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[warlenys]

[warlenys]

Good Omens | 2.05 The Ball

[warlenys]

another insane transition for the hilson nation

[warlenys]

Does it make a difference what I think? I'm a jerk. The only thing that matters is what you think.

HOUSE M.D. (2004-2012) -> 1.01 Pilot

[warlenys]

besides the fact that the chase/cameron relationship and marriage arc is ridiculous for multiple reasons i'm like girl. what did they even talk about?? they literally have nothing in common except for the fact that they're both blonde and pretty

[warlenys]

are you saying it’s normal to ship real actual people and not just characters?

idk, bud, what is “normal”? is it “normal” to write about the life and times of Antony and Cleopatra, as Willy “The Bard” Shakespeare did? how about making a critically-acclaimed biopic about a real woman who really walked this earth, speculating about the sex lives of actual humans, like 2018’s Colette (or indeed 1991’s Becoming Colette)? is that “normal”? or what if you write a screenplay about the real Jane Austen and her doomed love life (Becoming Jane, 2007)? or about Thomas Jefferson’s “sexual combustibility” (1776, 1972)? ooo, on the topic of the Founding Fathers, is Lin Manuel Miranda “normal” for writing raps about Alexander Hamilton boning down on another man’s wife (Hamilton, 2015)? or, if you’re more sympathetic to the other side of that conflict, where do you think The Crown (2016) falls on the scale of “normal”?

really, who among us is “normal”? how do we define “normal” in a media landscape absolutely bursting with the authorized, unauthorized, uncouth, and unabridged imagined lives of real people, living or dead? for that matter, how do you define “real” people? if you’re writing about a public figure whose entire persona is curated for you through tabloid magazines and film directors and editors and makeup artists and graphic designers and publicists, how “real” can this figure be said to be to you? if you’re writing about the completely made-up life of a movie star reimagined as a college student in your hometown falling in love with his costar who through a twist of fate has become his roommate, is this still a “real” person you are writing about? is this a “normal” pastime? is writing anything fictional, fantastic, or completely fabricated based on a sliver of the actual world a “normal” thing to do?

idk! but I do know that it’s fun! and that it mitigates the toil and drudgery of our brutish and short human lives to imagine our favorite hot celebrities having wild monkey sex, and that it hurts no one in the undertaking.

[warlenys]

[warlenys]

[warlenys]

wilson saying “I need to do this. for you.” is fucking insane actually. in the same episode where house is deciding whether or not he should commit suicide as a result of wilson’s dying. They are each other’s lines between life and death. humans have a biological instinct to preserve their survival at all costs; house has an addiction that governs his life. but they were willing to forgo all of it for one another, because they couldn’t fathom it being any other way. IM SICK

[warlenys]

he is so self-loathing // casual, chappell roan

[warlenys]

” I don’t go here but…” is such a cool tag to get idc idc. You don’t know what I’m talking about but you like it anyways? Let’s make out

[warlenys]

macdennis

[warlenys]

why does this read like a 2010 dan tweet

[warlenys]

you wouldn’t last an hour in the asylum where they raised me or whatever

[warlenys]

reblog if you'd go on a roadtrip with your pfp

[warlenys]

forget everything else this was actually his best tweet

[warlenys]

manchester eye (and you feel your heart taking root in your body, like you’ve discovered something you

don’t even have a name for)