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Glyn Warren Philpot
Study of a male head
The Courtauld, London
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Cruzeiro Seixas - Mão (Hand), 1920.
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Please, don’t let our fathers be crushed in death lines. Don’t let us grow up among the ruins of life. 🙏❤️🩹
I’m Zeina, and today I turn twelve years old. I was supposed to celebrate like I used to in past years…
My 12th Birthday… No Cake, No Gifts, No Laughter
My dad would always prepare little surprises for me—delicious cake, a gift, maybe a new toy.I was the spoiled child of the house, and my joy meant the world to my family.
But this year is different.
This year, there’s No celebration. No cake, No gift, not even a candle to blow out. This year, there is war… famine… and fear that steals sleep from our eyes. I’m not crying over a cake or a toy—I'm crying over something much more important… "My father".
The man who always held me tightly is now at risk just by stepping outside to get us food. We fear he won’t return—only a body wrapped in a shroud.
We will not allow him to walk into death traps. We love him, and we want him to stay alive. We simply cannot bear to lose more.
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William Mortensen (1897–1965) - “Salomé”, 1930
photo litho, 2014
source
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'polisón, 1873' in the ultimate history of costume fashion: from prehistory to the present - stefanella sposito (2016)
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gareth pugh in ballgowns: british glamour since 1950 - oriole cullen + sonnet stanfill (2012)
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Magazine: French Photo Year: 1993 Model(s): Lio Photographer: Pierre et Gilles
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Passing Strangers (1974) // dir. Arthur J. Bressan, Jr.
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Yuzu Kato: Borrowing from the Tiger's Majesty (2022)
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Leonora Carrington (1917–2011) - “Surgeon”
oil and tempera on canvas, 1978
source
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La béquille d’Achille - Henry Chetaille
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Leonora Carrington, I Took My Way Down Like a Messenger to the Deep
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Shalom Harlow for Valentino RTW FW 1993
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