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winnielewoo · 10 days ago

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jaehee playlist musical analysis

hi today i decided to explain every song in this jaehee character playlist because it was Very Carefully Curated and every single song REALLY means something and bc i just want to.

I made this playlist entirely 100% based on the lyrics and message of the songs more than Anything else. The arrangement doesn't make musical sense, but it's all in the words. I didn't pick songs I believe she'd listen to or songs based on Vibe. Actually idk how many of them here fit this criteria. But think of the entire playlist as like... a jukebox musical of her character arc in an indie pop & co. soundtrack.

It’s long. There’s 46 songs. Here we go.

TRACK 01: ABBEY - MITSKI.

Okay so this is her in a song I think. It summarizes most of the Original Struggle, and because it is so general I figured it'd be a perfect opening track.

I am hungry / I have been hungry / I was born hungry / What do I need? - She's missing something and doesn't know what it is. She’s constantly expressing dissatisfaction with her life, says she wants more without really saying it, “I’m afraid I won’t be able to advance forward.”

There is a dream that I sometimes see / That only appears in the dark of sleep - Wants more but refuses to acknowledge it. The dream only shows up when she's truly alone with herself.

This is repeated and deepened all throughout the song, even acknowledging her desire to be "set free" at the end.

TRACK 02: MIRRORBALL - TAYLOR SWIFT.

"I will be whatever you want me and need me to be to make myself useful" but told very romantically. I do still headcanon that, in the past, she might've taken a more literal version of the attitude described in the song.

I've never been a natural / All I do is try, try, try / I'm still on that trapeze / I'm still trying everything / To keep you looking at me - a forced hand, there's an intent to belong or to get a reaction. Now apply this, instead of relationships, to the world of career.

TRACK 03: STAY SOFT - MITSKI.

Another song that dives more into the past. Talks about bottling up one's emotions, the hardening of one's heart for survival purposes. Drowning out anger, or fear, or sadness. Going into deep meta territory, perhaps even being willing to carry other people's strong emotions, but never yours. In many ways, I think this song describes how she dealt with grief. A sort of misplaced anger turned to numbness.

Fury, pure and silver / You grip it tight inside / Like a knife / It glints in your eye - She says in an opportunity that she resented her parents, held this anger at them... for dying. Of course, she was young then, so this was born out of immaturity and out of wanting to blame someone for her resentment at her situation, I would guess. She's more mad at destiny, at the world for this having been the deck of cards she's been dealt. At least, that's how I see it.

Open up your heart / Like the gates of hell - so, this association. Seeing the opening up of oneself and reveal of feelings as a sort of sacrifice for Reasons. I won't go deep into this now, there's other songs that touch it.

You stay soft, get beaten / Only natural to harden up - the ONLY way u can get shit done in the world is if you minimize your feelings and not let yourself drown in them. A conclusion she naturally came to. Somehow, she managed an almost healthy looking unemotionality. I think this aspect of her character is very up for debate. Whether she's made peace with her past, or if the undercurrent of anxiety driving her every turn reveals otherwise.

TRACK 04: THIS IS HOME - CAVETOWN.

Ah so this is the stockholm syndrome song. But not really stockholm syndrome-- more like being caged in a situation you know is bad for you (the c&r job), but not wanting to leave because you fear what would happen if you do, so you instead try to love it. That's how I interpret it in this context. Almost every lyric here points to something specific in her story, so here we go:

Often I am upset that I cannot fall in love but I guess / This avoids the stress of falling out of it - "Love interferes with my career but honestly I've had so many issues with it that I don't really mind giving it up."

Are you tired of me yet? / I'm a little sick right now but I swear / When I'm ready I will fly us out of here - There's like this anxiety she feels about her personality, whatever she has to bring that isn't directly related to being tangibly useful to a person. No confidence in her charm. basically.

I'll cut my hair / To make you stare / I'll hide my chest - considering the context this would be more like "i'll cut my hair to not make you stare." Sort of an okay I'll do what you ask me to... "Chest" here in this context I think of it as heart. I'll hide what I feel.

Time is / Slowly / Tracing his face / But strangely he feels at home in this place - This is the acceptance of situation. Stress and sacrifice are becoming visible in her appearance, but this situation, however awful, is beginning to feel like a home to her.

TRACK 05: 6/10 - DODIE

Okay so anxiety and insecurity part 200!!! Coming back to the insecurity about her personality, that she has nothing to offer in a friendship context to a new person, feels like nothing makes her interesting or remarkable.

Can you see the panic inside? / I'm making you uneasy, aren't I? - We see this a lot especially in the beginning stages of the game, her almost being too careful with the mc, not wanting to cause discomfort. It's almost like she's waiting for you to allow her to be.

Is there pity for the plain girl? - Plainness here is of personality. It has a "sorry for being myself" feeling to it.

TRACK 06: 4AM - GIRL IN RED.

I Don't like her, but hey if the song fits... anyway this is THE undercurrent of anxiety, having too many doubts about your own performance, having to face the world but not feeling internally ready to.

TRACK 07: TEEN IDLE - MARINA

Anyway sooo back to the past! Or my interpretation of it! This one, When, Stay soft, and mirrorball are kind of all my meta take on who she was. Teen idle is saying "damn I wish I actually lived through my teenage years, or my whole youth, for that matter." I definitely believe this was a little bit of who she was, and that she Would have listened to this at 15.

I wanna drink until I ache / I wanna make a big mistake / I want blood, guts, and angel cake - wanting to break from her front of perfection and model student behavior to know what it feels like.

TRACK 08: WHEN - LIVE - DODIE

Our next stop in this journey to the past: whatever the fuck went on in her relationships. Also known as the comphet song. A nostalgia for who she used to be, but also regret for how it's shaped her. She wants to be in love, but can't get satisfaction from it, and is afraid of running out of time, of missing her chances. Misdirection.

I think I've been telling lies / 'Cause I've never been in love / Everyone falls for the sunshine disguise / Distracted by who they're thinking of - No, she hasn't even been in love, we get as much from... everything she does in her route when it comes to her relationship with MC, starting by not being able to recognize what she feels.

I'll take what I can get / 'Cause I'm too damp for a spark / Kissing sickly sweet guys / 'Cause they say they like my eyes / But I'd only ever see them in the dark - Flings for the sake of flings. Getting with people because she wants the feeling, but can't somehow get it, does it more for them than for herself. Again, comphet song...

I'm waiting to live, and waiting to love / Oh, it'll be over, and I'll still be asking when - Afraid that life will pass her by if she doesn't hurry up and live, afraid of not having the experiences she dreams of having.

TRACK 09: THE MAN - TAYLOR SWIFT.

The first song here that truly deals with her feelings when it comes to her job, and mostly people not taking her seriously because she's a woman. The entire justification for this being here is in that one moment where she's assigned as the leader of that coffee project and no one in the team is giving her the due respect.

TRACK 10: REAL MEN - MITSKI.

This one's also related to her job, but mostly about how she's forced to hide her feelings to be able to do anything, reinforcing a long-standing behavior. The constant clash she seems to have with Jumin of him trying to be 100% logical and her trying to get him to accept that people have Feelings and sometimes those Interfere, because maybe she's learned that the hard way.

Real men don't need other people / And real men suck it in / Real men don't flinch or bleed in public / Oh, I think I'm a real man - Superego message of you shouldn't show your feelings, it's not right or proper, you shouldn't have needs. Be completely self sufficient.

TRACK 11: FEELINGS ARE FATAL - MXMTOON.

This one's very self explanatory and goes with the other one. Hiding struggle behind a facade, and not trusting anyone to actually reveal what's under, but at the same time almost being afraid of what would happen then. That is, kind of, how she approaches opening up to MC.

TRACK 12: A BURNING HILL - MITSKI.

A lot of this playlist is mitski. There are a lot more songs. Anyway, this is disillusionment. Acceptance of her situation, back to what This Is Home is trying to say but with much more substance. She's tired, and she's numb.

And I'll go to work and I'll go to sleep / And I'll love the littler things / I'll love some littler things - Hopeless acceptance, focusing on the small because the large is already screwed and she doesn't know how to un-screw it.

TRACK 13: BEST FRIEND - REX ORANGE COUNTY.

This is the start of what I call the romance arc of the playlist... the moment in the story when she begins to go oh god oh fuck i'm having Wierd Feelings. This song could go two ways-- her POV in the "i want to be your favorite person in the planet and idk how to be anything else so let's be friends," and the MC's in the "I want you as more than a friend but we're still fine as long as we're close but just know that's not where my heart lies." But since this is a Jaehee playlist, not a mcjaehee playlist...

TRACK 14: COFFEE - BEABADOOBEE.

The love is stored in the homemade latte. I feel like acts of service is somewhere high up there in her love languages list - I will love you, I will care for you, I will make you coffee just how you like it. You're my safe place. I feel like this captures the vibes of the kinda relationship that happens in her route really well.

TRACK 15: I WANT YOU - MISTKI.

"I want you but I can't say it and/or don't know how to", that's what this song is trying to say in this context. All of the unsaid is beginning to suffocate. And listen, I'm not a reset theory enthusiast... but you can really let your imagination fly in that context with this one.

I want you / I hold one card / That I can't use / But I want you - There could be many reasons as to why she can't use the card, but the general message is an "I can't say it" type beat.

'Cause I just need a quiet place / Where I can scream / How I love you - "I need to find a way to let out these feelings that I can't, for some reason, allow myself to let out."

TRACK 16: D-1 - LOONA.

This one kinda follows everything the last few ones have set up, but it's more like... her watching her feelings change as she talks more and more with MC. A lot of the lyrics here remind me of stuff she said in calls. Also, this really fits in the "we exist in different dimensions/universes" theory of mysme...

How you like me now? - "I think I'm getting greedy now. I want you to like me more."

For now I’ll take just one step closer, closely slowly - "I'll approach very slowly... I am very patient" idk what she says here actually i can't remember haven't played this game in months.

TRACK 17: FALLINGFORYOU - THE 1975.

Very self explanatory, I don’t wanna be your friend, I wanna kiss your neck, but also the vibe here is you're talking with someone in the middle of the night and realizing there's maybe more. Her calls in the later days of the route, all the more revealing ones happen late into the night.

TRACK 18: COME INTO THE WATER - MITSKI.

I think this accurately describes how she approaches love - with caution, with patience, once again almost waiting for a confirmation, please like me too.

Are you waiting to touch me? / You look so good, but I keep my hands / 'Til you come into the water - I want you, but I'm waiting for you to show me you want me too. Almost a not wanting to make a mistake here.

But would you tell me if you want me? / 'Cause I can't move until you show me - "show me how to love you. show me the way. i'm new to this."

I didn't know I had a dream / I didn't know until I saw you - cheesy ass line I know but basically... mc did show her the way to her dreams somewhat so like...

TRACK 19: HEAVEN - TROYE SIVAN.

So the overlap between faith, institutionalized religion, and how that clashes with the self. She clearly operates under a crap ton of internalized homophobia. And no, I don't think most of it is due to religion, I think most of it is knowing she'll be rejected by the world around her, but knowing Catholicism... I'm sure at least some of it is.

TRACK 20: SHAME - MITSKI.

Follows along the same path of the last one. There's guilt surrounding desires. Also this could be like... a secret relationship "no one knows but us" type beat, which I think is a narrative Cheritz tries to push.

TRACK 21: CLASS OF 2013 - MITSKI.

So... grief, that's all. "I wish my life was easier I wish I sometimes didn't have to fight so hard I wish I didn't have to grow up so quickly and could still dream." Segway from this last arc and into the new one.

TRACK 22: SHE USED TO BE MINE - JESSIE MUELLER (WAITRESS MUSICAL).

Ah so this is another of the main songs.... a LOT of her story is mirrored here. Mainly the "I lost myself along the way and now I don't know how to be happy." This is that scene when Zen gives her the present.

It's not simple to say / Most days I don't recognize me - Considering she had to quite literally change her appearance to be where she's at, this is likely. also, "I don't know who I am."

She is hard on herself / She is broken and won't ask for help / She is messy but she's kind / She is lonely most of the time - I'm not sure if messy, but everything else here checks out. She doesn't allow herself to ask for help, she pushes through, surrenders to loneliness, pushes herself to the highest of standards, it's all or nothing.

She is gone but she used to be mine - She's not who she used to be. She's lost herself somewhere along this path.

It's not what I asked for / Sometimes life just slips in through a back door / And carves out a person / And makes you believe it's all true / And now I've got you / And you're not what I asked for - The person in question could be her or Jumin-- in a call she opens up about how the qualities associated with her at the office are not the values her parents taught her.

Who learns how to toughen up when she's bruised / And gets used by a man who can't love - More like woman who can't love, we could talk about her aunt here... she's been hurt by many, both intentionally and unintentionally.

And then she'll get stuck and be scared / Of the life that's inside her / Growing stronger each day / 'Til it finally reminds her / To fight just a little / To bring back the fire in her eyes / That's been gone but it used to be mine - She feels that dissatisfaction growing, every day more and more impossible to ignore, reminding her of that desire she used to have, until it finally comes back.

This song is kind of a pivotal moment, the catapult into the next arc of the playlist where she fights to get her life back. This is day 9 onwards.

TRACK 23: 9 TO 5 - DOLLY PARTON.

So there were other moments in the playlist that described her career situation to a certain degree, but this next little section does so with more clarity. Starting with this one: a little fun pop break about the frustrations of the workforce, sacrificing yourself daily while aching for more.

TRACK 24: ARE YOU SATISFIED? - MARINA.

Okay so this one takes what the last one just said and goes okay so that's the reality... now are you happy with that? Like honestly?

I was pulling out my hair / The day I got the deal, chemically calm / Was I meant to feel happy that my life / Was just about to change? - I imagine her learning she got the job at c&r, and knowing she's finally made it, feeling actually the opposite of ecstatic, relieved of a pressure. An "okay. we made it. that was tough but we're here now."

Are you satisfied with an average life? / Do I need to lie to make my way in life? - This is doubt starting to come in. The "is this truly what you want?

High achiever, don't you see? / Baby, nothing comes for free / They say I'm a control freak / Driven by a greed to succeed / Nobody can stop me - I feel like this is the image she shows the world, who people thinks she is: capable, cutthroat, on top of her shit. Which is true on a certain level, except that she doesn't have any real ambition other than like... making it thru the day and feels stuck in her current position.

TRACK 25: WORKING FOR THE KNIFE - MITSKI.

Goes on with what the last song said, now exposing the true reality of her situation, how she really feels about it - we're working from the knife, something that can be threatening, deadly. This job, however shiny, is killing her slowly, and she's beginning to realize that.

I always thought the choice was mine / And I was right, but I just chose wrong / I start the day lying and end with the truth / That I'm dying for the knife - idk yall but I imagine young fresh out of high school jaehee extremely motivated about the direction her life seems to be taking, with everything she wants within reach. Yes, the choice was hers and yes, she chose wrong. Now, how do you move on from that?

TRACK 26: DRUNK WALK HOME - MITSKI.

There's almost a giving up here. Pure hatred for the system. This is a vent.

For I'm starting to learn I may never be free / But though I may never be free / Fuck you and your money / I'm tired of your money - She knows this system is inescapable, this is her life, she'll be in this forever, yet hates it. The "fuck you and your money" specifically I relate back to every single moment she complained at Jumin's financial compensation as "forgiveness" for making her do hefty extra work.

TRACK 27: MONEY, MONEY, MONEY - ABBA.

I Hate Capitalism song number 200. Yeah this is just an ugh I can't believe the world is like this because of greedy rich men who exploit people's skills for their personal gain song.

TRACK 28: I AM NOT A ROBOT - MARINA.

FUCK Real Men I Can't Ignore My Feeling Anymore Unless I Wanna D Word Inside. This song is the MC and Zen @ her, but also her @ her, her @ jumin.

It's okay to say you've got a weak spot / You don't always have to be on top / Better to be hated / Than loved loved loved for what your not - her accepting that these feeling of inadequacy and dissatisfaction, that's she's not actually a machine, are actually okay in the end.

You're lovable, so lovable / But you're just troubled - She's worthy of love and happiness. Yes, nothing around her is perfect, but it can and will be better.

TRACK 29: I WANT TO BREAK FREE - QUEEN.

This song is purely declaratory, the moment where she goes "You know what? I don't want this anymore. I'm going my own way."

I want to break free from your lies / You're so self-satisfied I don't need you - yaassss girlie give jumin a piece of his mind

I've fallen in love / I've fallen in love for the first time / This time I know it's for real / I've fallen in love, yeah - She has, quite literally. This time it is for real.

TRACK 30: LIVE YOUR LIFE - YUNA.

This is her finally acknowledging her own dreams, committing to living for herself.

All my life / My dreams just seem so far away / And now it's like / They're here to stay / I hold it close to me - the moment she decides she likes the reignites passion and doesn't want to let it go for anything.

TRACK 31: READY NOW - DODIE.

Kinda takes us back thru the whole journey to how far she's got. She's ready now. Pretty much the ENTIRE song describes her relationship with mc.

You saw through me / All this time / I'd forgotten / People are kind - Many times she muses about how MC is one of the few people she's met that have been this kind to her, how she understood her and defended her.

You said, "I will listen / Tell it all / When you're finished / We'll talk more" / But I didn't know how / So we took it in turns / And to my surprise / We found my words - With time, Jaehee managed to trust her, even to tell her story to her, revealing things she's carried for a long time.

Something new / Something strange / Ten feet taller / I had changed / I believe you / I'm not wrong / Oh, it suits me / To feel strong - oh don't you love character development. With this newfound dream, comes newfound strength and self confidence.

You said, "I will listen / Tell me it all / You don't like the ending / Then we'll find one that's yours" - Reset theory enthusiasts! This one's for you.

Together, we sang / "I'm ready, now" - One thing about her, there was no way, partner or solo, that she was walking this path alone.

TRACK 32: MY SEA - IU.

This journey she went through, in a way, was sort of an inner child recollection healing type thing. She tells MC she's "broken down her walls and returned her to her childhood." Considering everything that happened since then. it's a big statement to make.

Did that child suffer in pain for such a long time… / …to just become me? / We get further as another day piles up / I don’t think we can ever reconcile / I don’t think it’ll get better - This brings back the themes of She Used to be Mine, the losing oneself, not thinking you'll get that back.

When I was a child / There was a sea that never dried up in my heart / That place is only left with faint traces - You could compare the sea to the drems of her childhood that faded with time and hardship.

I’m free even when I’m swept away and get lost / I won’t close my eyes at the darkness / that traps me anymore / I won’t pretend not to know myself again - After a journey, she finds that passion again, that self which used to be hers.

TRACK 33: PLUTO - SLEEPING AT LAST.

Okay so this is a summary of The Whole Journey, from the perspective of the undercurrent of anxiety that's been driving her through this wrong path - she chose to keep through it out of a now knowing what would happen if she took a turn away from it.

Until one day I had enough / Of this exercise of trust / I leaned in and let it hurt / And let my body feel the dirt - She simply got tired of the bullshit... among other things.

Still I'm pinned under the weight / Of what I believed would keep me safe / Show me where my armor ends / Show me where my skin begins - Well, she was pinned under the weight of a system she believed would keep her safe - however safe it was, it was equal parts suffocating. The last phrase, "show me where my armor ends," could also relate to her emotional openness (or lack thereof).

Like a final puzzle piece / It all makes perfect sense to me / The heaviness that I hold in my heart belongs to gravity - oh I am human and I am alive and I can do something with all this!!! how nice.

TRACK 34: DOG DAYS ARE OVER - FLORENCE AND THE MACHINE.

Freedom, baby! That's this song. This is day 10, the moment where she takes the leap and lands on the net.

Happiness hit her like a train on a track / Coming towards her stuck still no turning back - This whole ordeal came at her unexpectedly, almost like a crash, though at the most critical moment.

The dog days are over / The dog days are done / Can you hear the horses? / 'Cause here they come - The world better get ready for Kang Jaehee, because she's coming with everything, she's waited a long time for this moment.

TRACK 35: THAT'S MY GIRL - FIFTH HARMONY.

This is like the least deep song here it's a celebration ass shaking song. Everyone's reaction @ her finally Doing It. She worked her ass off for this goddammit.

TRACK 36: SIX - SLEEPING AT LAST.

Ah the enneagram song :). This is the one that best describes the undercurrent of anxiety, her driving force, that will undoubtedly be accompanying her now as well, but now that vigilance will be her ally instead of her enemy: her caution is what will ensure that there's no blocks in the road ahead.

TRACK 37: SHE - JEN FOSTER.

...And we enter the last arc of the playlist! The "I'll finally accept I'm in love and do Something about these feelings" arc, which... we don't see in the story, at least not explicitly... anyways this is a love song. about a girl. that's it really.

TRACK 38: EYES LOCKED, HANDS LOCKED - RED VELVET.

This is the moment at the party: With eyes and hands locked, she makes her proposal to MC. A masked confession. A promise for something longer, larger than what they have officially.

TRACK 39: GIRLS - GIRL IN RED.

Here's where we stray from the canon bc I'm sure this moment happened: the I'm a LESBIAN i am GAY i like GIRLS i am a GIRL who likes GIRLS. acceptance of sexuality. You know the drill. After everything she's been through... it was about time.

TRACK 40: FINALLY // BEAUTIFUL STRANGER - HALSEY

The falling in love for the first time, the finally feeling safe enough to open your heart to another person and reap the rewards that come with that.

The truth is this / That I've never seen a mouth that I would kill to kiss / And I'm terrified, but I can't resist – Falling in love can be terrifying, and I’d guess by her avoidance of the fact that she is, at least a little.

Beautiful stranger, here you are in my arms / But I think it's finally, finally, finally, finally, finally safe / For me to fall – what i said earlier lmao.

TRACK 41: THE ONLY EXCEPTION - PARAMORE

Builds upon the other song and establishes it, somewhat explaining the reasons why she was so reluctant to love in the first place.

Maybe I know somewhere deep in my soul / That love never lasts / And we've got to find other ways to make it alone / Or keep a straight face – “Relationships are temporary fantasies fabricated by emotions.” There could be a million reasons for her to believe that, from bad past experiences to an adopted belief to rid herself of the pressure of relationships bc lesbianism. Regardless, it’s there.

And I've always lived like this / Keeping a comfortable distance / And up until now I had sworn to myself / That I'm content with loneliness / Because none of it was ever worth the risk / But you are the only exception – In the end, she sees relationships as a risk and suffers for it. She mentions many times that she still has a desire to be considered as special and irreplaceable by someone, perhaps because she considers herself as ordinary and discardable. And she’s made herself comfortable with this self-imposed, survival-inspired loneliness, until MC came in.

I've got a tight grip on reality / But I can't let go of what's in front of me here – Romance thrives on fantasy, practicality obstaculizes it. Pisces is the exaltation of Venus and Virgo it’s fall for a reason. Love kind of inspires you to be a little delusional.

TRACK 42: COFFEE BREATH - SOFIA MILLS.

omg its The Song i put The Song. Nothing lyrical here for once pure vibes of waking up in a bed together and making coffee. honestly never even paid attention to what this one tries to say.

TRACK 43: I WILL - MITSKI.

u guys she’s a virgo moon… love as acts of service, love as the act of being taken care of, or taking care of somebody. Honestly I feel she could do either. But I do feel this is her ideal form of emotional connection.

Everything you feel is good / If you would only let you – this could fr just be Me Projecting lo, but regardless I get the vibe that many times she wants to be validated in her feelings, or in her act of feeling.

I will see your body bare / And still I will live here – again a vibe i get lol from the all-encompassing connection she says she wants with mc, of revealing every single part of herself to her and still be embraced. a “hello, this is me, these are my many many wounds.” have a place to be able to do that.

And all the quiet nights you bear / Seal them up with care / No one needs to know they're there / For I will hold them for you – “can I cope with my trauma by sharing this with you and not bottling anything up anymore because I’m suffocating under the pressure of my own dirt.”

TRACK 44: DAYLIGHT - TAYLOR SWIFT.

This is more headcanon-y and very literal. From messy romantic past to now peace that comes from self-knowledge and self-acceptance. Finally loving someone like you’re supposed to. You could call this a moment of lesbian joy.

TRACK 45: DRESS - TAYLOR SWIFT.

babes all in all I think cheritz writes this as a secret relationship and they’re not even chill about that insinuation. It’s super blatant. Every single romantically charged mcjaehee moment happens either subtextually (literally hidden by code) or while they’re literally hidden by some type of cover. That one folder where they’re almost kissing under a sheet. The valentine’s day dlc where they're trapped in a literal closet. And does anyone remember that one halloween choose your own story event where she and mc ended up sharing a ghost costume and it was all special? Yeah. Also, I don’t want you like a best friend.

TRACK 46: ANIMAL - TROYE SIVAN.

I had to somehow end this cohesively and I chose… sex lol. well, insinuated it. It’s not just about letting desire fly free, it’s about the grace of time, about trust. All in all, I think the relationship expressed in her route is one summarized by this concept: I trust you enough to reveal myself to you, and I want you to reveal myself to me. Love as the tearing down of walls, you love somebody by letting them know you.

Alright that’s it!! If anyone actually read everything then let me say I love you lol.

#I RMBR READING THIS AGES AGO #i want to do this too for my mysme playlists #very correct and slay as per usual #kangpilled #mysme

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