writingsiewmai

[writingsiewmai]

[writingsiewmai]

Hey guys, I wanted to tell you about the Ihyaa' initiative. My friend Mohammed Ayesh, who's been our vetter on the ground in Ghazzah for the last year or so, wants to make a space and provide resources for University students to complete their studies in a proper learning environment, along with providing food parcels, stationary, and other essentials. You may have heard of the Isnad initiative! It's very similar to the Ihyaa' initiative but it's located elsewhere. They had to find the right room to use as a classroom for the Ihyaa' initiative and they're going to be paying rent of 2000$ for it. Mohammed Ayesh has informed me that starting on Monday this rent will begin.

University students are the foundation of a better and rebuilt Ghazzah! If you want to help Ghazzah rebuild, this is one of the first steps you can start assisting with.

[writingsiewmai]

So my problem with most ‘get to know your character’ questioneers is that they’re full of questions that just aren’t that important (what color eyes do they have) too hard to answer right away (what is their greatest fear) or are just impossible to answer (what is their favorite movie.)  Like no one has one single favorite movie. And even if they do the answer changes.

If I’m doing this exercise, I want 7-10 questions to get the character feeling real in my head. So I thought I’d share the ones that get me (and my students) good results: 

What is the character’s go-to drink order? (this one gets into how do they like to be publicly perceived, because there is always some level of theatricality to ordering drinks at a bar/resturant)

What is their grooming routine? (how do they treat themselves in private)

What was their most expensive purchase/where does their disposable income go? (Gets you thinking about socio-economic class, values, and how they spend their leisure time)

Do they have any scars or tattoos? (good way to get into literal backstory) 

What was the last time they cried, and under what circumstances? (Good way to get some *emotional* backstory in.) 

Are they an oldest, middle, youngest or only child? (This one might be a me thing, because I LOVE writing/reading about family dynamics, but knowing what kinds of things were ‘normal’ for them growing up is important.)

Describe the shoes they’re wearing. (This is a big catch all, gets into money, taste, practicality, level of wear, level of repair, literally what kind of shoes they require to live their life.)

Describe the place where they sleep. (ie what does their safe space look like. How much (or how little) care / decoration / personal touch goes into it.)

What is their favorite holiday? (How do they relate to their culture/outside world. Also fun is least favorite holiday.) 

What objects do they always carry around with them? (What do they need for their normal, day-to-day routine? What does ‘normal’ even look like for them.) 

[writingsiewmai]

Dear generous supporters,

Please do not skip my story 🇵🇸🍉🚨

I am writing this with full hope to find people with kind hearts to help and support to regain my physical ability to walk and work again.

My name is Ahmed Al Yazji. I am 20 years old living in Gaza and in need for urgent medical treatment after being dangerously injured by a recent Israeli airstrike.

On Nov 11, 2023, I was at home staying peacefully with my family when an air strike hit the house causing severe damage to the building and serious injury to my neck.

The medical images show part of a rocket still present in my neck which according to the report will potentially cause me complete paralysis if not removed.

Unfortunately, it is not possible to do the needed surgery in Gaza due to lack of medical expertise, the damaged hospitals and equipment caused by the war.

Before the war, I was working and taking care of my family and being responsible for the financial expenses.

Now with my injury, I am not physically capable of working which has been causing extreme hardship to my family who is now facing inevitable hunger and escalating health issues.

I am running this fundraiser to ask for donations to help me do a neck surgery out of Gaza so that i can gain back my physical abilities to walk and work to feed my family. Part of the donations will be also used to maintain our house that was severely impacted by the strike.

With your power and your support I hope that I can rebuild my life again soon.

@fairuzfan @ibtisams @fallahifag

@vakarians-babe @sar-soor @plomegranate @nabulsi @sayruq

@palipunk @palidoodles @el-shab-hussein @communistchilchuck @northgazaupdates @stil-lindigo @queerstudiesnatural

@bluebellsinthedells @palestine @rizzyluke @kordeliiius @self-hating-zionist @thenewgothictwice @raelyn-dreams @unfortunatelyuncreative @licencetokrill @jezebelgoldstone @ramelcandy @petracourtjester

@labutansa @sammywo @autistwizard @tortiefrancis @sparklinpixiedust

@teluka @revcuse @golvio

@leftismsideblog @star-and-space @rainbowywitch @marscodes @oursapphirestars

@annoyingloudmicrowavecultist @boyvander @the-bastard-king

@13ag21k @agentfascinateur @ammonitetheseaserpent

@northgazaupdates@queerstudiesnatura

@palestinegenocide @nabulsi@sayruq@f1dyke@sar-

soor @appsa @oopollo-blog@fireyfobbitmedicine

@el-shab-hussein

@ibtisams @90-ghost@fairuzfan@sar-soor @nabulsi

@vakarians-babe

@aces-and-angels @interfacefox@cosmic-collective-

system@finnslay@muchmossymess @rez-urrection

@walking-polyp @bibyebae @autisticexpression2

@bisexualchemistry @violetclowns @beefybutchboy

@feefal @mobydyke @genderfluidgothwitch

@sleepyseaslug @urfavhatesthehungovt @riding-

with-the-wild-hunt@morallyrainyday@taviamoth

@olovelymoon @jannahswaiting @el-shab-hussein

@longlivepalestina@beesofink@curiOuscreature

@orchidvioletindigo@sunclownsblog@selamat-

linting @girlinafairytale @ragingbullmode

@theneutral-zone@thevalaxy@fairuzfan

@opencommunion @gorillawithautism

@seafoamwoman @emathyst9 @three-croissants

@iznabl@nabulsi@sar-soor@appsa@akajustmerry

[writingsiewmai]

10 outline techniques for writers

With this post I listed 10 outline techniques to help writes move their story from a basic idea to a complete set of arcs, plots, sequences and/or scenes. Or to simply expand whatever you have in hands right now.

If you have a vague story idea or a detailed one, this post is for you to both discover and organize. A few technique will work perfectly. A few won’t. Your mission is to find the one that works best for you. That said, I advice you to try out as many techniques as possible.

So, are you ready? Open your notebook, or your digital document, and let’s start.

1. Snowflake method: Start with a one-sentence description of the novel. Then, develop this simple phrase into a paragraph. Your next step is to write a one-page summary based on the paragraph, you can write about characters, motivations, goals, plots, options, whatever you feel like. From this point on, you can either start your book or expand the one-page summary into four pages. And, at last, four pages into a brief description of known sequences of scenes. Your goal is to make the story more and more complex as you add information, much like a forming snowflake.  

2. Chapter by chapter: List ten to twenty chapters, give each chapter a tittle and a brief description of what should happen. Then, break each chapter into three to five basic sequences of scenes. Give each sequence a title, a brief description and a short list of possibilities (possibilities of dialogues, scenarios, outcomes, moods, feelings… just play around with possibilities). From this point on, you can either create the scenes of sequences with a one-sentence description for each or jump straight to writing. Your goal is to shift from the big picture to a detail-oriented point of view.

3. Script: This might sound crazy, but, with this technique, you will write the screenplay of your story as if it’s a movie. No strings attached to creative writing, just plain actions and dialogues with basic information. Writing a script will take time, maybe months, but it will also enlighten your project like no other technique. Your goal is to create a cinematic view of your story. How to write a script here. 

4. Free writing: No rules, no format, no step, just grab a pen or prepare your fingers to write down whatever idea that comes up. Think of possibilities, characters, places, quests, journeys, evolutions, symbolisms, fears, good moments, bad moments, clothing, appearances. Complete five to ten pages. Or even more. The more you write, the more you will unravel. You can even doodle, or paste images. Your mission is to explore freely.

5. Tag: This technique is ideal if you have just a vague idea of the story. Start by listing ten to fifteen tags related to the story. Under each tag, create possible plots. And, under each plot, create possible scenes. Grab a red felt pen and circle plots and scenes that sparkle your interest.

6.  Eight-point arc: With this technique you will divide your story into eight stages. They are Stasis, Trigger, Quest, Surprise, Critical Choice, Climax, Reversal and Resolution. The Stasis is the every-day-life of your main character. Trigger is an event that will change the every-day-life of your character (for better or for worse). Quest is a period of your main characters trying to find a new balance, a new every-day-life (because we all love a good routine). Surprise will take your character away from their new found every-day-life. Critical Choice is a point of no return, a dilemma, your character will have to make the hardest decision out of two outcomes, both equally important. Climax is the critical choice put to practice. Reversal is the consequence of the climax, or how the characters evolved. Resolution is the return to a new (or old) every-day-life, a (maybe everlasting) balance.

7. Reverse: Write down a description of how your story ends, what happens to your characters and to those around them. Make it as detailed as possible. Then, move up to the climax, write a short scenario for the highest point of your story. From there, build all the way back to the beginning. 

8. Zigzag: Draw a zigzag with as many up and downs as you want. Every up represents your main character moving closer to their goal. Every down represents your main character moving further from their goal. Fill in your zigzag with sequences that will take your character closer and farther from the goal.

9. Listing: The focus of this technique is exploring new ideas when your story feels empty, short or stagnated. You’ll, basically make lists. Make a long list of plot ideas. Make another list of places and settings. Make a list of elements. And a list of possible characters. Maybe a list of book titles. Or a list of interesting scenes. A list of bad things that could happen inside this universe. A list of good things. A list of symbolism. A list of visual inspiration. A list of absurd ideas you’ll probably never use. Then, gather all this material and circle the good items. Try to organize them into a timeline.

10. Character-driven: Create a character. Don’t worry about anything else. Just think of a character, their appearance and style. Give them a name. Give them a basic personality. Give them a backstory. Develop their personality based on the backstory. Now, give this character a story that mirrors their backstory (maybe a way to overcome the past, or to grow, or to revenge, or to restore). Based on your character’s personality, come up with a few scenes to drive their story from beginning to end. Now, do the same thing for the antagonist and secondary characters.

So, when is it time to stop outlining and start writing?

This is your call. Some writers need as many details as they can get, some need just an basic plot to use as a North. Just remember, an outline is not a strict format, you can and you will improvise along the way. The most important is being comfortable with your story, exploring new ideas, expanding old concepts and, maybe, changing your mind many times. There’s no right or wrong, just follow your intuition.  

[writingsiewmai]

Emergency: Help Evacuate My Family From GAZA WAR

Dear Humanity,

I'm Haya from Gaza , from a family of 8 people: my parents, two sons, and four daughters (two of them suffer from allergies).

I've witnessed the evidence of the tragedy that has struck our lives in Gaza, where my family and I have survived amidst numerous previous wars. But today, we face the most dangerous and fierce battle in the current war. The urgent need intensifies for us, as we have nothing left and are unable to secure our basic needs such as food, water, and safe shelter.

Here is our story - On October 7th, our lives changed forever, my family and I evacuated from northern Gaza to southern Gaza, hoping to return soon, but it wasn't meant to be. Our home was surrounded, burned, and then completely destroyed, Our home, once a fortress of hope, now lay in ruins, a stark reminder of our shattered dreams.

The night before we left from the north to the south was terrifying. Shelling sounds were everywhere, making a loud noise that felt like it went through our souls. Every explosions shook the ground like earthquakes, sending shockwaves of fear through our trembling bodies. filling us with fear. The air smelled of destruction and blood, making it hard to breathe. When dawn came, we saw the devastation around us, realizing our home was now a symbol of loss and despair.

We ran into the streets and with each step we took into the unknown streets, we felt as if we were plunging deeper into the abyss of our shattered existence, leaving behind everything we own in our home: Clothes, important official documents, the car, and literally it's almost everything - the enormity of our loss weighed heavily upon us.

Our home it was where we found hope, safety, and made precious memories. Losing it felt like losing years of our lives, leaving us adrift amidst the wreckage of our shattered existence.

A brief video depicting the devastation that struck our home and our entire neighborhood in Gaza.

Desperate Plea: Escaping Gaza's Allergy Nightmare

I, Haya, suffer from severe allergy to penicillin-derived medications, and my sister, Amal, also suffers from severe allergies to medications from my family such as Paracetamol and Ibuprofen.

These allergies create a deep sense of fear and anxiety for us, as we live in a constant state of tension and fear of anything that may require a visit to the hospital. We fear being given inappropriate medications due to the unavailability of suitable treatments in Gaza because of war or lack of awareness and not informing the doctor of our allergies, which could lead to serious consequences threatening our lives.

MY Father Income

Our dreams are heading towards oblivion in the labyrinth of an uncertain future

My story, along with my siblings, represents a united team of four individuals, three of whom are skilled programmers and one graphic designer. We work as freelancers in the world of freelancing.

As for my younger sister, she is a student studying at the College of Architecture. She has always carried a big dream in her heart, a dream of being part of changing Gaza, of making it more beautiful and better. She looked forward to the day when she would receive her degree and start building this dream. But the beginning of the war changed everything. The destruction of infrastructure and universities cast shadows of despair over her dreams.

When I think of my brother in Belgium, I can't help but feel deep sadness. He has been suffering from unbearable anxiety and insomnia since the outbreak of the war. Sleep eludes him at night, and his physical and mental health collapses under the weight of these heavy burdens, negatively affecting his performance at work. Problems and challenges pile up in front of him without the slightest opportunity for rest.

We all feel psychological pressure and extreme anxiety. The war hasn't been limited to external attacks but has deeply infiltrated our daily lives. We search among the rubble for a little safety and the basic resources for survival. Every day comes with a new challenge that we must overcome.

As we sway amidst the rubble of shattered dreams, our souls wrestle and our hearts beat strongly challenging the ravages of war.

Our parents earnestly seek a way to rescue us from this hell, feeling the heavy responsibility for every moment we spend under the shadows of fear and destruction. They dream of a safe place where they can build for us a better future, filled with security and hope, for we deserve life in all its meanings of comfort and peace.

Perhaps this fundraising campaign represents a light in the midst of darkness, it is indeed the only hope we cling to firmly.

I appeal to the world as a whole to hear my cry and the mournful cry of my family in Gaza. We need the helping hand that reaches out to wipe our tears and build a bridge to safety.

Your donation is not just a donation; it's an opportunity to rebuild life and brighten a better tomorrow. Be part of our hopeful story, for we need your hand to start anew.

The purpose of the fundraising campaign

The goal of this fundraising campaign is to rescue my family - my parents, my siblings, and me - through the Rafah Crossing to Egypt, which currently requires $5000 per person. This campaign is our only chance to stay alive, and I humbly request your assistance at this critical time. I will provide you with a comprehensive breakdown of the expenses, committing to transparency and clarity.

Verified by :

⭐️ operation olive branch, number 26 on their spreadsheet.

⭐️ Project watermelon,line 249 on their spreadsheet.

Thank you for your kindness and support.

.جزاكم الله خيراً

yours sincerely;

Haya Alshawish.

[writingsiewmai]

“When I was 26, I went to Indonesia and the Philippines to do research for my first book, No Logo. I had a simple goal: to meet the workers making the clothes and electronics that my friends and I purchased. And I did. I spent evenings on concrete floors in squalid dorm rooms where teenage girls—sweet and giggly—spent their scarce nonworking hours. Eight or even 10 to a room. They told me stories about not being able to leave their machines to pee. About bosses who hit. About not having enough money to buy dried fish to go with their rice.

They knew they were being badly exploited—that the garments they were making were being sold for more than they would make in a month. One 17-year-old said to me: “We make computers, but we don’t know how to use them.”

So one thing I found slightly jarring was that some of these same workers wore clothing festooned with knockoff trademarks of the very multinationals that were responsible for these conditions: Disney characters or Nike check marks. At one point, I asked a local labor organizer about this. Wasn’t it strange—a contradiction?

It took a very long time for him to understand the question. When he finally did, he looked at me like I was nuts. You see, for him and his colleagues, individual consumption wasn’t considered to be in the realm of politics at all. Power rested not in what you did as one person, but what you did as many people, as one part of a large, organized, and focused movement. For him, this meant organizing workers to go on strike for better conditions, and eventually it meant winning the right to unionize. What you ate for lunch or happened to be wearing was of absolutely no concern whatsoever.

This was striking to me, because it was the mirror opposite of my culture back home in Canada. Where I came from, you expressed your political beliefs—firstly and very often lastly—through personal lifestyle choices. By loudly proclaiming your vegetarianism. By shopping fair trade and local and boycotting big, evil brands.

These very different understandings of social change came up again and again a couple of years later, once my book came out. I would give talks about the need for international protections for the right to unionize. About the need to change our global trading system so it didn’t encourage a race to the bottom. And yet at the end of those talks, the first question from the audience was: “What kind of sneakers are OK to buy?” “What brands are ethical?” “Where do you buy your clothes?” “What can I do, as an individual, to change the world?”

Fifteen years after I published No Logo, I still find myself facing very similar questions. These days, I give talks about how the same economic model that superpowered multinationals to seek out cheap labor in Indonesia and China also supercharged global greenhouse-gas emissions. And, invariably, the hand goes up: “Tell me what I can do as an individual.” Or maybe “as a business owner.”

The hard truth is that the answer to the question “What can I, as an individual, do to stop climate change?” is: nothing. You can’t do anything. In fact, the very idea that we—as atomized individuals, even lots of atomized individuals—could play a significant part in stabilizing the planet’s climate system, or changing the global economy, is objectively nuts. We can only meet this tremendous challenge together. As part of a massive and organized global movement.

The irony is that people with relatively little power tend to understand this far better than those with a great deal more power. The workers I met in Indonesia and the Philippines knew all too well that governments and corporations did not value their voice or even their lives as individuals. And because of this, they were driven to act not only together, but to act on a rather large political canvas. To try to change the policies in factories that employ thousands of workers, or in export zones that employ tens of thousands. Or the labor laws in an entire country of millions. Their sense of individual powerlessness pushed them to be politically ambitious, to demand structural changes.

In contrast, here in wealthy countries, we are told how powerful we are as individuals all the time. As consumers. Even individual activists. And the result is that, despite our power and privilege, we often end up acting on canvases that are unnecessarily small—the canvas of our own lifestyle, or maybe our neighborhood or town. Meanwhile, we abandon the structural changes—the policy and legal work— to others.”

- Naomi Klein

[writingsiewmai]

I think we need to get more comfortable with the idea that sometimes shitty, racist, homophobic, bigoted people are still incredibly talented.

I feel like every time I see a post addressing someone’s shitty behavior the post also takes the time to mention that they’re not even good at [x] anyway. And that’s just not always true? Equating being good at a skill as being morally good is just not necessary. Someone can be a fantastic writer, can have a beautiful singing voice, can create breathtaking artwork, and still be a horrible person.

I know part of this is probably just the instinct to dislike everything about a person when you dislike them, but I also think this mindset leads to people defending creatives way past where they should, because if bad people create bad art, then if this person creates art that I like and resonates with me, then they can’t be a bad person!

And you know. That’s just not true. Those two things are simply completely unconnected and I think it’d be healthier if we all started disconnecting them in our heads.

[writingsiewmai]

I would like to apologize to every single one of my wips ever

[writingsiewmai]

Cases of Skin Rash are increasing everyday because of bacterial , fungal or viral infections , on the other sides alot of insects such as mosquitoes, ticks, fleas and flies, which act as vectors. What we are witnessing in shelter centers and displacement camps from the accumulation of stagnant water and inadequate management of waste and sanitation provides a fertile ground for disease vectors. Every day we see in our Medical point about 50 cases of multi-cause rash. 😥💔

Save our children from this war. Link for donation 👇🔗🍉

Verified by Operation Olive Branch line 395 master line

We still very far from the goal. I hope everyone will donate even a little. I am confident that you will stand with me and support me until I reach my goal and remove my family from the danger of war. Share my story. Pin my story to your page. Everything helps.

@stil-lindigo @riding-with-the-wild-hunt @palestinegenocide @communistchilchuck @palentonga @palms-upturned @commissions4aid-international @cherifaouachani @sayruq @sar-soor

[writingsiewmai]

The situation is getting more serious, please help. My children wish for a happy life, nothing more. They want to play like the .children of the world

[writingsiewmai]

[writingsiewmai]

Vetted fundraiser masterpost-masterpost

TRY MY NEW DONATION ASK GAME!!! (COMING SOON)

This is a collection of links to various posts concerning fundraisers I've vetted and instructions on how to submit fundraisers to me. These are primarily ones for Ghazzan families although some fundraisers for Sudanese families are also listed (I'm more familiar with my own country's politics and dialect and am more capable of vetting fundraisers for Palestinians as a result). Each post will have a time stamp indicating the latest date of update. And fundraisers will have colour-coded disclaimers according to the particularities of their case.

I know that people do not like clicking on links or navigating between posts, but please actually look through these posts and choose a fundraiser to donate to. Please.

Instructions on how to submit a fundraiser. (for those not Ghazzan) تعليمات لتقديم طلب توثيق و نشر حملات التبرعات الخاصة بالغزاويين و عائلاتهم (للغزاويين فقط)

ملاحظة خاصة نشر الحملات.

List of fundraisers for my direct contacts from Ghazzah & Sudan. - PRIORITY.

Vetted family evacuation fundraisers list 1. - Particularities Listed.

Vetted family evacuation fundraisers list 2. - Particularities Listed.

Unvetted but highly likely legitimate fundraisers.

Additional fundraisers for various purposes.

[writingsiewmai]

Have been thinking a lot lately about how, when a new technology emerges, people who were born after the shift have trouble picturing exactly what The Before was like (example, the fanfic writer who described the looping menu on a VHS tape), and even people who were there have a tendency to look back and go "Wow, that was... wild."

Today's topic: The landline. A lot of people still have them, but as it's not the only game in town, it's an entirely different thing now.

(Credit to @punk-de-l-escalier who I was talking to about this and made some contributions)

for most of the heyday of the landline, there was no caller ID of any kind. Then it was a premium service, and unless you had a phone with Caller ID capability-- and you didn't-- you had to buy a special box for it. (It was slightly smaller than a pack of cigarettes.)

Starting in the early nineties, there WAS a way to get the last number dialed, and if desired, call it back. It cost 50 cents. I shit you not, the way you did it was dialing "*69". There's no way that was an accident.

If you moved, unless it was in the same city-- and in larger cities, the same PART of the city-- you had to change phone numbers.

As populations grew, it was often necessary to take a whole bunch of people and say "Guess what? You have a new area code now."

The older the house, the fewer phone jacks it had. When I was a kid, the average middle-class house had a phone jack in the kitchen, and one in the master bedroom. Putting in a new phone jack was expensive... but setting up a splitter and running a long phone cord under the carpet, through the basement or attic, or just along the wall and into the next room was actually pretty cheap.

Even so, long phone cords were pretty much a thing on every phone that could be conveniently picked up and carried.

The first cordless phones were incredibly stupid. Ask the cop from my hometown who was talking to his girlfriend on a cordless phone about the illegal shit he was doing, and his wife could hear the whole thing through her radio.

For most of the heyday of the landline, there was no contact list. Every number was dialed manually. Starting in the mid-eighties, you could get a phone with speed dial buttons, but I cannot stress how much they sucked, because you had to label them with a goddamn pencil, you only had ten or twenty numbers, reprogramming them was a bitch, and every once in a while would lose all of the number in its memory.

All of the phone numbers in your city or metro area were delivered to you once a year in The Phone Book, which was divided between the White Pages (Alphabetic), the Yellow Pages (Businesses, by type, then alphabetic), and the Blue Pages (any government offices in your calling area (which we will get to in a moment)).

Listing in the white pages was automatic; to get an unlisted number cost extra.

Since people would grab the yellow pages, find the service they need, and start calling down the list, a lot of local business names where chosen because they started with "A", and "Aardvark" was a popular name.

Yes, a fair chunk of the numbers in it were disconnected or changed between the time it was printed and it got to your door, much less when you actually looked it up.

One phone line per family was the norm.

Lots and lots and LOTS of kids got in trouble because their parents eavesdropped on the conversation by picking up another phone connected to the same line.

A fair number of boys with similar voices to their father got in trouble because one of their friends didn't realize who they were talking to.

And of course, there were the times where you couldn't leave the house, because you were expecting an important phone call.

Or when you were in a hotel and had to pay a dollar per call. (I imagine those charges haven't gone away, but who pays them?)

Since you can't do secondary bullet points, I'll break a couple of these items out to their own lists, starting with Answering Machines.

these precursors to voicemail were a fucking nightmare.

The first generation of consumer answering machines didn't reach the market until the mid-eighties. They recorded both the outgoing message and the incoming calls onto audio cassettes.

due to linear nature of the audio cassette, the only way to save an incoming call was to physically remove the cassette and replace it with a new one.

they were prone to spectacular malfunction; if the power went out, rather than simply fail to turn back on, they would often rewind the cassette for the incoming messages to the beginning, because it no longer knew where the messages were, or how many there were.

Another way they could go wrong was to start playing the last incoming call as the outgoing message.

Most people, rather than trying to remember to turn it on each time they went out and turn it off when they got back, would just leave it on, particularly when they discovered that you could screen incoming calls with it.

Rather a lot of people got themselves in trouble because they either didn't get to the phone before the answering machine, or picked up when they heard who was calling, and forgot that the answering machine was going-- thus recording some or all of the phone call.

Eventually the implemented a feature where you could call your answering machine, enter a code, and retrieve your messages. The problem was that most people couldn't figure out how to change their default code, and those that did didn't know it reset anytime the power went out. A guy I went to college with would call his ex-girlfriend's machine-- and her current boyfriend's-- and erase all the messages. He finally got busted when she skipped class and heard the call come in.

And, of course, there's the nightmare that was long-distance.

Calls within your local calling area were free. (Well, part of the monthly charge.) This usually meant the city you lived in and its suburbs. Anything outside this calling area was an extra per-minute charge.

This charge varied by time of day and day of the week, which made things extra fun when your friend on the west coast waited until 9pm for the lower charges, but you were on the east coast and it was midnight.

Depending on your phone company, and your long distance plan, the way your long distance work varied wildly. Usually in-state was cheaper-- with zones within the state that varied by price, and out of state had its own zones.

Your long distance plan came in lots and lots of distracting packages, and was billed to your phone bill.

At one point, when I was living in North Carolina, a scammer set themselves up as a long distance company and notified the phone company that a shitload of people had switched to their service. They got caught fairly quickly, but I was annoyed because they were actually charging less than AT&T.

"Would you like to change your long distance plan" was the 80's and 90's equivalent of "We have important news about your car insurance."

Had a friend who lived at the edge of a suburb in Birmingham, and for her to call her friend two miles down the street was long-distance, because the boundary of the calling area was right between them.

[writingsiewmai]

i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors

[writingsiewmai]

Getting really sick of all the "There's No Place Like Chrome" ads on youtube. There's Firefox. Firefox saves your passwords. Firefox autofills things if you want. Firefox also does things that Chrome doesn't like allow adblockers, and it does not mine your data and sell your information for advertising purposes. Google is really trying to push people to use Chrome so they can take as much data from users as possible in order to make as much money as possible and it's borderline sinister.

Anyway, download Firefox.