writing-thoughts-and-things
writing-thoughts-and-things
being a writer gives me magic
751 posts
Writing genre: New adult + urban fantasy
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Tips for fight scenes
If you get punched in the nose your eyes will water, a lot, even if it didn’t really hurt
Your body follows your head, your head gets pushed one way and your body will want to go that way
Getting hit in the stomach isn’t good, it hurts, getting hit in the diaphragm is worse. Causes your lungs to kinda spasm and make it hard to breathe (diaphragm is between stomach and chest)
When fighting a larger person they will have an easier time forcing you back
The jaw is the knockout button. Hit it hard enough and down for the count
Back of the head is very vulnerable, can cause serious damage if hit there
Kidney punches. They hurt. A lot.
People with experience will try to be where they are comfortable. A wrestler will try to get their opponent on the ground, a boxer will stay on their feet, etc.
Easiest counter to a kick is to get closer to whoever is throwing it, then they won’t have enough room for it to be effective
If you want realism, avoid fancy, flashy moves. They’re less practical and easier to counter.
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black angels. black demons. black vampires. black werewolves. black elves. black mermaids. black fairies. jus… pls… more black fantasy characters… i’m beggin…..
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Resources For Writing Royalty
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Patreon || Ko-Fi || Masterlist || Work In Progress
It’s shorter than the usual resource master post, but I found some great resources and I think this is a good jumping-off point for those who are including a royal court in the world building of their story.
Fantasy Guide to Writing A Royal Family
How to Write A Fictional Royal Court
Writing Royalty and Nobility - Common Mistakes
Creating a Fictional Monarchy
Questions to Ask When Creating a Fictional Monarchy
Writing Royal Characters
Ethics in World Building : Monarchy
Royal Titles Around The World
Regions’ Royal History Broken Down
Early Overall History
East Asia
Medieval and modern Europe
Africa
Positions in A Royal Court
Almoner
Butler
Chamberlain
Chancellor
Chapelmaster
Chaplain
Cofferer
Confessor
Constable
Cup-bearer
Dapifer
Doorward
Eunuch
Falconer
Gentleman of the Bedchamber
Gentleman Usher
Grandmaster
Great officers
Groom of the Stool
Herald
Intendant
The Royal Fool
Keeper of the seal
King of arms
Knight/Earl Marshal
Lady-in-waiting
Maid of Honour
Majordomo
Master of Ceremonies
Master of the Horse
Master of the Hunt
Page
Panter or Grand Panetier
Secretary
Pursuivant
Seneschal
Stolnik
Standard bearer
Steward
Masterlist | WIP Blog
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I love the petty grudge of Shirley not using Belle once. I love that kind of back and forth, and characters like that in general. Also, Belle freaking out at Shirley’s request? Really makes it clear that this is a crazy request and really dangerous/stupid/etc.
Makes me want to know what she’s hacking into, how they know each other, etc. Is Belle a main character, or a minor character? Your scenes are always too short--I want more! 
G.O.O.D. spy wip excerpt:
"So you finally call me after all this time, huh?"
Shirley sighed, already hearing the smugness in the hacker's voice. "Belle, if you're still upset that I got the help of another hacker that one time-"
"No, no I'm so over that. I mean sure it completely hurt my pride-"
"You mean your ego?"
"But I've totally moved on to better things. I'm just surprised that you want my help when you could so easily get the help of other," Belle muttered lesser, "hackers to come to your aid."
Shirley placed the phone between her shoulder and her cheek. She rummaged through her drawers, throwing out stuff she honestly hadn't used in years like her old pepper spray can. Then she pulled out a folder and held the phone back to her ear.
"Belle, how much?"
She hummed.
"How much for hacking into past files of a agent from my agency?"
Shirley heard a clash and could have sworn she heard an alarm go off. Before she could ask, all Belle said was,
"Are you out of your damn mind!?"
*
Taglist (lmk if you want on/off): @writing-thoughts-and-things , @toboldlywrite , @pied-piper-of-hamlet , @aurumni-writes
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Oh dang this sounds so good. I’m really interested in Emirah and especially her mother. Any woman that survives in a sexist medieval setting is my kind of character. 
So interested in how this would go. Are the bandits the villains? Anti-heroes? Villains turned heroes?
Princess and Knight Wip:
Emirah learned many things from her late beloved mother.
How to be poise at all times. How to take control of a situation using a smile and a curtsey. How to respectfully get your point across to a room full of old kings and advisors.
Her mother did not teach her, however, how to deal with a group of unruly bandits that just kidnapped her from her collapsing kingdom.
She couldn't blame her mother for this after all, who would have seen such a situation coming?
A young princess whose most trusted knight decided to spark a civil war within the kingdom.
Fantastic.
"You're awake."
A low voice interrupted her thoughts. She squeezed her eyes shut tighter, hoping the disembodied voice would go away. Instead of the voice leaving, it just got closer.
"Cute, but not working." A sharp ting of pain made Emirah squeak and open her eyes.
Metal-like shield covered the eyes of the person in front of her. They had a hand up with two fingers in a pinched gesture.
"Nice to see you, Emirah, princess and heir to our only hope."
**
Taglist (lmk if you want on/off): @writing-thoughts-and-things , @aschenink , @toboldlywrite , @pied-piper-of-hamlet , @aurumni-writes
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(or do this)
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At night the pathway opens like a strange and shifting door—standing in an empty field that wasn’t there before.
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nowhere in mind
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some tides don’t turn, some things never come back
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LUSH Series - Gouache by Madeleine Bellwoar
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Do you ever realize you’re putting too much of yourself into one OC so you gotta take some of your personality and put it into your other OC?
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Anakreon, tr. by Willis Barnstone, from Greek Lyric Poetry; “On A Conservative Lover,”
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Injuries Reference List
If you’re writing anything where your characters are getting injured a lot, it might be helpful to have an injuries reference list on hand. WELL, DON’T WORRY ABOUT IT BECAUSE I CREATED ONE. This is mostly the result of me having to look up something every time a character was gravely injured/being a lifeguard for seven years. I have some knowledge of first aid and how it might apply to the characters in your story.
Simple scrapes/cuts: There’s usually not much to worry about besides MAYBE an infection, which can be avoided with rubbing alcohol or peroxide. Remember, peroxide usually doesn’t burn or sting, but rubbing alcohol probably will.  These injuries will bleed for a short amount of time, but it shouldn’t last too long.
Bruising: These occur when the blood vessels break under the skin, forming discoloration of the skin. The colors can vary, but they are usually purplish, bluish, or yellow. Again, this injury is usually not serious if it’s a result of a bump or cut, but if there’s significant bruising over a large area of the body there might be a serious problem. Usually time heals bruising.
Sprains: A sprain is torn or stretched ligament, but it is NOT a break. It is very common for someone to sprain an ankle or a wrist and it usually doesn’t require serious medical attention. The area might swell and should be iced. Sprains are usually treated with rest and a device that compresses the area—such as a sling or a bandage.
Broken bones (arms, fingers, legs, toes): Breaks can be serious, especially if they have to be set back into place. A person will most likely not be able to put pressure on a broken bone until it is healed (which could take weeks). A broken bone is REALLY serious when it fractures or breaks through the skin completely. If you write a character in this sort of situation, they will need to worry about infection and they might have to wait until the swelling goes down before splitting or covering.
Burns: Obviously, there are different degrees of burns, but simple burns will most likely be treated the same. Even the smallest burns will probably sting like hell, so it can be hard to function with an untreated burn. SERIOUS burns might require amputation (I’m talking about maybe 3rd to 4th degree burns). As a 1st degree burn is healing, it might itch—think how sunburn starts to itch after a while.
Broken back: A broken back can lead to paralysis, so you need to be very careful with how you treat someone. Your characters shouldn’t be throwing anyone over their shoulders with a back injury because it will only lead to more serious problems. If you suspect that someone has broken or injured their back, you need to keep them still until there is a way to safely move them.
Amputation: This happens when the removal of a body part because necessary to someone’s survival.If someone has a bad infection or there’s no way to stop the bleeding (you’ve applied a tourniquet, which will most likely end up causing an amputation later), a character might have to amputate in a serious situation.
Dislocated limb: If a bone “pops” out of its socket, a character might have to put it back into place. A dislocated limb restricts movement, so your character might not be able to go forward until the situation is resolved. Arms and fingers are commonly dislocated and there will probably be pain when they’re set back into place. Those limbs should be rested and iced to prevent swelling.
Jammed fingers: If you get your finger caught in a door, for example, and it doesn’t break; you might have a jammed finger. I’ve had a few of these in my life, which usually causes bruising and some pain, but it heals on its own. These types of injuries can be from jamming your fingers against something hard and you might lose a finger nail. They will most likely hurt for a while until they are healed.
Stab wounds: These are usually deep cuts by a knife or a sword or another sharp object. They need to be treated, as they are prone to infection, and they should be bandaged. If the bleeding is excessively bad, a common way to stop the bleeding is to get stitches or cauterize the wound. Cauterization is the process of burning the wound in order to seal it up. Think of lightsabers in Star Wars. No one bleeds when they’re cut because the “blade” of the lightsaber cauterizes the wound as it cuts. Your characters might have to stitch someone or cauterize someone in an emergency situation.
Gunshot wounds: Getting shot is a serious/life threatening situation, so your characters would need immediate medical attention.In an emergency situation, the bullet might have to be dug out and the wound cauterized if the bleeding is severe. If the bullet goes in and out, you might just have to worry about infection and covering the wound. A gunshot wound will be painful and will take a while to heal. If someone is shot in the leg, they will have trouble walking. The limbs will need time to heal.
Poisoning: This is a wide topic that could include food poisoning to being poisoned by another character, but they will probably feel very sick. Symptoms will include vomiting, dehydration, diarrhea, etc. Your character might get severe stomach aches and will not be able to function.Being poisoned can be deadly and can happen quickly. A medicine called Ipecac will induce vomiting in order to get the poisons out of someone’s symptoms, but will not work for EVERYTHING. Further treatment might be necessary.
Stomach wound: A person with a stomach wound will not last very long without addressing it. If it is deep enough, it will kill off your character unless the bleeding and infection can be stopped. Infection is usually what kills people with stomach wounds or gunshot wounds.
This is a list to be used for WRITING purposes only. Obviously you should call a doctor or get emergency treatment if something is serious. I also wrote this list assuming that your characters don’t have access to medical professionals, so keep that in mind. Hope this helps!
-Kris Noel
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I am a(n):
⚪ Male
⚪ Female
🔘 Writer
Looking for
⚪ Boyfriend
⚪ Girlfriend
🔘 An incredibly specific word that I can't remember
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When you get the advice to “read more” to get better at writing, it’s not very concise and really sounds unhelpful after the third time you’ve heard it. So here, this is what you’re getting out of it (besides grammar or whatever):
You observe the way a story is organized and how it achieves its flow
You become familiar with tropes and archetypes
Story structure becomes an easy to recall memory, and every novel you’ve ever read becomes a reference book
You develop how you write stylistically, the things you hate and the things you try to emulate
You gain the skills to critique books in a smart manner, and therefore can recognize flaws in your own works that you remember bashing a novel for
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