vex1e

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i’m not sure if anyone remember (know) her?? she’s from old girl game and i loved her back then lol

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it came out horribly but ok 

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so like we agree that they’re gfs right

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fuck that one valentines day game they are GIRLFRIENDS

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i may not show it but girlsgogames really b givin me brain damage

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excuse me may i please get a haircut

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✄

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I can be your angle….or yuor devil

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confirming i am still alive, hello spiders

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All right Ghost and Pals fans I've got a Honey I'm Home theory:

The moth represents Norman's mother, and the song as a whole is a metaphor for being abused by religion.

Let me explain:

[This post contains discussion of religion/cults, abuse, insects, and human torture/experimentation]

Ghost said straight up that there's five new OCs in Honey I'm Home right? Exactly five. It's emphasized a lot.

[Image ID: a screenshot from the description of Ghost's upload of Honey I'm Home that reads: "y'all get FIVE - not one, not two, not three, not four, not six, not forty-seven, but FIVE new ocs of mine so there's that". End ID]

That's *incredibly* specific, but it checks out. Mostly. Visually, there's five characters: Norman, their father the mantis, the moth, weird Redead god, Charon the spider, and the angel(s) we see a flash of in the outro instrumental. There's a sixth character mentioned in passing, though: Norman's mother. "The abandonment of scenery in the mind of mother," yeah? But that's such a minor reference, you're probably thinking. It's symbolic parallelism to the mentions of father in the first verse.

That's entirely possible, but with how deep Ghost's songs run I think it's more than that.

We can obviously say that Norman's mother isn't Norman, Norman's father, God, or Charon (seeing as Ghost confirms in the description that it's meant to be pronounced like the guy on the River Styx). Originally, I assumed that the disturbed angel we see in the end of the video was Mother, because of the parallel between the two "abandonment of scenery" lines (conflating Mother with the rearview mirror, ie the past). It would make sense, given the implied abusive situation Norman was in with his father, that his mother had passed, leaving him with no recourse or protection. The fact that the parallel to the rearview mirror is the **mind** of mother, though, is what throws a wrench in that.

On my first dozen or so watches I thought the moth was a corrupted symbol of Lucifer (the lightbringer as a creature that chases light regardless of consequence), like I read Charon as a corrupted symbol of Judas (instead of subtle and regretful betrayal with a kiss on the cheek, direct and presumably unrepentant sabotage with a kiss on the mouth). It makes sense with how a lot of interpretations of sympathetic Lucifer read: saying the exact same things as God, but demanding that right to be equal instead of paternalistic. Then I took a closer look at the visual symbolism:

[Image ID: a screenshot of Honey I'm Home's pv: a moth entrapped in a spider's web. It's quoted as saying "So, come to me, we can change night into day." End ID]

Lo and behold, spiderwebs. I actually can't believe I missed that on my first few watches--from the moment we meet the moth, it's entangled in webs, as if it's trapped in the influence of Charon, our dear God-allied spider. Its exact words are echoed by God in the next verse, where he has the moth trapped. With how we see Charon and God allied, this paints the moth in a new light--it doesn't have agency, or at least not total agency. It is, at least in part, parroting what God has taught it.

The thing is, a spider doesn't force webs on you. You walk into them and get tangled. Moths chase lights, like God's solar-eclipse halo. In just the same way, people chase security and safety as a survival method, and scores of people turn to religion when they need spiritual security.

This is where Norman and his family come in. Picture this: you're stuck in a tense, harmful relationship, with someone who has the audacity to tell your child that the world "isn't for them," who feels the need to cut off your rapport to them (the umbilical cord is a link between child and mother, after all). When you look for help, there the church is, and you inch a little closer to the light, and a little closer--

And then you're ensnared, so much so the horrors of your memories are little more than scenery in your rearview mirror. It's wonderful enough you repeat your doctrine to everyone who listens, even if you don't fully analyze what it all means. It helped you after all, so why can't it help others?

There's even visual confirmation that the moth is an intrinsic part of Norman:

[Image IDs: three seperate screenshots of Honey I'm Home's PV. One shows Norman normally, one shows Norman with his chest sliced open for vivisection, and one shows Norman in a different outfit with scars from where he was cut open. All three images feature prominent patterns of concentric circles of moth wings. End ID]

We see Norman prominently surrounded by moth wings, even after he's been vivisected and transformed. Nearly everything what visually significant about Norman changes: he's gained a halo, lost his bandages and any scars that were underneath, is showing way more skin, and has black scleras and no glasses. His posture is even inverted--in each shot he's lifting a different hand, and the early Norman is confident or vindictive while the second is meek or remorseful. And yet, the moth wings remain. They're in *identical* places in the two shots that have Norman at the center of the frame. The moth is a part of Norman, even after God's scooped him out.

Also worth noting is that Norman's transformation makes him more visually similar not to the angels, but to God himself.

[Image ID: God as he appears in the Honey I'm Home pv. He is a gaunt figure with an eerie grin and dark circles instead of eyes. Black lines run down his cheeks like tears, and he wears loose, flowing robes that expose one shoulder. End ID]

[Image ID: the angel from the Honey I'm Home pv. They have the same dark eyes and tear lines as God and Norman post-transformation, but they instead wear a tight turtleneck. End ID]

Everyone allied with God, and Norman after his transformation--they all have the same eyes, with black scleras. Everyone except Charon has tear tracks. But Norman dresses like God more than anyone else-- his outfit appears to be made of the same material, and also exposes skin.

One last note before I tie this all together: vivisection is an INCREDIBLY loaded word. Scientifically, it's the act of making a v-shaped cut through a living organism's torso to view its innards--think a dissection on something living or a highly invasive biopsy. But just Google the word, and the connotation becomes immediately apparent: vivisection, as a term, is chiefly used in biomedical trials on animals...or to refer to illegal organ harvesting and medical torture in humans. The word is specifically used when referring to several different kinds of unethical human experimentation, which I'm not going to go into because I would rather not be triggered this late at night. Needless to say, Norman is straight up not having a good time with whatever's been done to him, even if you ignore the shot of post-vivisection Norman looking something awful.

So what does this all mean? Literally, we see the tale of a boy running from an abusive home life into the arms of a God and a spider who transform him for their own purposes against his will. Metaphorically, it's how many religious organizations and cults treat the disenfranchised. They lure victims in with promises of safety and light that are impossible or too good to be true. But if a person is desperate enough for help, they can be made to believe anything--that your abusive father can be knocked aside with enough prayer, that your God can turn night into day. A normal church gives you shelter and lets you out at your leisure. An abusive church or a cult blackmails you into staying, by threatening your eternal soul, or your possessions, or by giving you the kiss of death from a poisonous spider named after the man who ferries you to Hades. So, if you're trapped, you stay, and cave to more and more demands, until you're hollowed out and made into the image of what they want you to be. And many people extracting themselves from this kind of abuse report gaslighting--that they were convinced by their spiritual leader that the world was against them, and that the only place it's safe to be is in the fold, away from the world and from retaliation by the people who say they love you. It's just that much easier to be drawn in if you're following in your family's footsteps.

I can't wait for the next song in this series, solely because of the angel we see at the end. They're clearly aware enough to be disturbed by what they're seeing--there's a good chance we'll see the other side of the coin, of how terrifying God and Charon can be.

But when it comes down to it, everything Norman does makes perfect sense. He looks for sanctuary, and he finds it. From his point of view, it probably didn't seem like that big of a sacrifice just to have somewhere he could call home. A twisted home it may be, but it's a home.

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hi it’s narcissist appreciation day . i will be appreciated

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if you x ray an orange tabby cats head you just find one if these instead of a brain

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all boys do is listen to acid rock and stare directly into a flashlight 

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Autistic culture is using urban dictionary like an allism translator