#writing inspo

[allthingswhumpyandangsty]

HOW TO WRITE A CHARACTER WHO IS IN PAIN

first thing you might want to consider: is the pain mental or physical?

if it’s physical, what type of pain is it causing? — sharp pain, white-hot pain, acute pain, dull ache, throbbing pain, chronic pain, neuropathic pain (typically caused by nerve damage), etc

if it’s mental, what is the reason your character is in pain? — grief, heartbreak, betrayal, anger, hopelessness, fear and anxiety, etc

because your character will react differently to different types of pain

PHYSICAL PAIN

sharp and white-hot pain may cause a character to grit their teeth, scream, moan, twist their body. their skin may appear pale, eyes red-rimmed and sunken with layers of sweat covering their forehead. they may have tears in their eyes (and the tears may feel hot), but they don’t necessarily have to always be crying.

acute pain may be similar to sharp and white-hot pain; acute pain is sudden and urgent and often comes without a warning, so your character may experience a hitched breathing where they suddenly stop what they’re doing and clench their hand at the spot where it hurts with widened eyes and open mouth (like they’re gasping for air).

dull ache and throbbing pain can result in your character wanting to lay down and close their eyes. if it’s a headache, they may ask for the lights to be turned off and they may be less responsive, in the sense that they’d rather not engage in any activity or conversation and they’d rather be left alone. they may make a soft whimper from their throat from time to time, depends on their personality (if they don’t mind others seeing their discomfort, they may whimper. but if your character doesn’t like anyone seeing them in a not-so-strong state, chances are they won’t make any sound, they might even pretend like they’re fine by continuing with their normal routine, and they may or may not end up throwing up or fainting).

if your character experience chronic pain, their pain will not go away (unlike any other illnesses or injuries where the pain stops after the person is healed) so they can feel all these types of sharp pain shooting through their body. there can also be soreness and stiffness around some specific spots, and it will affect their life. so your character will be lucky if they have caretakers in their life. but are they stubborn? do they accept help from others or do they like to pretend like they’re fine in front of everybody until their body can’t take it anymore and so they can no longer pretend?

neuropathic pain or nerve pain will have your character feeling these senses of burning, shooting and stabbing sensation, and the pain can come very suddenly and without any warning — think of it as an electric shock that causes through your character’s body all of a sudden. your character may yelp or gasp in shock, how they react may vary depends on the severity of the pain and how long it lasts.

EMOTIONAL PAIN

grief can make your character shut themself off from their friends and the world in general. or they can also lash out at anyone who tries to comfort them. (five states of grief: denial, anger, bargaining, depression and eventual acceptance.)

heartbreak — your character might want to lock themself in a room, anywhere where they are unseen. or they may want to pretend that everything’s fine, that they’re not hurt. until they break down.

betrayal can leave a character with confusion, the feelings of ‘what went wrong?’, so it’s understandable if your character blames themself at first, that maybe it’s their fault because they’ve somehow done something wrong somewhere that caused the other character to betray them. what comes after confusion may be anger. your character can be angry at the person who betrayed them and at themself, after they think they’ve done something wrong that resulted in them being betrayed, they may also be angry at themself next for ‘falling’ for the lies and for ‘being fooled’. so yes, betrayal can leave your character with the hatred that’s directed towards the character who betrayed them and themself. whether or not your character can ‘move on and forgive’ is up to you.

there are several ways a character can react to anger; they can simply lash out, break things, scream and yell, or they can also go complete silent. no shouting, no thrashing the place. they can sit alone in silence and they may cry. anger does make people cry. it mostly won’t be anything like ‘ugly sobbing’ but your character’s eyes can be bloodshot, red-rimmed and there will be tears, only that there won’t be any sobbing in most cases.

hopelessness can be a very valid reason for it, if you want your character to do something reckless or stupid. most people will do anything if they’re desperate enough. so if you want your character to run into a burning building, jump in front of a bullet, or confess their love to their archenemy in front of all their friends, hopelessness is always a valid reason. there’s no ‘out of character’ if they are hopeless and are desperate enough.

fear and anxiety. your character may be trembling, their hands may be shaky. they may lose their appetite. they may be sweaty and/or bouncing their feet. they may have a panic attack if it’s severe enough.

and I think that’s it for now! feel free to add anything I may have forgotten to mention here!

[star-light-artist]

This makes me think of how it was Obi-Wan's job to raise the Chosen One after Qui-Gon died.

I love a character raised to be a weapon as much as the next guy. But what really gets me is a character raised to be a shield. Who can’t fathom being needed—or even being wanted— beyond keeping others safe. Who believe they are alive only to insure someone doesn’t die. no matter the cost. Characters who self-sacrifice not because they think they deserve it, but because no one else does deserve it, and it’s their job to protect.

Characters who’ve been told that’s why your important. Your worth something because this other person/ thing is important, and you are here solely to keep them safe.

Bonus points if it’s not a legitimate job they’ve been given. Maybe at one point it was, but now that they are free from it, they haven’t given up that mentality. No one is forcing or asking them to do this, but they need to. They need to in order to be deserving.

[literaryvein-reblogs]

Words to describe blood without saying crimson or blood?

Blood—the fluid that circulates in the heart, arteries, capillaries, and veins of a vertebrate animal carrying nourishment and oxygen to and bringing away waste products from all parts of the body

Arterial - relating to or being the bright red blood present in most arteries that has been oxygenated in lungs or gills

Body fluid - a fluid or fluid secretion (such as blood, lymph, saliva, semen, or urine) of the body

Carmine - a vivid red

Cerise - a moderate red

Claret - a dark purplish red

Clot - a coagulated mass produced by clotting of blood

Cruor - obsolete: the clotted portion of coagulated blood

Ensanguine - to make bloody; crimson

Geranium - a vivid or strong red

Gore - blood, especially: clotted blood

Hematic - of, relating to, or containing blood

Hematoid - resembling blood

Hemoglobin - an iron-containing respiratory pigment of vertebrate red blood cells that consists of a globin composed of four subunits each of which is linked to a heme molecule, that functions in oxygen transport to the tissues after conversion to oxygenated form in the gills or lungs, and that assists in carbon dioxide transport back to the gills or lungs after surrender of its oxygen

Hemoid - resembling blood

Ichor - a thin watery or blood-tinged discharge

Incarnadine - bloodred

Juices - the natural fluids of an animal body

Maroon - a dark red

Plasma - the fluid part of blood, lymph, or milk as distinguished from suspended material

Puce - a dark red

Ruddle - red ocher (i.e., a red earthy hematite used as a pigment)

Russet - a reddish brown

Sanguine - bloodred; consisting of or relating to blood

Scarlet - any of various bright reds

Vermilion - any of various red pigments

Word Lists ⚜ Blood ⚜ Exsanguination ⚜ On Blood ⚜ Writing Resources PDFs

[prompts-and-circumstance]

"Are you afraid of me?"

"No."

"You should be."

[lucidloving]

Emily L., Marguerite Duras // Bertrand Russell, What Desires are Politically Important? // Octavio Paz, "The House of Glances" // Mitski—Francis Forever // Chen Chen, When I Grow Up I Want to Be a List of Further Possibilities // VIVINOS and QMENG, Alien Stage (Round 6) // Bryan Fuller, Hannibal (2013) // Richard Siken, "Little Monster" // Christa Wolf, Cassandra: A Novel and Four Essays // Mitski—I Bet on Losing Dogs

[enlightenedfeline]

Daily prompt #73: ≽^• ˕ • ྀི≼

(from the wonderful mind of @galaxysharks)

Kingdoms A and B have been rivals for millennia, but have come to a shaky truce.

King A is afraid of the magical power Queen B has, so places a bloodline curse that hurts her every time she uses magic. In retaliation, Queen B places a bloodline curse on King A that he can only use the full strength of his magic, thus making him a danger to his people.

Their children fall in love, and the kingdoms are united!

Except now the new heir to the throne has inherited both bloodline curses.

And of course they're the chosen one.

[3hks]

7 Signs of an UNHINGED Character

⊹ Erratic, volatile mood swings: one minute, they're all smiles and the next, they're expressionless, and no one can quite predict which will happen when. ⊹ Lacks comprehension of basic, human morals: they don't quite understand why they should care because it has nothing to do with them, no? Sometimes, harming people is necessary. ⊹ Experiences cautiousness from even the most trusting characters: when the kindest, most open, and most trusting characters are wary of them, that's how you know it's bad. ⊹ Self-Centeredness: they treat others as tools to gain what they want because that's what matters most. ⊹ Inappropriate behavior and reactions: do they feel the need to laugh when a someone is hurt? Do they enjoy purposely provoking people to get reactions? ⊹ Impulsive, reckless actions: they do what they want when they want, regardless of what others might think. ⊹ They don't care: they don't care what society believes. They don't care what their friends or family wants. The only person they care about is themselves, which can develop into a lack of empathy.

A/N: Please don't take this too seriously; as the title suggests, this is simply for story-writing fun. Just because someone has one or two of these characteristics doesn't make them "unhinged"; there are many other outside factors to also take into consideration. Still, I hope this has helped and/or inspired you all!

Happy writing~

3hks ^^

[deadbugzz]

"We're lost aren't we?"

"Would I ever let you get lost?"

"You lost me in the grocery store on Wednesday.."

"Well that was different!"

[rosewritingprompts]

30 Winter Themed Prompts

this is for the lovely @wodkapudding I hope you enjoy!

"I think you have hypothermia."

Icicles hanging from the eaves

"Have you ever seen snow before?"

Hearing how their family talks to them

"Please stay."

Curling up by a fire

"I don't want you to meet my family."

Attempting to make their favorite food

"I didn't know where else to go."

Keeping them awake while driving

"It's still snowing."

Holding their shaking hands

"I didn't mean it like that."

"Don't leave, not yet."

Startled deer in a snowy forest

"Why didn't you tell me?"

Finding something they were hiding

"We don't have to stay long."

Returning to a place you no longer recognize

"You shouldn't be alone."

A phone call they don't want to make

"Please don't say that."

Broken ice on a lake

"The car won't start."

Bringing a stray inside

"It doesn't have to be perfect."

Holding their hand under a table

"You've changed."

A full day of darkness

"I don't think this is going to work."

[hayatheauthor]

Everything You Need To Know About Writing Stab Wounds 

Stab wounds are a daily occurrence for a writer. They're a common factor we constantly encounter when writing fight scenes, thrilling action sequences, and moments of intense conflict. However, let's be honest, most authors don't have personal experience with such wounds which can make their descriptions fall short without adequate research.

I'm sure you could find a variety of blogs with advice on how to write stab wounds, but here is my take on everything you need to know about writing stab wounds. 

Types Of Stab Wounds 

Each type of stab wound possesses unique characteristics that can significantly influence your narrative. Understanding these distinctions is crucial for crafting an authentic and engaging portrayal.

Puncture Wounds

Puncture wounds, often inflicted by sharp, pointed objects like knives or ice picks, hold a hidden danger within their seemingly modest appearance. These wounds are narrow, deep, and frequently feature a small entry point. Writers may use puncture wounds to create an element of surprise, as they can be challenging to detect, both for the victim and the reader.

Puncture wounds typically draw less blood externally due to their small entry point. However, they can cause significant internal bleeding if vital organs or major blood vessels are affected. While puncture wounds may seem less severe, their danger lies in the potential for internal damage. They can be life-threatening if a vital structure is compromised.

Puncture wounds can be challenging to identify and treat promptly. Their severity depends on the depth, location, and organs involved.

Incised Wounds

Incised wounds, often caused by slashing or cutting actions, create longer and shallower injuries compared to puncture wounds. Writers use incised wounds when they want to emphasize the emotional intensity of a scene. These wounds tend to bleed more profusely, creating a dramatic visual.

Incised wounds can result in significant external bleeding due to their larger size. The bleeding can be life-threatening if a major artery is severed. While incised wounds are often considered less dangerous than puncture wounds, the extent of damage depends on the depth and location. A deep incised wound can be severe.

Stopping the bleeding from incised wounds can be challenging, especially if a major blood vessel is affected. Immediate medical attention is crucial.

Penetrating Wounds

Penetrating wounds involve an entry and exit point, making them particularly potent in storytelling. The weapon or object not only enters but also exits the body, potentially causing severe damage as it passes through. Writers often use penetrating wounds to add a sense of urgency and criticality to a scene.

Penetrating wounds can cause substantial external bleeding due to the two entry and exit points. Internal damage can also be extensive. Penetrating wounds can vary in severity depending on the organs or structures affected. They are often considered serious due to the potential for significant internal damage.

Treating penetrating wounds can be challenging, especially if the wound involves a complex body area. Surgery is often required to address internal damage.

Sensory Description and Variations

Incorporating sensory details is essential when depicting stab wounds in your writing. Readers engage more deeply with your narrative when they can vividly imagine the sensations and emotions experienced by the characters. To add depth to your descriptions, it's essential to consider the sensory aspects and how they might vary based on the type of stab wound, weapon used, and individual factors.

Puncture Wounds

Puncture wounds often strike with an element of stealth, making them the silent intruders of the injury world. While these wounds may not result in dramatic external bleeding, they carry an inherent sense of surprise and discomfort. Writers can convey this surprise through their characters' experiences.

Puncture wounds can create sensations of initial pressure or discomfort as the weapon breaches the skin and underlying tissues. There's often a delayed realization of the injury. Characters who experience puncture wounds may feel shock, disbelief, or confusion. The absence of immediate, visible bleeding can lead to a sense of unease.

Incised Wounds

Incised wounds, with their propensity for profuse external bleeding, bring a dramatic and painful element to your storytelling. These wounds can evoke intense sensations and emotions.

Incised wounds may produce sharp, burning pain as the weapon slices through skin, muscle, and blood vessels. The character may also feel the warmth of their own blood. Characters with incised wounds often experience immediate pain, fear, and a heightened sense of vulnerability. The visible bleeding can be a source of distress.

Penetrating Wounds

Penetrating wounds, due to their dual entry and exit points, introduce shock and complexity into your narrative. Characters who endure these wounds face a range of sensory experiences.

Penetrating wounds can cause a combination of sharp, entry-point pain and a feeling of hollowness as the weapon passes through. The character might feel blood flow from both ends of the wound. Individuals with penetrating wounds often confront shock, disbelief, and a sense of their injuries being beyond their control. The complexity of treating such wounds adds to the tension.

Anatomy of a Stab Wound

To authentically portray stab wounds in your writing, understanding the anatomy of these injuries is essential. This knowledge helps you describe the injuries accurately, enabling your readers to visualize the impact on your characters. Let's delve into the key components of a stab wound.

Epidermis and Dermis: The outermost layers of the skin are the epidermis and dermis. When a weapon pierces these layers, it often results in bleeding and, depending on the depth and type of wound, visible trauma.

Subcutaneous Tissue: Below the skin lies subcutaneous tissue, which includes fat and connective tissue. Stab wounds that reach this layer may cause more significant bleeding and potentially affect underlying structures.

Muscles: Beneath the subcutaneous tissue, muscles come into play. Stab wounds that penetrate muscles can be painful and may impair the character's movement, depending on the location and severity of the injury.

Blood Vessels: Blood vessels, including arteries and veins, run throughout the body. Stab wounds that damage these vessels can result in severe bleeding, making them life-threatening.

Organs and Vital Structures: Deeper in the body, you'll find organs and vital structures. Stab wounds that reach this level can cause severe internal injuries, often requiring surgical intervention.

Understanding the anatomy of a stab wound allows you to craft more realistic and compelling scenes. 

Medical Assessment and Treatment

In your writing, it's crucial to accurately portray how stab wounds are assessed and treated in a medical context. This not only adds realism to your narrative but also guides your characters' actions and reactions. Here's what you should know about the medical aspects of stab wounds:

Assessment:

Medical professionals follow a systematic approach when assessing stab wounds:

Primary Survey: This initial assessment focuses on vital signs like airway, breathing, and circulation. It helps determine the character's overall condition and whether the wound is life-threatening.

Secondary Survey: In this more detailed examination, medical personnel assess the wound itself, checking for the depth, entry, and exit points, and any potential damage to internal structures.

Treatment:

The treatment of a stab wound depends on various factors, including the wound's type, location, and severity. Common steps include:

Hemorrhage Control: Stopping bleeding is a priority. This might involve applying pressure, using dressings, or even tourniquets in extreme cases.

Wound Cleaning: Thoroughly cleaning the wound is essential to prevent infection. This is often done in a medical setting.

Surgical Intervention: Some stab wounds require surgical exploration to assess and repair internal damage. This could include repairing damaged blood vessels or organs.

Antibiotics: Infections are a concern, especially with deep wounds. Antibiotics might be administered to prevent or treat infections.

Pain Management: Stab wounds can be painful. Pain relief measures, from local anaesthetics to strong pain medications, are considered.

Psychological Support: Characters who have endured a stab wound may experience psychological trauma. Medical professionals might provide initial psychological support, but long-term counselling could be necessary.

Understanding the medical assessment and treatment process allows you to depict your characters' experiences more authentically. It also provides insight into the potential challenges and emotional responses your characters might face.

Psychological Impact

Stab wounds not only inflict physical harm but also leave lasting psychological scars. In your writing, it's essential to delve into the emotional and mental repercussions of such traumatic experiences. Here's what you should consider:

Immediate Responses:

Shock: Characters who sustain a stab wound might initially experience shock, characterized by disorientation, numbness, and a sense of unreality.

Fear and Anxiety: The threat of death or severe injury can trigger intense fear and anxiety. Characters may relive the traumatic event in their minds.

Pain: Physical pain, especially in the immediate aftermath, can be overwhelming and dominate a character's thoughts.

Long-term Effects:

Post-Traumatic Stress Disorder (PTSD): Some characters may develop PTSD, characterized by flashbacks, nightmares, and severe anxiety triggered by reminders of the event.

Depression: The experience of a stab wound can lead to depressive symptoms, including sadness, loss of interest, and changes in sleep and appetite.

Anxiety Disorders: Characters might develop generalized anxiety disorder, panic disorder, or specific phobias related to knives or violence.

Survivor's Guilt: If other characters were injured or killed during the same incident, survivors might experience profound guilt and emotional turmoil.

Change in Personality: A character's personality and behaviours can change after experiencing a traumatic event. They might become more withdrawn, irritable, or hypervigilant.

I hope this blog on Everything You Need To Know About Writing Stab Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[unboundprompts]

Hey unbound!! I was wondering, have you written anything for "how to write Enemies to Lovers"? I LOVE the trope but have a hard time ever making it feel realistic to me

How to Write Enemies to Lovers

1. Establish a Real, Believable Conflict

The characters shouldn’t hate each other just because. Make sure their "enemy" status is rooted in something meaningful:

Clashing goals or values

A betrayal or misunderstanding

Socioeconomic, cultural, or professional rivalry

One perceives the other as a threat

Avoid making one character just "mean" for no reason, that risks turning the story into bullying-turned-romance.

2. Make Them Equals

Both characters should challenge each other, not dominate or belittle. Whether in intellect, skill, or influence, their push-and-pull dynamic should feel balanced. This keeps the conflict engaging and the chemistry sharp.

If one character starts with more power (social, political, magical, etc.), show the balance shift or even out over time. Maybe the more powerful one learns humility. Maybe the underdog gains confidence or leverage. This keeps the romance from feeling one-sided or unbalanced.

3. Gradually Shift the Tone

Let the hatred evolve in stages: Irritation → Respect → Curiosity → Affection → Love

Sprinkle moments of:

Vulnerability (they see a new side of the other)

Unexpected teamwork (they’re forced to rely on each other)

Banter that turns from biting to flirtatious

4. Use Intimacy in Small Doses

Tension thrives in proximity. Make them interact often, maybe unwillingly at first. Body language, awkward silences, or a brush of the hand can say a lot when feelings are complicated. Don’t rush the romance. The longer it simmers, the more satisfying the payoff.

5. Force Them to Re-Evaluate

Something should cause a shift in perspective, maybe the "enemy" does something selfless or shows surprising depth. They realize their initial judgment was wrong or incomplete. Internal conflict is key here. Let them resist falling in love before they accept it.

6. Let Them See Each Other at Their Worst... and Best

It’s easy to love someone when they’re charming. But realistic enemies-to-lovers arcs involve characters witnessing each other’s low points (failures, flaws, vulnerability, etc.) This builds empathy, and that’s what turns conflict into connection.

7. Acknowledge the Past

Don’t sweep their antagonistic history under the rug. Have them talk about it. A good resolution includes:

An apology or mutual understanding

Growth from both sides

Acknowledgement that love doesn’t erase the past, but it builds on top of it

8. Give Them a Bond That Justifies the Shift

Love isn’t just "we stopped fighting." It’s "we learned from our differences." Let them find something shared:

A common goal

A mutual vulnerability

A deep belief or value

Even just a sense of humor that breaks the tension

9. Keep Their Voice Consistent Through the Shift

As they fall for each other, don’t make them suddenly sappy or soft-spoken unless it’s in character or they’re resisting it. Keep their sarcasm, bluntness, or bite, but redirect it. Now, it’s flirtier. More protective. Slightly gentler.

10. Make Their Love Transform Them, But Not Fix Them

They shouldn’t change their core beliefs for the other, but because of the experience the other provides. They challenge each other’s worldviews, make each other question things. The love should feel like a consequence of character growth, not the cause of it.

11. Your Readers Should Ship It Before the Characters Do

Plant the emotional groundwork early, even if the characters are being stubborn. Your readers should start rooting for them mid-argument, mid-banter, mid-moment-of-tension.

[yyprompts]

#39 🌙❤️🤍

break-up dialogue

"I know you can't do this anymore, and neither can I, so let's end it here before we start to resent each other."

"Whether you'll own up to it or not, you want me, not need me. I need to go somewhere where I am needed and treated as such."

"You've had me acting like a complete other person for months, to the point where I didn't even know who I was anymore...I think that's enough grounds to break up with you on."

"There is no dancing around the issue anymore. We need to split up."

"It was a good year, babe, but for the better of both of us, this should be our last together."

"As much as I wish I could stay here and love you for the rest of my life, I can't overlook your cruelty towards me. So, we're done."

"There's some lines you just can't cross, and you knew that, but crossed it anyway. There's no second chance now."

"You're always upset about something, and I end up becoming your stress toy at the end of every day. Find someone else who'll be that toy for you."

"It's not your fault and it's not my fault. You're a wonderful person, and I'm happy I met you, but the spark isn't there anymore, and I know you feel it too."

"Not everything needs to end for a reason. Like us, growing apart over the weeks."

[literaryvein-reblogs]

Words Related to Mystery

Alibi - an excuse for not being somewhere or doing something

Clue - something that helps a person to find something or to solve a mystery

Culprit - a person accused of, charged with, or guilty of a crime or fault

Deduction - a conclusion reached by reasoning

Deerstalker - a close-fitting hat with a visor at the front and the back and with earflaps that may be worn up or down

Enigma - something hard to understand or explain; an inscrutable or mysterious person

Fingerprint - the unique pattern of marks made by pressing the tip of a finger on a surface

Forensic - relating to the use of scientific knowledge or methods in solving crimes

Investigate - to study by close examination and questioning

Magnifying glass - a lens that makes something seen through it appear larger than it actually is

Motive - a reason for doing something

Red herring - something unimportant that is used to stop people from noticing or thinking about something important

Sleuth - someone who looks for information to solve crimes; detective

Suspect - a person who is thought to be guilty of something

Witness - a person who sees or otherwise has personal knowledge of something

Source ⚜ More: Word Lists

[prompts-and-circumstance]

Dinner went about as well as could be expected, given our very unwelcomed guests.

[allthingswhumpyandangsty]

reblog if you have skilled writer friends and you're damn proud of them

[enlightenedfeline]

Daily prompt #72: ≽^• ˕ • ྀི≼

A story follows a couple as they slowly fall out of love. Their marriage is like a death, and they both experience the five stages of grief, with no clue where it all went wrong.