Assignment 6: Rituals
Jaskirat Randhawa | Tyler Henry | Regina Flores
Ritual: Holi
Link to presentation HERE
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The practice of sending messages in bottles (or other floating vessels) has been used to determine the flow of oceans and relay military information. Of
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http://usergroupcoop.com
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http://www.anexact.org aniette turpin
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Augmented Light
Mr. Beam
Filip Sterckx
All white shoes hung and map
madmapper or millumin
klaus Obermeir
nonotak
red paper heart pool party
adrien m and claire b hakanai
light leaks kyle mcdonals
no-logram
bot and dolly box
2 d augmented joanie lemercier light canvas 2
sunscreen purchase- stretch fabric - matte white surface
sound reactive, color scan and light scan
cinco design and marmoset (local)
photoshop (lighten mode)
brightness contrast ratio, throw ration depends for projector
https://docs.google.com/document/d/1CgN1CQAcJQ_7Wk2IVq0FpjrhBRT8v-wglJR_b3C0hiA/edit
audio input in madmapper
Types: flatsourse, 3d content, structured light
photoshop outline into mad mapper for light lineup (content template)
Black tape contrast for better quality
cannon usb to computer - tools spacial scanner in mad mapper, 2 mins photo, upload photo
lightform
mesh warp/masking
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alexander mcqueenÂ
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amelia aerhartÂ
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Eclectic Streams, 30x40, Digital.
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abstract / surrealism / design
Paranoia, 18x24, Digital.
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R. Crumb of course
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datavis Picasso and his events in life leading to his artistic phasesÂ
https://medium.com/accurat-studio/beautiful-reasons-c1c6926ab7d7
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Data vis
rhythm of food throughout the year exampleÂ
https://do.minik.us/projects/rhythm-of-food
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Data ITEMS: Exploring the Power and Depth of Soft Data for the Museum of Modern Art
Itâs an incredibly fascinating and moving exhibition; just by reading the list of 111 elements, itâs striking to immediately realize how much fashion plays a prominent role as a connecting tissue between people and cultures, and affects how we live, think and express ourselves in our societies and communities.
https://medium.com/@giorgialupi/data-items-exploring-the-power-and-depth-of-soft-data-for-the-museum-of-modern-art-e5f40a82943
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CRITICAL MASCARA âA Post-Realness Drag Ballâ returns to the TBA stage with a much anticipated sequel evening of fabulousness and extravaganza. CRITICAL MASCARA features some of the Pacific Northwestâs most courageous and raw talent all competing to win 666$ in a queer driven dance-off drag spectacular! The evening is hosted by, the one and only, Pepper Pepper with celebrity judges, features special guest performers, and wraps up with a raucous late-night dance party for all! Come dressed as your fiercest self!
SEPTEMBER 13TH, 2018Â
THE WORKS AT FASHION TECH
2010 SE 8th Ave., Portland OR
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ABIGAIL DEVILLE
Abigail DeVille received an MFA from Yale University and a BFA from the Fashion Institute of Technology. She is the recipient of the 2014-15 fellowship at the Radcliffe Institute for Advanced Study at Harvard University, the 2015 Creative Capital grant, the 2015 OBIE Award for Design, Â the 2017 Louis Tiffany Comfort Prize and the 2017-18 Chuck Close Henry W. and Marion T. Mitchell Rome Prize fellow.
DeVilleâs work has been exhibited at venues including the Institute of Contemporary Art Miami; the Whitney Museum of American Art; the Studio Museum in Harlem, New York; the Carnegie Museum of Art, Pittsburgh, PA; the Kemper Museum of Contemporary Art, Kansas City; Cooper Gallery at Hutchins Center, Harvard University, Cambridge; Contemporary Art Museum St. Louis; and the Shelley & Donald Rubin Foundation, New York. She has designed sets for theatrical productions at venues such as the Stratford Festival (2014), Harlem Stage (2016), La Mama (2015), JACK (2014-16), and Joeâs Pub (2014).
AT PICA The American Future by Abigail DeVille is a monumental installation, or as the artist puts it, âa model for reflectionâ comprised of foraged materials, publications, time, labor, up-rooted histories, politics, poetry, and research. In an attempt to form a new kind of space or landscape, DeVille takes us on a trip through time from 1804â2018.
The artist begins with Thomas Jeffersonâs commission of the Lewis and Clark expedition and Monticelloâhis obsessive, forty-year labor of loveâand speeds forward through the wreckage of this expansionistâs desire to build legacy, home, plantation, and nation at the cost of the environment, the people, and the very ethics he purported. DeVille suggests that âthe ideal he so eloquently crafted in the Declaration of Independence, that âAll men are created equalâ, never materialized in practice because of his fractured mind. His expansion and personal accumulation of wealth could never fit into the statement of democracy for the people, by the people.â
Taking as its starting point the paradox of Jeffersonian ideals, actions and architecture, DeVille uses ancient and neoclassical structures to deconstruct a monolithic view of âthe Westâ while forming a social sculpture emulative of the entropy of now.
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MURAL ART AROUND PDXÂ
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