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If you ever feel like you don't contribute to fandom because you "only" comment—

A regular serial commenter just joined a fandom Discord server I'm on and people are coming out of the woodwork to thank her for her service to the fandom, expressing how much joy her comments on their works bring them.

Remember—they're never only comments.

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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

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the ellipsis is the most powerful of all the punctuation…so versatile…i’m pondering…i’m omitting…i’m implying…i’m trailing off…

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but your honour thats my emotional support word i overuse

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what she says: I'm a writer

what she means: I have approx 2647 plot/character ideas floating around my head at any given time but there is no way in hell my disorganised ass is getting any of this down on paper any time soon

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For the last goddamn time...

"Kill your darlings" means "if something is holding you back, get rid of it, even if it sounds pretty."

That's it! That's all it means! It means if you're stuck and stalled out on your story and you could fix the whole block by removing something but you're avoiding removing that thing because it's good, you remove that thing. That's the darling.

It does NOT mean

That you have to get rid of your self-indulgent writing

That you should delete something just because you like it (?wtf?)

That you need to kill off characters (??? what)

That you have to pare your story down to the absolute bare bones

That you have to delete anything whatsoever if you don't want to

The POINT is that you STOP FEELING GUILTY for throwing out good writing that isn't SERVING THE STORY.

The POINT is that you don't get so HUNG UP on the details that you lose sight of the BIG PICTURE.

Good grief....

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Trigger warning for angst and mention / discussion of suicide! Character wants to die.

Almighty_Hat wrote this absolutely immaculate fic for Spellbound au called Sworn. The very second I finished reading it I felt the irresistible urge to illustrate one specific fragment of it. so now we’re here.

Also I really recommend you have [Slipping Into Chaos by Joni Fuller] playing on the background while reading.

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How to make feelings into words?

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a writing competition i was going to participate in again this year has announced that they now allow AI generated content to be submitted

their reasoning being that "we couldn't ban it even if we wanted to, every writer already uses it anyway"

"Every writer"?

come on

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Is this a problem?

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How to edit? One of the most difficult but sometimes it feels like most important questions for writing.

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cannot emphasize enough how a good piece of media can reset a creative slump. stop putting off consuming that media because you "should be writing instead" and then not write either

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that feeling when you get a brand new story idea, but it literally has no plot yet, just vibes>>

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Lesser-known steps of the writing process:

Finding all the paragraphs where you used some hyper-specific word more than once

Rearranging paragraphs that you swear you wrote in the right order but turned out to be totally backwards

Going for a walk, coming up with the perfect line, and forgetting it as soon as you get home and open your laptop

Creating a separate document where you can dump all of those nice sentences that no longer fit in anywhere

Waking up in a cold sweat because so-and-so was supposed to be barefoot but never actually took his shoes off

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“I don’t want to be a burden” you’re more like a relief, a gift, a blessing actually

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Talking with writers online

Their stories: Amazing grammar, soaring vocabulary, beautiful imagery and prose which flows like a river.

In chats: no capitalisation or punctuation, swears like a sailor, misspellings everywhere, acronyms and abbreviations every five words, idek