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What’s she doing? Uh, she is meeting Drexel for the second time.
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Now, I know that you're in charge of the bridesmaids' dresses, but why are you wearing one? A bridesmaid's dress is like an all-access pass at a wedding. Plus I kind of said something and the maid of honor cried and Sophie said I should make it up to her. By looking much, much better in the same dress? Yeah, you let me know how that goes.
LEVERAGE | 1.07, "The Wedding Job"
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"Okay, so, that's the why and the how. Show me the who."
Leverage Redemption S03E04 The Hustler Job.
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Leverage 5x5 "The Gimme a K Street Job"
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Never done thinking about The Rashomon Job. Because ok, I think that, on balance, we can assume Eliot and Sophie spent a not insignificant amount of time at that museum gala flirting aggressively with each other (Nate's careful excision of this from his reconstructed version notwithstanding).
We also know that Sophie clearly did not remember/recognise Eliot until he pantomimed his behaviour and accent that night. This tracks for Sophie; she's not a faces person. She notices actions, tones, accents, and above all she notices physical signifiers of social relationships (class, professional, personal etc.). She can be pretty confident, from her own grifting experience, that that's all most other people notice too.
Eliot, on the other hand, is absolutely a faces person. It's something of a recurring bit. There's at least one occasion where he IDs a guy he saw for three seconds. He's a hypervigilant observer with a detailed and well-trained memory ("it's a very distinctive..."). That's part of what gives him an edge (and also must make the occasions where he briefly becomes famous deeply stressful).
(The bit in the opening episode of Redemption S3, were they walk into a party and Sophie notices the decor and dress and Eliot notices all the armed and dangerous security is such a good example of their respective ways of seeing the world.)
Taking all this into consideration, I think we can fairly happily imagine the following: that Eliot Spencer walked into a theatre in LA with an alcohol-soaked insurance investigator, an annoying hacker, and a disconcertingly odd super-thief, and was absolutely baffled to find someone he recognised from that deeply frustrating attempt to steal the dagger of Aqu'abi doing the world's worst Lady Macbeth.
And then she clearly hasn't recognised him, and he's not going to bring it up, because it's just a one time job, and also there's her whole thing with Nate happening right in front of his salad. And then eventually it becomes "wait, this is gold", and he's just sitting on this reveal until that night in the bar.
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Leverage textposts part 22/?
Shout-out to the lovely @lindseymcdonaldseyelashes for their help with the background screenshot for the Sophie one 'cause the episode won't download
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working on cleaning / reorganizing some of my files so here's a bunch of eliot gifs
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Leverage: Redemption 3x8- "The Cooling Off the Mark Job"
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↪The Order 23 Job
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Leverage: Redemption 3x8- "The Cooling Off the Mark Job"
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Harry Wilson in The Swipe Right Job (S03E04) LEVERAGE: REDEMPTION (2021—)
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Leverage: Redemption 3x7- "The Shakedown in Clone-Town Job"
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@zahnie i am kind of mad tbh bc now i keep thinking about that leverage/batman crossover and it’s ridiculous. they’re using a charity gala as a way to get into the manor. eliot immediately pegs alfred for former mi6, but he can’t figure out what the fuck bruce’s deal is. something about the way he stands or the way he watches the room or his shoulders or something. “is it not distinctive enough?” “oh, it’s distinctive as hell, i just don’t know what it is”. let’s say it’s older bruce so hardison has to get into a hacker fight with tim. sophie can’t grift bc there are too many rich people who’d recognize her in attendance. parker can’t infiltrate the catering service because they run that shit tighter than the white house (WHY is he so paranoid about his CATERERS what the HELL i’ve seen BANKS less lax about tracking employees than this) so she has to pretend to be a model. that backfires so fast because bruce is so nice and wants to know if she’s okay bc she seems uncomfortable. parker is thrilled when she discovers the house is full of secret passages but that also ends poorly when she turns a corner and bruce is standing there like “hey there, you seem lost”. he’s still wearing the tux and drinking his champagne. he helpfully guides her to the bathroom since she is having such trouble finding it. eliot has a tense standoff with alfred bc this is wayne manor alfred and that means he is like an older, british eliot who’ll shoot a motherfucker. hardison and tim get distracted playing wow together and it isn’t clear exactly how that happened. there has to be at least one scene where eliot and bruce are fighting and the rest of the team just watches instead of doing anything useful because it’s actually kind of really hot. they don’t even really hurt each other so it’s fine. probably fine. just let them keep pinning each other to the floor for a while, it’s fine. bruce has a lot of helpful critiques for nate’s plan that nate does not appreciate. the obvious thing is that they figure out he’s batman but it’s kind of funnier if they don’t and just think bruce wayne is an inexplicable bamf. they’ve all learned a valuable lesson about judging people based on appearances. bruce flirts with sophie and nate pretends not to be bitter about it but he gazes out at the gotham skyline and broods. it’s just what happens when you’re in gotham. it’s a very broodworthy skyline. make fun of batman all you want but you look out at that skyline and try not to brood. you can’t. even superman broods. i mean, he looks like he’s brooding. he’s usually trying to remember if he left the oven on because every time he decides to make himself a nice dinner a supervillain attacks and four hours later his baked ziti is charcoal. it still counts as brooding. nate never stood a chance.
#crossover#Batman#alec hardison#sophie devereaux#parker#eliot spencer#nate ford#bruce wayne#alfred pennyworth#dick grayson#tim drake
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leverage is so funny cause they start out with like, really Sympathetic Pretty Victims for the people who love cop shows like “poor ceo just trying to make airplanes :(” and “patriotic war vet” and “priest” and then like a season later theyre like “anyway landlords are scum, all cops are bastards, have you considered that prison is an inherently racist and violent institution”
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'These apps are the enemy. They're thoughtless, joyless, and our friends are powerless aginst them."
Leverage Redemption S03E06 The Swipe Right Job.
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worlds best hacker
more: parker / eliot / hardison

clean version
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