fanart of bloodborn some days ago and it turned out completely fine
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veralinlux · 3 months
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